首页>> 文学论坛>> 现实百态>> 德莱塞 Theodore Dreiser   美国 United States   二战中的美国   (1871年8月27日1945年12月28日)
嘉莉妹妹 Sister Carrie
  《嘉莉妹妹》是德莱塞创作的第一部小说,也是美国文学史上最著名的作品之一。《嘉莉妹妹》一书中最重要的一个情节是赫斯渥偷了酒店的钱,将嘉莉骗上火车,开始了私奔的生活。这个情节的原型实际上是德莱塞妹妹埃玛的生活经历。当年一家酒店的出纳就曾经偷了店里的三千五百美元,带着埃玛私奔到蒙特利尔,然后又辗转去了纽约。一九〇〇年三月德莱塞完成了《嘉莉妹妹》的初稿。一个世纪以来,《嘉莉妹妹》尽管受到某些非议,但始终是读者爱不释手的一部名著。
  《嘉莉妹妹》-作品内容
  
  18岁的嘉罗琳(嘉莉)离开自己的父母,到芝加哥找姐姐,想谋求一份适合自己的工作。虽然之前曾经去过姐姐家一次,但毕竟对城市生活非常陌生。在火车上,被推销员德鲁埃认识,互相交换了在芝加哥的地址。
  
  到达姐姐家后,找工作并非非常的顺利,曾经在一个每周收入只有四块半的鞋店工作,但是,在给姐姐交完每周四块钱的食宿费后,只有五角钱的使用空间,而这些,并没有阻挡住对城市灯红酒绿生活的向往,富人生活的诱惑始终在吸引着她,但是,出路在哪里呢?
  
  由于工作的辛苦,淋雨病到后,这唯一的工作也就没有了。姐夫无法得到应得的食宿费补贴家用,让嘉罗琳产生回老家的念头。推销员德鲁埃在找到嘉莉后,了解她的情况,愿意资助她,又鼓起了她继续待在城市的念头。嘉莉给姐姐留了一张纸条后,就和德鲁埃一起在租住一个公寓里。
  
  从此以后,嘉莉就在德鲁埃的影响下,开始去适应城市生活,去看演出、吃饭等,此时的她,认为有钱的日子真舒服,也感到非常的幸福。这是她到芝加哥之后第一次感到幸福,特别是透过阳台的窗户,看到路边走过的,曾和她在鞋店工作类似的女工时,她非常满足目前的物质生活。
  
  通过德鲁埃,嘉莉也认识了酒店经理赫斯特伍德。相对对城市生活不太陌生的嘉莉发现,赫斯特伍德其实比德鲁埃更风趣幽默,更善解人意。其实要知道,他们两人的区别,主要是由于工作的不同,塑造的人物性格也就不同,而这些,嘉莉她不知道。
  
  在德鲁埃外出工作时,她发现自己和赫斯特伍德非常谈的来,频频的约会,心中会时不时地想起赫斯特伍德。但是,这种变化被德鲁埃发现后,告诉她,赫斯特伍德是有妻子和孩子的,嘉莉发觉自己受到了欺骗,准备疏远赫斯特伍德。
  
  赫斯特伍德是有妻子和孩子,但是追逐物质享受和交际的妻子,没有和丈夫有过多的交流,赫斯特伍德和妻子的生活没有激情。嘉莉的纯洁让他心动,可是自己的资产都在妻子名下,钱的问题让赫斯特伍德非常尴尬。
  
  为了和心动的人在一起,为了不受到妻子的讽刺挖苦,逃。赫斯特伍德一心想和嘉莉远离这个让他痛苦和烦闷的家,让嘉莉离开德鲁埃和自己在一起。一天营业结束后,赫斯特伍德拿了酒店的营业款,当夜找到嘉莉,欺骗她德鲁埃受伤把她拉上了开往蒙特里尔的火车。
  
  虽然离开了芝加哥,但是,侦探的到来还是让赫斯特伍德交出了大部分公款,同时,为了避免遇到昔日的熟人,他们到达纽约。
  
  纽约的生活水平,让赫斯特伍德认为必须找到一份合适的工作,否则的话,留下的钱无法长久满足嘉莉日常的开销,毕竟嘉莉没有太多城市工作的经验,生活的压力目前不应该让她有。
  
  赫斯特伍德把留下钱的一大部分与别人合伙开了一个酒店,他负责经营。工作忙碌的他,渐渐没有时间陪在嘉莉身边,嘉莉打发时间,认识了新来的邻居万斯先生和夫人。他们三人会到百老汇吃饭、看演出。嘉莉意识到,在百老汇大街上游玩的人,才是真正的有钱人,他们不是单单地来游玩,是来摆阔的,让嘉莉非常羡慕。
  
  可是,赫斯特伍德合伙的生意受骗了,两人的生活开始拮据起来,经常为一些琐碎的事发生争吵。接连半年多的时间,逐渐年老的赫斯特伍德也没有找到工作,也丧失了继续工作的热情。无奈之下,嘉莉想起在芝加哥时,自己曾有过一次登台演出的经历,当时是帮助德鲁埃给别人许下的诺言,挽回了德鲁埃的面子。
  
  工夫不负有心人,嘉莉从合唱歌舞队开始了她的舞台生涯。由于她热情的投入,迅速地得到经理的认可和提拔。在开始的一段时间里,她还用自己的钱照顾赫斯特伍德,但是她发现,赫斯特伍德沾染上赌博的毛病,让她恼火。在给赫斯特伍德留下一部分钱后,和一个女同伴在外边单独租了一个住处。
  
  嘉莉的演出工作,一直比较顺利,慢慢地,她也成了百老汇出名的女演员。离开嘉莉的赫斯特伍德,最后也死去了。出名后的嘉莉,车马有了,豪华的住处也有了,银行的存款也有了,请她吃饭、玩的朋友也非常多,但是她觉得自己并不幸福,她会一个人静静地坐在躺椅上,看着窗外,她觉得,物质生活满足的她,非常孤单。
  
  故事到这就讲完了。享受物质生活的嘉莉为什么不幸福呢?任何一个在城市生活的人,都想过富裕的生活,希望自己有房、有车、有存款,为什么得到这些条件的嘉莉不幸福呢?其实,她刚到芝加哥的时候,在火车上,她也是对目前的生活非常执着的向往,真正得到的今天,却不幸福,感到孤单?为什么?到底生活最终的目标应该是什么,才能让人真正感到幸福呢?
  
  其实追求高标准、高品位的生活,永远都不会错。物质生活的追求需要,但不是目的,人应该过有意义的生活,有真正推心置腹的朋友,有一个和睦温馨的家,有自己的责任和义务,这样的生活,才是幸福的。
  《嘉莉妹妹》-作者简介
  
  西奥多•德莱塞西奥多•德莱塞(1871—1945)是美国现代小说的先驱和代表作家,被认为是同海明威、福克纳并列的美国现代小说的三巨头之一。主要创作作品有:1900年,第一部长篇小说《嘉莉妹妹》; 1911年又发表了姊妹篇《珍妮姑娘》;1915年出版《天才》;1912年发表的《金融家》、1914年发表的《巨人》和1945年发表的《斯多葛》组成了他的现实主义巨著《欲望三部曲》。1927年访苏后,德莱塞又发表了一些作品,重要的有《德莱塞访苏印象记》(1928),政论集《悲剧的美国》(1931),短篇小说集《妇女群像》(1929)等。
  《嘉莉妹妹》-作品主题
  
  《嘉莉妹妹》是美国伟大的自然主义作家德莱塞的处女作,讲述的是农村少女嘉莉如何从社会底层登上百老汇红舞星宝座的过程,细腻地展示了嘉莉的生存景观及心路历程。该作品以真切的现实主义为鲜明的特征,比较真实地揭露了20世纪初人们狂热的追求美国之梦的悲剧事实,揭示了驱驶人们享乐却最终幻灭的本能主题,说明了在以金钱为中心的美国资本主义社会里不可能有真正的幸福。
  《嘉莉妹妹》-人物形象
  
  故事发生在十九世纪八十年代末和九十年代初的芝加哥和纽约。小说主要围绕女主人公嘉莉和赫斯特伍德展开。嘉莉出生在芝加哥附近的农村。她家境贫寒,但她虚荣心很强,向往城市的富裕生活。她较为典型地代表了当时一心想往上爬的美国下层人民。然而,她到了芝加哥后马上就成了失业大军中的一员,陷入贫困和疾病的泥潭。这时,嘉莉意识到贫富的极大差异性:一方面是贫困潦倒,另一方面是朱门酒肉臭。她依靠做工获得她幻想的幸福是不可能的了。于是她先后成了青年推销员德鲁埃和酒店经理赫斯特伍德的情人。后来,她在纽约偶然成了一位名演员,挤入了资产阶级的“上流”社会。这时的嘉莉发现她原来梦想的生活并不是那么诱人了,相反,她发现自己非常空虚和无聊。德莱塞在此小说中还刻意描写了赫斯特伍德。他是美国上层社会的一个成员。在物质上,他过着优裕富足的生活,但在精神上,他却是个十足的贫困儿。他与妻子和子女缺乏交流,没有感情。因此,他遇到嘉莉后立即“感觉到她的青春与朝气……感到神清气爽,好像在烈日炎炎的夏季突然吹过一阵清凉的春风”,并对她倾心相爱。他与嘉莉的性关系被发现后,他受到舆论的指责,因此而身败名裂。
  
  赫斯特伍德本是一个令人瞩目的上层人物,圈子广阔,朋友众多,因为自身的才华与魅力,很受人敬仰。按理说,他本该体体面面地享受着自己的人生,却毁在了情欲之上。
  
  嘉莉的出现,晕炫了他的眼睛,爱情是自私的,他不惜背叛朋友,急不可耐地要把朋友的情妇变成自己的情妇。但谁都不是省油的灯,他虽然做的精巧、隐蔽,却依然逃离不出旁人的眼睛,他的暗渡陈仓,注定了会有东窗事发的一天。妻子因为愤怒,封锁了他的财产,并通过律师提出离婚诉讼;德鲁埃因为气愤,揭了他结婚的老底;而嘉莉,因为知晓了他的虚伪,决定与他决裂。他几乎要被逼疯了,不惜挺而走险,卷走巨款;继而耍用手段,骗取嘉利,与其一块私奔。被侦探找到,为了不被起诉,归还了绝大部分钱款。
  
  爱,竟然会让一个如此聪明的人这么疯狂。而疯狂,是注定了要用巨大的代价偿还的。他带着心爱的人,如同丧家之犬,四处奔逃,狼狈万分,往日的风光依然不再。他并不想沉沦,为了东山再起,他确曾十分努力,但生活是残酷的,好运不会一直对某一个人特别惠顾,尤其是像他这样丢了基业、又有了一定年岁的人,他注定了要失败。折腾了三年,他破产了,几经碰壁之后,空想、抱怨、沉沦成了家常便饭,嘉莉离开了他。
  
  他成了寄生虫,凄凉地挣扎,苟延残喘。终于在一个寒冷的冬天,因为不堪忍受生存的折磨,在贫民窟里用煤气了解了大起大落的一生。他的陨落,很人让警醒。他曾经为了爱不顾一切,他的做法,值得斟酌。人心的欲念,不能不靠理智的约束。一旦没有了财富,他身上的光环还能存在吗?就象当今的一些中年人,为什么会有年轻貌美的女子爱上你,一旦你的财富和地位没了,有几人还能在你的身边浪费青春。
  《嘉莉妹妹》-作品评价
  
  《嘉莉妹妹》问世早期,美国舆论对此书的评论可分为两大派。《先驱时报》和《内务报》等将德莱塞视为美国的左拉,认为《嘉莉妹妹》是一部伟大的美国小说。虽然这些评论也认为在嘉莉妹妹和赫斯特伍德身上缺乏坚定的道德感,但它们总体上是肯定《嘉莉妹妹》的艺术地位的。在肯定德莱塞的批评家中最突出和最早的是H.L.门肯。他指出,德莱塞并不是弗兰克•诺里斯和左拉的追随者,因为他吸取了霍桑、欧文、赫伯特•斯潘塞等对他有用的思想,将“深刻的惊奇感引入文学”。对《嘉莉妹妹》持赞赏态度的还有二十年代和四十年代的查尔斯•鲍德温(CharlesBaldwin)、伯顿•拉斯科(BurtonRascoe)以及F.O.马西森(Matthiessen)等人。
  
  鲍德温认为德莱塞是美国最伟大最独特的小说家,在精神上和写作水平上都超过了英国小说家;拉斯科则为《嘉莉妹妹》中的非道德辩护,认为德莱塞是二十世纪二十年代自由思想的倡导者;马西森将《嘉莉妹妹》视为德莱塞生活时代历史史实的记载。另一派以《生活》和《商务报》为代表的评论则在总体上对《嘉莉妹妹》持贬斥的态度。这一派的评论家认为《嘉莉妹妹》宣扬道德沦丧和败坏。它们使用了诸如“现实性太过了”、“使人沮丧的”或者“太一般了”等字眼。对德莱塞攻击得最厉害也最有影响的是斯图尔特•舍曼(StuartSher-Kazin)。在《西奥多•德莱塞先生的自然主义》一文中,他指责德莱塞没有真实地描写美国社会和人,而是将人视为动物,“有意忽略小说家的崇高职责——理解和表现人物的发展”。在批评德莱塞的同时,舍曼连整个自然主义文学也一起否定了。在他看来,“现实主义小说表现人的行为,而自然主义小说则表现动物行为”。阿尔弗莱德•卡津(AlfredKain)和查尔斯•夏皮罗(CharlesShapiro)合编的《气度不凡的西奥多•德莱塞》(1955)一书收集了许多批评文章,其中有门肯、特林、沃卡特等人的文章。这本书是当时较有价值的综合性论集。在英国批评界,《嘉莉妹妹》得到了较高评价。《每日邮报》认为它是美国人写的一部了不起的小说。《捍卫者》指出,《嘉莉妹妹》“真实、敏锐、毫无偏见,它是美国历史上有史料价值的‘文件’”。还有批评家认为,《嘉莉妹妹》“是一部难得的好书,观察准确,笔调富有同情心,充满抒情和戏剧力量”。
  
  至二十世纪上半叶,对《嘉莉妹妹》的批评可谓汗牛充栋、连篇累牍。从方法论上看,这些早期批评大多属于传统历史传记式批评,将作家的作品和社会、生活等同起来。应该承认,这些批评对于我们理解和认识德莱塞和《嘉莉妹妹》起到了重要作用,但是,它们存在着局限性:过分强调文学作品产生的历史背景,而忽视了作品的独立性以及它与占主导地位的意识形态之间的复杂关系。二十世纪六十年代和七十年代对《嘉莉妹妹》进行的文本分析是对传统批评的反拨,但文本分析所采取的细读法虽然弥补了传统批评的不足,却又走向了另一极端:将文本视为脱离于历史和社会的“精制的瓮”。从二十世纪八十年代开始,德莱塞批评中出现了一些新的批评方法,如弗洛伊德的心理分析、女权主义批评和后结构主义批评。这些新方法无疑为我们提供了认识德莱塞及其作品的新视角,但同时,它们也存在着诸多不足之处。例如,它们在微观层面上尽管十分有意义,但在宏观上却表现出力不从心。


  Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream by first becoming a mistress to men that she perceives as superior and later as a famous actress.
  
  Plot summary
  
  Dissatisfied with life in her rural Wisconsin home, 18 year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and her husband Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister's flat, she writes to Drouet and discourages him from calling on her there.
  
  Carrie soon embarks on a quest for work to pay rent to her sister and her husband, and takes a job running a machine in a shoe factory. Before long, however, she is shocked by the coarse manners of both the male and female factory workers, and the physical demands of the job, as well as the squalid factory conditions, begin to take their toll. She also senses Minnie and Sven's disapproval of her interest in Chicago's recreational opportunities, particularly the theatre. One day, after an illness that costs her job, she encounters Drouet on a downtown street. Once again taken by her beauty, and moved by her poverty, he encourages her to dine with him, where, over sirloin and asparagus, he persuades her to leave her sister and move in with him. To press his case, he slips Carrie two ten dollar bills, opening a vista of material possibilities to her. The next day, he rebuffs her feeble attempts to return the money, taking her shopping at a Chicago department store and securing a jacket she covets and some shoes. That night, she writes a good-bye note to Minnie and moves in with Drouet.
  
  Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Hannah and Hogg's - a respectable bar that Drouet describes as a "way-up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie’s youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city.
  
  One night, Drouet casually agrees to find an actress to play a key role in an amateur theatrical presentation of Augustin Daly’s melodrama, “Under the Gaslight,” for his local chapter of the Elks. Upon returning home to Carrie, he encourages her to take the part of the heroine, Laura. Unknown to Drouet, Carrie long has harbored theatrical ambitions and has a natural aptitude for imitation and expressing pathos. The night of the production – which Hurstwood attends at Drouet’s invitation – both men are moved to even greater displays of affection by Carrie’s stunning performance.
  
  The next day, the affair is uncovered: Drouet discovers he has been cuckolded, Carrie learns that Hurstwood is married, and Hurstwood’s wife, Julia, learns from an acquaintance that Hurstwood has been out driving with another woman and deliberately excluded her from the Elks theatre night. After a night of drinking, and despairing at his wife’s financial demands and Carrie’s rejection, Hurstwood stumbles upon a large amount of cash in the unlocked safe in Fitzgerald and Moy's offices. In a moment of poor judgment, he succumbs to the temptation to embezzle a large sum of money. Under the pretext of Drouet’s sudden illness, he lures Carrie onto a train and escapes with her to Canada. Once they arrive in Montreal, Hurstwood’s guilty conscience – and a private eye - induce him to return most of the stolen funds, but he realizes that he cannot return to Chicago. Hurstwood mollifies Carrie by agreeing to marry her, and the couple move to New York City.
  
  In New York, Hurstwood and Carrie rent a flat where they live as George and Carrie Wheeler. Hurstwood buys a minority interest in a saloon and, at first, is able to provide Carrie with a satisfactory – if not lavish – standard of living. The couple grow distant, however, as Hurstwood abandons any pretense of fine manners toward Carrie, and she realizes that Hurstwood no longer is the suave, powerful manager of his Chicago days. Carrie’s dissatisfaction only increases when she meets Robert Ames, a bright young scholar from Indiana and her neighbor’s cousin, who introduces her to the idea that great art, rather than showy materialism, is worthy of admiration.
  
  After only a few years, the saloon’s landlord sells the property and Hurstwood’s business partner expresses his intent to terminate the partnership. Too arrogant to accept most of the job opportunities available to him, Hurstwood soon discovers that his savings are running out and urges Carrie to economize, which she finds humiliating and distasteful. As Hurstwood lounges about, overwhelmed by apathy and foolishly gambling away most of his savings, Carrie turns to New York’s theatres for employment and becomes a chorus girl. Once again, her aptitude for theatre serves her well, and, as the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from chorus girl to small speaking roles, and establishes a friendship with another chorus girl, Lola Osborne, who begins to urge Carrie to move in with her. In a final attempt to prove himself useful, Hurstwood becomes a scab driving a Brooklyn streetcar during a streetcar operator’s strike. His ill-fated venture, which lasts only two days, prompts Carrie to leave him; in her farewell note, she encloses twenty dollars.
  
  Hurstwood ultimately joins the homeless of New York, taking odd jobs, falling ill with pneumonia, and finally becoming a beggar. Reduced to standing in line for bread and charity, he commits suicide in a flophouse. Meanwhile, Carrie achieves stardom, but finds that money and fame do not satisfy her longings or bring her happiness and that nothing will.
  Characters
  
   * Caroline Meeber, a.k.a. Carrie, a young woman from rural Wisconsin; the protagonist.
   * Minnie Hanson, Carrie's dour elder sister who lives in Chicago and puts her up on arrival.
   * Sven Hanson, Minnie's husband, of Swedish extraction and taciturn temperament.
   * Charles H. Drouet, a buoyant traveling salesman Carrie meets on the train to Chicago.
   * George W. Hurstwood, a well-to-do, sophisticated man who manages Hannah and Hogg's resort.
   * Julia Hurstwood, George's strong-willed, social-climbing wife.
   * Jessica Hurstwood, George and Julia's daughter, who shares her mother's aspirations to social status.
   * George Hurstwood, Jr, George and Julia's son.
   * The Vances, a wealthy merchant and his wife, who live in the same building as Hurstwood and Carrie in New York City.
   * Robert Ames, Mrs. Vance's cousin from Indiana, a handsome young scholar whom Carrie regards as a male ideal.
   * Lola Osborne, a chorus girl Carrie meets during a theatre production in New York, who encourages Carrie to become her roommate.
  
  Literary significance and criticism
  
  Dreiser had difficulty finding a publisher for it. While first published in 1900, it was withdrawn after the publisher's wife declared it too sordid. However, Frank Norris, who was working as a reader at the Doubleday & McClure Company, sent a few copies to literary reviewers.
  
  Between 1900 and 1980, all editions of the novel were of a second altered version. Not until 1981 did Dreiser's unaltered version appear when the University of Pennsylvania Press issued a scholarly edition based upon the original manuscript held by The New York Public Library. It is a reconstruction by a team of leading scholars to represent the novel before it was edited by hands other than Dreiser's.
  
  In his Nobel Prize Lecture of 1930, Sinclair Lewis said that "Dreiser's great first novel, Sister Carrie, which he dared to publish thirty long years ago and which I read twenty-five years ago, came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman".
  Film adaptation
  
  Laurence Olivier and Jennifer Jones starred in the 1952 film version, Carrie, directed by William Wyler.
第一章 磁性相吸:各种力的摆布
第一章 磁性相吸:各种力的摆布
  当嘉洛林·米贝登上下午开往芝加哥的火车时,她的全部行装包括一个小箱子,一个廉价的仿鳄鱼皮挎包,一小纸盒午餐和一个黄皮弹簧钱包,里面装着她的车票,一张写有她姐姐在凡·布仑街地址的小纸条,还有四块现钱。那是1889年8月。她才18岁,聪明,胆怯,由于无知和年轻,充满着种种幻想。尽管她在离家时依依不舍,家乡可没有什么好处让她难以割舍。母亲和她吻别时,她不禁热泪盈眶;火车喀嚓喀嚓驶过她父亲上白班的面粉厂,她喉头又一阵哽咽;而当她熟悉的绿色村庄在车窗外向后退去时,她发出了一声叹息。不过,那些把她和故乡和少女时代联系在一起缕缕细丝却是永久地割断了。 当然了,前面总有站头,只要她想回家,随时可以下车往回走。芝加哥就在前面,眼下她乘坐的火车每天往返,把芝加哥和她家乡紧密地联结在一起。她家乡哥伦比亚城离得不算远。她甚至还去过一趟芝加哥。真的,几小时的火车,几百里路,那又算得了什么呢?她看着上面有她姐姐地址的小纸片,心里问着自己。她把目光转向窗外,看着绿色的田野飞快地向后退去。
   一个18岁的女孩离家出走,结局不外两种。也许她会遇到好人相助,变得更好;也许她会很快接受大都市的道德标准,而变坏了--二者必具其一。在这种情况下,要想不好不坏,保持中不溜的状态,是根本做不到的。大城市具有自身种种诱人的花招,并不亚于那些教人学坏的男男女女,当然人比社会微小得多,也更富于人情味。社会具有巨大的影响力,能像最老于世故的人才可能想到的甜言蜜语一样乱人情怀。都市的万点灯火比起情人脉脉含情的迷人眼神来,那魅力是不差分毫的呢。可以说,有一半涉世未深的纯洁心灵是被非人为的影响力带坏的。城市里喧闹的人声和热闹的生活,加上鳞次栉比的楼房建筑,在令人惊愕的同时,又令人怦然心动,教给人们模棱两可的生活意义。这种时候,如果没有人在她们身边轻声告诫和解说,又有什么谎言和谬误不会灌入这些不加提防的耳朵里去呢?头脑简单的年轻人看不清生活中的那些虚假外表,而为它们的美所倾倒,就像音乐一样,它们先令人陶醉松弛,继而令人意志薄弱,最后诱人走上岐路。
   嘉洛林在家时,家里人带着几分疼她,已具有初步的观察力和分析能力。她有利己心,不过不很强烈,这是她的主要特点。她充满着年轻人的热烈幻想。虽然漂亮,她还只是一个正在发育阶段的美人胎子。不过从她的身段已经可以看出将来发育成熟时的美妙体态了。她的眼睛里透着天生的聪明。她是一个典型的美国中产阶级少女--她们家已是移民的第三代了。她对书本不感兴趣,书本知识和她无缘。她还不太懂如何举手投足,显示本能的优雅举止。她扬起头的姿态还不够优美。她的手也几乎没有用。她的脚虽然长得小巧,却只会频频地放在地上。然而她对于自己的魅力已极感兴趣,对生活的更强烈的乐趣感知很快,并渴望获得种种物质的享受。她还只是一个装备不全的小骑士,正冒险出发去侦察神秘的大城市,梦想着某个遥远的将来她将征服这新世界,让那大城市俯首称臣,诚惶诚恐,跪倒在她的脚下。
   “瞧”,有人在她耳边说,“那就是威斯康辛州最美的度假胜地之一。”“是吗?“她惴惴不安地回答。
   火车才开出华克夏。不过她已有好一会儿感到背后有个男人。她感觉得到那人在打量她的浓密的头发。他一直在那里坐立不安,因此凭着女性的直觉,她感到背后那人对她越来越感兴趣。少女的矜持和在此种情况下传统的礼仪都告诉她不能答腔,不能允许男人这样随便接近她。不过那个男人是个情场老手,他的大胆和磁性般的魅力占了上风,所以她竟然答了腔。他往前倾着身子,把他的胳膊搭在她的椅背上,开始讨人喜欢地聊了起来。
   “真的,那是芝加哥人最喜欢的度假地。那里的旅馆可棒了。这地方你不熟悉吧?”“哎,不对,这一带我很熟的。”嘉莉回答。“你知道,我就住在哥伦比亚城。不过这里我倒从来没有来过。”“这么说,你是第一次到芝加哥去了。”他猜测说。
   他们这么交谈着时,她从眼角隐隐瞧见了一些那人的相貌:红润生动的脸,淡淡的一抹小胡子,一顶灰色的软呢帽。现在她转过身来,面对着他,脑子里自卫的意识和女性调情的本能乱哄哄地混杂在一起。
   “我没有这么说,”她回答。
   “噢,我以为你是这个意思呢,”他讨人喜欢地装着认错说。
   这人是为生产厂家推销产品的旅行推销员,当时刚刚流行把这类人称作“皮包客。”不过他还可以用一个1880年开始在美国流行的新词来形容:“小白脸。“这种人从穿着打扮到一举一动都旨在博取年轻心软的姑娘好感。这人穿着一套条纹格子的棕色毛料西装,这种西装当时很新潮,不过现在已经成了人们熟悉的商人服装。西装背心的低领里露出浆得笔挺的白底粉红条纹衬衫的前胸。外套的袖口露出同一布料的衬衫袖口,上面的扣子是一粒大大的镀金扣,嵌着称为“猫儿眼”的普通黄色玛瑙。他手指上戴着好几个戒指,其中有一枚是沉甸甸的图章戒指,这枚戒指是始终不离身的。从他的西装背心上垂下一条精致的金表链,表链那一头垂挂着兄弟会的秘密徽章。整套服装裁剪合度,再配上一双擦得发光的厚跟皮鞋和灰色软呢帽,他的装束就齐备了。就他所代表的那类人而言,他很有吸引力。嘉莉第一眼看他,已经把他所有的优点都看在眼里,这一点是可以肯定的。
   我要记下一些这类人成功的举止和方法中最显著的特点,以防他们永久消失了。当然,服饰漂亮是第一要素,要是没有了服饰这类东西,他就算不得什么人物了。第二要素是身强力壮,性欲旺盛。他天性无忧无虑,既不费心去考虑任何问题,也不去管世间的种种势力或影响,支配他的生活动力不是对财富的贪婪,而是对声色之乐的贪得无厌。他的方法一贯很简单,主要是胆大,当然是出于对异性的渴望和仰慕。年轻姑娘只要让他见上一面,他就会用一种温和熟识的态度去套热乎,语其中带有几分恳求,结果那些姑娘往往宽容接纳了他。如果那女子露出点卖弄风情的品性,他就会上前去帮她理理领带。
   如果她‘吃’他那一套献殷勤的手段,他马上开始用小名称呼她了。他上百货大楼时,总喜欢靠在柜台上和女店员像老熟人一样聊聊,问些套近乎的问题。如果是在人少的场合,譬如在火车上或者候车室,他追人的速度要放慢一些。如果他发现一个看来可以下手的对象,他就使出浑身的解数来--打招呼问好,带路去客厅车厢,帮助拎手提箱。如果拎不成箱子,那就在她旁边找个位子坐下来,满心希望在到达目的地以前可以向她献献殷勤:拿枕头啦,送书啦,摆脚凳啦,放遮帘啦。他能做的主要就是这一些。如果她到了目的地,他却没有下车帮她照看行李,那是因为照他估计他的追求显然失败了。
   女人有一天该写出一本完整的衣服经。不管多年轻,这种事她是完全懂的。男人服饰中有那么一种难以言传的微妙界线,她凭这条界线可以区别哪些男人值得看一眼,哪些男人不值得一顾。一个男人一旦属于这条界线之下,他别指望获得女人的青睐。男人衣服中还有一条界线,会令女人转而注意起自己的服装来。现在嘉莉从身旁这个男人身上就看到了这条界线,于是不禁感到相形见绌。她感到自己身上穿的那套镶黑边的朴素蓝衣裙太寒酸了,脚上的鞋子也太旧了。
   “你知道,”他在继续往下说,“你们城里我认识不少人呢。 ”
   有服装店老板摩根洛,还有绸缎庄老板吉勃生。”“喔,真的?”想到那些曾令她留连忘返的橱窗,她不禁感兴趣地插了一句。
   这一下终于让他发现了她的兴趣所在,于是他熟练地继续谈这个话题。几分钟后,他已经过来,坐在她的身边。他谈衣服的销售,谈他的旅行,谈芝加哥和芝加哥的各种娱乐。
   “你到了那里,会玩得很痛快的。你在那里有亲戚吗?”“我是去看我姐姐,“她解释说。
   “你一定要逛逛林肯公园,”他说。“还要去密歇根大道看看。他们正在那里兴建高楼大厦。这是又一个纽约,真了不起。”
   有那么多可以看的东西--戏院,人流,漂亮的房子--真的,你会喜欢这一切的。她想象着他所描绘的一切,心里不禁有些刺痛。都市是如此壮观伟大,而她却如此渺小,这不能不使她产生出感慨。她意识到自己的生活不会是由一连串的欢乐构成的。不过从他描绘的物质世界里,她还是看到了希望之光。有这么一个衣着体面的人向她献殷勤,总是令人惬意的。他说她长得像某个女明星,她听了不禁嫣然一笑。她并不蠢,但这一类的吹捧总有点作用的。
   “你会在芝加哥住一段日子吧。”在轻松随便地聊了一阵以后,他转了话题问道。
   “我不知道,”嘉莉没有把握地回答,脑子里突然闪过了万一找不到工作的念头。
   “不管怎样,总要住几周吧。”他这么说时,目光久久地凝视着她的眼睛。
   现在他们已经不是单纯地用语言交流感情了。他在她身上看到了那些构成美丽和魅力的难以描绘的气质。而她看出这男人对自己感兴趣,这种兴趣使一个女子又喜又怕。她很单纯,还没学会女人用以掩饰情感的那些小小的装腔作势。在有些事情上,她确实显得大胆了点。她需要有一个聪明的同伴提醒她,女人是不可以这么久久地注视男人的眼睛的。
   “你为什么要问这问题?”她问道。
   “你知道,我将在芝加哥逗留几星期。我要去我们商号看看货色,弄些新样品。也许我可以带你到处看看。”“我不知道你能不能这么做。我的意思是说我不知道我自己能不能。我得住在我姐姐家,而且”“嗯,如果她不许的话,我们可以想些办法对付的。”他掏出一支铅笔和一个小笔记本,好像一切都已说定了。“你的地址是哪里?”她摸索着装有地址的钱包。
   他伸手到后面的裤袋里掏出一个厚厚的皮夹,里面装着些单据,旅行里程记录本和一卷钞票。这给她留下了深刻的印象:以前向她献殷勤的男人中没有一个掏得出这么一个皮夹。
   真的,她还从来没有和一个跑过大码头,见过大世面,见多识广性格活跃的人打过交道。他的皮夹子,发光的皮鞋,漂亮的新西装,和他行事那种气派,这一切为她隐隐约约地描绘出一个以他为中心的花花世界。她不由得对他想做的一切抱着好感。
   他拿出一张精美的名片,上面印着“巴莱·卡留公司”,左下角印着“查利·赫·杜洛埃。”他把名片放在她手上,然后指着上面的名字说:“这是我的名字。这字要念成杜--埃。我们家从我父亲那面说是法国人。”他把皮夹收起来时,她的目光还盯着手上的名片。然后他从外套口袋掏出一札信,从中抽出一封来。“这是那家我为他们推销货物的商号,”他一边说一边指着信封上的图片。“在斯台特街和湖滨大道的转弯处。”他的声音里流露出自豪。他感到跟这样一个地方有联系是很了不起的,他让她也有了这种感觉。
   “你的地址呢?”他又问道,手里拿着笔准备记下来。
   她瞧着他的手。
   “嘉莉·米贝,”她一字一字地说道,“西凡布仑街三百五十四号,S·C·汉生转。”他仔细记下来,然后又掏出了皮夹。“如果我星期一晚上来看你,你会在家吗?”他问道。
   “我想会的。”她回答。
   话语只是我们内心情感的一个影子,这话真是不假。它们只是一些可以为人听见的小小链子,把大量听不见的情感和意图串联起来。眼前这两个人就是如此。他们只是短短地交谈了几句,掏了一下皮夹,看了一下名片。双方都没意识到他们的真实感情是多么难以表达,双方都不够聪明,瞧不透对方的心思。他吃不准他的调情成功了没有。而她一直没意识到自己在让人牵着鼻子走。一直到他从她口里掏出了她的地址,才明白过来自己已经输了一着,而他却赢了一局。他们已经感觉到他们之间有了某种联系。他现在在谈话中占了主导地位,因此轻松地随便聊着,她的拘束也消失了。
   他们快到芝加哥了。前面就是芝加哥的迹象到处可见。这些迹象在窗外一掠而过。火车驶过开阔平坦的大草原,他们看见一排排的电线杆穿过田野通向芝加哥。隔了老远就可以看到芝加哥城郊那些高耸入云的大烟囱。
   开阔的田野中间不时耸立起两层楼的木造房屋,孤零零的,既没篱笆也没树木遮蔽,好像是即将到来的房屋大军派出的前哨。
   对于孩子,对于想象力丰富的人,或者对于从未出过远门的人来说,第一次接近一个大城市真是奇妙的经历。特别是在傍晚,光明与夜色交替的神秘时刻,生活正从一种境界或状态向另一种境界过渡。啊,那即将来临的夜色,给予劳累一天的人们多少希望和允诺!一切旧的希望总是日复一日在这个时刻复苏。那些辛劳一天的人们在对自己说:“总算可以歇口气了。我可以好好地乐一乐了。街道和灯火,大放光明的饭堂和摆放弃整的晚餐,这一切都在等着我。还有戏院,舞厅,聚会,各种休息场所和娱乐手段,在夜里统统属于我了。"虽然身子还被关在车间和店铺,一种激动的气氛早已冲到外面,弥漫在空气中。即使那些最迟钝的人也会有所感觉,尽管他们不善表达或描述。这是一种重担终于卸肩时的感觉视着窗外,她的同伴感染到了她的惊奇。一切事物都具有传染力,所以他不禁对这城市重新发生了兴趣,向嘉莉指点着芝加哥的种种名胜和景观。
   “这是芝加哥西北区,”杜洛埃说道。“那是芝加哥河。”他指着一条浑浊的小河,河里充塞着来自远方的帆船。这些船桅杆耸立,船头碰擦着竖有黑色木杆的河岸。火车喷发出一股浓烟,切嚓切嚓,铁轨发出一声撞击声,那小河就被抛在后面了。
   “芝加哥会是个大都市,”他继续说着。“真是个奇迹。你会发现有许多东西值得一看。”她并没有专心听他说话。她的心里有一种担心在困扰着她。想到自己孤身一人,远离家乡,闯进这一片生活和奋斗的海洋,情绪不能不受影响。她不禁感到气透不过来。有一点不舒服--因为她的心跳得太快了。她半闭上眼睛,竭力告诉自己这算不得什么,老家哥伦比亚城离这里并不远。
   “芝加哥到了!”司闸喊道,呼一声打开了车门。火车正驶入一个拥挤的车场,站台上响彻着生活的嘈杂和热闹。她开始收拾自己可怜的小提箱,手里紧紧捏着钱包。杜洛埃站起身来,踢了踢腿,弄直裤子,然后抓起了他的干净的黄提箱。
   “你家里有人会来接你吧,”他说,“让我帮你拎箱子。”
   “别,”她回答,“我不想让你提。我和姐姐见面时不想让她看见你和我在一起。”“好吧,”他和和气气地说,“不过我会在附近的。万一她不来接你,我可以护送你安全回家的。”“你真好,”嘉莉说道。身处目前这种陌生的场合,她倍感这种关心的可贵。
   “芝加哥!”司闸拖长声音喊道。他们现在到了一个巨大的车棚底下,昏暗的车棚里已点起灯火。到处都是客车。火车像蜗牛一般缓缓移动。车厢里的人都站了起来,拥向门口。
   “嘿,我们到了。”杜洛埃说着领先向门口走去。“再见,星期一见。”“再见,“她答道,握住了他伸出的手。
   “记住,我会在旁边看着,一直到你找到你姐姐。”她对他的目光报以微笑。
   他们鱼贯而下,他假装不注意她。站台上一个脸颊瘦削,模样普通的妇女认出嘉莉,急忙迎上前来。
   “她喊道。”随后是例行的拥抱,表示欢迎。
   嘉莉立刻感觉到气氛的变化。眼前虽然仍是一片纷乱喧闹和新奇的世界,她感觉到冰冷的现实抓住了她的手。她的世界里并没有光明和欢乐,没有一个接着一个的娱乐和消遣。她姐姐身上还带着艰辛操劳的痕迹。
   “家里人还好吗?”她姐姐开始问道,“爸妈怎么样?”嘉莉一一作了回答,目光却在看别处。在过道那头,杜洛埃正站在通向候车室和大街的门边,回头朝嘉莉那边看。当他看到她看见了他,看到她已平安地和姐姐团聚,他朝她留下一个笑影,便转身离去。只有嘉莉看到了他的微笑。他走了,嘉莉感到怅然若失。等他完全消失不见了,她充分感到了他的离去给她带来的孤独。和她姐姐在一起,她感到自己就像无情的汹涌大海里的一叶孤舟,孤苦无依。


  THE MAGNET ATTRACTING--A WAIF AMID FORCES
   When Caroline Meeber boarded the afternoon train for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, a scrap of paper with her sister's address in Van Buren Street, and four dollars in money. It was in August, 1889. She was eighteen years of age, bright, timid, and full of the illusions of ignorance and youth. Whatever touch of regret at parting characterised her thoughts, it was certainly not for advantages now being given up. A gush of tears at her mother's farewell kiss, a touch in her throat when the cars clacked by the flour mill where her father worked by the day, a pathetic sigh as the familiar green environs of the village passed in review, and the threads which bound her so lightly to girlhood and home were irretrievably broken.
   To be sure there was always the next station, where one might descend and return. There was the great city, bound more closely by these very trains which came up daily. Columbia City was not so very far away, even once she was in Chicago. What, pray, is a few hours--a few hundred miles? She looked at the little slip bearing her sister's address and wondered. She gazed at the green landscape, now passing in swift review, until her swifter thoughts replaced its impression with vague conjectures of what Chicago might be.
   When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. Of an intermediate balance, under the circumstances, there is no possibility. The city has its cunning wiles, no less than the infinitely smaller and more human tempter. There are large forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the persuasive light in a wooing and fascinating eye. Half the undoing of the unsophisticated and natural mind is accomplished by forces wholly superhuman. A blare of sound, a roar of life, a vast array of human hives, appeal to the astonished senses in equivocal terms. Without a counsellor at hand to whisper cautious interpretations, what falsehoods may not these things breathe into the unguarded ear! Unrecognised for what they are, their beauty, like music, too often relaxes, then weakens, then perverts the simpler human perceptions.
   Caroline, or Sister Carrie, as she had been half affectionately termed by the family, was possessed of a mind rudimentary in its power of observation and analysis. Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic. Warm with the fancies of youth, pretty with the insipid prettiness of the formative period, possessed of a figure promising eventual shapeliness and an eye alight with certain native intelligence, she was a fair example of the middle American class--two generations removed from the emigrant. Books were beyond her interest--knowledge a sealed book. In the intuitive graces she was still crude. She could scarcely toss her head gracefully. Her hands were almost ineffectual. The feet, though small, were set flatly. And yet she was interested in her charms, quick to understand the keener pleasures of life, ambitious to gain in material things. A half-equipped little knight she was, venturing to reconnoitre the mysterious city and dreaming wild dreams of some vague, far-off supremacy, which should make it prey and subject--the proper penitent, grovelling at a woman's slipper.
   "That," said a voice in her ear, "is one of the prettiest little resorts in Wisconsin."
   "Is it?" she answered nervously.
   The train was just pulling out of Waukesha. For some time she had been conscious of a man behind. She felt him observing her mass of hair. He had been fidgetting, and with natural intuition she felt a certain interest growing in that quarter. Her maidenly reserve, and a certain sense of what was conventional under the circumstances, called her to forestall and deny this familiarity, but the daring and magnetism of the individual, born of past experiences and triumphs, prevailed. She answered.
   He leaned forward to put his elbows upon the back of her seat and proceeded to make himself volubly agreeable.
   "Yes, that is a great resort for Chicago people. The hotels are swell. You are not familiar with this part of the country, are you?"
   "Oh, yes, I am," answered Carrie. "That is, I live at Columbia City. I have never been through here, though."
   "And so this is your first visit to Chicago," he observed.
   All the time she was conscious of certain features out of the side of her eye. Flush, colourful cheeks, a light moustache, a grey fedora hat. She now turned and looked upon him in full, the instincts of self-protection and coquetry mingling confusedly in her brain.
   "I didn't say that," she said.
   "Oh," he answered, in a very pleasing way and with an assumed air of mistake, "I thought you did."
   Here was a type of the travelling canvasser for a manufacturing house--a class which at that time was first being dubbed by the slang of the day "drummers." He came within the meaning of a still newer term, which had sprung into general use among Americans in 1880, and which concisely expressed the thought of one whose dress or manners are calculated to elicit the admiration of susceptible young women--a "masher." His suit was of a striped and crossed pattern of brown wool, new at that time, but since become familiar as a business suit. The low crotch of the vest revealed a stiff shirt bosom of white and pink stripes. From his coat sleeves protruded a pair of linen cuffs of the same pattern, fastened with large, gold plate buttons, set with the common yellow agates known as "cat's-eyes." His fingers bore several rings--one, the ever-enduring heavy seal--and from his vest dangled a neat gold watch chain, from which was suspended the secret insignia of the Order of Elks. The whole suit was rather tight-fitting, and was finished off with heavy-soled tan shoes, highly polished, and the grey fedora hat. He was, for the order of intellect represented, attractive, and whatever he had to recommend him, you may be sure was not lost upon Carrie, in this, her first glance.
   Lest this order of individual should permanently pass, let me put down some of the most striking characteristics of his most successful manner and method. Good clothes, of course, were the first essential, the things without which he was nothing. A strong physical nature, actuated by a keen desire for the feminine, was the next. A mind free of any consideration of the problems or forces of the world and actuated not by greed, but an insatiable love of variable pleasure. His method was always simple. Its principal element was daring, backed, of course, by an intense desire and admiration for the sex. Let him meet with a young woman once and he would approach her with an air of kindly familiarity, not unmixed with pleading, which would result in most cases in a tolerant acceptance. If she showed any tendency to coquetry he would be apt to straighten her tie, or if she "took up" with him at all, to call her by her first name. If he visited a department store it was to lounge familiarly over the counter and ask some leading questions. In more exclusive circles, on the train or in waiting stations, he went slower. If some seemingly vulnerable object appeared he was all attention-- to pass the compliments of the day, to lead the way to the parlor car, carrying her grip, or, failing that, to take a seat next her with the hope of being able to court her to her destination. Pillows, books, a footstool, the shade lowered; all these figured in the things which he could do. If, when she reached her destination he did not alight and attend her baggage for her, it was because, in his own estimation, he had signally failed.
   A woman should some day write the complete philosophy of clothes. No matter how young, it is one of the things she wholly comprehends. There is an indescribably faint line in the matter of man's apparel which somehow divides for her those who are worth glancing at and those who are not. Once an individual has passed this faint line on the way downward he will get no glance from her. There is another line at which the dress of a man will cause her to study her own. This line the individual at her elbow now marked for Carrie. She became conscious of an inequality. Her own plain blue dress, with its black cotton tape trimmings, now seemed to her shabby. She felt the worn state of her shoes.
   "Let's see," he went on, "I know quite a number of people in your town. Morgenroth the clothier and Gibson the dry goods man."
   "Oh, do you?" she interrupted, aroused by memories of longings their show windows had cost her.
   At last he had a clew to her interest, and followed it deftly. In a few minutes he had come about into her seat. He talked of sales of clothing, his travels, Chicago, and the amusements of that city.
   "If you are going there, you will enjoy it immensely. Have you relatives?"
   "I am going to visit my sister," she explained.
   "You want to see Lincoln Park," he said, "and Michigan Boulevard. They are putting up great buildings there. It's a second New York--great. So much to see--theatres, crowds, fine houses--oh, you'll like that."
   There was a little ache in her fancy of all he described. Her insignificance in the presence of so much magnificence faintly affected her. She realised that hers was not to be a round of pleasure, and yet there was something promising in all the material prospect he set forth. There was something satisfactory in the attention of this individual with his good clothes. She could not help smiling as he told her of some popular actress of whom she reminded him. She was not silly, and yet attention of this sort had its weight.
   "You will be in Chicago some little time, won't you?" he observed at one turn of the now easy conversation.
   "I don't know," said Carrie vaguely--a flash vision of the possibility of her not securing employment rising in her mind.
   "Several weeks, anyhow," he said, looking steadily into her eyes.
   There was much more passing now than the mere words indicated. He recognised the indescribable thing that made up for fascination and beauty in her. She realised that she was of interest to him from the one standpoint which a woman both delights in and fears. Her manner was simple, though for the very reason that she had not yet learned the many little affectations with which women conceal their true feelings. Some things she did appeared bold. A clever companion--had she ever had one-- would have warned her never to look a man in the eyes so steadily.
   "Why do you ask?" she said.
   "Well, I'm going to be there several weeks. I'm going to study stock at our place and get new samples. I might show you 'round."
   "I don't know whether you can or not. I mean I don't know whether I can. I shall be living with my sister, and----"
   "Well, if she minds, we'll fix that." He took out his pencil and a little pocket note-book as if it were all settled. "What is your address there?"
   She fumbled her purse which contained the address slip.
   He reached down in his hip pocket and took out a fat purse. It was filled with slips of paper, some mileage books, a roll of greenbacks. It impressed her deeply. Such a purse had never been carried by any one attentive to her. Indeed, an experienced traveller, a brisk man of the world, had never come within such close range before. The purse, the shiny tan shoes, the smart new suit, and the air with which he did things, built up for her a dim world of fortune, of which he was the centre. It disposed her pleasantly toward all he might do.
   He took out a neat business card, on which was engraved Bartlett, Caryoe & Company, and down in the left-hand corner, Chas. H. Drouet.
   "That's me," he said, putting the card in her hand and touching his name. "It's pronounced Drew-eh. Our family was French, on my father's side."
   She looked at it while he put up his purse. Then he got out a letter from a bunch in his coat pocket. "This is the house I travel for," he went on, pointing to a picture on it, "corner of State and Lake." There was pride in his voice. He felt that it was something to be connected with such a place, and he made her feel that way.
   "What is your address?" he began again, fixing his pencil to write.
   She looked at his hand.
   "Carrie Meeber," she said slowly. "Three hundred and fifty-four West Van Buren Street, care S. C. Hanson."
   He wrote it carefully down and got out the purse again. "You'll be at home if I come around Monday night?" he said.
   "I think so," she answered.
   How true it is that words are but the vague shadows of the volumes we mean. Little audible links, they are, chaining together great inaudible feelings and purposes. Here were these two, bandying little phrases, drawing purses, looking at cards, and both unconscious of how inarticulate all their real feelings were. Neither was wise enough to be sure of the working of the mind of the other. He could not tell how his luring succeeded. She could not realise that she was drifting, until he secured her address. Now she felt that she had yielded something--he, that he had gained a victory. Already they felt that they were somehow associated. Already he took control in directing the conversation. His words were easy. Her manner was relaxed.
   They were nearing Chicago. Signs were everywhere numerous. Trains flashed by them. Across wide stretches of flat, open prairie they could see lines of telegraph poles stalking across the fields toward the great city. Far away were indications of suburban towns, some big smokestacks towering high in the air.
   Frequently there were two-story frame houses standing out in the open fields, without fence or trees, lone outposts of the approaching army of homes.
   To the child, the genius with imagination, or the wholly untravelled, the approach to a great city for the first time is a wonderful thing. Particularly if it be evening--that mystic period between the glare and gloom of the world when life is changing from one sphere or condition to another. Ah, the promise of the night. What does it not hold for the weary! What old illusion of hope is not here forever repeated! Says the soul of the toiler to itself, "I shall soon be free. I shall be in the ways and the hosts of the merry. The streets, the lamps, the lighted chamber set for dining, are for me. The theatre, the halls, the parties, the ways of rest and the paths of song--these are mine in the night." Though all humanity be still enclosed in the shops, the thrill runs abroad. It is in the air. The dullest feel something which they may not always express or describe. It is the lifting of the burden of toil.
   Sister Carrie gazed out of the window. Her companion, affected by her wonder, so contagious are all things, felt anew some interest in the city and pointed out its marvels.
   "This is Northwest Chicago," said Drouet. "This is the Chicago River," and he pointed to a little muddy creek, crowded with the huge masted wanderers from far-off waters nosing the black-posted banks. With a puff, a clang, and a clatter of rails it was gone. "Chicago is getting to be a great town," he went on. "It's a wonder. You'll find lots to see here."
   She did not hear this very well. Her heart was troubled by a kind of terror. The fact that she was alone, away from home, rushing into a great sea of life and endeavour, began to tell. She could not help but feel a little choked for breath--a little sick as her heart beat so fast. She half closed her eyes and tried to think it was nothing, that Columbia City was only a little way off.
   "Chicago! Chicago!" called the brakeman, slamming open the door. They were rushing into a more crowded yard, alive with the clatter and clang of life. She began to gather up her poor little grip and closed her hand firmly upon her purse. Drouet arose, kicked his legs to straighten his trousers, and seized his clean yellow grip.
   "I suppose your people will be here to meet you?" he said. "Let me carry your grip."
   "Oh, no," she said. "I'd rather you wouldn't. I'd rather you wouldn't be with me when I meet my sister."
   "All right," he said in all kindness. "I'll be near, though, in case she isn't here, and take you out there safely."
   "You're so kind," said Carrie, feeling the goodness of such attention in her strange situation.
   "Chicago!" called the brakeman, drawing the word out long. They were under a great shadowy train shed, where the lamps were already beginning to shine out, with passenger cars all about and the train moving at a snail's pace. The people in the car were all up and crowding about the door.
   "Well, here we are," said Drouet, leading the way to the door. "Good-bye, till I see you Monday."
   "Good-bye," she answered, taking his proffered hand.
   "Remember, I'll be looking till you find your sister."
   She smiled into his eyes.
   They filed out, and he affected to take no notice of her. A lean-faced, rather commonplace woman recognised Carrie on the platform and hurried forward.
   "Why, Sister Carrie!" she began, and there was embrace of welcome.
   Carrie realised the change of affectional atmosphere at once. Amid all the maze, uproar, and novelty she felt cold reality taking her by the hand. No world of light and merriment. No round of amusement. Her sister carried with her most of the grimness of shift and toil.
   "Why, how are all the folks at home?" she began; "how is father, and mother?"
   Carrie answered, but was looking away. Down the aisle, toward the gate leading into the waiting-room and the street, stood Drouet. He was looking back. When he saw that she saw him and was safe with her sister he turned to go, sending back the shadow of a smile. Only Carrie saw it. She felt something lost to her when he moved away. When he disappeared she felt his absence thoroughly. With her sister she was much alone, a lone figure in a tossing, thoughtless sea.
第二章 贫穷的威胁:商号巍然耸立
  嘉莉的姐姐敏妮住的是公寓,那是当时对占据一个楼面的套房的称呼。公寓在西凡布仑街,是个工人和职员的居民区。这些人来自外地,现在还不断有人搬来。芝加哥的人口以每年五万人的速度骤增。她的房间在三楼。前屋的窗子临街。
   一到夜里,杂货店里大放光明,孩子们在街上玩。马车驶过时,车上的铃铛叮当叮当地响起,直到渐渐消失在远处。对于嘉莉来说,这铃声不仅新奇而且令人愉快。敏妮带她走进前屋后,她的目光便投向了窗外灯火通明的马路,对于大城市的各种声音,各种活动和向方圆几英里弥漫的嗡嗡声不由感到新奇惊讶。
   在刚见面的寒暄过后,嘉莉的姐姐汉生太太把婴儿交给嘉莉,就动手去烧晚饭了。她的丈夫问了几句话,就坐下来看晚报。他是个沉默寡言的人,美国出生,父亲是瑞典人,他本人是畜牧场冷藏车的清洁工。对他来说,小姨子来不来,与他无关。她的来到既不使他高兴也不让他恼火。他和嘉莉说的唯一正经话题是在芝加哥打工的机会问题。
   “这里是大地方。”他说,“几天内就能在哪里找个活干,每个人都是这样的。”他们事先已达成默契,嘉莉得找份工作,付伙食费。他为人正直,生活节俭,在很远的芝加哥西区用分期付款的办法定购了两块地皮,已经付了几个月了。他的野心是有朝一日在那地皮上盖起一栋房子。
   趁她姐姐烧饭的空隙,嘉莉打量了公寓。她有那么几分观察的天赋和女性特有的直觉。
   她意识到他们的日子很艰难。房间的墙是拼凑的纸糊的,颜色很不协调。地板上铺的是草席,只有起居间铺了一块薄薄的破地毯。看得出家俱是仓促间凑合起来的,是那种分期付款商店卖的质量很差的货色。
   她手里抱着孩子坐在厨房里,和敏妮在一起,直到孩子哭了。于是她站了起来,来回走动着,嘴里哼着歌哄孩子。汉生被孩子的哭声吵得看不成报了,就走了过来,接过孩子。这里显出了他性格中可喜的一面:他很有耐心。看得出他很喜爱自己的孩子。
   “好了好了,别哭了。”他一边走动一边对婴儿说话,他的声音里带有一点瑞典口音。
   “你一定想先在城里看看,是不是?”吃饭时敏妮说道。“这样吧,我们星期天上林肯公园去。”嘉莉注意到汉生对这个提议不置可否。他似乎在想别的事。
   “不过我想明天先四处看看,”她说。“我还有星期五和星期六两天空闲。这不会有什么麻烦的。商业区在哪里?”敏妮开始解释。但是她丈夫把这个话题包揽了过去。
   “在那边,”他指着东边说道,“在东面。”于是他开始了嘉莉来后他的第一旋长篇大论,是关于芝加哥的城市布局的。
   “你最好到河那边,沿富兰克林街看看那些工厂。”结束时他说,“许多女孩在那里工作。而且从那里回家方便,离这里不远。”嘉莉点点头,又向她姐姐打听附近的情况。她姐姐把自己所知道的那些情况低声地告诉她。这期间,汉生只顾自己逗孩子。最后他跳了起来,把孩子递给他妻子。
   “我明天早上要起早,我得去睡了。”说着他就消失在起居间隔壁的卧室,上床去了。
   “他在离这里很远的畜牧场上班,”敏妮解释说,“所以他5点半就要起床。”“那你什么时候起来准备早饭呢?”嘉莉问。
   “5点差20分左右。”
   她们一起把当天的事情做完。嘉莉洗碗,敏妮给孩子脱衣服,放他到床上去。敏妮的一举一动都显出她惯于吃苦耐劳。
   嘉莉看得出,姐姐的日子就是整天手不停地干活。
   她开始意识到,她必须放弃和杜洛埃的交往。不能让他上这里来。她从汉生的态度和敏妮压抑的神气看出,事实上,从这个公寓的整个气氛看出,这里的生活态度保守,一年到头除了干活,别的一切都是和他们格格不入的。汉生的日子就是每晚在前屋看报,9点上床,敏妮晚一点上床。他们对她的期待会是什么呢?她意识到她必须先找份工作,好有钱付食宿,安顿下来,然后才可以想到交朋友之类的事。她和杜洛埃的那一段小小的调情现在看来似乎出格了。
   “不,”她心里思忖道,“他不能来这里。”她向敏妮要墨水和信纸,那些东西就在吃饭间的壁炉架上。等她姐姐10点上床,她就掏出杜洛埃的名片开始写信。
   “我不能让你到这里来看我。等我下次写信再说。我姐姐家地方很窄。”她寻思着再写点什么,想提一提他们在火车上的那段交情,又不好意思。于是她只笼统地谢谢他在火车上的关心作为结束语。接着她又为如何写署名前的敬语费了一番心思。最后她决定用一本正经的口气写上“此致敬礼”,可是随后她又决定改为比较亲切的“祝好。”她封好信,写了地址,就走进前屋。前屋凹进去的地方摆着她的小床。她把那把唯一的小摇椅拖到开着的窗前,就坐在那里,静静地看着窗外的夜色和街道,心里默默地惊叹。最后她想累了,坐在椅子里感到睡意向她袭来,该上床了。于是她换上睡衣就睡了。
   第二天8点钟她醒来时,汉生已去上班了。她姐姐正在那间吃饭间兼起居间的屋里忙着缝衣服。她穿上衣服,就给自己弄了点早饭,然后她问敏妮该去哪里看看。自从上次分手以后,敏妮变化很大。她现在是个27岁的妇女,虽然还硬朗,却已憔悴消瘦。她的人生观受了她丈夫的影响,所以她现在对娱乐和责任的看法比当初在小地方做少女时还要来得狭隘。她邀请嘉莉来,并不是因为想念她,而是因为嘉莉不满意在老家的生活。嘉莉在这里也许可以找份工作,自食其力。见到妹妹她当然也有几分高兴,但是在嘉莉找工作的问题上,她和她丈夫的看法一致。干什么工作是无所谓的,只要有工资就行,譬如说,一开头每周挣5块钱。他们事先认为她可以做个女店员。她可以进某个大店,在那里好好干,直到——怎么说呢?直到有那么一天喜从天降。他们并不确切知道会有什么喜事,他们并不指望她有提升的机会,也并不完全把希望寄托在结婚上。不过他们朦朦胧胧地感到事情总会有转机,于是嘉莉会得到酬报,不至于白白地到城里来辛苦一常那天早上,嘉莉就是抱着这种美好的愿望出门去找工作的。
   在我们跟着嘉莉到处转悠找工作之前,让我们先来瞧瞧她寄予希望的这个世界。1889年芝加哥有着得天独厚的发展条件,甚至连年轻姑娘也会不畏风险地到这里来碰运气。它的大量经商机会远近闻名,使它成了一块巨大的磁铁,吸引着来自四面八方的人们,有的满怀希望,有的出于无可奈何。有的是来发财的,还有的则是在别的地方碰壁破产以后来的。这个人口五十多万的城市,具有一个成为百万人口大都市的野心,气魄和事业。街道和房屋分布在七十五平方英里的大面积上。
   它的人口激增,不是由于传统的商业,而是由于各种工业。这些工业还在准备容纳更多新来的人。到处可以听到建造新楼的铁锤敲击声。大工业正在迁来。那些大铁路公司看出这个地方的前途,所以早就占下土地,用于发展交通运输业务。电车的路轨已铺到周围的旷野,因为已预见到那里会迅速发展。在那些只有零星房子分布的地区,城市也修起了一条一条长长的马路和下水道--这些都是未来繁华闹市的先驱。
   有些开阔地区还没有房子遮风挡雨。然而一到夜里,一长排一长排煤气街灯就亮了起来,灯光在风里摇曳。窄窄的木板人行道向前伸展,这里经过一座房子,隔了老远,又在那里经过一个店铺,最后一直通到开阔的草原。
   市中心是一个大商业中心,还经营批发业务。消息不灵通的人们经常到那里去找工作。每个大一点的商号都单独占据了一座楼,这是当时芝加哥不同于其他城市的地方。它们能这么做,是因为地方有的是。这一来,大多数批发商行看上去气势宏伟。写字间设在一楼,可以清楚地看到街上。大橱窗玻璃现在已很普通,当时刚被广泛采用,给一楼的写字间增添了富丽堂皇的风采。闲逛的人经过这些成套锃亮的办公设施时,可以看到许多毛玻璃,埋头工作的职员,还可以看到穿着笔挺西装干净衬衫的商人们散坐着,或者聚在一起。方石砌成的门口挂着闪光的铜牌或镍牌,上面用简洁谨慎的措辞标明商号的名称和性质。整个都市中心显出一种财大气粗,高不可攀的气势,为的是让那些普通的求职者望而生畏,不敢问津,也为的是让贫富之间的鸿沟显得又宽又深。
   嘉莉怯生生地走进这个重要的商业区。她沿着凡布伦街朝东走,穿过一个不太豪华的地段,继续往前走,房子变得越来越一般,渐渐出现了简陋小屋和煤场,最后到了河边。求职的愿望促使她继续勇敢地往前走,展现在面前的有趣事物又不时使她停住脚步。面对着这些她无法理解的赫赫财势和力量,她不由感到孤独无靠。这些高楼大厦是干什么的?这些陌生的行业和大公司做些什么生意?她能理解哥伦比亚城那个小采石场的性质,它是把大理石切割成小块出售给私人。但是当她看到巨大的石料公司的采石场,看到里面纵横交错的铁路专线和平板车,穿入石场的河边码头,和头顶上方的木制钢制大吊车,她就莫明其妙了。她没有见过世面,当然不明白这些东西的性质。
   那些巨大的火车站调车场,她在河边看到的那些密密排列的船只,还有对岸沿河的那些大工厂,同样让她摸不着头脑。通过开着的窗子她可以看见穿着工作围腰的男男女女在那里忙忙碌碌地走来走去。街上那些高墙耸立的商号对她来说又是一些不可捉摸的谜。那些大写字间就像一些神秘莫测的迷宫,另一头通向远方的大人物。关于那些商界人物,她只能想到他们点钞票,穿华服,和坐马车。至于他们做的是什么买卖,他们如何做买卖,他们的买卖有些什么结果,对这些问题她只有一些最模糊的概念。看到这一切如此了不起,如此宏伟,如此高不可攀,她不禁感到气馁。一想到要走进这么气派的商号找工作,找个她能做的工作--不管是什么工作,她就吓得心怦怦乱跳了。


  WHAT POVERTY THREATENED--OF GRANITE AND BRASS
   Minnie's flat, as the one-floor resident apartments were then being called, was in a part of West Van Buren Street inhabited by families of labourers and clerks, men who had come, and were still coming, with the rush of population pouring in at the rate of 50,000 a year. It was on the third floor, the front windows looking down into the street, where, at night, the lights of grocery stores were shining and children were playing. To Carrie, the sound of the little bells upon the horse-cars, as they tinkled in and out of hearing, was as pleasing as it was novel. She gazed into the lighted street when Minnie brought her into the front room, and wondered at the sounds, the movement, the murmur of the vast city which stretched for miles and miles in every direction.
   Mrs. Hanson, after the first greetings were over, gave Carrie the baby and proceeded to get supper. Her husband asked a few questions and sat down to read the evening paper. He was a silent man, American born, of a Swede father, and now employed as a cleaner of refrigerator cars at the stock-yards. To him the presence or absence of his wife's sister was a matter of indifference. Her personal appearance did not affect him one way or the other. His one observation to the point was concerning the chances of work in Chicago.
   "It's a big place," he said. "You can get in somewhere in a few days. Everybody does."
   It had been tacitly understood beforehand that she was to get work and pay her board. He was of a clean, saving disposition, and had already paid a number of monthly instalments on two lots far out on the West Side. His ambition was some day to build a house on them.
   In the interval which marked the preparation of the meal Carrie found time to study the flat. She had some slight gift of observation and that sense, so rich in every woman--intuition.
   She felt the drag of a lean and narrow life. The walls of the rooms were discordantly papered. The floors were covered with matting and the hall laid with a thin rag carpet. One could see that the furniture was of that poor, hurriedly patched together quality sold by the instalment houses.
   She sat with Minnie, in the kitchen, holding the baby until it began to cry. Then she walked and sang to it, until Hanson, disturbed in his reading, came and took it. A pleasant side to his nature came out here. He was patient. One could see that he was very much wrapped up in his offspring.
   "Now, now," he said, walking. "There, there," and there was a certain Swedish accent noticeable in his voice.
   "You'll want to see the city first, won't you?" said Minnie, when they were eating. "Well, we'll go out Sunday and see Lincoln Park.
   Carrie noticed that Hanson had said nothing to this. He seemed to be thinking of something else.
   "Well," she said, "I think I'll look around tomorrow. I've got Friday and Saturday, and it won't be any trouble. Which way is the business part?"
   Minnie began to explain, but her husband took this part of the conversation to himself.
   "It's that way," he said, pointing east. "That's east." Then he went off into the longest speech he had yet indulged in, concerning the lay of Chicago. "You'd better look in those big manufacturing houses along Franklin Street and just the other side of the river," he concluded. "Lots of girls work there. You could get home easy, too. It isn't very far."
   Carrie nodded and asked her sister about the neighbourhood. The latter talked in a subdued tone, telling the little she knew about it, while Hanson concerned himself with the baby. Finally he jumped up and handed the child to his wife.
   "I've got to get up early in the morning, so I'll go to bed," and off he went, disappearing into the dark little bedroom off the hall, for the night.
   "He works way down at the stock-yards," explained Minnie, "so he's got to get up at half-past five."
   "What time do you get up to get breakfast?" asked Carrie.
   "At about twenty minutes of five."
   Together they finished the labour of the day, Carrie washing the dishes while Minnie undressed the baby and put it to bed. Minnie's manner was one of trained industry, and Carrie could see that it was a steady round of toil with her.
   She began to see that her relations with Drouet would have to be abandoned. He could not come here. She read from the manner of Hanson, in the subdued air of Minnie, and, indeed, the whole atmosphere of the flat, a settled opposition to anything save a conservative round of toil. If Hanson sat every evening in the front room and read his paper, if he went to bed at nine, and Minnie a little later, what would they expect of her? She saw that she would first need to get work and establish herself on a paying basis before she could think of having company of any sort. Her little flirtation with Drouet seemed now an extraordinary thing.
   "No," she said to herself, "he can't come here."
   She asked Minnie for ink and paper, which were upon the mantel in the dining-room, and when the latter had gone to bed at ten, got out Drouet's card and wrote him.
   "I cannot have you call on me here. You will have to wait until you hear from me again. My sister's place is so small."
   She troubled herself over what else to put in the letter. She wanted to make some reference to their relations upon the train, but was too timid. She concluded by thanking him for his kindness in a crude way, then puzzled over the formality of signing her name, and finally decided upon the severe, winding up with a "Very truly," which she subsequently changed to "Sincerely." She scaled and addressed the letter, and going in the front room, the alcove of which contained her bed, drew the one small rocking-chair up to the open window, and sat looking out upon the night and streets in silent wonder. Finally, wearied by her own reflections, she began to grow dull in her chair, and feeling the need of sleep, arranged her clothing for the night and went to bed.
   When she awoke at eight the next morning, Hanson had gone. Her sister was busy in the dining-room, which was also the sitting- room, sewing. She worked, after dressing, to arrange a little breakfast for herself, and then advised with Minnie as to which way to look. The latter had changed considerably since Carrie had seen her. She was now a thin, though rugged, woman of twenty- seven, with ideas of life coloured by her husband's, and fast hardening into narrower conceptions of pleasure and duty than had ever been hers in a thoroughly circumscribed youth. She had invited Carrie, not because she longed for her presence, but because the latter was dissatisfied at home, and could probably get work and pay her board here. She was pleased to see her in a way but reflected her husband's point of view in the matter of work. Anything was good enough so long as it paid--say, five dollars a week to begin with. A shop girl was the destiny prefigured for the newcomer. She would get in one of the great shops and do well enough until--well, until something happened. Neither of them knew exactly what. They did not figure on promotion. They did not exactly count on marriage. Things would go on, though, in a dim kind of way until the better thing would eventuate, and Carrie would be rewarded for coming and toiling in the city. It was under such auspicious circumstances that she started out this morning to look for work.
   Before following her in her round of seeking, let us look at the sphere in which her future was to lie. In 1889 Chicago had the peculiar qualifications of growth which made such adventuresome pilgrimages even on the part of young girls plausible. Its many and growing commercial opportunities gave it widespread fame, which made of it a giant magnet, drawing to itself, from all quarters, the hopeful and the hopeless--those who had their fortune yet to make and those whose fortunes and affairs had reached a disastrous climax elsewhere. It was a city of over 500,000, with the ambition, the daring, the activity of a metropolis of a million. Its streets and houses were already scattered over an area of seventy-five square miles. Its population was not so much thriving upon established commerce as upon the industries which prepared for the arrival of others. The sound of the hammer engaged upon the erection of new structures was everywhere heard. Great industries were moving in. The huge railroad corporations which had long before recognised the prospects of the place had seized upon vast tracts of land for transfer and shipping purposes. Street-car lines had been extended far out into the open country in anticipation of rapid growth. The city had laid miles and miles of streets and sewers through regions where, perhaps, one solitary house stood out alone--a pioneer of the populous ways to be. There were regions open to the sweeping winds and rain, which were yet lighted throughout the night with long, blinking lines of gas-lamps, fluttering in the wind. Narrow board walks extended out, passing here a house, and there a store, at far intervals, eventually ending on the open prairie.
   In the central portion was the vast wholesale and shopping district, to which the uninformed seeker for work usually drifted. It was a characteristic of Chicago then, and one not generally shared by other cities, that individual firms of any pretension occupied individual buildings. The presence of ample ground made this possible. It gave an imposing appearance to most of the wholesale houses, whose offices were upon the ground floor and in plain view of the street. The large plates of window glass, now so common, were then rapidly coming into use, and gave to the ground floor offices a distinguished and prosperous look. The casual wanderer could see as he passed a polished array of office fixtures, much frosted glass, clerks hard at work, and genteel businessmen in "nobby" suits and clean linen lounging about or sitting in groups. Polished brass or nickel signs at the square stone entrances announced the firm and the nature of the business in rather neat and reserved terms. The entire metropolitan centre possessed a high and mighty air calculated to overawe and abash the common applicant, and to make the gulf between poverty and success seem both wide and deep.
   Into this important commercial region the timid Carrie went. She walked east along Van Buren Street through a region of lessening importance, until it deteriorated into a mass of shanties and coal-yards, and finally verged upon the river. She walked bravely forward, led by an honest desire to find employment and delayed at every step by the interest of the unfolding scene, and a sense of helplessness amid so much evidence of power and force which she did not understand. These vast buildings, what were they? These strange energies and huge interests, for what purposes were they there? She could have understood the meaning of a little stone-cutter's yard at Columbia City, carving little pieces of marble for individual use, but when the yards of some huge stone corporation came into view, filled with spur tracks and flat cars, transpierced by docks from the river and traversed overhead by immense trundling cranes of wood and steel, it lost all significance in her little world.
   It was so with the vast railroad yards, with the crowded array of vessels she saw at the river, and the huge factories over the way, lining the water's edge. Through the open windows she could see the figures of men and women in working aprons, moving busily about. The great streets were wall-lined mysteries to her; the vast offices, strange mazes which concerned far-off individuals of importance. She could only think of people connected with them as counting money, dressing magnificently, and riding in carriages. What they dealt in, how they laboured, to what end it all came, she had only the vaguest conception. It was all wonderful, all vast, all far removed, and she sank in spirit inwardly and fluttered feebly at the heart as she thought of entering any one of these mighty concerns and asking for something to do--something that she could do--anything.
首页>> 文学论坛>> 现实百态>> 德莱塞 Theodore Dreiser   美国 United States   二战中的美国   (1871年8月27日1945年12月28日)