shǒuyè>> wénxué>> 现实百态>> ài · Alex Haley   měi guó United States   lěng zhàn jié shù   (1921niánbāyuè11rì1992niánèryuè10rì)
gēn Roots: The Saga of an American Family
   · ( Alex·Haley): měi guó hēi rén zuò jiā, 1921 nián shēng niǔ yuē zhōu de , 1939-1959 nián zài hǎi 'àn jǐng wèi duì jiān dāng guò zhě。 1965 nián rén xiě liǎo hēi rén lǐng xiù 'ěr · ài de chuán zài yào zhǎo chū hēi rén chuán tǒng de wàng shǐ xià duì gāng yòu guān kǒu tóu chuán shuō jìn xíng liǎo diào chá yán jiū xiàn jiā zhuī dào dài zhī qián de fēi zhōu rén bèi zuò wéi 1767 nián yùn dào 'ān liàng shǐ shí wéi chǔzēng xiē jié 1976 nián xiě chū liǎo cháng piān jiā shǐ xiǎo shuōgēn》。 gāi shū huò 1977 nián bié jiǎnggǎi biān chéng diàn shì lián shàng yǎn hòu hōng dòng quán guó


  Roots: The Saga of an American Family is a novel written by Alex Haley and first published in 1976. It was adapted into a hugely popular, 12-hour television miniseries, Roots, in 1977, and a 14-hour sequel, Roots: The Next Generations, in 1979.
  
  Plot introduction
  
  Brought up on the stories of his elderly female relatives—including his Grandmother Cynthia, whose father was emancipated from slavery in 1865—Alex Haley purported to have traced his family history back to "the African," Kunta Kinte, captured by slave traders in 1767. For generations, each of Kunta's enslaved descendants passed down an oral history of Kunta's experiences as a free man in Gambia, along with the African words he taught them. Haley researched African village customs, slave-trading and the history of African Americans in America—including a visit to the griot (oral historian) of his ancestor's African village—to produce this colourful and imaginative recreation of his family's history from the mid-eighteenth century through the mid-twentieth century which led him back to his heartland, Africa.
  Characters in "Roots"
  
   * Kunta Kinte – original protagonist: a young man of the Mandinka people, grows up in the Gambia in a small village called Juffure and is raised as a practising Muslim before being captured and enslaved. Renamed "Toby"
   * Master Lord Calvert – plantation owner who buys Kunta (called John Reynolds in the TV series)
   * Dr. William Waller – doctor of medicine and John's brother: buys Kunta from him (called William Reynolds in the TV series)
   * Belle Waller – cook to the doctor who Kinte marries (called Belle Reynolds in the TV series)
   * Kizzy Waller – daughter of Kinte and Belle (called Kizzy Reynolds in the TV series)
   * Missy Anne – Dr. Waller's niece, who lives on his brother's plantation but visits Dr Waller regularly. She befriends Kizzy and teaches her the basics of reading/writing by playing "school".
   * Tom Lea – slave owner in North Carolina to whom Kizzy is sold (called Tom Moore in the TV series)
   * George Lea – son to Kizzy and Tom Lea, he is called "Chicken George"
   * Matilda – who George marries
   * Tom Murray – son of Chicken George and Matilda (called Tom Harvey in the TV series)
   * Cynthia – the youngest of Tom and Irene's eight children (grand daughter of Chicken George)
   * Bertha – one of Cynthia's children; mother of Alex Haley
   * Simon Alexander Haley – professor and husband of Bertha; father of Alex Haley
   * Alex Haley – author of the book and central character for last 30 pages; great-great-great-great-grandson (7 generations) of Kunta Kinte.
  
  Literary significance and criticism
  
  Historical marker in front of Alex Haley's boyhood home in Henning, Tennessee (2007)
  
  Haley earned a Pulitzer Prize special award in 1977 for Roots and the television miniseries garnered many awards, including nine Emmys and a Peabody.
  
  Haley's fame was marred, however, by charges of plagiarism. After one trial, in which he admitted that passages of Roots were copied from The African by Harold Courlander, Haley settled out-of-court for $650,000. Haley claimed that the appropriation of Courlander's passages had been unintentional. In 1988, Margaret Walker also sued Haley, claiming that Roots violated the copyright for her novel Jubilee. Walker's case was dismissed by the court.
  
  Additionally, the veracity of those aspects of the story which Haley claimed to be true have been challenged. Although Haley acknowledged the novel was primarily a work of fiction, he did claim that his actual ancestor was Kunta Kinte, an African taken from the village of Juffure in what is now The Gambia. According to Haley, Kunta Kinte was sold into slavery where he was given the name Toby and, while in the service of a slavemaster named John Waller, went on to have a daughter named Kizzy, Haley's great-great-great grandmother. Haley also claimed to have identified the specific slave ship and its specific voyage that transported Kunta Kinte from Africa to North America in 1767.
  
  In the concluding chapter of Roots Alex Haley stated:
  “ To the best of my knowledge and of my effort, every lineage statement within Roots is from either my African or American families' carefully preserved oral history, much of which I have been able conventionally to corroborate with documents. Those documents, along with the myriad textural details of what were contemporary indigenous lifestyles, cultural history, and such that give Roots flesh have come from years of intensive research in fifty-odd libraries, archives, and other repositories on three continents. ”
  
  Haley goes on to say that most of the dialogue and necessary incidents are novelized, based on what he knew took place and what the research led him to feel took place.
  
  Genealogist Elizabeth Shown Mills and historian Gary B. Mills revisited Haley's research and concluded that his claims were not true. According to the Millses, the slave named Toby who was owned by John Waller could be definitively shown to have been in North America as early as 1762. They further said that Toby died years before the supposed date of birth of Kizzy.
  
  There have been suggestions that the griot in Juffure, who, during Haley's visit there, confirmed the tale of the disappearance of Kunta Kinte, had been coached to relate such a story.
  
  Although a friend of Haley's, Harvard University professor Dr. Henry Louis Gates, Jr., one of the general editors the Norton Anthology of African-American Literature, has acknowledged the doubts about Haley's claims, saying, "Most of us feel it's highly unlikely that Alex actually found the village whence his ancestors sprang. Roots is a work of the imagination rather than strict historical scholarship. It was an important event because it captured everyone's imagination."
  
  There is no doubt, however, that Roots led to a surge of interest in family genealogy across the country.
  Scholarship
  
   * Gerber, David A. “Haley’s Roots and Our Own: An Inquiry Into the Nature of a Popular Phenomenon.” Journal of Ethnic Studies 5.3 (Fall 1977): 87-111.
   * Hudson, Michelle. "The Effect of 'Roots' and the Bicentennial on Genealogical Interest among Patrons of the Mississippi Department of Archives and History," Journal of Mississippi History 1991 53(4): 321-336
   * Ryan, Tim A. Calls and Responses: The American Novel of Slavery since Gone with the Wind. Baton Rouge: Louisiana State UP, 2008.
   * Skaggs, Merrill Maguire. “Roots: A New Black Myth.” Southern Quarterly 17. 1 (Fall 1978): 42-50.
   * Taylor, Helen. “‘The Griot from Tennessee’: The Saga of Alex Haley’s Roots.” Critical Quarterly 37.2 (Summer 1995): 46-62.
  
  Television and audio adaptations
  
  Roots was made into a hugely popular television miniseries that aired over eight consecutive nights in January 1977. ABC network television executives chose to "dump" the series into a string of airings rather than space out the broadcasts, because they were uncertain how the public would respond to the controversial, racially-charged themes of the show. However, the series garnered enormous ratings and became an overnight sensation. Approximately 130 million Americans tuned in at some time during the eight broadcasts. The concluding episode on January 30, 1977 has been ranked as the fourth most watched telecast of all time by the Nielsen corporation.
  
  The cast of the miniseries included LeVar Burton as Kunta Kinte, Leslie Uggams as Kizzy and Ben Vereen as Chicken George. A 14-hour sequel, Roots: The Next Generations, aired in 1979, featuring the leading African-American actors of the day. In December 1988, ABC aired a two-hour made-for-TV movie: Roots: The Gift. Based on characters from the book, it starred LeVar Burton as Kunta Kinte, Avery Brooks as Cletus Moyer, Kate Mulgrew as bounty hunter Hattie Carraway, and Tim Russ as house slave Marcellus (Coincidentally, all four actors have become prominent as leading actors in the Star Trek franchise).
  
  In August 2006, author Ilyasah Shabazz, (daughter of Malcolm X) recorded a public service announcement for Deejay Ra's 'Hip-Hop Literacy' campaign encouraging reading of Alex Haley's books to commemorate Haley's 85th birthday.
  
  In May 2007, BBC America released Roots as an audiobook narrated by Avery Brooks. The release coincided with Vanguard Press's publication of a new paperback edition of the book, which had gone out of print in 2004, and with Warner Home Video's release of a 30th anniversary DVD boxed set of the mini-series.
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根 前言
根 前言
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  èr shí nián qiándānggēnfēngmǐ měi guó de shí hòu shì bèi liè zài fēi xiǎo shuō lèi chàng xiāo shū zhōng de。 1977 nián 4 yuèměi guó guó jiā shū jiǎng jīn wěi yuán huì shǐ děng jiǎng shòu liǎogēn》, biǎo zhāng zhè fēi gòu de shǐ zuò pǐn”。 dàn shì 'èr shí nián lái zài quán shì jiè de liú chuán biǎo míng zhě men tōng cháng bìng shì gēndāng zuò bān de shǐ lái yuè men gèng duō de shì chén jìn zài duìgēnsuǒ miáo shù de jiā mìng yùn de guān qiē zhī zhōngwéi shēn de zhù huó shēng shēng de xíng xiàng fēng de qíng gǎn suǒ dòng。《 gēngèng yīnggāi shì wén xué zuò pǐnshì yōu xiù de shǐ xiǎo shuōsuī rán zuò zhě xìn shì dàn dàn shuō zěn yàng zài chén fēng de zhǐ duī zhōng xún zhǎo shǐ de xiàn suǒshū zhōng de rén zěn yàng shì de niàn nǎi nǎizhè xiē bìng zhòng yàozhòng yào de shì de shǐ zhēn shí xìng shì róng zài de shù jià zhí zhī zhōng de
   yīn gēnyīnggāi jìn shì jiè wén xué míng zhù de hángliè
   qiáng diàogēnshì wén xué zuò pǐnbìng wèi men biǎn de shǐ hán liàng rèn shí jià zhíqià qià xiāng fǎnxíng xiàng xiǎngzhèng shì de shù zài xiànshǐ zhě men gēngshēn rèn shí liǎo měi guó hēi rén nǎi zhì měi guó de duàn shǐ
   huí měi guó wén xué zuì mǐn gǎn de hēi rén wèn wéi cái de zuò pǐn xíng chéng liǎo zhuān mén de lèi bié shuō zhōng shìtānɡ de xiǎo 》、《 piāogēnyǐng xiǎng zuì zuì yòu dài biǎo xìng shíqián liǎng zuò pǐn hái néng gēnxiāng wán quán hēi rén de shēng huó wéi zhù yào qíng jié qiě hēi rén wéi zhù rén gōng de zuò pǐn,《 gēnshì yòu kāi chuàng deyóu de de shù fāng shì,“ cóng tóu dào lái”, cónggēn dài dài hēi rén de mìng yùn men de nán zhuī qiúxióng biàn zhǎn shì liǎo zhù liǎogēn shǐ shī de guāng huī
  《 gēn jué liǎo tiáo měi guó hēi rén zhī gēnzhè tiáo gēn kāi shǐ zài 1750 nián zǎo chūn fēi gāng shàng de jiā cūnzhè shì zuò zhě suǒ chēng yóu shàng tuī dài de xiān jiàng shēng zhī zhè tiáo gēn shì suǒ yòu měi guó hēi rén zhī gēn de dài biǎo xiàng zhēngqǐng kàn kāng · jīn cóng chū shì dào bèi bái rén fàn lüè zhī qián duàn fēi zhōu luò de shēng huó shì duō me chún xié bōzhòng fēng shōu jié de dǎogōu huǒ qián de zhǎnglǎo shì huìsēn lín zhōng de nán chéng nián diǎn zhè qiēdōu xiǎn shì zhe men rén rén zhī jiān de guān shì yōu deshì xié deér chén dàng yàng de kěn · lóng shàng zhōu huá liǎo píng jìng de shuǐ miànjīng xǐng liǎo fèi fèijīng sàn liǎo zhūlín jiān bǎi niǎo míng zhuàn shàng cāng fēi…… zhè yòu shì duō me xié de rán huán jìngrén men cháng shuō yīnggāi rén rén de guān rén rán de guān lái jiǎn mín de wén míng chéng yīnggāi kàn dàokāng · jīn de mín jué shì mán de mán de shì men dāng liè lüè de bái rén ”。 zhè hòu lái chéng wéi měi guó hēi rén de jiā de nán shǐ jiù shì cóng kāng · jīn bèi zhuō kāi shǐ de men de fēi zhōu zhī gēn jiù cóng chù duàn liǎo
   céng yòu rén pínggēnsuǒ miáo huì de fēi zhōu shēng huó qíng jǐng guò xiǎng huà làng màn huà liǎo gòu zhēn shízhè yàng de zhǐ zhāi shí hái shì shǐ xiǎo shuō zhōng shǐxiǎo shuōzhī jiān guān de lǎo wèn 。《 gēn shì gōng néng xué pài de shè huì rén lèi xué kǎo chá bào gào de jié yīnggāi cóng de zhù gēngshēn de shǐ zhēn shídāng dài hēi zài yáo yuǎn de xiāng shòu jìn yòu gào shí zhǐ néng zài mèng zhōng xiāng jiàn de rán jiù xiǎn tiān táng yàng měi hǎozuò zhě suǒ xiě de shì mín de xiàng zhēng de shǐ fēi zhōu de gēn bèi zhù liǎo shēn céng de hán shì zhōng zhuī qiú de dài chēng
   jìn guǎn jīng yòu hěn duō zuò pǐn liǎo měi guó hēi rén suǒ zāo shòu de nándàn gēnréng rán huì shǐ men de xīn wèitā men de nán 'ér zhèn chàncóng yuè yáng yùn chuán shàng xiē men zhǒng zhǒng lìng rén fàzhǐ de bào xíngdào měi guó nán fāng zhòngzhí yuán qióng jìn de hēi rén men shì shēng huó zài xuè lèi zhī zhōng zhě huì wàng zhè yàng qíng jiézài hēi pāi mài tái shàng wèi hēi rén qīn dāng zhòng shuāi liǎo qīn shēng de yīng 'érwéi de shì men duì suǒ zuò de qiēxiū xiǎng zài zuò dào hái shēn shàng”。 bái rén men duì zuò liǎo shénme shuō men jiù xiǎng xiàng zhè wèi qīn suǒ méng shòu de rán wáng hái yào cǎn liè zhì cuī huǐ 'ér gāng gāng huò de shēng mìngmiǎn zài jīng qīn de nánrán 'érgēngèng chū liǎo měi guó hēi rén jīng shén shàng suǒ shòu de zhǒng shī liǎo rén de zūn yán 'ér gěi xīn líng dài lái de tòng shū zhōng fǎn zhǐ chūrén zuì bǎo guì de dōng shì zhī dào shì shénme rénshì cóng 'ér lái deér men zuì 'è zhī chù jiù shì ràng hēi rén yòu de yán de fēng ràng men zhī dào degēn”。 yīn hēi rén men zhēn zhèng dào jiě fàngyòng shū zhōng de huà lái shuō:“ jiù shì wéi bái rén gōng zuò qiān nián hòu hái shì hēi 。” méi yòu liǎo lái méi yòu liǎo guī shǔ gǎnhēi rén men zhǐ néng shì shì dài dài bèi mài lái mài shǐ zài fèi hòu zhǐ néng shì máng rán de piào zhě。“ piào páng huánglán dùn · xiū zhī zhèng shì dài biǎo liǎo zhè zhǒng xīn tài。《 gēnjiù shì zhè zhǒng guī shǔ gǎn de xún qiú zuò wéi rènzài hēi rén jiā tíng dài de shǐ zhōng kāipì jiān de tàn fǎng zhī
   jīng guò shí 'èr nián de tàn suǒzuò zhě zhōng zhǎo dào liǎo degēn”。 zhè guò chéng xiě zài liǎo xiǎo shuō de zuì hòu fēnzēng jiā liǎo shū de shí cǎi tōng guò bèi bèi kǒu 'ěr xiāng chuán de piàn yán zhǐ de fēi zhōu huàzhōng zhǎo dào liǎo gāng pàn xiān de cūn luòzhǎo dào liǎo de hēi dài xiān kāng · jīn de lái
   jué dào zhè tiáogēnshì hěn liǎo de shǐ quán shū de zhù wán chéng liǎo de yuèzhāngshòu shì shí shàng shí nián dài duō měi guó hēi rén xiān liǎo xún gēn cháodàn shìshì shì zhǎo dào liǎo xiān de cūn luò jiù zhēn zhèng zhǎo dào liǎo de zūn yán jià zhí liǎo kǒng jìn měi guó de hēi rén wèn shì shè huì wèn ér zhǒng wèn zhǐ shì zhè wèn de biāo qiānzhǎo dào liǎo zhǒng shàng de gēnbìng děng zhǎo dào liǎo jiě jué zhè shè huì wèn de gēn duàn hēi rén de mín chuán tǒng méng mèi zhì menbìng shì bái rén tǒng zhì zhě nüè de zhù yào shǒu duànzhì shǎo shì wéi shǒu duàn shǐ dào jīn tiān shǐ zài xiē fāng miàn de jìng dào liǎo tóng chéng de gǎi shàn shǐ xún dào liǎo gēnměi guó hēi rén yào xiǎng huò zhēn zhèng de píng děng yóu jiě fàng men hái yòu duō shì qíng yào zuò guò shìgēn wài de shì qíng liǎo
   shígēn jǐn jué liǎo měi guó hēi rén zhī gēn rán chù měi guó bái rén zhī gēn
   měi guó shì bái rén tǒng zhì de guó jiāhēi rén shì de shēn fèn bèi qiáng zhì sòng dào měi zhōu deyīn bái rén shì zhù rénshū zhōng jiù miáo xiě liǎo wèi tóng de zhù rénmǎi xià kāng de yuē hàn zhù rén lěng cán bào de huá zhù rén yòu tóng qíng xīn 'ér rén ”, mǎi xià qiàn de zhù rén xià liú chǐshì shí de rén zhā ruì zhù rén yòu fènwài kāi tōngrán 'ér suǒ yòu zhè xiē zhù rén --“ hǎozhù rén huài zhù réndōuyòu gòng tóng chù jiù shì qiē 'àn zhào bái rén de guī xíng shìhēi rén yǒng yuǎn zhǐ néng tīng rèn zǎi zài zhù rén miàn qián zhǐ néng shuōshì”。 zài zhè hēi bái fēn míng de shì jiè jiù bái zhù rén zhěng 'ér yánwěi shàn cán bào zhǐ shì duì hēi rén jiāo shǐ yòng de shǒu duànduì zhè diǎn,《 gēnjiē hěn qīng chǔ tóng miàn mùdì bái rén zhù rén shí dōuyòu zhè gēn kào zhì féi de gēn
   měi guó de bái rén lái chù men yòng tàn xún zhī dàolái 'ōu zhōudàoxīn lái xún cái mèng de rén duō shù shì zǒu tóu 'ér bèi jǐng xiāng men dāng zhōng mào xiǎn jiāshòu zhě chǎn zhě yòu de shìzài měi zhōu zhè kuàichōng fēn yóude shàng men de liè gēn xìng zài duì dài yòu rén zhǒng shí biàn zài shòu lún dào nǎi zhì de yuē shù 'ér yóu biǎo xiànyīn wéi men de zhì jiù shì men de wàng jiù shì lún zhèng shū zhōng de hēi rén suǒ shuō:“ zài men chéng xīn zhí mín hòushǒu xiān jiù gài zuò yuàn tōng guò gèng duō de rán hòu zài gài jiān jiào táng lái zhèng míng men shì 。” bīn sūn kào huǒ qiāng shèng jīngzhēng liǎo xīng měi guó de bái rén zhēng zhě shì kào zhè liǎng yàng shǐ men de dāng men kào xuē hēi rén zhì liǎoshèn zhì dāng men de hái chī hēi rén nǎi de nǎi zhǎngdà liǎo men réng rán méi yòu wàng gěi hēi rén duō jiā tiáo suǒ liànshū zhōng zhǐ jiè 'ě xiǎo nán hái de shì tàn dàozhè shì jiāng chóu bàoruò ròu qiáng shí de shì jièbái rén duì hēi rén shì yòu tài duō de shǐ qiàn zhàngshí zhì jīn méi yòu zhēn zhèng jiě jué de měi guó hēi rén wèn jiù shì zhì zhǒng shì de hòu guǒ shì měi guó de tiáo bìng gēn
   měi guó cháng cháng zuìzuì yóuzuì jiǎng érgēnzhèng shì xiàng shì rén jiē shì liǎo zuì méi yòuzuì méi yòu yóuzuì méi yòu de hēi rén jiā de shǐ de shè huì rèn shí měi guó de bēi 》、《 fèn de táoděng měi guó wén xué shǐ shàng de míng piān shì zhì de
  《 gēndāng rán shì wán měi de zuò pǐnzài wèn shì zhī chū jiù yòu duō zhēng dàn shì jīng guò liǎo 'èr shí nián shí jiān de chōng shuà méi yòu yānmò zài shù guò yǎn shì de chàng xiāo shū zhōngshuō míng yòu míng zhù de shēng mìng zhèng yīn wèicǐ zhí men jìn zhǐ chū de zhī chù
   zuò zhě zhù jiàn zàixún dào gēn jiù xún dào qiēzhè guān niàn shàng wàng hēi rén xún dào gēn jiù xún dào liǎo zūn yánbái rén xún dào gēn jiù néng liǎo jiě jiě hēi réntiān xià suǒ yòu réndōu lái xún gēnjiù néng xiāng róng xiāng tōngzhè zhǐ néng shì shàn liáng de yuàn wàng men zūn zhòng zhè yuàn wàng wàng zhè yuàn wàng néng jìn rén lèi de xiāng chùdàn shì cóng xiǎng shàng shuō qián rén de zuò pǐn xiāng ,《 gēnde zhù bìng méi yòu běn zhì de suǒ shū zhōng de hēi rén men duō shì zài rěn nàishùn cóng duì biàn de kǒng zhōng guò shēngdāng men dào yóujīng yíng yòu chéng hòu jiàn de jiào tángcǎo shàng cān biàn chéng liǎo men de kuài
  《 gēnzài shù shàng de chéng gōng xiǎn 'ér jiàn zào de rén yòu shǐ shēn fèn xiāng xìng jué léi tóngzuì wéi rén nán wàng de rán shì kāng · jīn zǎi qiáo zhìqián zhě de gāng qiáng jiān hòu zhě de cōng míng shàn liáng guāi qiǎo làng yuè rán zhǐ shàng bái rén zhù rén miáo xiěde shēng luò tàoyóu shì huá zhù rén yòu jiào yǎngrén kuān róngzuò wéi shēng chù jiù shāng shì dàn jué de guīju bèi qīn fàn jiù biàn lěng cán rěnzhè bái rén xíng xiàng hěn yòu dài biǎo xìng
   zuò zhě shì xiě jiā shǐ de xīn tài lái chuàng zuòyīn zhè zuò pǐn méi yòu xiǎo shuō chuán tǒng de jié gòu fāng shì 'àn zhào 'èr bǎi duō nián de shí jiān shùn 'ān pái qíng jiéxiáng lüè dāngzhǐ shì yòu guān dǒu de miáo xiěsuī rán jīng cǎi dàn yòu xiē chōng dàn zhù de shì zhì yǐn rén shèng bǎo mǎn de gǎn qíngfēng de xiǎng xiàng yōu měi de chù dòng zhě de xīn xiánshǐ men wán zhè běn shū yǎn juàn chén zhī shíhuì xiǎng dào gèng duō de dōng -- guān gēn
   ài
   nián de zǎo chūnyán fēi gāng 'àn xiàng shàng xíng tiān xíng chéng zhī chùyòu jiào zuò jiā cūn de cūn luòcūn mín 'ōu ruò · jīn de pín · jīn gāng lín pén shēng xià nán háixiǎo jiā huǒ fèn cóng pín shuò jiàn de nèi zhèng tuō chū lái biàn háo táo qīn yàng yǒu hēidài zhe bān diǎn de xiǎo shēn huá liù liù dehái yòu piàn piàn de xuè kuàiliǎng wèi miàn róng mǎn zhòu wén de jiē shēng 'ōu yīng 'ér de 'ài suō kàn dào shì nán kāi xīn xiào liǎo xiān de shuō jiā zhōng tóu tāi nán hái de dào lái yán 'ā shén jǐn huì bié de 'ēn chǒng gěi hái huì qīn de jiā yīn men zhī xiǎojīn zhè xìng shì jiāng huì fàng guāng cǎiér qiě yǒng chuí hòu shì
   míng xiǎo zhī qián nèi jiā zhe zhè liǎng wèi lǎo rén dié dié xiū de liáo tiān shēng 'ér suǒ tīng dào de shēng yīn shì wài cūn yòng gān chōng suǒ chū luò depēng pēng !” shēng men zèng jià zài sān kuài shí tóu shàngzhèng zài zhǔn bèi chuán tǒng de zǎo
   chuī yān niǎo niǎo shēng piāo guò liǎo cūn zhōng de yuán xíng máo cǎo màn kōng zhōng wèi suī shì qiàng dàn réng lìng rén gǎn dào yuè shícūn zhōng de shī héng héng yáng · dān kāi shǐ yòng guàn yòu de yīn háojiàohuàn xǐng shuì mèng zhōng de cūn mín lái jìn xíng měi duì 'ā shén cháo bài dǎo zhōng de zǎo dǎocūn mín shì cāng tiào men de zhú chuáng shòu mián bèibìng zuì kuài de tào shàng mián cháng páorán hòu shén cǎi bēn xiàng dǎo chǎngzài 'ér shī huì shuài lǐng jiā bàikǒu zhōng niàn zhe:“ wěi de shén 'ā què zhèng shì shàng zhǐ yòu wèi zhēn shén!” dǎo wán dāng cūn mín zhèng zhǔn bèi huí jiā chī zǎo cān shíōu ruò chōng dào rén qún yǎn zhōng shǎn chū guāng mángxīng fèn xiàng jiā xuān huò lín 'ér de hǎo xiāo dùn shísuǒ yòu de cūn mín fēn fēn huí yìng zhǒng de huà
   měi nán rén huí de máo hòu huì cóng shǒu zhōng jiē guò wǎn huì zài huí dào chú fáng wèi xiǎo háirán hòu cái lún dào chīzǎo fàn hòunán rén men līn zhì bǐng shàng yóu cūn zhōng tiě jiàng qiàn shàng tiě de wān bǐng duǎn chúrán hòu dòng shēn qián wǎng tián gōng zuòzhǔn bèi zhòngzhí luò huā shēng mài mián huā shì nán rén de zhù yào nóng zuò jiù tóng zài zhè dàicǎo cāng cuì róng de guó jiā gāng zhǒng dào shì rén de zhù yào gōng zuò yàng
   xún wǎng hòu de tiānōu ruò hěn shèn zhòng shì zhǐ zhuān zhù jiàn zhí héng héng wéi hái mìng míngzhè míng yòu shǐ 'ér qiě dài yòu yán xìngyīn wéi de rén héng héng màn dīng héng héng shēn xìn hái huì cóng suǒ míng de rén huò shì zhōng chéng zhǒng xìng
   zài tiān de suǒ dāng zhōngōu ruò dài biǎo pín bài fǎng liǎo jiā cūn de jiā jiā bìng yāo qǐng měi jiā tíng qián lái cān jiā xīn shēng 'ér de mìng míng diǎn héng héng chuán tǒng shàng shì zài chū shēng hòu de tiāndāng tiānzhè wèi xīn shēng 'ér huì qīn yàng zhèng shì chéng wéi màn dīng de fēn
   tiān lái lín shícūn mín qīng zǎo jiù zài 'ōu ruò pín de máo qiánshuāng fāng jiā de tóu shàng huì dǐng zhe piáonèi shèng qìng diǎn yòng de suān nǎi jiē jiā fēng zuò chéng de tián gāocūn cháng · bēizhe dōng dōng zài 'ér shī xiǎo hái jiāng lái de jiào shī · sài zài chǎng wàiōu ruò de liǎng xiōng héng héng yuē suǒ luó héng héng tīng dào shēng chuán lái zhí 'ér chū shēng de xiāo cóng lǎo yuǎn gǎn lái cān jiā diǎn
   dāng pín jiāo 'ào bào zhe yīng 'ér shí guàn jīn tiān yào jiǎn yīng 'ér tóu shàng de xiǎo cuō tóu suǒ yòu de jīng tàn guān cháng zhèngdāng cūn cháng kāi shǐ shí jiā jiù jìng shēng shī duì zhe suān nǎi tián gāo shuō liǎo duàn dǎo gào zài dǎo shíměi wèi réndōu yòng yòu shǒu chù piáo de biān yuán shì duì shí de zūn jìngrán hòu shī zhuǎn shēn duì yīng 'ér dǎokěn qiú 'ā shén cháng mìng bǎi suìjiāng lái néng guāng zōng yào qiě wèitā de jiā de cūn de dài lái sūn sūnzuì hòubìng gěi liàng jīng shénwèitā jiāng yào lǐng shòu de míng dài lái róng
   ōu ruò zǒu dào qún de cūn mín miàn qiáncóng shǒu zhōng jiē guò xiǎo háibìng gāo zài zhòng kuí kuí zhī xià duì zhe yīng 'ér de 'ěr duǒ nán nán qīng hǎn sān wèitā tiǎo xuǎn de míng zhè shì yīng 'ér de míng bèi shuō chū láiyīn wéi 'ōu ruò de rén rèn wéi měi réndōu yòu quán zhī dào shì shuí
   shí dōng dōng zài xiǎng ōu ruò jiē zhe zài pín 'ěr biān qīng hǎn liǎo yīng 'ér de míng pín jiāo 'ào qiě kuài xiào liǎorán hòu duì zhàn zài cūn mín miàn qián de jiào shī · sài qīng hǎn liǎo zhè míng
   shì · sài biàn shēng hǎn:“ ōu ruò pín · jīn de zhǎngzǐ míng jiào zuò kāng !”
   jiādōu zhī xiǎo shì yīng 'ér shì · kāng · jīn de zhōng jiān míng dāng chū cóng guó máo lái dào gāng zài zhěng jiù liǎo jiā cūn cūn mín miǎn shòu 'è liǎo 'ài suōrán hòu shēng fèng xiàn gěi jiā cūn zhí dào shì shì bèi zūn fèng wéi shèng rén
   · sài jiē zhe kāi shǐ chàng niàn yīng 'ér de héng héng · kāng · jīn xiē máo xiān de míng zhè xiē wěi qiě zhòng duō de míng zhuī zhì liǎng bǎi duō nián qián shí cūn cháng qiāo zhe de dōng dōng suǒ yòu de cūn mín jūn duì zhuó yuè liè liè zōng gāo hǎn chū men de zàn shǎng chóng jìng
   dāng wǎnzài jiǎo yuè yào xīng zhī xiàōu ruò dān péi bàn de 'ér wán chéng liǎo mìng míng de shì shuò zhuàng de shǒu bào zhe xiān xiǎo de kāng zǒu dào cūn luò de biān yuán gāo yīng 'érshǐ miàn xiàng shàng cāngróu shuō dào:“ kàn zhè shì wéi gèng zhòng yào de dōng !”
shǒuyè>> wénxué>> 现实百态>> ài · Alex Haley   měi guó United States   lěng zhàn jié shù   (1921niánbāyuè11rì1992niánèryuè10rì)