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dié mèng Rebecca
  《 dié mèngyuán míng bèi 》( yòu bèi 》), shì 'āi de chéng míng zuò biǎo 1938 nián bèi chéng 'èr shí duō zhǒng wén zài bǎn chóngyìn shí duō bìng bèi gǎi biān bān shàng yín yóu shàn cháng shì yǎn suō shì xià juésè de míng yǎn yuán láo lún ào wéi 'ěr( LaurenceOlivier) jué shì zhù yǎn nán zhùjué mài gāi piàn shàng yìng lái jiǔ shèng shuāi
   'āi zài běn shū zhōng chéng gōng zào liǎo shén cǎi de xìng bèi de xíng xiàng rén xiǎo shuō kāi shǐ shí chú zài dàoxù duàn luò zhōng bèi jiànjiē dào wàicóng wèi zài shū zhōng chū xiàndàn què shí shí chù chù yīn róng wǎn zàibìng néng tōng guò zhōng qíng děng kòng zhì màn tuó zhuāng yuán zhí zhì zuì hòu jiāng zhè zhuāng yuán shāo huǐxiǎo shuō zhōng lìng xìng shì shù zhě shēn fèn chū xiàn de rén chēngsuī shì 'āi quán de huó rénshí shàng què chù chù zhe hōng tuō bèi de zuò yòngzuò zhě zhè zhǒng shí yòu péi chèn de shǒu wéi bié zhì
   zhí zhù de shìzuò zhě tōng guò huà bèi zhǒng fàng làng xíng hái zhī wài de huà shēng huó mài wēn de xíng hūn yīnduì yīng guó shàng céng shè huì zhōng de xiǎng zhì shàngěr zhàqióng shē chǐshì wěi shàn děng xiàn xiàng zuò liǎo shēng dòng de jiē zuò zhě hái tōng guò qíng jǐng jiāo róng de shǒu jiào chéng gōng xuàn rǎn liǎo liǎng zhǒng fēn fāng miàn shì chán mián fěi de huái xiāng jiùlìng fāng miàn shì yīn sēn de jué wàng kǒng zhè shuāngchóng fēn xiāng jiāo dié shèn tòujiā zhī quán shū xuán niàn duànshǐ běn shū chéng wéi duō nián chàng xiāo shuāi de làng màn zhù xiǎo shuōdàn zài zhè zuò pǐn zhōng fǎn yìng liǎo zuò zhě mǒu xiē zhī chù zuò pǐn fǎn yìng de shēng huó miàn jiào xiá zhǎiruò gān miáo xiě jǐng de duàn luò yòu diǎn tuō qiě shí yòu zhòng děng


  Rebecca is a novel by Daphne du Maurier. When Rebecca was published in 1938, du Maurier became – to her great surprise – one of the most popular authors of the day. Rebecca is considered to be one of her best works. Some observers have noted parallels with Jane Eyre. Much of the novel was written while she was staying in Alexandria, Egypt, where her husband was posted at the time.
  
  Plot summary
  
  "Last night I dreamt I went to Manderley again" is the book's often quoted opening line, and from here its unnamed narrator recollects her past, telling the story of her transition into womanhood.
  
  While working as the companion to a rich American woman vacationing on the French Riviera, she becomes acquainted with a wealthy Englishman, Maximilian (Maxim) de Winter. After a fortnight of courtship, she agrees to marry him, and after the marriage accompanies him to his mansion, the beautiful West Country estate Manderley.
  
  Only upon their arrival at Manderley does the new bride realize how difficult it will be to lay to rest the memory of her husband's first wife, Rebecca. Rebecca is understood to have drowned in a sailing accident off the coast next to the mansion a year before, but her memory has a strong hold on the estate and all of its inhabitants and visitors, especially the domineering housekeeper, Mrs. Danvers, one of literature's most infamous female villains.
  
  Mrs. Danvers, who was profoundly devoted to Rebecca, tries to undermine the second Mrs de Winter, suggesting to her that she will never attain the urbanity and charm that Rebecca possessed. Whenever the new Mrs. de Winter attempts to make changes at Manderley, Mrs. Danvers describes how Rebecca ran Manderley when she was alive. Each time Mrs. Danvers does this, she implies that the new Mrs. de Winter lacks the experience and knowledge necessary for running an important estate such as Manderley. The second Mrs. de Winter is cowed by Mrs. Danvers' imposing manner and complies with the housekeeper's suggestions.
  
  Lacking self-confidence and overwhelmed by her new life, the protagonist commits one faux pas after another, until she is convinced that Maxim regrets his impetuous decision to marry her and is still deeply in love with the seemingly perfect Rebecca. The climax occurs at Manderley's annual costume ball. Mrs. Danvers manipulates the protagonist into wearing a replica of the dress shown in a portrait of one of the former inhabitants of the estate -- the same costume worn by Rebecca to much acclaim the previous year, shortly before her death.
  
  In the early morning hours after the ball, the storm that had been building over the estate leads to a shipwreck. A diver investigating the condition of the wrecked ship's hull discovers the remains of Rebecca's boat. It is just prior to this shipwreck that Mrs. Danvers reveals her contempt for and dislike of the second Mrs. de Winter. Taking the second Mrs. de Winter on a tour of Rebecca's bedroom, her wardrobe and luxurious possessions, which Mrs. Danvers has kept intact as a shrine to Rebecca, she encourages the second Mrs. de Winter to commit suicide by jumping out of an upstairs window, but is thwarted at the last moment by the disturbance created by the shipwreck.
  
  The revelations from the shipwreck lead Maxim to confess the truth to the second Mrs. de Winter; how his marriage to Rebecca was nothing but a sham; how from the very first days of their marriage, the husband and wife loathed each other. Rebecca, Maxim reveals, was a cruel and selfish woman who manipulated everyone around her into believing her to be the perfect wife and a paragon of virtue. She repeatedly taunted Maxim with sordid tales of her numerous love affairs and suggested that she was pregnant with another man's child, which she would raise under the pretence that it was Maxim's and he would be powerless to stop her. Maxim, truly hating her, shot Rebecca and disposed of her body on her boat, which he then sank at sea. The narrator is relieved to hear that Maxim had never loved Rebecca, but really loves his new wife.
  
  Rebecca's boat is raised and it is discovered that holes had been deliberately drilled in the bottom and the sea-cocks were opened, which would have caused it to sink. There is an inquest and despite it not being clear who drilled the holes, a verdict of suicide is brought. However, Rebecca's first cousin (and also her lover) Jack Favell appears on the scene claiming to have proof that Rebecca could not have intended suicide. Favell attempts to blackmail Maxim because he believes that Maxim killed Rebecca and then sank the boat.
  
  Rebecca, it is revealed, had an appointment with a Doctor Baker shortly before her death, presumably to confirm her pregnancy. When the doctor is found he reveals Rebecca had been suffering from cancer and would have died within a few months; furthermore, due to the malformation of her uterus, she could never have been pregnant. The implication is that knowing she was going to die, Rebecca lied to Maxim that she had been impregnated by another man because she wanted Maxim to kill her. Maxim feels a great sense of foreboding and insists on driving through the night to return to Manderley. However, before he comes in sight of the house, it is clear from a glow on the horizon and wind-borne ashes that it is ablaze.
  
  It is evident at the beginning of the novel that Maxim and the second Mrs. de Winter now live in some foreign exile. The events recounted in the book are in essence a flashback of the narrator's life at Manderley.
  
  The name of the second Mrs. de Winter is never revealed and remains a mystery.
  Legacy
  
  Rebecca, when first published had a print run of 20,000 and was a popular success. However, it did not receive critical acclaim. The Times said that "the material is of the humblest...nothing in this is beyond the novelette...". Few saw in the novel what the author wanted them to see: the exploration of the relationship between a man who was powerful and a woman who was not.
  Related works
  
  The novel has inspired three additional books approved by the du Maurier estate:
  
   * Mrs de Winter (1993), by Susan Hill, is a sequel originally written in the 1980s. ISBN 0-09-928478-2 begin_of_the_skype_highlighting 0-09-928478-2 end_of_the_skype_highlighting
   * The Other Rebecca (1996), by Maureen Freely, is a contemporary version. ISBN 0-89733-477-9
   * Rebecca's Tale (2001), by Sally Beauman, ISBN 0-06-621108-5 is a narrative of four characters affected by Rebecca. It is often mistakenly referred to as a prequel.
  
  Rebecca as a WWII code source
  
  One edition of the book was used by the Germans in World War II as a code source. Sentences would be made using single words in the book, referred to by page number, line and position in the line. One copy was kept at Rommel's headquarters, and the other was carried by German Abwehr agents infiltrated in Cairo after crossing Egypt by car, guided by Count László Almásy.[citation needed] This code was never used, however, because the radio section of the HQ was captured in a skirmish and the Germans thought the security was compromised. This use of the book is referred to in Ken Follett's novel The Key to Rebecca - where a (fictional) spy does use it to pass critical information to Rommel.
  
  This use of the novel was also referred to in Michael Ondaatje's novel The English Patient.
  Impact on popular culture
  
  The novel, and the character of Mrs. Danvers in particular, have entered many aspects of popular culture.
  In literature
  
  The character of Mrs. Danvers is alluded to numerous times throughout Stephen King's Bag of Bones. In the book, Mrs. Danvers serves as something of a boogeyman for the main character Mike Noonan. King also uses the character name for the chilly, obedient servant in "Father's Day," a tale in his 1982 film Creepshow.
  
  In Jasper Fforde's Thursday Next series, in the bookworld, they have accidentally made lots of Mrs. Danvers clones, which they use as troops against The Mispeling Vyrus, and other threats, including as an army.
  
  In The Maxx issue #31, a teenage Julie Winters watches a black and white version of the movie.
  
  In Danielle Steel's novel Vanished, it is mentioned that the main character is reading Rebecca. This was most likely deliberate on Steele's part, considering that the novel has many of the same elements as Rebecca.
  
  Childhood visits to Milton Hall, Cambridgeshire (then in Northamptonshire) home of the Wentworth-Fitzwilliam family, may have influenced the descriptions of Manderley.
  In television
  
  The 1970 Parallel Time storyline of the Gothic soap opera Dark Shadows was heavily inspired by Rebecca. Also the second Dark Shadows motion picture, Night of Dark Shadows took inspiration from the novel.
  
  In the television series The Sopranos, Meadow compares her mother Carmela to Danvers for her perceived controlling behavior.
  
  The fifth episode of the second series of That Mitchell and Webb Look contains an extended sketch parodying the 1940 film, in which Rebecca is unable to live up to Maxim's and Mrs. Danvers's expectations for the Second Mrs. DeWynter - described as "TBA".
  
  The plots of certain Latin-American soap operas have also been inspired by this story, such as Manuela (Argentina),and Infierno en el paraíso (Mexico).
  In music
  Music
  
  Meg & Dia's Meg Frampton penned a song entitled "Rebecca", inspired by the novel.
  
  Sondre Lerche's song, "She's Fantastic", makes a reference to Rebecca. In it he says, "In that old movie 'bout Rebecca's spell I feel like Max never felt, minus the drama and the fraud..."
  
  Kansas alumnus Steve Walsh's solo recording Glossolalia includes a song entitled "Rebecca", with lyrics seemingly composed from Maxim de Winter's point of view: "I suppose I was the lucky one, returning like a wayward son to Manderley, I'd never be the same..."
  
  The Pet Shop Boys' song "King of Rome" includes the "Rebecca" inspired line "I'm here and there/or anywhere/away from Manderley..."
  Dramatic adaptations
  Film
  
  Rebecca has been adapted several times. The most notable of these was the Academy Award winning 1940 Alfred Hitchcock film version Rebecca, the first film Hitchcock made under his contract with David O. Selznick. The film, which starred Laurence Olivier as Max, Joan Fontaine as the Heroine, and Judith Anderson as Mrs. Danvers, was based on the novel. However, the Hollywood Production Code required that if Max had murdered his wife, he would have to be punished for his crime. Therefore, the key turning point of the novel – the revelation that Max, in fact, murdered Rebecca – was altered so that it seemed as if Rebecca's death was accidental. At the end of the film version, Mrs. Danvers perishes in the fire, which she had started. The film quickly became a classic and, at the time, was a major technical achievement in film-making.
  Television
  
  Rebecca has been adapted for television by both the BBC and Carlton Television. The latter version starred Emilia Fox (Joanna David's daughter) in the same role, and in the United States, was broadcast by PBS as part of its Masterpiece Theatre series.
  Theatre
  
  Du Maurier herself adapted Rebecca as a stage play in 1939; it had a successful London run in 1940 of over 350 performances.
  
  On 28 September 2006 a musical version of Rebecca premièred at the Raimund Theater in Vienna, Austria. The new musical was written by Michael Kunze (book and lyrics) and Sylvester Levay (music) and directed by the American director Francesca Zambello. The cast includes Uwe Kröger as Max de Winter, Wietske van Tongeren as "Ich" ("I", the narrator) and Susan Rigvava-Dumas as Mrs. Danvers. Before 2008 there was talk of moving the musical to the Broadway stage, but all plans were eventually cancelled due to the complexity of the sets, scenery, and special effects — including a grand staircase that twirls down into the stage and a finale in which the entire stage - including Mrs. Danvers - is engulfed in flames.[citation needed] In September 2008 it was announced that the musical would be arriving on Broadway by 2010 with a pre-Broadway try-out in at the Guthrie Theatre in Minneapolis, MN
  Plagiarism allegations
  
  Shortly after Rebecca was published in Brazil, critic Álvaro Lins pointed out many resemblances between du Maurier's book and the work of Brazilian writer Carolina Nabuco. Nabuco's A Sucessora (The Successor) has a main plot similar to Rebecca, including a young woman marrying a widower and the strange presence of the first wife — plot features also shared with the far older Jane Eyre. Nina Auerbach alleged in her book, Daphne du Maurier, Haunted Heiress, that du Maurier read the Brazilian book when the first drafts were sent to be published in England and based her famous best-seller on it. According to Nabuco's autobiography, Eight Decades, she (Nabuco) refused to sign a contract brought to her by a United Artists' representative in which she agreed that the similarities between her book and the movie were mere coincidence.[citation needed] Du Maurier denied copying Nabuco's book, as did her publisher, claiming that the plot used in Rebecca was quite common.[citation needed]
  
  In 1944 in the United States, Daphne du Maurier, her U.S. publishers, Doubleday, and various parties connected with the 1940 film version of the novel, were sued by Edwina L. MacDonald for plagiarism. MacDonald alleged that du Maurier had copied her novel, Blind Windows. Du Maurier successfully defended the allegations.
  
  Du Maurier herself stated that the book was based on her memories of Menabilly and Cornwall, as well as the relationship she had with her father.
zhāng
  zuó wǎn mèng jiàn yòu huí dào liǎo màn tuó zhuāng yuánhuǎng zhōng zhàn zài shàn tōng wǎng chē dào de tiě mén qiánhǎo huì 'ér bèi dǎng zài mén wài jìn tiě mén shàng guà zhe suǒhái liǎo gēn tiě liàn zài mèng shēng jiào huàn kānmén rénquè méi rén dāyìng shì jiù còu jìn shēn zhe mén shàng shēng xiù de tiě tiáo cháo zhāng wàngzhè cái míng bái màn tuó shì zuò rén de kōng zhái
   yān cōng zài piāo niǎo niǎo qīng yān shàn shàn xiǎo huā chuāng liáng dòng kāi zhezhè shí rán xiàng suǒ yòu de mèng zhōng rén yàng zhī cóng 'ér huò liǎo chāo rán de shén yōu líng bān piāo guò miàn qián de zhàng 'ài chē dào zài yǎn qián shēn zhǎn kāi wǎn yán zhé jiùdàn shì dài xiàng qián zǒu jiù jué chá dào chē dào liǎo biàn huà xiǎn yòu xiá zhǎi yòu huāng zài shì men shú de múyàng shí gǎn dào huò jiědàn dāng xià tóu kāi gēn chuí yáo de shù zhī shícái xiàn liǎo biàn huà de lái yóuyuán lái rán jiè huī liǎo běn lái de miàn jiàn jiàn cháng de shǒu zhǐ wán qiáng 'ér tōu tōu shēn dào chē dào shàng lái liǎo shǐ zài guò shù lín duì chē dào lái shuō shǐ zhōng shì wēi xié jīn zhōng yíng shèng hēi shì dǎng xiàng zhe chē dào liǎng biān yán jìn shù shēn kāi chì luǒ de bái zhī xiāng jǐn jǐn wēi zhī tiáo jiāo chā cuò xíng chéng de yōng bàozài tóu dǐng gòu chéng xíng jiào táng gǒng dào de qióng lóngzhè hái cháng yòu duō bié de shù yòu xiē jiào chū míng hái yòu xiē 'ǎi de xiàng shù qiáo de shù tóng shù pán gēn cuò jié jiū jié zài xiàng shù shùhái yòu guài shìde guàn cóng xiē cǎo jiù zhè me fēn liè zài zhè kuài jìng de shàngquán rán shì zhōng de jǐng xiàng
   chē dào biàn chéng tiáo dài guò jiǎn zhí chéng liǎo gēn xiàn miàn de shā céng zhī xiàngzhǐ jiàn de piàn cǎo qīng táishù zhī dǎo chuí xià lái dǎng zhe de jié liú de gēn huó xiàng lóu de zhǎozài zhè piàn huāng liáng huì de lín mǎng zhōng jiānshí 'ér hái néng rèn chū xiē guàn cóng shì dāng nián men zhù shí de biāo zhìshì rén gōng zāi péi de chǎn yáng de huā suì céng jīng shèng míngdàn jīn yīn wéi rén xiū jiǎn zhào chéng liǎo shēng zhí zhī gān gāo chū què kāi chū duǒ huā láiyòu hēi yòu chǒu zuǒ jìn xiē míng de cǎo méi yòu shénme liǎng yàng
   'ér dōng 'ér zhè tiáo lián de xiàn wāi wāi niǔ niǔ xiàng qián shēn zhǎn。( ér jiù shì men de chē dào 'ā!) yòu shí wéi dào tóu liǎo liào yòu cóng dǎo zài shàng de shù xià zuàn chūhuò shì zài dào yóu dōng mián chéng de nìng xiǎo gōu de tóu zhēngzhá zhe chū tóu lái cóng wèi jué dào 'ér jìng zhè me cháng xiǎng shì duàn chéng bèi yán shēnjiù xiàng shù chéng bèi wǎng gāo chù cháng yàngchē dào gēn běn tōng xiàng zhái ér shì yǐn piàn jīntōng xiàng piàn hùn tun luàn de huāng rán jiān yǎn kàn dào liǎo zhái zhái qián de tōng dào bèi luàn shēng luàn cháng de yàng guàn gài liǎo rén zhexīn 'ér zài xiōng zhōng pēng pēng tiàoyǎn kuàng lèi huā gǔn dòngdài lái zhèn yàng de tòng chǔ
   zhè jiù shì màn tuó men de màn tuó 'ér hái shì guò yàng de yǐn jìng huī de zhuān shí zài mèng jìng de yuè guāng xiǎn bái cǎn cǎn deqiàn yòu shù kuàng de chuāng yìng zhuólù cǎo píng qián píng táishí guāng de liú shì háo sǔn wéi qiáng de wán měi duìchèn sǔn zhái běn shēnzhěng zhái wǎn shǒu zhǎng xīn de míng zhū
   píng tái xié lián cǎo cǎo zhí shēn xiàng hǎi zhuǎn shēn kàn jiàn hóng yín de hǎi shuǐyóu fēng píng làng jìng shí míng jìng bān de miànjìng jìng rèn yuè guāng 'ài méi yòu làng huì shǐ zhè mèng zhī shuǐ lín lín dàng yàng jiàn yún kuài bèi fēng chuī láizhē yǎn zhè qīng lǎng cǎn bái de kōng
   yòu zhuǎn shēn miàn xiàng jìn guǎn rán tǐng shén shèng qīn fàn de shén tàifǎng men zuó tiān gāng gāng kāishuí méi gǎn lái pèng xiàdàn xiàn tíng yuán lín yàng cóng liǎo cóng lín shí nán jìng gāo bǎi shí men yáng chǐ jiǎo chán rào zài hái míng de guàn pèizhè xiē zhǒng guàn jǐn jǐn bàng zhe shí de gēn shì shí dào chū shēn de bēi jiàn dīng xiāng tóng cháng dào kuài 'ér liǎoér yǒng yuǎn yōu wéi de cháng qīng ténghái 'è shēn chū wān de màn zhè duì huǒ bàn gèng jǐn juàn rào láishǐ men lún wéi zài zhè rén zhào guǎn de yuán cháng qīng téng zhàn zhe zuì chū de wèi jiǎo wén de cháng téng guò cǎo yǎn kàn jiù yào qīn wài hái yòu zhǒng yuán lái shēngzhǎng zài lín zhōng de jiāo zhí de zhǒng hěn jiǔ qián sǎnluò zài shù xiàjiē zhe jiù bèi rén wàng liǎo jīn què cháng qīng téng tóu bìng jìnxiàng huáng cǎo shìde chǒu lòu de shēn tǐng xiàng céng jīng shèng kāi guò shuǐ xiān huā de róu ruǎn de cǎo
   dào chù kàn dào qián men suàn shì qīn jūn de xiān tóu duì men gài mǎn píng táiluàn cáo yōng sài zhe zǒu dàohái cháng de shēn xié kào zài de chuāng líng shàng men shì xiē hěn chā jìn de shàoyīn wéi zài hǎo xiē fāng men de duì bèi huáng cǎo jiù nǎo dàiméi jīng cǎi shēn zhe chéng liǎo chū méi de chù suǒ kāi chē dàozǒu xiàng píng táiqián lán zhù rèn dōng lán zhù yīn wéi mèng zhōng rén zǒu shì yòu shù de
   yuè guāng néng gěi rén zào chéng de huàn jué shǐ duì mèng zhōng rén wài rán zhàn zài zhái qiánjìng duàn dìng shì kōng dòng de qūqiàoér xiàng guò yàng shì yòu shēng mìng dezài zhe de huó
   chuāng tòu chū dēng guāngchuāng wéi zài fēng zhōng wēi wēi dòngcáng shū shì mén bàn kāi zhe shì men chū shí wàng liǎo suí shǒu dài shàng de shǒu juàn hái liú zài zhuō shàngzài píng qiū méi guī de bàng biān
   cáng shū shì chù chù liú zhe men shàng wèi de yìn xiǎo duī biāo yòudài guī hái hào de shū guǎn cáng shūsuí shǒu diū zài biān detài shì bào》; yān huī gāng de duàn yān wāi wāi xié xié dǎo zài shàng de zhěn diànshàng biān hái yìn zhe liǎ bìng tóu kào de hén tàn huǒ de jìn hái zài chén zhōng zhe qīng yānér jié ài quǎn jié jiù tǎng zài bǎn shàngyǎn jīng chōng mǎn zhe líng xìngféi de jǐng xià chuí zhewěi pāi pāi yáo tíng shì yīn wéi tīng jiàn liǎo zhù rén de jiǎo shēng
   zhí méi zhù dào duǒ yún jīng zhē méi liǎo yuè liàng yún yòu hǎo zhèn pái huái jiù xiàng zhǐ hēi shǒu zhē zhù liǎo liǎn pángdùn shíhuàn jué xiāo shī liǎochuāng de dēng guāng miè miàn qián de zhōng yòu chéng liǎo huāng liáng de kōng méi yòu líng hún rén jìn chūzài shì dān dān de qiáng biānzài tīng dào wǎng shì de shēng suì
   màn tuó shì zuò fén men de kǒng nán shēn mái zài de fèi zhī zhōngzhè qiē zài néng 'ér xǐng zhe de shí hòu xiǎng dào màn tuó zhuāng yuáncóng jué nán guòyào shì céng zài 'ér yōu shēng huóshuō dìng hái huì jiù shì lùn shì huí xiǎng 'ér měi hǎo de qiēxià de méi guī yuán xiǎo shí fēn de niǎo shù xià de cháhái yòu cǎo biān chuán lái de zhèn zhèn tāo shēng
   hái huì xiǎng dào shèng kāi de dīng xiāngdiàn niàn xìng ”。 zhè qiēdōu shì yǒng héng de néng xiàng yān yún bān xiāo sànzhè xiē huí 'àn shì huì rén shāng gǎn deyuè liàng réng bèi yún zhē gài zhe suī zài mèng jìng zhī zhōngquè qīng xǐng xiǎng dào liǎo shàng miàn zhè qiēyīn wéi xiàng suǒ yòu mèng zhōng rén yàng zhī dào shì zài zuò mèngshì shí shàng shì tǎng zài shù bǎi yīng wài de guó shàngguò liǎo miǎo zhōng jiù yào xǐng guò lái xiàn shuì zài guǎn kōng dàng dàng de xiǎo fáng jiān méi yòu rèn bié de fēndàn zhèng yīn wéi cái lìng rén gǎn dào shū tǎn shì rán huì tàn kǒu shēn lǎn yāozhuǎn guò shēn zhēng kāi yǎn jīng wǎng kàn kàn yào yǎn de yáng guāng lěng jié jìng de tiān kōngzhè mèng zhōng yōu róu de yuè guāng shì duō me tóngbái zhòu héng zài liǎ qián tóu màn cháng yòu dān diàotóng shí què chōng mǎn mǒu zhǒng zhēn guì de píng jìng gǎnzhè shì liǎ qián céng huì guò de men huì tán màn tuó yuàn jiǎng shù de mèng jìngyīn wéi màn tuó zài wèiwǒ men suǒ yòumàn tuó cún zài liǎo
'èr zhāng
   men yǒng yuǎn xià liǎozhè diǎn shì què dìng deguò de suì yuè réng jìn zài zhǐ chǐ men wàng què bìng yǒng yuǎn zhì zhū nǎo hòu de zhǒng zhǒng wǎng shìshuō dìng yòu huì chóngxīn huàn men de huí hái yòu zhǒng kǒng zhǒng guǐ de níng zhī gǎn héng héng gǎn xiè shàng bēixiàn zài zǒng suàn píng liǎo héng héng guò céng yǎn biàn chéng de máng jīng huángshuō dìng hái huì mǒu zhǒng jiàn de xíng shì juǎntǔ chóngláijiù xiàng guò yàng men xíng yǐng xiāng suízhāoxī gòng chù
   de rěn nài gōng zhuóshí jīng rén cóng yuàn tiān yóu rén shǐ zài huí wǎng shì de shí hòu jué fèn fèn rán ér xiāng xìn cháng cháng xiǎng guò jìn guǎn yuàn ràng zhī dào
   zěn néng mán guò de yǎn jīngyòu shí xiǎn chū máng rán ruò yòu suǒ shī de yàng 'ài de liǎn róng shàngsuǒ yòu de biǎo qíng xiāo shī qiān 'èr jìngfǎng bèi zhǐ xíng de shǒu xià quán diào liǎo shìde 'ér dài zhī de shì miàn jiàn diāo pǐnlěng bīng bīng běn zhèng jīngzòng rán shī yīng jùnquè háo shēng yòu shí huì měng chōu xiāng yān zhī jiē zhīshèn zhì lián yān shàng nòng jiēguǒ shǎn zháohuǒ xīng de yān tóu jiù xiàng huā bàn zài zhōu wéi sàn liǎo yòu shí luàn zhǎo shénme huà kǒu ruò xuán jiǎng méi fēi shí shénme nèi róng méi yòu fēi shì xiǎng jiè pái jiě xīn tóu de yōu shāng tīng dào guò zhǒng shuō lùn duì zhǐ yào jīng nán liànjiù huì biàn gèng gāo shànggèng jiān qiángyīn zài jīn shì huò lái shì zuò rén dāng rěn shòu huǒ xíng de kǎo yànzhè huà tīng shàng yòu diǎn shì 'ér fēi guò liǎ dǎo shì chōng fēn lǐng lüè liǎo zhōng de wèi liǎ jīng guò kǒng de xìng jué měi rén zài de shēng zhōng chí zǎo huì miàn lín kǎo yàn men jiādōu yòu dìng de 'è zāi xīngbèi shòu zhé dào tóu lái zǒng fèn zhī dǒu liǎ zǒng suàn zhàn shèng liǎo zhè 'è huò zhě shuō men xiāng xìn zhàn shèng liǎo
   xiàn zài zāi xīng zài lái mennán guān zǒng suàn chuǎng guò liǎo rán men miǎn shòu liǎo xiē chuāngshāng duì zāinàn de gǎn kāi shǐ jiù hěn líng yànér fáng xiào chū bié jiǎo de zhuāng qiāng zuò shì rǎng rǎngxuān men wéi yóu liǎo dài jiàshuō shí zài de xìng de zhé zhè bèi lǐng jiào gòu liǎoyào shì néng ràng liǎ zhí xiàng xiàn zài zhè yàng 'ān 'ān wěn wěn guò nìngyuàn suǒ yòu de gǎn guān zuò dài jiàxìng bìng shì jiàn zhí zhēn cáng de zhàn yòu ér shì zhǒng xiǎng zhuàng tài zhǒng xīn jìngdāng rán men yòu shí huì xiāo chén sàngdàn zài shí shí jiān zài yóu zhōng bǎi lái jìliángér shì lián mián shēn xiàng yǒng héng zhǐ yào kàn dào de wēi xiàojiù shí dào liǎ zài xié shǒu bìng jìnzài méi yòu xiǎng huò jiàn shàng de fēn zài liǎ zhī jiān shè xià píng zhàng
   jīn liǎ zhī jiān zài méi yòu rèn yào mán zhe duì fāng de yǐn zhēn shì tóng gān gòng xiāng tōng liǎojìn guǎn zhè xiǎo zhàn chén mèn wèihuǒ shí zāo gāo chóngfù zhe dān diào de lǎo tào,。 men què yuàn shēng huó biàn chéng lìng zhǒng yàng yào shì zhù dào guǎn shì dào hěn duō de shú rén liǎ shēn gǎn jiǎn de guìcháng ruò yòu shí jué liáo yòu fáng liáo duì kǒng lái shuō fēi yītiě duì zhèng de jiě yào men 'àn zhào dìng biàn de 'ān pái cháng shēng huóér jiù cóng zhōng zhú jiàn péi yǎng lǎng de cái néng zhī dàozhǐ yòu dāng yóuchāi liǎo bān tóu de shí hòu cái chū jiāo zào de shén qíngyīn wéi zhè wèi zhe men duō 'āi tiān cái néng shōu dào yīng guó lái de yóu jiàn men shì zhe tīng guò shōu yīn dàn shì yīn nǎo rénsuǒ men nìngyuàn huái xiāng de zài xīn tóuhǎo tiān qián jìn xíng de yīcháng bǎn qiú sài de zhàn guǒzài men shēng huó zhōng jìng yòu me zhòng yào de
   ā zhǒng qiú lèi jué sài quán sàishèn zhì hái yòu dàn fáng de dàn luò dài fēn dōunéng men cóng bǎi liáo lài zhōng jiě jiù chū láixiǎo xué shēng yùn dòng huì de jué sàipáo gǒu piān zhū jùn xiē guài de xiǎo xíng jìng sài héng héng suǒ yòu zhè xiē xiāo dōushì kōng de dōunéng jiě liǎ zhī yòu shí nòng dào fèn guò detián bào》, lái jìn shén chífǎng yòu cóng zhè xiāng xiǎo dǎo huí dào liǎo chūn 'àng rán de yīng guó xiàn shí shēng huó zhī zhōng dào miáo xiě bái xiǎo fēi lóu shēngzhǎng zài cǎo shàng de xióng de wén hái yòu xiē pán xuán zài lín shàng kōng de bái zuǐ guò zhè jǐng xiàng zài màn tuó zhuāng yuán shì lǚjiànbùxiǎn de zài zhè xiē bèi fān yuè cán quán de zhǐ zhōngjìng wén dào liǎo rùn de fāng xiāngxiù dào liǎo zhǎo dài méi de suān wèishèn zhì hái chù dào wēn de qīng tái shàng miàn zhuì yòu diǎn diǎn bái bān shì cāng de shǐyòu kǒu niàn dào piān guān de wén zhāngniàn zhe niàn zhehuǎng ruò yòu huí dào màn tuó de yuán lín shēn chù zài tóu dǐng chì tīng dào men róu de zhè shēng yīn zài xià yán de hòu gěi rén shū shì liáng shuǎng zhī gǎnzhǐ yào jié páo lái men de 'ān níng shì huì shòu dào rǎo dedàn shì jié zhǎo lái liǎo bēn tiào zhe chuān guò shù cóng biān yòng shī de huàn zhe miànjīng gǒu xià dùn shí zhèn sāo dòngcóng cáng shēn chù luàn fēi chū jiù xiàng qún lǎo tài zài zǎo shí zāo rén zhuàng jiàn liǎo yàng dòng chì bǎngxùn jié cóng shù dǐng shàng lüè guòjiàn jiàn yuǎn zhōng fēi yǐng zōngzhè shízhōu wéi guī jìng ér què míng miào 'ān láizhù dào yáng guāng zài zài zuò shēng de shù shàng biān zhì chū 'ànshù zhī biàn yǒu hēi sēn rányīn yǐng shēn cháng liǎoér zài biān zhái bǎi chū xīn xiān de méi guǒzhǔn bèi yòng chá diǎn liǎo shì jiù cóng yáng chǐ cóng zhōng zhàn shēn dǒu dǒu chén nián cán liú zài qún shàng de chén 'āi shào zhāo jié suí dòng shēn huí biān zǒu biān wènjiǎo wèihé cōng cōngér qiě hái yào fēi kuài xiàng shēn hòu piē shàng yǎn
   shuō guài piān jiǎng de wén zhāngjìng huàn liǎo zhè me fān duì wǎng shì de huí ér qiě shǐ lǎng shí biàn jié jiēbā shì yīn chén de liǎn shǐ jiá rán tíng zhǐ liǎo lǎng bìng wǎng hòu fān liǎo hǎo zhí dào zhǎo zhe duàn guān bǎn qiú sài de duǎn xùn wéi zhǐ duàn wén jiù shì lùn shìdān diào wèijiǎng dào 'ào 'ěr qiú chǎng shàngzhōng sài duì píng yōng de qiú jìn gōnglián lián shǒu fēn chén mèn jìn 'ér wǎng shàng jiāzhēn gǎn xiè xiē guǒ tóu dāi nǎo de chuān yùn dòng de juésèyīn wéi huì 'ér de miàn róng huī liǎo yuán xiān de píng jìngchóngxīn yòu liǎo xuè dài zhe zhèng cháng de nǎo cháo xiào sài léi duì de tóu qiú shù lái
   zhè yàng zǒng suàn miǎn liǎo yīcháng huí liǎo jiào xùnyīng guó xīn wén shì niàn deyīng guó de yùn dòngqíng kuàngyīng guó rén de 'ào màn děng děngdōukě dàn shì wǎng hòufán shì róng shāng gǎn de dōng zhǐ néng ràng 'ér qiāoqiāo jǔjué huí wèi cǎixiāng wèishēng yīn shuǐlàng tāo de pāi shèn zhì qiū tiān de nóng cháo shuǐ de xián wèidōushì màn tuó liú xià de zěn me miè diàoyòu xiē rén yòu yuè tiě zhǐ nán de shì hǎo men shè xiǎng chū shù zòng héng jiāo cuò de chéng xiē lián de gōu tōng lái xiāo qiǎn de hǎo yuè tiě zhǐ nán yàng guài dàndàn jiào yòu zhè biàn shì lěi yīng guó nóng cūn de liàoyīng guó měi piàn zhǎo de zhù shì shuíhái yòu men de nóngwǒdōu héng jiào chū míng zhī dào gòng zǎi liǎo duō shǎo zhǐ sōng duō shǎo zhǐ zhè duō shǎo tóu zhī dào 'ér zūn zhèng zài xiáng shuǐ miàn 'ér guī zhèng zài huó bèng luàn tiào zhù zhe měi de shòu liè huó dòngshèn zhì xiē xùn liàn xiǎo liè quǎn bēn páo de liè rén de míng shú nóng zuò de shēngzhǎng qíng kuàngròu lèi de jià zhū qún rǎn shàng de guài bìngsuǒ yòu zhè xiē wǒdōu gǎn dào jīn jīn yòu wèi zhè shì zhǒng shí guāng de xiāo qiǎnér qiě yào yòng nǎo dàn zhè yàng jiù néng biān zhe bào kān biān zhe yīng guó de kōng zhè yàng cái néng gèng de yǒng miàn duì guó yào yǎn de tiān kōng
   luàn zāo de táo yuán de suì de shí kuài jiù yīn biàn guān jǐn yàoyīn wéi zhǐ yào yuàn wán quán jià zuǒ yòu chí chěng de xiǎng xiàngcóng cháo shī de tiáo wén zhuàng shàngzhāi xià duǒ zhǐ dǐng huā huī bái de jiǎn qiū luó
   zhè lèi cǎi huā xià de shí zhī xīngsuī shuō wēi dàodǎo yòu qīnqiè zhī chùfēi dàn xīn suānhuǐ hèn shì liǎng ér qiě hái néng shǐ men yǎn xià zhè zhǒng zuò shòu de bèi jǐng xiāng de shēng huó biàn shāo tián diǎn
   duō kuī zhè xiē shí zhī xīng hái néng guò kuài de xià shén qíng shuǎng mǎn liǎn duī xiào 'ér guīxiǎng yòng jiǎn biàn de chá chá de nèi róng chéng biànzǒng shì měi rén liǎng piàn huáng yóu de miàn bāohái yòu bēi zhōng guó cházài wài rén yǎn men zhè duì dìng bǎn hěn bào zhe zài yīng guó yǎng chéng de fàngxiǎo yáng tái hěn gān jìngjīng guò shì yáng guāng de shàibiàn jié bái què yòu háo zhàn zài zhè 'ér yòu xiǎng màn tuó hòu shí bàn de qíng jǐngxiān cáng shū shì qián de zhuō chūfáng mén zhǔn shí kāijiē zhe jiù shì qiān piān de fàng zhì chá de tào chéng yín zhì de tuō pánchá xuě bái de zhuō jié zhe 'ěr duǒduì duān jìn lái de gāo diǎn bǎi chū dòng zhōng de jià shìměi tiān zǒng yòu duō shí fàng zài liǎ miàn qiándàn men chīde shǎo
   xiàn zài kàn jiàn zhǒng zhe nǎi yóu de jiān bǐngxiǎo kuài sōng cuì de jiān jiǎo gāng chū de báopiàn miàn bāo zhǒng zhī shénme dōng zuò chéng de sān míng zhìsàn zhe zhǒng shuō chū lái de xiāng wèiwén jiào rén jué kuài zhǒng fēi cháng bié de jiāng bǐng zhǒng fàng zài zuǐ róng huà de dàn gāohái yòu zhī chéng shuāng pèi duì de chéngfèn jiào nóng de shuǐ guǒ dàn gāoshàng miàn zhuì mǎn guǒ táo gānzhè xiē shí gòu 'ái’è de jiā rén shòu yòng xīng cóng zhī dào zhè zhuō dōng yǒu shì zěn me chǔlǐ debào zhēn tiān yòu shí shǐ xīn 'ān
   dàn jiù shì gǎn kǒu wèn wèn dān tài tài zěn me chǔzhì zhè zhuō shí yào shì wèn liǎo dìng huì dài zhe xiè de shén qíng wàng zhe zuǐ jiǎo guà zhe zhǒng dài yōu yuè gǎn deshǐ rén hún shēn lěng de yǐn xiào xiǎng dìng hái huì shuō:“ wēn rén zài shì shí cóng lái bào yuàn shénme de。” zhè wèi dān tài tài jīn zài gànshénme hái yòu fèi 'ěr zhèng shì dān tài tài liǎn shàng de zhǒng biǎo qíngshǐ gǎn dào 'ānzhí jué gào :“ zài bèi xiāng 。” jiē zhe yǐng jiù xiàng jiàn chā dào liǎ zhōng jiān lái liǎo……
   āxiàn zài zhè qiē zǒng suàn guò zǒng suàn zhī dāo liǎng duàn liǎo zài shòu dào zhé liǎ zhōng yóu liǎojiù lián zhōng xīn gěng gěng de jié jìn liǎo kuài de tiān guóér qiě màn tuó cún zài shì shēn mái zài lín luàn zhī zhōng de kōng jiù xiàng zài mèng zhōng jiàn dào de yàng piàn huāng chéng liǎo niǎo de chù suǒyòu shí huì zǒu lái liú làng hànzài lái de zhèn bào zhōng xiǎng zhǎo duǒ de fāngcháng ruò lái rén shì dǎn de hàn jiù fáng tài rán zài 'ér zǒu zǒudàn guǒ shì dǎn xiǎo guǐshì guǐ guǐ suì suì tōu rén jiè de zhī me màn tuó de lín shì dòu liú de fāng huì pèng shàng hǎi jiǎo chù de zuò xiǎo zài qīng tán de dǐng xiàtīng zhe de shēng jué huì jué zài hái cán liú zhe mǒu zhǒng yīn sēn rén de fēn…… chē dào de zhuǎn jiǎo héng héng shù zài 'ér qīn shā miàn héng héng zhù liú lián bié shì zài tài yáng luò shān hòushù zuò xiǎnghěn xiàng chuān wǎn yǎn de rén zài zhí zhú zǒu dòngdāng shù rán zhèn chàn dǒufēn fēn piāo luò zài de shí hòu de shēng xiǎngshuō dìng zhèng shì cōng máng de jiǎo shēngér shā shàng de 'āo xiàn shuō dìng jiù shì duàn miàn gāo gēn xié liú xià de hén
   měi féng zhè xiē wǎng shì de shí hòu zǒng yào zhàn zài yáng tái shàng kàn kàn jǐng sōng kǒu zhè 'ér de yáng guāng yào yǎn duó méi yòu yīn yǐng tōu tōu qián lái jiāng zhē yǎnshí de táo yuán zài yáng guāng xià shǎn shǎn guāng huā rǎn zhe chén 'āifàn chū bái yòu tiān huì shēn qíng kàn dài zhè qiēér qián cháng shǐ hái wèi shǐ chǎn shēng 'ài zhī qíngzhì shǎo gěi liǎo gòu de xìn xìn shì shí fēn zhēn shì de pǐn dāng rán zài zhè shēng zhōng de xìn xīn lái wèi miǎn tài wǎn diǎn xiǎngzuì zhōng shǐ sǎo qiè nuò de yīn shì jìng kào zhe liǎo guǎn zěn me shuō zǒng suàn bǎi tuō liǎo de bēidǎn hán qiè shēng de xiū tài chū chéng chē màn tuó shí xiāng jīng pàn ruò liǎng rén shí hòu chōng mǎn zháojí qiē de wàngchù chù wéi de bèn zhuō suǒ chè zhǒuhái pīn mìng xiǎng yuè rén suǒ huì gěi dān tài tài zhī liú liú xià me 'è liè de yìn xiàng rán shì yīn wéi zhǐ shī dāngzài bèi zhī hòu zài rén men xīn zhōng de xíng xiàng shì shénme yàng de xiàng zuò qiáo liáng suì yuè gōu tōng huí dāng shí de xíng xiàng tóu píng zhí de duǎn zhì nèn 'ér zhī fěn de liǎn dàn qún jūn shēnhái chuānzhuó cái zhì de duǎn guàxiàng xiū qiè shī cuò de xiǎo niū 'érgēn zài fàn · huò rén de hòu miàn zǒng shì lǐng zhe chī fàn duǎn shēn cái zài yáo huàng de gāo gēn xié shàng hěn nán bǎo chí zhù píng héng jiàn guòfèn yàn de zhé biān duǎn wài tàochèn tuō chū féi de xiōng niǔ bǎi de hái yòu dǐng xīn mào shàng miàn chā zhī de máowāi xié zài nǎo dài shàng chū qián 'éguāng yóu xiǎo xué shēng de gài shǒu līn bāojiù shì rén men fàng zhàoyuē huì qiáo pái fēn de lèi shǒu bāolìng zhǐ shǒu zǒng shì wán nòng zhe yǒng shēn de cháng bǐng yǎn jìng héng héng rén shēng huó de zǒng shì zǒu xiàng cān tīng jiǎo luò lín chuāng chù de zhāng zhuō zhuō tōng cháng zǒng yóu zhàn zuò jiā yǎn jìng dào zhū shìde xiǎo yǎn jīng qiánzuǒ yòu xún shì fānrán hòu jiù ràng yǎn jìng tīng rán làxiàxuán zài hēi duàn dài shàngzài tōng biǎo shì yàn fán de gǎn tàn:“ zhī míng rén méi yòu yào duì jīng shuō men xuē jiǎn de guǎn fèi men xiǎng xiǎng dào zhè 'ér lái gànshénme denán dào shì zhuān lái kàn xiē chá fáng de chéng?” jiē zhe jiù shì zhě zhào dào shēn biānshuō huà de shēng yīn jiān 'ér xiàng liè zhe kōng
   jīn tiān men jìn shàn de xiǎo fàn guǎntóng méng luòwèi lán hǎi 'àn guǎn háo huá de cān tīng xiāng zhēn shì xiāng jìng tíng yǎn xià de bàn fàn · huò rén xiāng gèng yòu tiān rǎng zhī bié zhè huì 'ér zhèng yòng shuāng wěn jiàn decháng xiāng hěn měi de shǒuchén jìng 'ér yòu tiáo wěn zhe zhǐ gān jiéshí 'ér hái tái tóu lái cháo guǎn 'ěr xiàoér wèi fàn · huò rén shì yòng dài zhe zhū bǎo jiè zhǐ de yuán gǔn gǔn shǒu zhǐ zhù zài duī mǎn xiāng suì ròu juàn de pán dōng fān hái shí shén guǐ cháo de pán shàng yǎn de kǒu hǎo shí gēn běn yòng zhe cāo zhè fèn xīnyīn wéi shì zhě píng zhe gān zhèyīháng de de mǐn gǎnzǎo jiù jué chá dào shì de xià rén wèi wēi jiàn shì gěi duān lái pán huǒ tuǐ pīn zhū shézhè pán chá gài shì wèi xián qiē chéng yàng bàn xiǎo shí qián tuì hái dào lěng shí guì deshì men de zhǒng xián tài hái yòu zhǒng míng xiǎn de nài fán zhēn yòu diǎn guài yòu huí tóng fàn · huò rén zhù zài xiāng xià diàn de yōng duì dǎn qiè de líng shēng cóng huì de xié gěi láiér bīng lěng de zǎo chá zǒng shì xiàng shìde duī zài de shì mén wàizàiwèi lán hǎi 'ànqíng xíng yàngzhǐ shì méi yòu zhè me guòfèn liǎodàn yòu shí de lěng dàn jìng biàn chéng liǎo nǎo rén de xiào zhì cóng guǎn jiē dài yuán 'ér mǎi zhāng yóu piào jiǎn zhí shì huó shòu zuì néng duǒ kāi cái hǎo shí dìng xiǎn nián yòu zhīér dāng shí shēn shēn gǎn jué dào zhè diǎn rén yào shì tài mǐn gǎntài shí shì tīng zhe xiē shí hěn píng cháng de yán jiù huì cóng zhōng biàn chū duō yǐng shè de lái
   pán huǒ tuǐ pīn zhū shézhì jīn réng zài men bèi qiē chéng xiē xíng kuài 'ér de méi yòu zhī diǎn yǐn shí dàn méi yòu yǒng jué zhè pīn pán men shēng kēng chī zheyīn wéi fàn · huò rén huān quán xīn fàng zài fàn cài shàng jiàng yóu xià shàng liú xiàcóng zhè diǎn kàn chū pán xiāng suì ròu juàn hěn de kǒu wèi
   kàn chīde me huān diǎn méi néng shǐ duì diǎn de pén lěng cài yǐn xīng yīn jiù guāng cóng shēn shàng kāizhè shí kàn jiàn 'āi zhe men de zhāng zhuō sān tiān lái zhí kōng zhe jīn yòu yòu rén lái zhàn zuò liǎocān tīng shì zhě lǐng bān zhèng yòng zhǒng zhuān duì shū zhù shī xíng de gōng shēn xīn rén yǐn dào zuò wèi shàng lái
   fàn · huò rén fàng xià cān chā jiā yǎn jìng zhí gòu gòu dīng zhe lín zuò zhēn wéi hài sào xīn lái de rén bìng wèi zhù dào duì de xīng jìng duì cài dān sǎo liǎo yǎnjiē zhefàn · huò rén shēng zhé cháng bǐng yǎn jìngcóng zhuō tóu tàn shēn xiàng xiǎo yǎn jīng dòng shǎn shǎn guāngshuō huà de sǎng mén shāo liǎo xiē
  “ zhè shì mài · wēn ,” shuō。“ màn tuó zhuāng yuán de zhù rénzhè zhuāng yuán dāng rán tīng shuō guò luó liǎn dài bìng róngduì tīng rén shuō liǎogěi de tài shí hái méi huī guò lái……”
shǒuyè>> wénxué>> 言情>> · 'āi Daphne du Maurier   yīng guó United Kingdom   wēn suō wáng cháo   (1907niánwǔyuè13rì1989niánsìyuè19rì)