Home>> Literature>> 现实百态>> 托马斯·哈代 Thomas Hardy   英国 United Kingdom   温莎王朝   (1840年6月2日1928年1月11日)
Jude the Obscure
  Jude the Obscure is the last of Thomas Hardy's novels, begun as a magazine serial and first published in book form in 1895. The book was burned publicly by William Walsham How, Bishop of Wakefield, in that same year. Its hero, Jude Fawley, is a working-class young man who dreams of becoming a scholar. The two other main characters are his earthy wife, Arabella, and his cousin, Sue. Themes include class, scholarship, religion, marriage, and the modernisation of thought and society.
  
  Plot introduction
  
  The novel has an elaborately structured plot, in which subtle details and accidents lead to the characters' ruin. It also develops many different themes. These include how human loneliness and sexuality can stop a person from trying to fulfill his dreams, how, when free from the trap of marriage, one's dreams will not be fulfilled if one is of a lower status, how the educated classes are often more like sophists than intellectuals, how living a libertine life full of integrity and passion will be condemned as scandalous in traditional society, and how religion is nothing but a mistaken sense that the tragedies that wear down an individual are the result of having sinned against a higher being.
  
  There are strong autobiographical references to Hardy's own life in Jude the Obscure. Like Jude, Hardy did not go to university; like Sue, Hardy's first wife, Emma Gifford, also became more and more religious as years passed.
  Plot summary
  
  The novel tells the story of Jude Fawley, a village stonemason in the southwest English region of Wessex who yearns to be a scholar at "Christminster", a city modelled on Oxford, England. In his spare time while working in his aunt's bakery, he teaches himself Greek and Latin. Before he can try to enter the university, the naïve Jude is manipulated, through a process he later calls erotolepsy, into marrying a rather coarse and superficial local girl, Arabella Donn, who deserts him within two years. By this time, he has abandoned the classics altogether.
  
  After Arabella leaves him, Jude moves to Christminster and supports himself as a mason while studying alone, hoping to be able to enter the university later. There, he meets and falls in love with his free-spirited cousin, Sue Bridehead. Jude shortly introduces Sue to his former schoolteacher, Mr. Phillotson, whom she later marries. Sue is satisfied by the normality of her married life, but quickly finds the relationship an unhappy one; besides being in love with Jude, she is physically disgusted by her husband, and, apparently, by sex in general.
  
  Sue eventually leaves Phillotson for Jude. Sue and Jude spend some time living together without any sexual relationship; they are both afraid to get married because their family has a history of tragic unions, and think that being legally bound to one another might destroy their love. Jude eventually convinces Sue to sleep with him and, over the years, they have two children together. They are also bestowed with a child "of an intelligent age" from Jude's first marriage, whom Jude did not know about earlier. He is named Jude and nicknamed "Little Father Time".
  
  Jude and Sue are socially ostracised for living together unmarried, especially after the children are born. Jude's employers always dismiss him when they find out, and landlords evict them. The precocious Little Father Time, believing that he and his half-siblings are the source of the family's woes, murders Sue's two children and commits suicide by hanging himself; and the suicide and murder note reads: "Done because we are too menny."
  
  Beside herself with grief, Sue turns to the church that has ostracised her and comes to believe that the children's deaths were divine retribution for her relationship with Jude. Although horrified at the thought of resuming her physical relationship with Phillotson, she nevertheless returns to him and becomes his wife again. Jude is devastated, and remarries Arabella in a drunken haze. After one final, desperate visit to Sue in freezing weather, Jude becomes seriously ill and dies within the year, whilst Sue has grown 'staid and worn' with Phillotson.
  Reviews
  
  Called "Jude the Obscene" by at least one reviewer, Jude the Obscure received a harsh reception from scandalised critics; it is thought largely for this reason that Hardy made the decision to produce only poetry and drama for his remaining 32 years.
  
  Jude was first published under the title The Simpletons; and then Hearts Insurgent in the European and American editions of Harper's New Monthly Magazine from December 1894 until November 1895. The initial, serialised edition was substantially different from the later novelized form. Many minor changes were made because the magazine publishers insisted — for moral reasons. Large portions of the plot were also different.
  
  D. H. Lawrence, an admirer of Hardy, was puzzled by the character of Sue Bridehead, and attempted to analyse her sexual problem in his essay "A Study of Thomas Hardy" (1914).
  
  At least one recent scholar has postulated that Jude borrowed heavily from an earlier novel The Wages of Sin by Lucas Malet.
  Film, TV or theatrical adaptations
  
  The novel has been adapted into two major feature films:
  
   * Jude the Obscure (1971) , directed by Hugh David, and starring Robert Powell and Fiona Walker
   * Jude (1996) , directed by Michael Winterbottom, and starring Christopher Eccleston and Kate Winslet
第一部 在马利格林
  AT MARYGREEN
   "Yea, many there be that have run out of their wits for women, and become servants for their sakes. Many also have perished, have erred, and sinned, for women.... O ye men, how can it be but women should be strong, seeing they do thus?"--ESDRAS.
1
  THE schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher's effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house.
   The rector had gone away for the day, being a man who disliked the sight of changes. He did not mean to return till the evening, when the new school-teacher would have arrived and settled in, and everything would be smooth again.
   The blacksmith, the farm bailiff, and the schoolmaster himself were standing in perplexed attitudes in the parlour before the instrument. The master had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, the city he was bound for, since he was only going into temporary lodgings just at first.
   A little boy of eleven, who had been thoughtfully assisting in the packing, joined the group of men, and as they rubbed their chins he spoke up, blushing at the sound of his own voice: "Aunt have got a great fuel-house, and it could be put there, perhaps, till you've found a place to settle in, sir."
   "A proper good notion," said the blacksmith.
   It was decided that a deputation should wait on the boy's aunt-- an old maiden resident--and ask her if she would house the piano till Mr. Phillotson should send for it. The smith and the bailiff started to see about the practicability of the suggested shelter, and the boy and the schoolmaster were left standing alone.
   "Sorry I am going, Jude?" asked the latter kindly.
   Tears rose into the boy's eyes, for he was not among the regular day scholars, who came unromantically close to the schoolmaster's life, but one who had attended the night school only during the present teacher's term of office. The regular scholars, if the truth must be told, stood at the present moment afar off, like certain historic disciples, indisposed to any enthusiastic volunteering of aid.
   The boy awkwardly opened the book he held in his hand, which Mr. Phillotson had bestowed on him as a parting gift, and admitted that he was sorry.
   "So am I," said Mr. Phillotson.
   "Why do you go, sir?" asked the boy.
   "Ah--that would be a long story. You wouldn't understand my reasons, Jude. You will, perhaps, when you are older."
   "I think I should now, sir."
   "Well--don't speak of this everywhere. You know what a university is, and a university degree? It is the necessary hallmark of a man who wants to do anything in teaching. My scheme, or dream, is to be a university graduate, and then to be ordained. By going to live at Christminster, or near it, I shall be at headquarters, so to speak, and if my scheme is practicable at all, I consider that being on the spot will afford me a better chance of carrying it out than I should have elsewhere."
   The smith and his companion returned. Old Miss Fawley's fuel-house was dry, and eminently practicable; and she seemed willing to give the instrument standing-room there. It was accordingly left in the school till the evening, when more hands would be available for removing it; and the schoolmaster gave a final glance round.
   The boy Jude assisted in loading some small articles, and at nine o'clock Mr. Phillotson mounted beside his box of books and other IMPEDIMENTA, and bade his friends good-bye.
   "I shan't forget you, Jude," he said, smiling, as the cart moved off. "Be a good boy, remember; and be kind to animals and birds, and read all you can. And if ever you come to Christminster remember you hunt me out for old acquaintance' sake."
   The cart creaked across the green, and disappeared round the corner by the rectory-house. The boy returned to the draw-well at the edge of the greensward, where he had left his buckets when he went to help his patron and teacher in the loading. There was a quiver in his lip now and after opening the well-cover to begin lowering the bucket he paused and leant with his forehead and arms against the framework, his face wearing the fixity of a thoughtful child's who has felt the pricks of life somewhat before his time. The well into which he was looking was as ancient as the village itself, and from his present position appeared as a long circular perspective ending in a shining disk of quivering water at a distance of a hundred feet down. There was a lining of green moss near the top, and nearer still the hart's-tongue fern.
   He said to himself, in the melodramatic tones of a whimsical boy, that the schoolmaster had drawn at that well scores of times on a morning like this, and would never draw there any more. "I've seen him look down into it, when he was tired with his drawing, just as I do now, and when he rested a bit before carrying the buckets home! But he was too clever to bide here any longer-- a small sleepy place like this!"
   A tear rolled from his eye into the depths of the well. The morning was a little foggy, and the boy's breathing unfurled itself as a thicker fog upon the still and heavy air. His thoughts were interrupted by a sudden outcry:
   "Bring on that water, will ye, you idle young harlican!"
   It came from an old woman who had emerged from her door towards the garden gate of a green-thatched cottage not far off. The boy quickly waved a signal of assent, drew the water with what was a great effort for one of his stature, landed and emptied the big bucket into his own pair of smaller ones, and pausing a moment for breath, started with them across the patch of clammy greensward whereon the well stood-- nearly in the centre of the little village, or rather hamlet of Marygreen.
   It was as old-fashioned as it was small, and it rested in the lap of an undulating upland adjoining the North Wessex downs. Old as it was, however, the well-shaft was probably the only relic of the local history that remained absolutely unchanged. Many of the thatched and dormered dwelling-houses had been pulled down of late years, and many trees felled on the green. Above all, the original church, hump-backed, wood-turreted, and quaintly hipped, had been taken down, and either cracked up into heaps of road-metal in the lane, or utilized as pig-sty walls, garden seats, guard-stones to fences, and rockeries in the flower-beds of the neighbourhood. In place of it a tall new building of modern Gothic design, unfamiliar to English eyes, had been erected on a new piece of ground by a certain obliterator of historic records who had run down from London and back in a day. The site whereon so long had stood the ancient temple to the Christian divinities was not even recorded on the green and level grass-plot that had immemorially been the churchyard, the obliterated graves being commemorated by eighteen-penny castiron crosses warranted to last five years.
Home>> Literature>> 现实百态>> 托马斯·哈代 Thomas Hardy   英国 United Kingdom   温莎王朝   (1840年6月2日1928年1月11日)