Home>> Literature>> 外国经典>> · wēn Mark Twain   měi guó United States   zhàn zhōng jué   (1835niánshíyīyuè30rì1910niánsìyuè21rì)
The Adventures of Tom Sawyer
  The Adventures of Tom Sawyer by Mark Twain is a popular 1876 novel about a young boy growing up in the antebellum South. The story is set in the town of "St Petersburg", inspired by Hannibal, Missouri, where Mark Twain grew up. In the story's introduction, Twain notes:
  
   Most of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but not from an individual—he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture.
  
  Plot summary
  
  The imaginative and mischievous twelve-year-old boy named Thomas Sawyer lives with his Aunt Polly, his half-brother, Sid, also known as Sidney, and cousin Mary, in the Mississippi River town of St Petersburg, Missouri. After playing hooky from school on Friday and dirtying his clothes in a fight, Tom is made to whitewash the fence as punishment on Saturday. At first, Tom is disappointed by having to forfeit his day off. However, he soon cleverly persuades his friends to trade him a large marble for the privilege of doing his work. He trades these treasures for tickets given out in Sunday school for memorizing Bible verses and uses the tickets to claim a Bible as a prize. He loses much of his glory, however, when, in response to a question to show off his knowledge, he incorrectly answers that the first two Disciples were David and Goliath
  
  Tom falls in love with Rebecca "Becky" Thatcher, a new girl in town, and persuades her to get “engaged” to him. Their love is ruined when she learns that Tom has been engaged to another girl before: Amy Lawrence. Shortly after Becky shuns him, Tom accompanies Huckleberry Finn, the son of the town drunk, to the graveyard at night to try out a “cure” for warts. At the graveyard, they witness the murder of young Dr Robinson by a part-Native American “half-breed”, Injun Joe. Scared, Tom and Huck run away in the process dropping the previously obtained marble, and swear a blood oath not to tell anyone what they have seen. Injun Joe blames his companion, Muff Potter, a hapless drunk, for the crime. Potter is wrongfully arrested, and Tom's anxiety and guilt begin to grow. Tom, Huck and their friend Joe Harper run away to an island on the Mississippi, in order to "become pirates". While frolicking around and enjoying their new-found freedom, the boys become aware that the community is sounding the river for their bodies. Tom sneaks back home one night to observe the commotion. After a brief moment of remorse at the suffering of his loved ones, Tom is struck by the idea of appearing at his funeral and surprising everyone. He persuades Joe and Huck to do the same. Their return is met with great rejoicing, and they become the envy and admiration of all their friends.
  
  Back in school, Tom gets himself back in Becky's favour after he nobly accepts the blame for a book that she has torn. Soon Muff Potter's trial begins, and Tom, overcome by guilt, testifies against Injun Joe. Potter is acquitted, but Injun Joe flees the courtroom through a window. Tom and Huck witness him finding a box of gold with his partner, a Spaniard, and Huck begins to shadow Injun Joe every night, watching for an opportunity to nab the gold. Meanwhile, Tom goes on a picnic to McDougal's Cave with Becky and their classmates. That same night, Huck sees Injun Joe and his partner making off with a box. He follows and overhears their plans to attack the Widow Douglas, a kind resident of St. Petersburg. By running to fetch help, Huck forestalls the violence and becomes an anonymous hero.
  
  Tom and Becky get lost in the cave, and their absence is not discovered until the following morning. The men of the town begin to search for them, but to no avail. Tom and Becky run out of food and candles and begin to weaken. The horror of the situation increases when Tom, looking for a way out of the cave, happens upon Injun Joe, who is using the cave as a hideout. At the sight of Tom, Injun Joe flees. Eventually, just as the searchers are giving up, Tom finds a way out. The town celebrates, and Becky's father, Judge Thatcher seals up the main entrance with an iron door. After a week Injun Joe, trapped inside, starves causing him to die. Injun Joe's partner accidentally drowns trying to escape.
  
  A week later, Tom takes Huck to the cave via the new entrance Tom has found and they find the box of gold, the proceeds of which are invested for them. The Widow Douglas adopts Huck, and, when Huck attempts to escape civilized life, Tom promises him that if he returns to the widow, he can join Tom's robber band. Reluctantly, Huck agrees.
  Publication history
  
  The first publication of The Adventures of Tom Sawyer was by Chatto and Windus, in England in June 1876 (it was listed as "ready" on June 10 and was reviewed on June 24 in the literary publication The Atheneum), and in the U.S. by subscription only in December 1876. Twain and other U.S. authors used initial publication in England fairly often, since otherwise it was impossible to obtain a copyright in the British Commonwealth. In the case of Tom Sawyer, the delay between the London and U.S. editions extended much beyond what Twain envisioned, or desired. This led to widespread piracy of the work - notably a July 1876 pirated edition in Canada obtained by many American readers - and, Twain believed, to a significant loss of his royalties.
  
  When the work did appear in the U.S., it was sold by subscription only. In this distribution method, book agents across the country took orders for the book prior to publication and then delivered the book when available. It was only with subsequent editions that the book became available retail shops.
  
  In dictations for his autobiography, Twain claimed Tom Sawyer "must have been" the first book whose manuscript was typed on a typewriter. However, typewriter historian Darryl Rehr has concluded that Twain's first typed manuscript was Life on the Mississippi.
  Adaptations
  
  The story of Tom Sawyer has been filmed or animated multiple times since its initial publication. Some of the film adaptations of Twain's novel include:
  
   * A 1907 silent version released by the Paramount studio
   * A 1917 silent version directed by William Desmond Taylor, starring Jack Pickford as Tom
   * A 1930 version directed by John Cromwell, starring Jackie Coogan as Tom
   * In 1938 The Adventures of Tom Sawyer was filmed in Technicolor by the Selznick Studio. It starred Tommy Kelly as Tom and was directed by Norman Taurog. Most notable was the cave sequence designed by William Cameron Menzies.
   * A 1947 Soviet Union version, directed by Lazar Frenkel and Gleb Zatvornitsky
   * A 1960 US television serial, also shown on British television
   * A 1968 French/German made-for-television miniseries, directed by Wolfgang Liebeneiner, starring Roland Demongeot as Tom and Marc Di Napoli as Huck
   * The New Adventures of Huckleberry Finn (1968) was a half-hour live-action/animated series produced by Hanna-Barbera Productions
   * A 1973 musical version with songs by Richard and Robert Sherman, starring Johnny Whitaker as Tom and a young Jodie Foster as Becky Thatcher. A TV movie version sponsored by Dr. Pepper was released that same year. It starred Buddy Ebsen as Muff Potter and was filmed in Upper Canada Village.
   * Huckleberry Finn and His Friends (1979 TV series)
   * The Adventures of Tom Sawyer (anime) (1980), a Japanese anime TV series by Nippon Animation, part of the World Masterpiece Theater; aired in the United States on HBO
   * [[Приключения Тома Сойера и Гекльберри Финна (фильм)The Adventures of Tom Sawyer and Huckleberry Finn (1981), another Soviet Union version directed by Stanislav Govorukhin.
   * A 1984 Canadian claymation version produced by Hal Roach studios
   * Tom and Huck (1995), starring Jonathan Taylor Thomas as Tom and Brad Renfro as Huck Finn
   * A 1995 episode for the PBS Wishbone TV series "A Tail in Twain".
   * The Modern Adventures of Tom Sawyer
   * A 2000 animated adaptation, featuring the characters as anthropomorphic animals with an all-star voice cast, including country singers Rhett Akins (as Tom), Mark Wills (as Huck Finn), Lee Ann Womack, Waylon Jennings and Hank Williams Jr. as well as Betty White as Aunt Polly
   * Tom Sawyer appears as a United States Secret Service agent in the 2003 movie based on comic book series The League of Extraordinary Gentlemen
   * This book was featured in an episode of The Fairly Odd Parents
  
  Stage musicals: In 1956 'We're From Missouri', a musical adaptation of The Adventures of Tom Sawyer, with book, music and lyrics by Tom Boyd, was presented by the students at the Guildhall School of Music and Drama. In 1960, Boyd's musical version (re-titled Tom Sawyer) was presented professionally at Theatre Royal Stratford East in London, England, and in 1961 toured provincial theatres in England.Tom Boyd's musical of TOM SAWYER was produced again in April and June 2010 in Cirencester, Gloucestershire, England. Another musical adaptation is Mississippi Melody, a musical by Jack Hylton.
  
  Theatrical Adaptation: In April 2010, The Hartford Stage presented a theatrical adaptation entitled Mark Twain's The Adventures of Tom Sawyer as part of a centennial observation of Mark Twain's passing.
  MOST of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but not from an individual--he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture.
   The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story--that is to say, thirty or forty years ago.
   Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in.
   THE AUTHOR.
   HARTFORD, 1876.
第一章 汤姆耍斗,东躲西藏
  "TOM!"
   No answer.
   "TOM!"
   No answer.
   "What's gone with that boy, I wonder? You TOM!"
   No answer.
   The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked THROUGH them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service--she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:
   "Well, I lay if I get hold of you I'll--"
   She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.
   "I never did see the beat of that boy!"
   She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted:
   "Y-o-u-u TOM!"
   There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight.
   "There! I might 'a' thought of that closet. What you been doing in there?"
   "Nothing."
   "Nothing! Look at your hands. And look at your mouth. What IS that truck?"
   "I don't know, aunt."
   "Well, I know. It's jam--that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch."
   The switch hovered in the air--the peril was desperate--
   "My! Look behind you, aunt!"
   The old lady whirled round, and snatched her skirts out of danger. The lad fled on the instant, scrambled up the high board-fence, and disappeared over it.
   His aunt Polly stood surprised a moment, and then broke into a gentle laugh.
   "Hang the boy, can't I never learn anything? Ain't he played me tricks enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can't learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a laying up sin and suffering for us both, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart most breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hookey this evening, * and (* Southwestern for "afternoon") I'll just be obleeged to make him work, to-morrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've GOT to do some of my duty by him, or I'll be the ruination of the child."
   Tom did play hookey, and he had a very good time. He got back home barely in season to help Jim, the small colored boy, saw next-day's wood and split the kindlings before supper--at least he was there in time to tell his adventures to Jim while Jim did three-fourths of the work. Tom's younger brother (or rather half-brother) Sid was already through with his part of the work (picking up chips), for he was a quiet boy, and had no adventurous, troublesome ways.
   While Tom was eating his supper, and stealing sugar as opportunity offered, Aunt Polly asked him questions that were full of guile, and very deep--for she wanted to trap him into damaging revealments. Like many other simple-hearted souls, it was her pet vanity to believe she was endowed with a talent for dark and mysterious diplomacy, and she loved to contemplate her most transparent devices as marvels of low cunning. Said she:
   "Tom, it was middling warm in school, warn't it?"
   "Yes'm."
   "Powerful warm, warn't it?"
   "Yes'm."
   "Didn't you want to go in a-swimming, Tom?"
   A bit of a scare shot through Tom--a touch of uncomfortable suspicion. He searched Aunt Polly's face, but it told him nothing. So he said:
   "No'm--well, not very much."
   The old lady reached out her hand and felt Tom's shirt, and said:
   "But you ain't too warm now, though." And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind. But in spite of her, Tom knew where the wind lay, now. So he forestalled what might be the next move:
   "Some of us pumped on our heads--mine's damp yet. See?"
   Aunt Polly was vexed to think she had overlooked that bit of circumstantial evidence, and missed a trick. Then she had a new inspiration:
   "Tom, you didn't have to undo your shirt collar where I sewed it, to pump on your head, did you? Unbutton your jacket!"
   The trouble vanished out of Tom's face. He opened his jacket. His shirt collar was securely sewed.
   "Bother! Well, go 'long with you. I'd made sure you'd played hookey and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a singed cat, as the saying is--better'n you look. THIS time."
   She was half sorry her sagacity had miscarried, and half glad that Tom had stumbled into obedient conduct for once.
   But Sidney said:
   "Well, now, if I didn't think you sewed his collar with white thread, but it's black."
   "Why, I did sew it with white! Tom!"
   But Tom did not wait for the rest. As he went out at the door he said:
   "Siddy, I'll lick you for that."
   In a safe place Tom examined two large needles which were thrust into the lapels of his jacket, and had thread bound about them--one needle carried white thread and the other black. He said:
   "She'd never noticed if it hadn't been for Sid. Confound it! sometimes she sews it with white, and sometimes she sews it with black. I wish to geeminy she'd stick to one or t'other--I can't keep the run of 'em. But I bet you I'll lam Sid for that. I'll learn him!"
   He was not the Model Boy of the village. He knew the model boy very well though--and loathed him.
   Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time--just as men's misfortunes are forgotten in the excitement of new enterprises. This new interest was a valued novelty in whistling, which he had just acquired from a negro, and he was suffering to practise it undisturbed. It consisted in a peculiar bird-like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music--the reader probably remembers how to do it, if he has ever been a boy. Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet--no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer.
   The summer evenings were long. It was not dark, yet. Presently Tom checked his whistle. A stranger was before him--a boy a shade larger than himself. A new-comer of any age or either sex was an impressive curiosity in the poor little shabby village of St. Petersburg. This boy was well dressed, too--well dressed on a week-day. This was simply astounding. His cap was a dainty thing, his close-buttoned blue cloth roundabout was new and natty, and so were his pantaloons. He had shoes on--and it was only Friday. He even wore a necktie, a bright bit of ribbon. He had a citified air about him that ate into Tom's vitals. The more Tom stared at the splendid marvel, the higher he turned up his nose at his finery and the shabbier and shabbier his own outfit seemed to him to grow. Neither boy spoke. If one moved, the other moved--but only sidewise, in a circle; they kept face to face and eye to eye all the time. Finally Tom said:
   "I can lick you!"
   "I'd like to see you try it."
   "Well, I can do it."
   "No you can't, either."
   "Yes I can."
   "No you can't."
   "I can."
   "You can't."
   "Can!"
   "Can't!"
   An uncomfortable pause. Then Tom said:
   "What's your name?"
   "'Tisn't any of your business, maybe."
   "Well I 'low I'll MAKE it my business."
   "Well why don't you?"
   "If you say much, I will."
   "Much--much--MUCH. There now."
   "Oh, you think you're mighty smart, DON'T you? I could lick you with one hand tied behind me, if I wanted to."
   "Well why don't you DO it? You SAY you can do it."
   "Well I WILL, if you fool with me."
   "Oh yes--I've seen whole families in the same fix."
   "Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!"
   "You can lump that hat if you don't like it. I dare you to knock it off--and anybody that'll take a dare will suck eggs."
   "You're a liar!"
   "You're another."
   "You're a fighting liar and dasn't take it up."
   "Aw--take a walk!"
   "Say--if you give me much more of your sass I'll take and bounce a rock off'n your head."
   "Oh, of COURSE you will."
   "Well I WILL."
   "Well why don't you DO it then? What do you keep SAYING you will for? Why don't you DO it? It's because you're afraid."
   "I AIN'T afraid."
   "You are."
   "I ain't."
   "You are."
   Another pause, and more eying and sidling around each other. Presently they were shoulder to shoulder. Tom said:
   "Get away from here!"
   "Go away yourself!"
   "I won't."
   "I won't either."
   So they stood, each with a foot placed at an angle as a brace, and both shoving with might and main, and glowering at each other with hate. But neither could get an advantage. After struggling till both were hot and flushed, each relaxed his strain with watchful caution, and Tom said:
   "You're a coward and a pup. I'll tell my big brother on you, and he can thrash you with his little finger, and I'll make him do it, too."
   "What do I care for your big brother? I've got a brother that's bigger than he is--and what's more, he can throw him over that fence, too." (Both brothers were imaginary.)
   "That's a lie."
   "YOUR saying so don't make it so."
   Tom drew a line in the dust with his big toe, and said:
   "I dare you to step over that, and I'll lick you till you can't stand up. Anybody that'll take a dare will steal sheep."
   The new boy stepped over promptly, and said:
   "Now you said you'd do it, now let's see you do it."
   "Don't you crowd me now; you better look out."
   "Well, you SAID you'd do it--why don't you do it?"
   "By jingo! for two cents I WILL do it."
   The new boy took two broad coppers out of his pocket and held them out with derision. Tom struck them to the ground. In an instant both boys were rolling and tumbling in the dirt, gripped together like cats; and for the space of a minute they tugged and tore at each other's hair and clothes, punched and scratched each other's nose, and covered themselves with dust and glory. Presently the confusion took form, and through the fog of battle Tom appeared, seated astride the new boy, and pounding him with his fists. "Holler 'nuff!" said he.
   The boy only struggled to free himself. He was crying--mainly from rage.
   "Holler 'nuff!"--and the pounding went on.
   At last the stranger got out a smothered "'Nuff!" and Tom let him up and said:
   "Now that'll learn you. Better look out who you're fooling with next time."
   The new boy went off brushing the dust from his clothes, sobbing, snuffling, and occasionally looking back and shaking his head and threatening what he would do to Tom the "next time he caught him out." To which Tom responded with jeers, and started off in high feather, and as soon as his back was turned the new boy snatched up a stone, threw it and hit him between the shoulders and then turned tail and ran like an antelope. Tom chased the traitor home, and thus found out where he lived. He then held a position at the gate for some time, daring the enemy to come outside, but the enemy only made faces at him through the window and declined. At last the enemy's mother appeared, and called Tom a bad, vicious, vulgar child, and ordered him away. So he went away; but he said he "'lowed" to "lay" for that boy.
   He got home pretty late that night, and when he climbed cautiously in at the window, he uncovered an ambuscade, in the person of his aunt; and when she saw the state his clothes were in her resolution to turn his Saturday holiday into captivity at hard labor became adamantine in its firmness.
Home>> Literature>> 外国经典>> · wēn Mark Twain   měi guó United States   zhàn zhōng jué   (1835niánshíyīyuè30rì1910niánsìyuè21rì)