shǒuyè>> >> 历险小说>> 马克·吐温 Mark Twain   美国 United States   一战中崛起   (1835年11月30日1910年4月21日)
bèi · fēn xiǎn Adventures of Huckleberry Finn
  xiǎo zhù rén gōng bèi · fēn shì 'ér rén guǎn shùdàn xīn shàn liángài zēng fēn míng bāng zhù hēi táo wǎng fèi shàng jiàn liǎo shì rén děngzāo liǎo duō jiān nán xiǎn zhōng huò liǎo shèng hǎo péng yǒu tānɡ · suǒ de qīn yào shōu zuò dàn yuàn jiē shòu suǒ wèi de jiào yǎng nìngyuàn guò rén guǎn shù de shēng huó shì yòu táo liǎo chū men zài zhōng jié shí liǎo piàn rén degōng juéhuáng ”, juǎnrù liǎo liǎng jiā de shì chóu zhēng dǒuyòu pèng shàng liǎo chě qīng de chǎn jiū fēn liǎng piàn de móu huì chěng hēi huì huì yòu bèi zhuā huí ?……


  Adventures of Huckleberry Finn (often referred to as The Adventures of Huckleberry Finn or shortened to Huckleberry Finn or simply Huck Finn) is a novel by Mark Twain, first published in February 1885. Commonly recognized as one of the Great American Novels, the work is among the first in major American literature to be written in the vernacular, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective).
  
  The book is noted for its colorful description of people and places along the Mississippi River. Satirizing a Southern antebellum society that was already out of date by the time the work was published, Adventures of Huckleberry Finn is an often scathing look at entrenched attitudes, particularly racism. The drifting journey of Huck and his friend Jim, a runaway slave, down the Mississippi River on their raft may be one of the most enduring images of escape and freedom in all of American literature.
  
  The work has been popular with readers since its publication and is taken as a sequel to The Adventures of Tom Sawyer. It has also been the continued object of study by serious literary critics. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur "nigger".
  
  Twain initially conceived of the work as a sequel to The Adventures of Tom Sawyer that would follow Huck Finn through adulthood. Beginning with a few pages he had removed from the earlier novel, Twain began work on a manuscript he originally titled Huckleberry Finn's Autobiography. Twain worked on the manuscript off and on for the next several years, ultimately abandoning his original plan of following Huck's development into adulthood. He appeared to have lost interest in the manuscript while it was in progress, and set it aside for several years. After making a trip down the Mississippi, Twain returned to his work on the novel. Upon completion, the novel's title closely paralleled its predecessor's: Adventures of Huckleberry Finn (Tom Sawyer's Comrade).
  
  Unlike The Adventures of Tom Sawyer, Twain's Adventures of Huckleberry Finn does not have the definite article "the" as a part of its proper title. Essayist and critic Spencer Neve states that this absence represents the "never fulfilled anticipations" of Huck's adventures—while Tom's adventures were completed (at least at the time) by the end of his novel, Huck's narrative ends with his stated intention to head West.
  
  Mark Twain composed the story in pen on notepaper between 1876 and 1883. Paul Needham, who supervised the authentication of the manuscript for Sotheby's books and manuscripts department in New York in 1991, stated, "What you see is [Clemens'] attempt to move away from pure literary writing to dialect writing". For example, Twain revised the opening line of Huck Finn three times. He initially wrote, "You will not know about me," which he changed to, "You do not know about me," before settling on the final version, "You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer'; but that ain't no matter." The revisions also show how Twain reworked his material to strengthen the characters of Huck and Jim, as well as his sensitivity to the then-current debate over literacy and voting.
  
  A later version was the first typewritten manuscript delivered to a printer.
  
  Huck Finn was eventually published on December 10, 1884, in Canada and England, and on February 18, 1885, in the United States. The American publication was delayed because someone defaced an illustration on one of the plates, creating an obscene joke. Thirty-thousand copies of the book had been printed before the obscenity was discovered. A new plate was made to correct the illustration and repair the existing copies.
  
  In 1885, the Buffalo Public Library's curator, James Fraser Gluck, approached Twain to donate the manuscript to the Library. Twain sent half of the pages, believing the other half to have been lost by the printer. In 1991, the missing half turned up in a steamer trunk owned by descendants of Gluck. The Library successfully proved possession and, in 1994, opened the Mark Twain Room in its Central Library to showcase the treasure.
  Plot summary
  Huckleberry Finn, as depicted by E. W. Kemble in the original 1884 edition of the book.
  Life in St. Petersburg
  
  The story begins in fictional St. Petersburg, Missouri, on the shores of the Mississippi River, sometime between 1835 (when the first steamboat sailed down the Mississippi) and 1845. Two young boys, Tom Sawyer and Huckleberry Finn, have each come into a considerable sum of money as a result of their earlier adventures (The Adventures of Tom Sawyer). Huck has been placed under the guardianship of the Widow Douglas, who, together with her sister, Miss Watson, are attempting to "sivilize" him. Huck appreciates their efforts, but finds civilized life confining. In the beginning of the story, Tom Sawyer appears briefly, helping Huck escape at night from the house, past Miss Watson's slave, Jim. They meet up with Tom Sawyer's self-proclaimed gang, who plot to carry out adventurous crimes. Life is changed by the sudden appearance of his shiftless father "Pap," an abusive parent and drunkard. Although Huck is successful in preventing his Pap from acquiring his fortune, Pap forcibly gains custody of Huck and the two move to the backwoods where Huck is kept locked inside his father's cabin. Equally dissatisfied with life with his father, Huck escapes from the cabin, elaborately fakes his own death, and sets off down the Mississippi River.
  The Floating House & Huck as a Girl
  
  While living quite comfortably in the wilderness along the Mississippi, Huck happily encounters Miss Watson's slave Jim on an island called Jackson's Island, and Huck learns that he has also run away, after Miss Watson threatened to sell him downriver, where conditions for slaves were even harsher.
  
  Jim is trying to make his way to Cairo, Illinois, to get to Ohio, a free state, to buy his family's freedom. At first, Huck is conflicted over whether to tell someone about Jim's running away, but they travel together, they talk in depth, and Huck begins to know more about Jim's past and his difficult life. As these talks continue, Huck begins to change his opinion about people, slavery, and life in general. This continues throughout the rest of the novel.
  
  Huck and Jim take up in a cavern on a hill on Jackson's Island to wait out a storm. When they can, they scrounge around the river looking for food, wood, and other items. One night, they find a raft they will eventually use to travel down the Mississippi. Later, they find an entire house floating down the river and enter it to grab what they can. Entering one room, Jim finds a man lying dead on the floor, shot in the back while apparently trying to ransack the house. He refuses to let Huck see the man's face.
  
  To find out the latest news in the area, Huck dresses as a girl and goes into town. He enters the house of a woman new to the area, thinking she won't recognize him. As they talk, she tells Huck there is a $300 reward for Jim, who is accused of killing Huck. She becomes suspicious of Huck's true gender and these suspicions are confirmed when she sees he cannot thread a needle. She cleverly tricks him into revealing he's a boy, but allows him to run off. He returns to the island, tells Jim of the manhunt, and the two load up the raft and leave the island.
  The Grangerfords and the Shepherdsons
  
  Huck and Jim's raft is swamped by a passing steamship, separating the two. Huck is given shelter by the Grangerfords, a prosperous local family. He becomes friends with Buck Grangerford, a boy about his age, and learns that the Grangerfords are engaged in a 30-year blood feud against another family, the Shepherdsons. The Grangerfords and Shepherdsons go to church. Both families bring guns to continue the feud, despite the church's preachings on brotherly love.
  
  The vendetta comes to a head when Buck's sister, Sophia Grangerford, elopes with Harney Shepherdson. In the resulting conflict, all the Grangerford males from this branch of the family are shot and killed, although Grangerfords elsewhere survive to carry on the feud. Upon seeing Buck's corpse, Huck is too devastated to write about everything that happened. However, Huck does describe how he narrowly avoids his own death in the gunfight, later reuniting with Jim and the raft and together fleeing farther south on the Mississippi River.
  The Duke and the King
  
  Further down the river, Jim and Huck rescue two cunning grifters, who join Huck and Jim on the raft. The younger of the two swindlers, a man of about thirty, introduces himself as a son of an English duke (the Duke of Bridgewater, which the King later mispronounces as "Bilgewater") and his father's rightful successor. The older one, about seventy, then trumps the duke's claim by alleging that he is actually the Lost Dauphin, the son of Louis XVI and rightful King of France.
  
  The Duke and the King then join Jim and Huck on the raft, committing a series of confidence schemes on the way south. To allow for Jim's presence, they print fake bills for an escaped slave; and later they paint him up entirely in blue and call him the "Sick Arab." On one occasion they arrive in a town and rent the courthouse for a night for the purpose of printing bills to advertise a play which they call the 'Royal Nonesuch'. The play turns out to be only a couple of minutes of hysterical cavorting, not worth anywhere near the 50 cents the townsmen were charged to see it.
  
  Meanwhile on the day of the play, a drunk called Boggs arrives in town and makes a nuisance of himself by going around threatening a southern gentleman by the name of Colonel Sherburn. Sherburn comes out and warns Boggs that he can continue threatening him up until exactly one o'clock. At one o'clock, Boggs has already ceased his power and two friends are trying to hurry him out of town; but Colonel Sherburn kills him anyway. Somebody in the crowd, whom Sherburn later identifies as Buck Harkness, cries out that Sherburn should be lynched. They all head up to Colonel Sherburn's gate, where they are met by Sherburn, carrying a loaded rifle. Without saying a word, he causes them to back down, and then the crowd slinks away after Sherburn laughs and tells them about the essential cowardice of "Southern justice." The only lynching that's going to be done here, says Sherburn, will be in the dark, by men wearing masks.
  
  On the third night of "The Royal Nonesuch," the townspeople are ready; but the Duke and the King have already skipped town, and together with Huck and Jim, they continue down the river. Once they are far enough away, the two grifters test the next town, and decide to impersonate the brothers of Peter Wilkes, a recently deceased man of property. Using an absurd English accent, the King manages to convince nearly all the townspeople that he and the Duke are Wilkes' brothers recently arrived from England. However, one man in town is certain that they are a fraud. The Duke suggests they should cut and run. The King continues to liquidate Wilkes' estate, saying, "Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?"
  
  Huck likes Wilkes' daughters, who treat him with kindness and courtesy, so he tries to thwart the grifters' plans by stealing back the inheritance money. However, when he is in danger of being discovered, he has to hide it in Wilkes' coffin, which is buried the next morning without Huck knowing whether the money has been found or not. The arrival of two new men who seem to be the real brothers throws everything into confusion when none of their signatures match the one on record. (The deaf-mute brother, who is said to do the correspondence, has his arm in a sling and cannot currently write.) The townspeople devise a test, which requires digging up the coffin to check. When the money is found in Wilkes's coffin, the Duke and the King are able to escape in the confusion. They manage to rejoin Huck and Jim on the raft to Huck's utter despair, since he had thought he had escaped them.
  Jim's escape
  
  After the four fugitives have drifted far enough from the town, the King takes advantage of Huck's temporary absence to sell his interest in the "escaped" slave Jim for forty dollars. Outraged by this betrayal, Huck rejects the advice of his "conscience," which continues to tell him that in helping Jim escape to freedom, he is stealing Miss Watson's property. Accepting that "All right, then, I'll go to hell!", Huck resolves to free Jim.
  
  Jim's new temporary owners are Mr. and Mrs. Phelps, who turn out to be Tom Sawyer's aunt and uncle. Since Tom is expected for a visit, Huck is mistakened for Tom. He plays along, hoping to find Jim's location and free him. When Huck intercepts Tom on the road and tells him everything, Tom decides to join Huck's scheme, pretending to be his younger half-brother Sid. Jim has also told the household about the two grifters and the new plan for "The Royal Nonesuch," so this time the townspeople are ready for them. The Duke and King are captured by the townspeople, and are tarred and feathered and ridden out of town on a rail.
  
  Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, hidden tunnels, a rope ladder sent in Jim's food, and other elements from popular novels, including a note to the Phelps warning them of a gang planning to steal their runaway slave. During the resulting pursuit, Tom is shot in the leg. Jim remains with him rather than completing his escape, risking recapture. Huck has long known Jim was "white on the inside." Although the doctor admires Jim's decency, he betrays him to a passing skiff, and Jim is captured while sleeping.
  Conclusion
  
  After Jim's recapture, events quickly resolve themselves. Tom's Aunt Polly arrives and reveals Huck's and Tom's true identities. Tom announces that Jim has been free for months: Miss Watson died two months earlier and freed Jim in her will, but Tom chose not to reveal Jim's freedom so he could come up with an elaborate plan to rescue Jim. Jim tells Huck that Huck's father has been dead for some time (he was the dead man they found in the house on Jackson's Island) and that Huck may return safely to St. Petersburg. In the final narrative, Huck declares that he is quite glad to be done writing his story, and despite Tom's family's plans to adopt and "sivilize" him, Huck intends to flee west to Indian Territory.
  Major themes
  
  Twain wrote a novel that embodies the search for freedom. He wrote during the post-Civil War period when there was an intense white reaction against blacks. According to some critics,[who?] Twain took aim squarely against racial prejudice, increasing segregation, lynchings, and the generally accepted belief that blacks were sub-human. He "made it clear that Jim was good, deeply loving, human, and anxious for freedom." However, others have criticized the novel as racist, citing the use of the word "nigger" and Jim's Sambo-like character.
  
  Throughout the story, Huck is in moral conflict with the received values of the society in which he lives, and while he is unable to consciously refute those values even in his thoughts, he makes a moral choice based on his own valuation of Jim's friendship and human worth, a decision in direct opposition to the things he has been taught. Mark Twain in his lecture notes proposes that "a sound heart is a surer guide than an ill-trained conscience," and goes on to describe the novel as "...a book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat."
  Reception
  
  The publication of Adventures of Huckleberry Finn resulted in generally friendly reviews, but the novel was controversial from the outset. Upon issue of the American edition in 1885 a number of libraries banned it from their stacks. The early criticism focused on what was perceived as the book's crudeness. One incident was recounted in the newspaper, the Boston Transcript:
  
   The Concord (Mass.) Public Library committee has decided to exclude Mark Twain's latest book from the library. One member of the committee says that, while he does not wish to call it immoral, he thinks it contains but little humor, and that of a very coarse type. He regards it as the veriest trash. The library and the other members of the committee entertain similar views, characterizing it as rough, coarse, and inelegant, dealing with a series of experiences not elevating, the whole book being more suited to the slums than to intelligent, respectable people.
  
  Twain later remarked to his editor, "Apparently, the Concord library has condemned Huck as 'trash and only suitable for the slums.' This will sell us another five thousand copies for sure!"
  In this scene illustrated by E. W. Kemble, Jim thinks Huck is a ghost
  
  Many subsequent critics, Ernest Hemingway among them, have deprecated the final chapters, claiming the book "devolves into little more than minstrel-show satire and broad comedy" after Jim is detained. Hemingway declared, "All modern American literature comes from" Huck Finn, and hailed it as "the best book we've had." He cautioned, however, "If you must read it you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating." (The term "Nigger Jim" never appears in the novel but after appearing in Albert Bigelow Paine's 1912 Clemens biography, continued to be used by twentieth century critics, including Leslie Fiedler, Norman Mailer, and Russell Baker.) Pulitzer Prize winner Ron Powers states in his Twain biography (Mark Twain: A Life) that "Huckleberry Finn endures as a consensus masterpiece despite these final chapters," in which Tom Sawyer leads Huck through elaborate machinations to rescue Jim.
  
  Much modern scholarship of Huckleberry Finn has focused on its treatment of race. Many Twain scholars have argued that the book, by humanizing Jim and exposing the fallacies of the racist assumptions of slavery, is an attack on racism. Others have argued that the book falls short on this score, especially in its depiction of Jim. According to Professor Stephen Railton of the University of Virginia, Twain was unable to fully rise above the stereotypes of black people that white readers of his era expected and enjoyed, and therefore resorted to minstrel show-style comedy to provide humor at Jim's expense, and ended up confirming rather than challenging late-19th century racist stereotypes.
  
  Because of this controversy over whether Huckleberry Finn is racist or anti-racist, and because the word "nigger" is frequently used in the novel, many have questioned the appropriateness of teaching the book in the U.S. public school system. According to the American Library Association, Huckleberry Finn was the fifth most frequently challenged book in the United States during the 1990s.
  Adaptations
  Film
  
   * Huckleberry Finn (1920) Silent starring Lewis Sargent as Huck, Gordon Griffith as Tom Sawyer
   * Huckleberry Finn (1931) First talkie-talk film, with Junior Durkin as Huck, Jackie Coogan as Tom
   * The Adventures of Huckleberry Finn, a 1939 film starring Mickey Rooney
   * The Adventures of Huckleberry Finn, a 1954 film starring Thomas Mitchell and John Carradine produced by CBS ()
   * The Adventures of Huckleberry Finn a 1960 film directed by Michael Curtiz, starring Eddie Hodges and Archie Moore
   * The New Adventures of Huckleberry Finn, a 1968 animated television series for children
   * Hopelessly Lost, a 1972 Soviet film
   * Huckleberry Finn, a 1974 musical film
   * Huckleberry Finn, a 1975 ABC movie of the week with Ron Howard as Huck Finn
   * Huckleberry Finn, a 1976 Japanese anime with 26 episodes
   * Huckleberry Finn and His Friends, a 1979 television series starring Ian Tracey
   * The Adventures of Huckleberry Finn(1981)(TV) Kurt Ida as Huckleberry Finn
   * Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huck Finn (1982) (TV) Anthony Michael Hall as Huck Finn
   * Adventures of Huckleberry Finn, a 1985 television movie which was filmed in Maysville, Kentucky.
   * The Adventures of Con Sawyer and Hucklemary Finn, a 1985 ABC movie of the week with Drew Barrymore as Con Sawyer
   * The Adventures of Huck Finn, a 1993 film starring Elijah Wood and Courtney B. Vance
   * Huckleberry Finn Monogatari, a 1994 Japanese anime with 26 episodes
   * Tomato Sawyer and Huckleberry Larry's Big River Rescue, a VeggieTales parody of Huckleberry Finn created by Big Idea Productions with Larry the Cucumber as the titular character. ( 2008)
   * Tom and Huck, a 1995 Disney live action film
  
  Stage
  
   * Big River, a 1985 Broadway musical with lyrics and music by Roger Miller
   * Downriver, a 1975 Off Broadway musical, music and lyrics by John Braden
  
  Literature
  
   * The Further Adventures of Huckleberry Finn (1983), a novel which continues Huck's adventures after he "lights out for the Territory" at the end of Twain's novel, by Greg Matthews.
   * Finn: A Novel (2007), a novel about Huck's father, Pap Finn, by Jon Clinch.
   * My Jim (2005), a novel narrated largely by Sadie, Jim's enslaved wife, by Nancy Rawles.
  
  Music
  
   * Mississippi Suite (1926), by Ferde Grofe: the second movement is a lighthearted whimsical piece entitled "Huck Finn"
   * Huckleberry Finn EP (2009), comprising five songs from Kurt Weill's unfinished musical, by Duke Special
zhě -1
   · wēn héngde 'ěr bèi · fēn xiǎn (188 jiǎn chēng 》) shì měi guó wén xué zhōng de zhēn pǐn shì měi guó wén huà zhōng de zhēn pǐnshí nián qián(1984), měi guó wén tán wéi chū bǎn bǎi zhōu nián xíng liǎo guǎng fàn de qìng zhù huó dòng xué shù tǎo lùn chū bǎn liǎo xiē yán jiū · wēn bié shì de de zhuān zhùzhuān mén wéi wèi zuò jiā de běn míng zhù 'ér xíng guǎng fàn de niàn zhuān mén de yán jiūzhè zài shì jiè wén tán shàng shì shǎo yòu de shèng shì
   zhè shì yīn wéi de bānměi guó zhù míng zuò jiā hǎi míng wēi shuō,“ qiē xiàn dài měi guó wén xué lái běn shū · wēn de 'ěr bèi · fēn xiǎn 》…… zhè shì men suǒ yòu shū zhōng zuì hǎo de qiē měi guó wén xué dōulái zhè běn shūzài zhī qiánhuò zài zhī hòudōubù céng yòu guò néng zhī měi de zuò pǐn。” de míng jiā xiàng 'āi lüè lín líng dùn děngdōuyòu lèi de píng jiàjīng guò bǎi nián de shǐ jiǎn yàn,《 zhī wéi gòng shǎnglǎoshào xián de shì jiè míng zhùdài chéng dìng lùn
  《 de shì shí shàng biàn chāo chū wén xué de lǐng 'ér chéng wéi měi guó wén huà de zhēn pǐnzài shì diàn yǐngdiàn shì děng duì rén men shēng huó fāng shìshè huì fēng shàngjià zhí guān niàn de xíng chéng biàn qiān yǐng xiǎng zhī cháng shǐ shì rén wéi zhī jīng tànzhè zài měi guó yóu ér huí měi guó de diàn yǐng shǐ cóng jià huó dòng diàn yǐng 1895 nián míngbǎi nián lái què zhí piān 'ài · wēn rén de xiǎo shuōyóu shì 'ěr bèi · fēn xiǎn 》。 měi guó diàn yǐng jiè zài1900 nián biàn pāi liǎotānɡ · suō xiǎn de hēi bái piàn。191 nián pāi liǎo tānɡ hēi bái piàn。1920 nián yòu pāi liǎo 'ěr bèi · fēn xiǎn hēi bái piànpāi piàn de gōng wéi zhù míng de pài méng diàn yǐng gōng dǎo yǎn wéi zhù míng dǎo yǎn wēi lián · méng · tài yóu wéi · suǒ bàn yǎn,“ guó wángyóu tānɡ · ào · bèi bàn yǎn,“ gōng juéyóu kǎo 'ěr · hēng lāi bàn yǎnjié yóu qiáo zhì · bàn yǎndāng shí deniǔ yuē shí bàoduì yǐngpiān zuò liǎo hǎo píng
  ① guān · wēn de shēng píngcān yuè nián biǎo》。
  ② hǎi míng wēifēi zhōu de qīng shān》, niǔ yuē,1935,22 héng23
   zài shì chǎng jīng guó jiāguān zhòngpiào fáng jià zhí jué dìng diàn yǐng gōng de xuǎn guān zhòng bìng wèi mǎn kàn guò jiù suàn liǎo shì zài hēi bái piàn hòu de shí niántóng gōng zài pāi liǎo 》, quán cháng73 fēn zhōngzài zhè hòu nián(1939), lìng jiā gōng gāo méi gōng yòu pāi liǎo 》, zhè bàn yǎn de nǎi zhù míng tóng xīng · lóng tóng gōng gāo méi), zài21 nián hòu(19 0), pāi chéng cǎi piànyóu 'āi · huò bàn yǎn yòu14 nián hòu(1974) měi guó shù jiā héng héng zhě wén zhāi pāi liǎo cǎi piàn 》。 cóng1920 nián dào1974 nián shí bàn shì tóng xiǎo shuō 》, zài měi guó pāi chéng hēi bái piàn cǎi piànqián hòu wén xué míng zhùchéng wéi wén huà shàng bèi 'ài de zhēn pǐn hái duō ①。
  ① bèi · lún pāi chéng diàn yǐng de 'ěr bèi · fēn xiǎn 》, zài píng jiā lùn · fēn héng héng bǎi nián niàn píng lùn xuǎn1884 héng1984》, niǔ yuē,1984,271
   wèi shēn cháng de shì · wēn de zuò pǐnbāo kuò 》, jǐn chéng liǎo měi guó wén xué měi guó wén huà de zhēn pǐn wéi rén suǒ 'ài liào jìzǎicóng 'èr shí nián dài de zǎo dào shí nián dàizài qián lián xíng de · wēn de zuò pǐn3,000,000 zhī duō①。 měi guó de lián wén xué zhuān jiā míng · lǎng jiào shòu shuō,“ zài liánměi xiǎo xué shēng dōuzhī dàotānɡ · suō xiǎn 'ěr bèi · fēn xiǎn 》②。” yòu de shì qián lián hái pāi chéng diàn yǐng shì1973 nián de shìsuī rán dāng shí hái shì lěng zhàn de nián dài lián zhù míng de diàn yǐng zhì piàn chǎng héng héng diàn yǐng zhì piàn chǎng pāi chéng liǎo diàn yǐngdǎo yǎn wéi zhù míng dǎo yǎn qiáo zhì · · dān yóu xiǎo xué nián xué shēng shí suì de · nuò bàn yǎnchǎng jǐng shè niè shàng luó de hǎi yuán táo wǎn)。 dāng de shàng shì zhèn lèi shàng de fēng guāng
   wài zhì shǎo yòu liǎng pāi chéng diàn shì shì1975 niányòu shì1978 nián②。
   lìng wài xiàng liè diān bǎi quán shū diàn yǐng gōng zài1965 nián pāi chéng sān cǎi de jiào diàn yǐng。1975 nián, ABC diàn yǐng gōng pāi liǎo90 fēn zhōng de cǎi piàn。1978 nián héng héng 'ēn míng zhù chū bǎn gōng pāi liǎo97 fēn zhōng de cǎi piàn
  ① tóng①353 héng354
  ② tóng
  ③②《 bǎi nián niàn píng lùn xuǎn》,271
   fán shì zhè xiē biǎo míng liǎo shì měi guó wén xué zhēn pǐnyòu shì měi guó wén huà zhēn pǐnbìng yǐng xiǎng shì jiè guóér qiě cóng wén huà de shì jiǎo kàn dài wén xué míng zhùbìng fēi tíng liú wén xué běn shēnhuò tíng liú mǒu xiē kǎo 'ér chéng wéi duì rén men de shēng huó fāng shìshè huì fēng shàngměi chǒu shàn 'è děng jià zhí guān niàn de xíng chéng biàn qiān shēng qiáng yǐng xiǎng de dōng héng héng zhè yàng de wén huà shěn měi de guān niàn zhèng zhú jiàn fēngmǐ shì jiè
   shì shénme yàng de shù mèi shǐ měi guó shì jiè guó de zhě 'ài shì gěi měi guó shì jiè guó de zhě kāi liǎo de měi guó shì yōu zhì de xīn líng shì jiè kāi shí qiān qiān wàn wàn tōng lǎo bǎi xìng jìn xíng háo mài tuò zhí shí yōu zhì de xīn líng shì jièyōu dòu rén xiàoyōu yùn hán zhe zhì huìyōu nǎi zhì de shǎn guāngzhè yàng de yōu sài wàn xià mòluò shì jiē zhàn fēng chē de yōu yòu yàngnǎi shì měi guó jìnnán xiàshēng zhōng qiān qiān wàn wàn qín láo de lǎo bǎi xìng héng héng zhè xiē qiáng zhě zài shēng huó zhōng de biǎo xiàn rén xiào zhe miàn duì rén shēngmiàn duì kǎn zhéhuái zhe huó de shēng kāi tuò qián jìnyīn 'ér shì deshì měi guó shì depíng tóu bǎi xìng dezuò pǐn rén de 'ào zhèng zài
   zhōng guó qiān bǎi nián lái de wén xué chuán tǒng wēn róu dūn hòu jiàn chángxiàn dài qíng shū jiàn chángyīn 'ér zhōng guó zhě duì zhōng huó de yōu yóu shěn měi guàn fǎn chā de yuán yīngǎn shòu fǎn dǎo huì bié mǐn ruì néng dào bié qiáng liè de shěn měi xiǎng shòushū kāijiù dào tānɡ děng zhè xiē hái jié chéngqiáng dào bāng”, xiě liǎo xuè shūxiào luó bīn hàn zhè lèi yīng xióng hǎo hàngǎn lán qiǎng jié”, gǎn shā rén”。 dào bàoyòu bān shāng rén 'ā wēngyào dài zhe 'èr bǎi zhǐ xiàngliù bǎi tóu luò tuó qiān duō tóu duǒ luózài mǎn liǎo zhēn bǎojīng guò jìn zuò shān lǐngzhè huǒqiáng dào bāngbiàn mái zài lín zhōng shēng lìng xiàchōng xià shān shì yòu shénme xiàngluò tuó de yǐng zhǐ shì qún jiào huì bàn de zhù xué xiào de xiǎo xué shēng zài cānbèi men chōng sàn liǎoyuán láiqiáng dào bāngchéng liǎo yuè guāng jǐng,“ méi yòu qiǎng rén méi yòu shā rénzhǐ shì dāng zuò yàng liǎo。” zhèdāng zuò yàngde yōu shì hái men de xīn tài de zhēn shí xiě zhàoyòu shǎn yào zhe dāng nián kāi tuò zhě de hái men guǎngháo mài de xīn líng shì jièduō me shǐ rén shén wǎng
   ér tóng shàng de shuǐ shǒudāng nián zhè xiē shí dài de nòng cháo 'ér guǎng de yōu zhìgèng shì bèi zuò zhě miáo xiěde lín jìn zhì cóng de shàng tiào xià shuǐ qiú jìn tōu tōu shàng zài piàn hēi 'àn zhōng tōu tīng dào shuǐ shǒu zài biān tiào biān chàng,①“ héng héng huò shì dāng nián cóng 'ā kěn zhōu huāng shàng lái de tiě xià tóng tóng shā rén cháng mìng de lǎo pái wáng!…… dùn zǎo fàn yào chī shí jiǔ tiáo 'ě tǒng wēi shì jiǔyòu bìng de dùn yào chī kuāng xiǎng wěi shéwài jiā rén qiáo yǎnnéng jiào qiān nián yán shí liè chéng liǎng bàn。……”“ jìnshēng zhōng liú chuán biān jiāng de děng huó líng huó xiàn biǎo xiàn liǎo tuò zhí zhě shuǐ shǒu men de háo mài guǎng de gài yōu de zhì
  ① jiàn 》( )(《 zài shàng》)
   cóng yuán wén xīn shǎng de zhě zǎi zhuó xiàguó wángkǒu Bridgewater gōng jué huá gōng juéniàn chéng liǎo Bilge water gōng jué,( huá gōng juéyòu děng bān de miào yòngliǎng sān zhī chā,“ qiáo xià zhī shuǐ gōng juéniàn chéng liǎocāng zhī shuǐ gōng juéhéng héng qiáo xià de huó shuǐ qīng yòu qīng chuán cāng de shuǐ héng héng shuǐ shǒu men shuǐ shàng rén jiādōu zhī dào shì zàng yòu chòuzhè yàng de yōu jiào rén xiàogěi rén yuèyòu biǎo xiàn liǎo zhī qíngjiào rén zài yōu zhōng qián huà dào gāo shàng qíng cāo de táo
   zhè zhǒng · wēn shì dedāng nián měi guó shì de yōu zài shì jiè wén xué shǐ shàng céng lǐng fēng sāojīn tiān yòu xiē rén hái huì yòu suǒ yīn 'ér chóngwēn xià · wēn dāng nián dào de jiàn jiě néng shì yòu de · wēn zài xiě wán hòu de nián(1885), zài zěn yàng shuō shìzhè míng piān zhōng shuō
   bìng kuā dǒng shì yīnggāi jiǎng xiē shénme zhǐ shì néng chēng dǒng shì yīnggāi zěn me yīn wéi zhè me hǎo duō hǎo duō nián lái jīhū měi tiān xiē jiǎng shì de hángjiā shǒu zài
   shì yòu zhǒng yàng guò zhōng yòu zhǒng zuì nán jià héng héng yōu de shì zhù yào tán de zhèng shì zhè me zhǒng shìyōu de shì shì měi guó de de shì shì yīng guó de zhì de shì shì guó de①。
  ① 'ēn · luò 、 R W. B. luò · huá lún zhù biānměi guó wén xuéchuàng zuò zuò jiā》, niǔ yuē,1973, juàn 'èr,1202
   shì 》, cóng 'ér tóng men de jié chéngqiáng dào bāngkāi shǐjiē zhe xiě jié de xìn chuī de jiǔ fēng jiǎ táo dào shàng shī sàn chóngjù hòu duì jié de zuò nòng shàng xún luó duì de pán chá de miào nán bàn zhuāng;“ guó wánggōng juéde yáng xiāng;“ yuān jiā”; de gào xìn pīn zhe xià ;“ guó wáng”“ gōng jué ruò guān cái cáng yíntānɡ dǎo yǎn de xiào wáng gōng guì shì de yōu de chāqǔyòu xià de xīng xīng mǎn tiān kōng zhě shí 'ér wēi xiàoshí 'ér xiàoshí 'ér xiàorén jiān fán nǎo wéi zhī sǎoér zhì huì de shǎn guāngzài yuè zhōng zhě de xīn xiōng zhào liàng
   yòu xiē zhě jiě · wēn zài juàn shǒu xiě de chū gòu detōng lìng》:“ běn shū zuò zhě fèng bīng gōng shǔ cháng G. G de zhǐ shì,…… rèn rén cóng běn shū de zhōng xún zhǎo xiě zuò dòng jiù jiāng duì zhī shí xíng gōng rèn rén cóng zhōng xún zhǎo dào jiù jiāng fàng zhúrèn rén cóng zhōng xún zhǎo qíng jié jié gòujiù jiāng qiāng jué。” yòu de zhě huò zhě yóu quē yōu gǎnhuò zhě duì · wēn de yōu fēng quē shǎo liǎo jiěduì zhè yàng detōng lìng néng gǎn dào míng miàogǎn dào huòshū zhī zhè zhèng shì · wēn kāi zōng míng biàn xiàng zhě qíng huáizhè jiāng shì yōu de shìyán zài 'ér zài yuán běn shì zhǒng yōu de shǒu
   · wēn de yōu zhǐ shì wèile dòu rén xiàowéi yōu 'ér yōu me guǒ zhēn shì zhè yàng hái yòu shénme chí míng shì jiè de zuò jiā · wēnqiān bǎi nián láicóng dào jīn cóng lái méi yòu guò zhè yàng wéi wén xué 'ér wén xué de zuò jiāfǎn huà zhèng shuōqià qià shì wèile diǎn chū yōu zhōng piàn xīn
   qià qià zhèng shì · wēnér shì bié rénzàizìzhuànzhōng shuō,“ yòu rén shuō běn xiǎo shuō chún cuì zhǐ shì shù pǐn 'ér zài xiǎo shuō jué yào dàojué yào shuō jiào xiǎo shuō shì zhè yàngdàn yōu què bìng fēi yōu jué jiào xùn rén dào zhě shì guǒ yào yǒng yuǎn chuán xià liǎng zhě jiān 'ér yòu zhī。”①
  《 zhī suǒ xiǔ”, zhèng yīn wéi tōng guò duì 14 suì hái de miáo xiězài yōu dòu xiào shēng zhōng hān chàng lín xiě chū liǎo mín de shēng huó líng hún · wēn shuō hǎo:“…… wài guó rén zhì mín de wài mào…… rèn wài guó réndōu néng jiě de nèi zài nèi róng héng héng de líng húnshēng huó yán xiǎng…… zhǐ yòu zhuān mén jiā yòu jiě rén mín de líng hún shēng huóbìng yuán yuán běn běn miáo shù chū lái de héng héng zhè jiù shì mín xiǎo shuō jiā。”②
  ①《 · wēn zìzhuàn》, lín chū bǎn shè,330 héng331
  ②《 měi guó zuò jiā lùn wén xué》, sān lián,97 héng98
   zhè shì · wēn zài xiězěn yàng jiǎng xiǎo shuōzhè míng piān de tóng nián xiě de jiù shì xiě liǎo hòu de nián xiě de(1885)。 zhè piān wén zhāng shuō shì dàoshì měi guó wén lùn shǐ shàng de zhēn bǎo jiào zuòbǎo 'ěr · 'ěr guān xīn men shénme》。 měi guó yòu xiē yán jiū zhě fǎn dǎo duì zhòng shìér qián lián xué shù jiè dǎo shì hěn zhòng shìrèn wéi shì · wēn wén lùn de lìng míng piānzhè shì duì debìng qiě zhè piān wén zhāng lái zhào liàng yòu guān de tàn suǒ yán jiū cái shì zhèng ér wén běn zhù yōng shè huì xué jiù duì néng wéi liǎo
   yào zhǎo chū wèihé xiǔ rán bìng fēi shì jīng liǎo bǎi nián de píng shǐ zhōng yòu liàng de lùn zhēng xìng wén zhāng wèicǐ 'ér wèi shēn cháng de shì zhù míng de lùn zhēng:“《 de wěi zài ?” lùn zhēng de fāng wéi liǎng wèi míng jiāměi yīng xiàn dài zhù diàn rén zhī 、《 huāng yuánde zuò zhě T. S. āi lüè xīn píng pài lùn jiā lāi 'áng 'ěr · línlùn zhēng de lìng fāng shì lāi 'ào · děng hòu zhī xiù lín de wén zhāng biàn shì 'ěr bèi · fēn de wěi zhī chù》(1948), shuō suǒ shì wěi de shūyīn wéi xiě de zhīshén héng héng yòu de xīn de zhì de zhǒng liàngduì yòu dào guān niàn de xiǎng xiàng lái shuō fǎng yùn hán zhe wěi de dào guān niànér nǎi shì zhè shén de rén。”《 shuō shì rén de bēi suǒ xiāng duì zhī shén de měishén liàng wěi gāo shàng de sòng 。” T. S. āi lüè duì biǎo shì tóng gǎn(1950) shuōquán shū yòu liǎng yīn shì hái shì ”,“ hái zhèng shì de jīng shén suǒ tuō de。” liǎng wèi shī hái wéi quán shū jié wěi xiěde chā 'ér biàn jiělāi 'ào · gǎn duì liǎng wèi jiā de guān diǎn chū zhì shuō lín 'āi lüè duì de zuò yòng zhǒng kuā zhāng de xiǎng xiàngbiǎo xiàn liǎo men duì quán shū zhù suǒ zàizhōng xīn suǒ zài děng shì。” hái shuō men duì jié de bài biàn jiě shì méi yòu kàn dàojié wěi zhè yàng xiě shǐ quán shū zhōng zuì wéi yán de chéng liǎo 'ér zǒng zhījié chéng liǎo yīcháng huá ér quán shū de de fēn bìng fēi 。” zhǐ chūliǎng wèi shīduì quán shū suǒ xiě de duì yóu de zhuī qiú děng qīng shì”。① zhè chǎng lùn zhàn rén xīn zhì zài mǒu zhǒng chéng shàng bào liǎo xīn píng pài zhè zhǒng guò zhòng wén běn qiǎo zài fāng shàng de xiá 'ài xìngér xīn píng pài chēng měi guó wén tán bàn shì zhì jīn réng yǐng xiǎng xiǎo
   yòu qiáng shù mèi de quán shū zhù héng héng duì yóu de zhuī qiú héng héng bìng fēi shì chōu xiàng deér shì chōng mǎn liǎo shí dài néng yòu xiē zhě duì juàn shǒu de shū míng xià miàn xiě míng de huà màn jīng xīnzuò zhě zài zhè biāo míng liǎo shì qíng jié shēng de diǎn shí jiān diǎn liú shí jiān:40 dào45 nián qiánàn zhào xiǎo shuō suǒ biāo míng dequán shū wán gǎo 1884 héng1885 nián tuī suàn shì xiě de shì1826 héng héng1845 nián zhī shì jiù shì bān rén suǒ shuō de jié xùnzǒng tǒngshí dàiyòu rén jié xùn shí dài jiè dìng wéi cóng1828 héng1848 nián)。
  ① jiàn nuò dùn bǎn de liào,310 héng341
  《 de zhuān jiā 'ān · jié · huò màn zài · wēn zuò pǐn zhōng de zhù rén gōng tiān zhōng ? wèn zuò liǎo jiào shēn de yán jiū shuō:“ zài xìngxīn tài guànjià zhí guān niàn děng fāng miàn,《 zhōng de shì jiè zhēn qiē fǎn yìng liǎo shí dài dào měi guó fǎng wèn guò de rén suǒ xià lái de jié xùn shí dài de měi guó · wēn duì shǐ zhēn shí de miáo huì tōng guò jīng cǎi de huà miàn 'ér biǎo xiàn liǎo chū lái duì shí dài shēng huó de jié de duān zhòng shì shǐ rén jīng tàn。”“ gēn men xīn zhōng de jié xùn shí dài de měi guó fēi cháng wěn ”,“ shì fàng zài xiàn shí zhù de tiān zhōng jiā miáo huì de”,“ zhè tiān chōng mǎn shǐ gǎnshì shǐ zhēn shí de xiàn shí zhù miáo xiěxiě de shì shí jiǔ shì 'èr 'èr shí nián de měi guó。”“ shí dài de měi guó rén de xiǎng men de wàng qián zài de mèng xiǎng cóng men chuán tǒng de yīng xióng de xìng zhōng kuī jiàn bān。”①
   wén xué tóng shǐdàn · wēn zhèng shì zhuō zhù liǎo suǒ xiě de shí dài deměi guó mín de shēng huó líng hún”, cái shǐ zuò pǐn yòu qiáng de shù mèi wǎng jīn láinéng zhuō zhù mín de líng hún de zuò jiānéng jué wèicǐ 'ér xiàn shēn de bìng hěn duōér néng chéng wéi zhī yīn de píng jiā zhě shǔ nán néng 'ér guì。《 zhuān jiā liè zài1941 nián xiě deměi guó zài běn chǎn shēng de jié zuòzhōng shuō,“ de tóng niánnǎi shì zhǒng xīn de wén huà de tóng nián。”② léi zài1960 nián de de jié gòu fēn zhōng shuō,“ zài quán shū jié wěi bìng liǎo suǒ jiàn dào de wén míngzhǔn bèi zuò wéi nèi zài xīn líng shàng yóu de rén shēng huó xià 。”③ zhè xiē kǒng shì bǎi nián lái de píng yán jiū zhōng xiāng dāng zhōng yào hài de jiàn jiě
   zhè zhǒng duì yóu de zhuī qiú”, duì zhǒngxīn de wén huàde zhuī qiúzhèng shì cóng xià céng rén mín chū shēn de méng lóng 'ér zhí zhe de zhuī qiú shì · wēn cóng shí jiǔ shì měi guó liǎng shǐ cháo héng héng jìnkāi biān jiāng nán xiàfèi zhǐ nán zhōu hēi zhì zhōngcóng zhětáo jīn zhěshuǐ shǒu de shēng huó chōng jǐng zhōng zhuō zhù bìng liàn róng zhù de
  ① huò màn wēn de zhù rén gōng wēn de tiān 》, bīn zhōu xué chū bǎn shè,1988,55 、77 héng78
  ②《 bǎi nián niàn píng lùn xuǎn》,76
  ③ tóng①400 héng404
   quán shū jiù shì cóng duì jiù de tào wén huà de yàn 'èfǎn gǎn xiě de wèi shēn cháng de shì kāi zōng míng zhāng 'èr jié jié jiǎng de shì lìng běn shū de shì zhè 'èr jiéshí nǎi quán shū de jié), jiù qiáng diào liǎo huàzhè huà shí nǎi guàn chuàn quán shūbìng zài quán shū liǎo jié wěi yòu huí dào zhè huà shàng láizhào yìng quán shū kāi tóu de huà zhù diǎn míng míng bái báizài kāi tóu 'èr jié jiù jiǎng,“ dào guǎ yào lǐng yǎng zuò de gān 'ér ”( zhè shì liú làng hàn zuì guǐ de 'ér qióng hái ),“ bìng qiě shuō yào jiào xué tào wén míng de guīju”( sivilzeme),“ zài shòu liǎo liǎo”。 hòu lái jiā shàng de děng děng yuán yīnzhōng chū zǒu shàngquán shū liǎo shuō,“ kàn xiē rén xiān zǒu qián wǎng yīn wéi yào rèn zuò de gān 'ér yào jiào xué tào wén míng de guīju( sivilizeme), zhè shòu liǎo jīng shòu guò huí 。” zhè yàng zài chū zǒu shàng hòu kěn huí jiāzhōng wǎng xīn de chuǎng dàng tiān xiàjìn xíng xīn de kāi tuòzhè xīn de ”( zhǔn zhōu), yòu rén kǎo zhèngrèn wéi zhǐ hòu lái de 'é zhōudāng nián shì yìn 'ān rén de zhě rèn wéizhè lùn shì shí zhǐhuò shì zhǐdōubù huì jǐn zhǐ dào1848 nián qián de huì jǐn zhǐ nán běi zhàn zhēng qián de xiǎngér shì yǐn hán zhe zuò zhě wán gǎo shí 1884 héng1885 nián shí zuò zhě xīn zhōng suǒ xiàng wǎng de fāng jiù shì zuò zhě xīn zhōng zhǒng xīn de wén huà méng de zhǒng xiǎng。“ sivilizeme” de“ sivilize”, nǎi“ civilize” de rén de pīn yīnhuò xué zuò rén de guīju”, huò jiào zěn yàng zuò rén”, dōuyòu dào dàn zǒu chū jiā tíng shàngshèn zhì jiǎ suǒ wèi suī jiǔ 'ér yóu wèi huǐdāng rán shì bān shuǎ hái ér shì duì jiù de tào wén míng de fǎn gǎn yàn 'èzhèng liè dài suǒ shuō,“ de tóng nián jiù shì zhǒng xīn de wén huà de tóng nián”。 suǒ lián jiào bǎo shǒu de wén lùn jiā chéng rèn“《 shí nǎi diān xìng de shū( asubversiveCbook)。”①
  ① nuò dùn bǎn liào fēn,316
   zuò pǐn de qiáng shù mèi zhèng shì yóu xiě de shì duì jiā lǎo de tào bǎn de wén míng guīju jiào huì bàn de zhù xué xiào zhì xīn líng de tào xíng wéi guī fàn de yàn 'è fǎn kàngzuò pǐn xiě shí sān suì de qióng hái fǎng tiáopí dǎo dànlián jìn chū dōubù zǒu ménér shì cóng lóu shàng chuāng kǒu jìn chūbào zhe léi zhēn shàng shàng xià xiàshí xiě yǒng fǎn kàngjiǎ ), yǒng kāi tuòyǒng mào xiǎnzhǐ shēn réngǎn táo shàng xiǎo dǎo péngshēng gōu huǒdiào wéi shēngxiǎo xiǎo nián chéng liǎo xiǎo dǎo de zhù rénxiǎo xiǎo nián zài zhī shàngchū shēng méi yòu jiào guò shēng yǒng yuǎn qián jìnméi yòu hòu tuì guò jiào měi guó shì jiè de zhě de zhèng shì dāng nián tuò zhí zhětáo jīn zhě shàng shuǐ shǒu de hái men zhè yàng duì yóu de zhuī qiúduì xīn de wén huà de zhuī qiúzhè zhǒng kāi tuò de jīng shénzhè zhǒng chuàng jīng shénzhè zhǒng měi guó rén fēi cháng zhēn de rén shǒu chuàng jīng shén shì měi guó wén míng shǐ shàng xīn de wén huà de méng yòu shì shénme
   jiào zhě de shì dāng nián biān jiāng zhī shàng píng tóu bǎi xìng jiā de hái men duì rén xìngrén dào de zhuī qiú。“ guó wánggōng juéduì shàng lǎo bǎi xìng de piàn 'é zhàduì ruò de lěng zhà de lüè duó shàng shì rén jiā yuān jiāde mèi cán yóu zuò zhě yōu zhī miáo lín jìn zhì shuō shì chǒu tài bǎi chūér duì zhào dezhèng shì dāng nián biān jiāng tuò zhí zhě shàng shuǐ shǒu de xià dài qióng hái duì zhǒng rén xìngrén qíngrén dào de shè huì de xiàng wǎng zhè qióng hái duìguó wánggōng juéde wèile jiù xiǎn zāo xiàn hài de niànqiǎo shī miào jīn cáng zài guān cái zhè yàng bǐng xìng shàn liángzhèng zhí tóng qíng xīn 'ér zhì de qióng hái de xíng xiàng zhèng shì zhǒng xīn de wén huà suǒ yùn de dài menéng rén me
   zuò pǐn de qiáng shù mèi dāng rán gèng biǎo xiàn dāng nián bái zhǒng rén qióng hái jiù hēi jié de zhé jīng guò de xīn líng chéngzhè xiǎn rán shì zuò pǐn de xīn fēn xiě de zhèng shì dāng nián biān jiāng tuò zhí zhě shàng shuǐ shǒu men de xià dài duì shè huì de zhuī qiú xiě liǎo duì jiě fàng hēi de jué guò chéngzhè fāng miàn de miáo xiě shuō shì zhèn hàn rén xīn de zhòng zhù zhǎo dào liǎo gāo chāo qiǎo de shù xíng shìzhěng shì huí zhéfēn sān céng bēn xiàngzuò pǐn cóng duì hēi jié tóng qíng yòu jiā nòng xiě shàng jīng tāo hài làng zhōng shī sàn hòu nòng jié hòu lái shēn gǎn cán kuìrèn shí dào zhè me nòng réntài bēi liǎohèn yòng zuǐ qīn qīn de jiǎo”,“ zài chū huài zhù piàn liǎo”( shí zhāng), zhè shì hòu lái zài shàng xún luó duì pán chá táo wáng hēi běn lái shēn huǐ gāi bāng hēi táo páojué duì zhù jié de zhù rén huá zhēn xiǎo jiějué xīn chuán huá liè 'àn biān shàng 'àn gào jié xún luó duì zài shàng jìn pán chá shí què yóu yuán lái de pán suàntuī shuō chuán shàng shì shēng tiān huā de bái rénxún luó duì shēn chuán rǎn shàng tiān huāxià luò huāng 'ér táoshí liù zhāng), zhè shì 'èr zuì hòu qián xiǎng hòuxià dìng liǎo jué xīnxiě hǎo liǎo xiàng jié de zhù rén huá zhēn xiǎo jiě gào jié de fēng xìnhái jué xiě liǎo gào xìn hòu zài zuì liǎo shēn qīng kuài liǎoshēn qìng zuì hòu méi yòu nòng cuò liǎo fāng xiàngméi yòuzǒu jìn liǎo ”。 shì yòu jìn xiǎng dào liǎo jié de zhǒng zhǒng hǎo chùgāng cái xiě hǎo de fēng xìn zài shǒu quán shēn zhí dǒuzhōng xìn biān shuō,“ mehǎo xià jiù xià 。” chéng liǎo jiù jié zhèng tuō zhì de míng zhàn shì zhǒng píng děng xiǎng de xiàn zhěsān shí zhāng), zhè shì quán shū suǒ zài


  Scene: The Mississippi Valley Time: Forty to fifty years ago
   YOU don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly--Tom's Aunt Polly, she is--and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.
   Now the way that the book winds up is this: Tom and me found the money that the robbers hid in the cave, and it made us rich. We got six thousand dollars apiece--all gold. It was an awful sight of money when it was piled up. Well, Judge Thatcher he took it and put it out at interest, and it fetched us a dollar a day apiece all the year round-- more than a body could tell what to do with. The Widow Douglas she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn't stand it no longer I lit out. I got into my old rags and my sugar-hogshead again, and was free and satisfied. But Tom Sawyer he hunted me up and said he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable. So I went back.
   The widow she cried over me, and called me a poor lost lamb, and she called me a lot of other names, too, but she never meant no harm by it. She put me in them new clothes again, and I couldn't do nothing but sweat and sweat, and feel all cramped up. Well, then, the old thing commenced again. The widow rung a bell for supper, and you had to come to time. When you got to the table you couldn't go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn't really anything the matter with them,--that is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.
   After supper she got out her book and learned me about Moses and the Bulrushers, and I was in a sweat to find out all about him; but by and by she let it out that Moses had been dead a considerable long time; so then I didn't care no more about him, because I don't take no stock in dead people.
   Pretty soon I wanted to smoke, and asked the widow to let me. But she wouldn't. She said it was a mean practice and wasn't clean, and I must try to not do it any more. That is just the way with some people. They get down on a thing when they don't know nothing about it. Here she was a-bothering about Moses, which was no kin to her, and no use to anybody, being gone, you see, yet finding a power of fault with me for doing a thing that had some good in it. And she took snuff, too; of course that was all right, because she done it herself.
   Her sister, Miss Watson, a tolerable slim old maid, with goggles on, had just come to live with her, and took a set at me now with a spelling- book. She worked me middling hard for about an hour, and then the widow made her ease up. I couldn't stood it much longer. Then for an hour it was deadly dull, and I was fidgety. Miss Watson would say, "Don't put your feet up there, Huckleberry;" and "Don't scrunch up like that, Huckleberry--set up straight;" and pretty soon she would say, "Don't gap and stretch like that, Huckleberry--why don't you try to behave?" Then she told me all about the bad place, and I said I wished I was there. She got mad then, but I didn't mean no harm. All I wanted was to go somewheres; all I wanted was a change, I warn't particular. She said it was wicked to say what I said; said she wouldn't say it for the whole world; she was going to live so as to go to the good place. Well, I couldn't see no advantage in going where she was going, so I made up my mind I wouldn't try for it. But I never said so, because it would only make trouble, and wouldn't do no good.
   Now she had got a start, and she went on and told me all about the good place. She said all a body would have to do there was to go around all day long with a harp and sing, forever and ever. So I didn't think much of it. But I never said so. I asked her if she reckoned Tom Sawyer would go there, and she said not by a considerable sight. I was glad about that, because I wanted him and me to be together.
   Miss Watson she kept pecking at me, and it got tiresome and lonesome. By and by they fetched the niggers in and had prayers, and then everybody was off to bed. I went up to my room with a piece of candle, and put it on the table. Then I set down in a chair by the window and tried to think of something cheerful, but it warn't no use. I felt so lonesome I most wished I was dead. The stars were shining, and the leaves rustled in the woods ever so mournful; and I heard an owl, away off, who-whooing about somebody that was dead, and a whippowill and a dog crying about somebody that was going to die; and the wind was trying to whisper something to me, and I couldn't make out what it was, and so it made the cold shivers run over me. Then away out in the woods I heard that kind of a sound that a ghost makes when it wants to tell about something that's on its mind and can't make itself understood, and so can't rest easy in its grave, and has to go about that way every night grieving. I got so down-hearted and scared I did wish I had some company. Pretty soon a spider went crawling up my shoulder, and I flipped it off and it lit in the candle; and before I could budge it was all shriveled up. I didn't need anybody to tell me that that was an awful bad sign and would fetch me some bad luck, so I was scared and most shook the clothes off of me. I got up and turned around in my tracks three times and crossed my breast every time; and then I tied up a little lock of my hair with a thread to keep witches away. But I hadn't no confidence. You do that when you've lost a horseshoe that you've found, instead of nailing it up over the door, but I hadn't ever heard anybody say it was any way to keep off bad luck when you'd killed a spider.
   I set down again, a-shaking all over, and got out my pipe for a smoke; for the house was all as still as death now, and so the widow wouldn't know. Well, after a long time I heard the clock away off in the town go boom--boom--boom--twelve licks; and all still again--stiller than ever. Pretty soon I heard a twig snap down in the dark amongst the trees-- something was a stirring. I set still and listened. Directly I could just barely hear a "me-yow! me-yow!" down there. That was good! Says I, "me-yow! me-yow!" as soft as I could, and then I put out the light and scrambled out of the window on to the shed. Then I slipped down to the ground and crawled in among the trees, and, sure enough, there was Tom Sawyer waiting for me.
zhě -2
  zhè yàng de miáo xiě jǐn shù shàng shì gāo chāo deér qiě zhēn qiē xiě liǎo bái rén jiā qióng hái jué gāo de guò chéng méi yòu xiě kāi shǐ jiù shì bāo tiān xià de fèi zhù zhě cóng bān tóng qíng hēi yòu qīng shì hēi shí huò nòng hēi dào rèn shí dào hēi rén jié de gāo shàng rén pǐnwèile jiě jiù shuí zhè jiān yòu zhé de guò chéng · wēn duì yòu qièshēn de huì zàizìzhuànzhōng shuō,“ zuò xiǎo xué shēng de shí hòubìng yàn 'è hēi zhì bìng zhī dào yòu shénme cuò 'ěr duǒ méi yòu tīng dào shuí zénàn guò dāng de shī jiào dǎo men shuō shì shàng rèn deshuō zhè shì jiàn shén shèng de shìyào shì huái zhě xīn yòu huòzhǐ yào kàn kànshèng jīngjiù xíng liǎo。”① shì shí shàng dāng shí biàn shì zhèng de zhōubìng qiězài nán běi zhàn zhēng qiánrèn wéi nǎi zhí zhuàng de rén zhǐ chéng qiān shàng wàn。《 zhōng suǒ xiě de suī wéi qióng de bái rénquè rèn wéi nǎi tiān jīng rèn wéi hēi rén jiào shòu hái gāo míngrèn wéi hēi rén jìng yòu xuǎn quánjìng tóu piào hái chéng shénme tiān xià jiàn dāng nián fèi de dǒu zhēng shì jiān de · wēn de miáo xiě shì shǐ zhēn shí deér shǐ zhēn shí yòu zhǎo dào liǎo gāo chāo de shù xíng shì de miáo xiěbìng qiě měi yáng zhe yōu shù mèi rán bié qiáng zhè yàng de xiě bìng qiě duì bān tōng tōng de rén de shěn měi jiào bié zhēn qiēzhè zhǒng miáo xiě biǎo míng liǎo de tóng niánzhuī qiú xiǎng de tóng niánqià qià zhèng shì měi guó shǐ shàng zhǒng xīn de wén huà de tóng niánzhè yàng de miáo xiě néng rén me
  ①《 · wēn zìzhuàn》, lín chū bǎn shè 'èr zhāng
   néng rèn wéi de zhǐ shì zhǐ zài shí xiàn hēi jiě fàng zhàn zhēng qián shí dài duì yóu de zhuī qiú ? kāi tuò chuàng rén dàode zhuī qiú medāng rán shìzuò pǐn xiě de shì1826 héng1845 nián de shìdàn xiě chéng 1884 héng1885 niánzài dòng xiě denián jiān(1876 nián、1879 héng1880 nián,1883 nián), nán běi zhàn zhēng jīng guò liǎohēi zhì běn shàng fèi zhǐ liǎozài mǒu xiē shàngkāi tuòchuàng rén shǒu chuàng jīng shén jié chū liǎo lěi lěi shuò guǒzhòng rén xìngrén qíngrén dào de fēng shàng yòu suǒ jìn de shì yòu suǒ qián jìndàn shì qióng bái rén duì yóu de zhuī qiúduì xīn de wén huà de zhuī qiú shí xiàn liǎo me?《 de chuàng zuò zhù · wēn zài shí jiǔ shì shí nián dài chuàng zuò de xīn tàizhǐ xiàn duì40 héng50 nián qián jiù shí měi guó de huí me
   · wēn zài wán gǎo shí chéngzhǎng wéi měi guó wén tán de rén liǎo40 héng50 nián jiān měi guó shǐ de zhǎn biàn huàzài xiě qián liǎng niánbiàn xiě chū liǎo jīn shí dài》。 xiě chū liǎo nán běi zhàn zhēng hòu de měi guójīng zhǎn de měi guó cái kuáng cháo xuán juàn liǎo qiē de měi guóshí shàng zhǐ shì biǎo miàn shàng liǎo báobáo de céng jīn miàn què shì bāo de duī fèi tóng làn tiěměi guó shè huì yuán lái shì xiǔ de shè huì wǎng jīn láicéng yòu zuò jiāgěi shēng huó zhe de shí dài liǎo shēn 'ér juàn yǒng yōu de míng bìng qiě wéi dāng shí rén men suǒ rèn tóngbìng wéi shǐ jiā suǒ jiē shòu zài xiě liǎo hòu de nián(1900), · wēn xiě liǎobài huài liǎo lāi bǎo de rén》, xiě chū liǎozuì chéng shí lián jié de shì zhènyuán lái shì qún wěi jūn zài dài jīn miàn qiánbiàn chū liǎo xiǎng dāng niàn yòu yào pái fāngde yuán xíngtóng niánzhí guó lián jūn qīn huá · wēn zài niǔ yuē biǎo liǎo zhù míng de yǎn jiǎng:“ shì tuán”,“ tuán shì 'ài guó de”。 yòu liù niánzài1906 niángāo 'ěr wéi1905 nián de lái dào měi guó chóu juān kuǎn · wēn duì gāo 'ěr de zhī chíyóu jiànzhù zhě de · wēn zài xiě duì yóu de zhuī qiú yùn nài nào fēi bǎo yuán bèi nán zhì děng wǎn wèi jué ? wàngzhè lìng rén shī wàng de xiàn shígèng jiā shēn liǎo zhè dāng guò bào tóngpái gōng rénkuàng gōngshuǐ shǒu lǐng gǎng de zuò jiā duì zhēn zhèng rén zhì de yóu de dàishì shí shàng,《 zhōng hòu lái chēng wéi hēi yōu zhì huāng dàn pài cǎi de miáo xiě bié shìguó wánggōng juédēng chǎng hòuyīn měi guó yòu de píng lùn jiā chēng wéi hēi yōu de xiān sài lín demài tián de shǒu wàng zhěwéi chuánzhè shì yòu dào de①。 shuō,“ shèn zhì huò sāng hēng · zhān hái shì yán shàng lèi · wēnhuì màn sāng bǎo yàng de měi guó de zuò jiā。” cóng hòu lái měi guó hēi yōu xiǎo shuō de xuè ròu lián biǎo míng liǎo de de měi guó shì xiǎo shuō de fēng
   zhù míng zuò jiā píng lùn jiā · wēn de hǎo yǒu háo wēi 'ěr shuō,“ · wēn shì měi guó wén xué shǐ shàng de lín kěn。”② wèishénme néng zhè yàng shuō xīn píng pài dàjiàng 'ēn · luò · huá lún zhù biān deměi guó wén xué chuàng zuò zuò jiārèn wéi · wēn xiě ,“ yòng de shì de kǒu fǎng shí nǎi shén ”, ér shì yòng de wǎng wǎng bǎn de shù rén de yányòng de kǒu xiěshǐgǎn qíng shì jiàn róng ”、“ xíng shì xiào guǒ zhì”, cóng 'ér chuàng zào liǎo · wēn de fēng 。“ men fáng zhè yàng jiělín kěn jiě fàng liǎo hēi · wēn jiě fàng liǎo zuò jiā。”③
  ①《 bǎi nián niàn lǎn 'ě  cháng gěng cǎn chǎng ?
  ②《 měi guó wén xué zuò pǐn xuǎn》, mài měi ,1980 nián bǎnjuàn2,332
  ③《 měi guó wén xué chuàng zuò zuò jiā》, niǔ yuējuàn 'èr,1278
   · wēn zhè zhǒng yùn yòng zuò pǐn zhōng rén de xìng huà kǒu jìn xíng miáo de fēng què shì de zhuó yuè gòng xiànér 'ěr zhā gèng huò sāngbìng yǐng xiǎng 20 shì měi guó zuò jiāzòng lǎn quán shūcóng kāi shǐzhí dào jié shùshǐ zhōng shēng yīn”, ”。 zhè ”, bìng fēi shì · wēn shì bān chuán tǒng de shù rénér shì qióng hái zuì zhōng shì zhè chū zǒu hòu kěn huí jiā kěn shòu tào wén míng guīju de shù ér yào chuǎng dàng tiān xiàkāi tuò qián jìnzhè shēng yīn shìměi guó de líng húnde zhǒng biǎo shùshì · wēn zhuō zhù de shí dài de shēng yīnshòu dào zhè zhǒng shēng yīnde gǎn dòng de zhǐ réncéng yòu zhè me shìměi guó zhù míng diàn yǐng míng xīng lāi 'ào 'ěr · 'ěr jiǔ suì nián zài1888 nián jiù shì chū bǎn hòu sān niánsuí jiàn dào liǎo · wēnxīng fèn zhī jìn wèitā lǎng sòng liǎo quán shū duàn de huà kěn shòu tào wén míng guījude shù yīn 'ér kěn fǎn huí bǎn de jiā tíngér yào chuǎng dàng jiāng kāi chuàng xīn de shēng huó de duàn huà 'ěr zhè wèi zhù míng yǎn yuán huí shuōdāng shí · wēn zhǐ shǒu 'àn zhù liǎo jiǔ suì de hái de gēbo lèi yíng kuàng。”① · wēn měi guó shì xiǎo shuō de nèi róng xíng shì de tǒng shù mèi zhī qiáng zhè shì dòng rén de
  ①《 bǎi nián niàn píng lùn xuǎn》,360
   · wēn zhè wèi shù shīzhù zhě shǐ rén yàngdāng rán yòu zhī chù。“ yòu liǎng · wēn”, zhè shì yǎng de měi guó zhù míng zuò jiā lāi sài de míng jiù shì shuōyòu gòu shēn de miàn de · wēnlìng wài xiàng 》, jié wěi shì fǒu shì bài shāng tǎodàn zhǒng duì yóu de zhuī qiúduì shè huì de zhuī yùn nài nào fēi liǎng qiā gòng fěi lán gǔn lín huī liáng ? xīn líng zhèn hànyòu de píng jiā céng chēng suō shì wéi men tóng shí dài de rén”, guǒ men chēng · wēn wéi men tóng shí dài de rén”, shì fēi cháng tiē qiē me
  1995.2.12 nán jīng
   'ěr bèi · fēn xiǎn
  ( tānɡ · suō de huǒ bàn)①
   diǎn liú
   shí jiān shí zhì shí nián qián
  ①《 tānɡ · suō xiǎn chū bǎn 1876 nián,《 'ěr bèi · fēn xiǎn chū bǎn
  1884 nián · wēn chēng qián zhě hòu zhě wéijiě mèi piān’。 xué zhě men jīhū zhì rèn wéi · wēn xiě 'ěr bèi · fēn xiǎn shí xiǎng shàng shù shàng yòu fēi yuèliǎng shū chéng wéijiě mèi piān”, dàn yòu néng děng tóng kàn dàihǎi míng wēi shuō,“ suǒ yòu xiàn dài de měi guó wén xué dōulái · wēn de běn shū 'ěr bèi · fēn xiǎn 》。”
  ② duì měi guó wén huà de chéngzhǎng zhǎn de zhòng yào xìngrén men cháng zhī huáng cháng jiāng duì zhōng guó wén huà shēngzhǎng zhǎn de zhòng yào xìng xiāng · wēn de xiāng zài shàng zhōu de hàn zài · wēn shēng zhōng wéi shí jiǔ shì měi guó jìnde zhòng yào yòu wéi nán běi shuāng fāng hēi zhì fǎn hēi zhì pài liè dǒu zhēng de · wēn zhèng shì shí jiǔ shì měi guó jìnnán xià”(“ nán běihēi zhì dǒu zhēngshí dài zhè liǎng cháo yùn de wěi zuò jiāzuò jiā kāi zōng míng qīng chǔ diǎn míng shì shēng de diǎn zài zhěng de liú tóng xún cháng
  ③ běn shū chū bǎn 1884 niánzuò zhě bié diǎn míng shì shēng zài shí zhì shí nián qiánzhǐ xiě de shì1826 nián zhì1845 nián jiān de shìzuò jiā xiě de shì liù shí nián dài hēi jiě fàng zhàn zhēng qián de shìzhǐ shì miáo shù zhōng bǎo zhe zuò jiā duì zhàn hòu de jīn shí dài”, jiǎ de fán róng shí dài de huàn miè gǎn duì gèng gāo de shěn měi xiǎng de shēn chén de zhuī qiú


  WE went tiptoeing along a path amongst the trees back towards the end of the widow's garden, stooping down so as the branches wouldn't scrape our heads. When we was passing by the kitchen I fell over a root and made a noise. We scrouched down and laid still. Miss Watson's big nigger, named Jim, was setting in the kitchen door; we could see him pretty clear, because there was a light behind him. He got up and stretched his neck out about a minute, listening. Then he says:
   "Who dah?"
   He listened some more; then he come tiptoeing down and stood right between us; we could a touched him, nearly. Well, likely it was minutes and minutes that there warn't a sound, and we all there so close together. There was a place on my ankle that got to itching, but I dasn't scratch it; and then my ear begun to itch; and next my back, right between my shoulders. Seemed like I'd die if I couldn't scratch. Well, I've noticed that thing plenty times since. If you are with the quality, or at a funeral, or trying to go to sleep when you ain't sleepy--if you are anywheres where it won't do for you to scratch, why you will itch all over in upwards of a thousand places. Pretty soon Jim says:
   "Say, who is you? Whar is you? Dog my cats ef I didn' hear sumf'n. Well, I know what I's gwyne to do: I's gwyne to set down here and listen tell I hears it agin."
   So he set down on the ground betwixt me and Tom. He leaned his back up against a tree, and stretched his legs out till one of them most touched one of mine. My nose begun to itch. It itched till the tears come into my eyes. But I dasn't scratch. Then it begun to itch on the inside. Next I got to itching underneath. I didn't know how I was going to set still. This miserableness went on as much as six or seven minutes; but it seemed a sight longer than that. I was itching in eleven different places now. I reckoned I couldn't stand it more'n a minute longer, but I set my teeth hard and got ready to try. Just then Jim begun to breathe heavy; next he begun to snore--and then I was pretty soon comfortable again.
   Tom he made a sign to me--kind of a little noise with his mouth--and we went creeping away on our hands and knees. When we was ten foot off Tom whispered to me, and wanted to tie Jim to the tree for fun. But I said no; he might wake and make a disturbance, and then they'd find out I warn't in. Then Tom said he hadn't got candles enough, and he would slip in the kitchen and get some more. I didn't want him to try. I said Jim might wake up and come. But Tom wanted to resk it; so we slid in there and got three candles, and Tom laid five cents on the table for pay. Then we got out, and I was in a sweat to get away; but nothing would do Tom but he must crawl to where Jim was, on his hands and knees, and play something on him. I waited, and it seemed a good while, everything was so still and lonesome.
   As soon as Tom was back we cut along the path, around the garden fence, and by and by fetched up on the steep top of the hill the other side of the house. Tom said he slipped Jim's hat off of his head and hung it on a limb right over him, and Jim stirred a little, but he didn't wake. Afterwards Jim said the witches be witched him and put him in a trance, and rode him all over the State, and then set him under the trees again, and hung his hat on a limb to show who done it. And next time Jim told it he said they rode him down to New Orleans; and, after that, every time he told it he spread it more and more, till by and by he said they rode him all over the world, and tired him most to death, and his back was all over saddle-boils. Jim was monstrous proud about it, and he got so he wouldn't hardly notice the other niggers. Niggers would come miles to hear Jim tell about it, and he was more looked up to than any nigger in that country. Strange niggers would stand with their mouths open and look him all over, same as if he was a wonder. Niggers is always talking about witches in the dark by the kitchen fire; but whenever one was talking and letting on to know all about such things, Jim would happen in and say, "Hm! What you know 'bout witches?" and that nigger was corked up and had to take a back seat. Jim always kept that five-center piece round his neck with a string, and said it was a charm the devil give to him with his own hands, and told him he could cure anybody with it and fetch witches whenever he wanted to just by saying something to it; but he never told what it was he said to it. Niggers would come from all around there and give Jim anything they had, just for a sight of that five-center piece; but they wouldn't touch it, because the devil had had his hands on it. Jim was most ruined for a servant, because he got stuck up on account of having seen the devil and been rode by witches.
   Well, when Tom and me got to the edge of the hilltop we looked away down into the village and could see three or four lights twinkling, where there was sick folks, maybe; and the stars over us was sparkling ever so fine; and down by the village was the river, a whole mile broad, and awful still and grand. We went down the hill and found Jo Harper and Ben Rogers, and two or three more of the boys, hid in the old tanyard. So we unhitched a skiff and pulled down the river two mile and a half, to the big scar on the hillside, and went ashore.
   We went to a clump of bushes, and Tom made everybody swear to keep the secret, and then showed them a hole in the hill, right in the thickest part of the bushes. Then we lit the candles, and crawled in on our hands and knees. We went about two hundred yards, and then the cave opened up. Tom poked about amongst the passages, and pretty soon ducked under a wall where you wouldn't a noticed that there was a hole. We went along a narrow place and got into a kind of room, all damp and sweaty and cold, and there we stopped. Tom says:
   "Now, we'll start this band of robbers and call it Tom Sawyer's Gang. Everybody that wants to join has got to take an oath, and write his name in blood."
   Everybody was willing. So Tom got out a sheet of paper that he had wrote the oath on, and read it. It swore every boy to stick to the band, and never tell any of the secrets; and if anybody done anything to any boy in the band, whichever boy was ordered to kill that person and his family must do it, and he mustn't eat and he mustn't sleep till he had killed them and hacked a cross in their breasts, which was the sign of the band. And nobody that didn't belong to the band could use that mark, and if he did he must be sued; and if he done it again he must be killed. And if anybody that belonged to the band told the secrets, he must have his throat cut, and then have his carcass burnt up and the ashes scattered all around, and his name blotted off of the list with blood and never mentioned again by the gang, but have a curse put on it and be forgot forever.
   Everybody said it was a real beautiful oath, and asked Tom if he got it out of his own head. He said, some of it, but the rest was out of pirate-books and robber-books, and every gang that was high-toned had it.
   Some thought it would be good to kill the FAMILIES of boys that told the secrets. Tom said it was a good idea, so he took a pencil and wrote it in. Then Ben Rogers says:
   "Here's Huck Finn, he hain't got no family; what you going to do 'bout him?"
   "Well, hain't he got a father?" says Tom Sawyer.
   "Yes, he's got a father, but you can't never find him these days. He used to lay drunk with the hogs in the tanyard, but he hain't been seen in these parts for a year or more."
   They talked it over, and they was going to rule me out, because they said every boy must have a family or somebody to kill, or else it wouldn't be fair and square for the others. Well, nobody could think of anything to do--everybody was stumped, and set still. I was most ready to cry; but all at once I thought of a way, and so I offered them Miss Watson--they could kill her. Everybody said:
   "Oh, she'll do. That's all right. Huck can come in."
   Then they all stuck a pin in their fingers to get blood to sign with, and I made my mark on the paper.
   "Now," says Ben Rogers, "what's the line of business of this Gang?"
   "Nothing only robbery and murder," Tom said.
   "But who are we going to rob?--houses, or cattle, or--"
   "Stuff! stealing cattle and such things ain't robbery; it's burglary," says Tom Sawyer. "We ain't burglars. That ain't no sort of style. We are highwaymen. We stop stages and carriages on the road, with masks on, and kill the people and take their watches and money."
   "Must we always kill the people?"
   "Oh, certainly. It's best. Some authorities think different, but mostly it's considered best to kill them--except some that you bring to the cave here, and keep them till they're ransomed."
   "Ransomed? What's that?"
   "I don't know. But that's what they do. I've seen it in books; and so of course that's what we've got to do."
   "But how can we do it if we don't know what it is?"
   "Why, blame it all, we've GOT to do it. Don't I tell you it's in the books? Do you want to go to doing different from what's in the books, and get things all muddled up?"
   "Oh, that's all very fine to SAY, Tom Sawyer, but how in the nation are these fellows going to be ransomed if we don't know how to do it to them? --that's the thing I want to get at. Now, what do you reckon it is?"
   "Well, I don't know. But per'aps if we keep them till they're ransomed, it means that we keep them till they're dead."
   "Now, that's something LIKE. That'll answer. Why couldn't you said that before? We'll keep them till they're ransomed to death; and a bothersome lot they'll be, too--eating up everything, and always trying to get loose."
   "How you talk, Ben Rogers. How can they get loose when there's a guard over them, ready to shoot them down if they move a peg?"
   "A guard! Well, that IS good. So somebody's got to set up all night and never get any sleep, just so as to watch them. I think that's foolishness. Why can't a body take a club and ransom them as soon as they get here?"
   "Because it ain't in the books so--that's why. Now, Ben Rogers, do you want to do things regular, or don't you?--that's the idea. Don't you reckon that the people that made the books knows what's the correct thing to do? Do you reckon YOU can learn 'em anything? Not by a good deal. No, sir, we'll just go on and ransom them in the regular way."
   "All right. I don't mind; but I say it's a fool way, anyhow. Say, do we kill the women, too?"
   "Well, Ben Rogers, if I was as ignorant as you I wouldn't let on. Kill the women? No; nobody ever saw anything in the books like that. You fetch them to the cave, and you're always as polite as pie to them; and by and by they fall in love with you, and never want to go home any more."
   "Well, if that's the way I'm agreed, but I don't take no stock in it. Mighty soon we'll have the cave so cluttered up with women, and fellows waiting to be ransomed, that there won't be no place for the robbers. But go ahead, I ain't got nothing to say."
   Little Tommy Barnes was asleep now, and when they waked him up he was scared, and cried, and said he wanted to go home to his ma, and didn't want to be a robber any more.
   So they all made fun of him, and called him cry-baby, and that made him mad, and he said he would go straight and tell all the secrets. But Tom give him five cents to keep quiet, and said we would all go home and meet next week, and rob somebody and kill some people.
   Ben Rogers said he couldn't get out much, only Sundays, and so he wanted to begin next Sunday; but all the boys said it would be wicked to do it on Sunday, and that settled the thing. They agreed to get together and fix a day as soon as they could, and then we elected Tom Sawyer first captain and Jo Harper second captain of the Gang, and so started home.
   I clumb up the shed and crept into my window just before day was breaking. My new clothes was all greased up and clayey, and I was dog- tired.
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