首页>> 文化生活>> 心理学小说>> 亨利·詹姆斯 Henry James   美国 United States   一战中崛起   (1843年4月15日1916年2月28日)
华盛顿广场 Washington Square
  富家女与负心郎,意识流文学先驱亨利·詹姆斯的代表作。同名电影曾获纽约电影节影评奖。平凡的女孩凯瑟琳因为可继承父亲一笔可观的遗产而有了不平凡的一生。她与一位英俊的浪子私订终身,却为严父不容。实际上她的父亲、爱管闲事的姨妈以及她所爱的人都为各自的利益而牺牲凯瑟琳的幸福,凯瑟琳的心就这样因他们自私的行为而破碎了。


  Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907–1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon.
  
  Plot summary
  
  Dr. Austin Sloper, a rich and intelligent widower, lives in Washington Square, New York with his only surviving child, Catherine, a sweet-natured woman who is a great disappointment to her father, being physically plain and, he believes, mentally dull. Sloper's beloved wife, along with a promising young son, died many years before. His silly busybody sister, the widowed Lavinia Penniman, is the only other member of the doctor's household.
  
  One day, Catherine meets the charming Morris Townsend at a party and is swept off her feet. Morris courts Catherine, aided by Mrs. Penniman, who loves melodrama. Dr. Sloper strongly disapproves, believing him to be after Catherine's money alone. When Catherine and Morris announce their engagement, he checks into Morris's background and finds him to be penniless and parasitic. The doctor forbids his daughter to marry Townsend, and the loyal Catherine cannot bring herself to choose between her father and her fiancé.
  
  Dr. Sloper understands Catherine's strait and pities her a little, but also finds an urbane entertainment in the situation. In an effort to resolve the matter, he announces that he will not leave any money to Catherine if she marries Morris; he then takes her on a twelve month grand tour of Europe. During their months abroad, he mentions Catherine's engagement only twice; once while they are alone together in the Alps, and again on the eve of their return voyage. On both occasions, Catherine holds firm in her desire to marry. After she refuses for a second time to give Morris up, Sloper sarcastically compares her to a sheep fattened up for slaughter. With this, he finally goes too far: Catherine recognises his contempt, withdraws from him, and prepares to bestow all her love and loyalty on Morris.
  
  Upon her return, however, Morris breaks off the relationship when Catherine convinces him that her father will never relent. Catherine, devastated, eventually recovers her equanimity but is never able to forget the injury. Many years pass; Catherine refuses two respectable offers of marriage and grows into a middle aged spinster. Dr. Sloper finally dies and leaves her a sharply reduced income in his will out of fear that Townsend will reappear. In fact, Morris – now fat, balding, cold-eyed, but still somewhat attractive – does eventually pay a call on Catherine, hoping to reconcile; but she calmly rebuffs his overtures. In the last sentence, James tells us that "Catherine,... picking up her morsel of fancy-work, had seated herself with it again — for life, as it were."
  Characters
  
  The four principal characters are Catherine, Dr. Sloper, Mrs. Penniman, and Morris Townsend. Dr. Sloper's sister, Mrs. Almond, and Townsend's sister, Mrs. Montgomery, are significant but secondary.
  
  Catherine Sloper, often referred to by the narrator as "poor Catherine", is Dr. Sloper's only surviving child; her brother died at the age of three, and her mother succumbed to complications of childbirth a week after Catherine was born. She is sweet-natured and honest; however, she is also shy, plain, and not considered 'clever'. This makes her a great disappointment to her father.
  
  Dr. Austin Sloper, a man in his early fifties, has succeeded brilliantly in his profession. He has never recovered from the death of his wife, a beautiful and vivacious woman who died shortly after Catherine's birth. Dr. Sloper is clever, experienced, perceptive, satirical, and he is almost always certain he is right. He often speaks ironically to Catherine, who has no way to retaliate; however, she loves him anyway. She is also afraid of him, and defying his disapproval of Morris is a fearful step.
  
  Lavinia Penniman, Sloper's childless, long-widowed sister, provides comic relief derived from her unrealistic romantic scheming, wild hyperbole, and duplicitousness. She takes a keen vicarious interest in Catherine's courtship, and later becomes infatuated with Morris as a tyrannical son, whose love affairs are of the greatest interest. She manipulates both Catherine and Morris, trying to shape their relationship into a romantic melodrama in which she plays a leading role; almost invariably, however, she makes matters worse.
  
  Morris Townsend, a tall, handsome man of about thirty, has squandered a small inheritance travelling the world and now lives with his sister. He is a typical fortune-hunter, and Dr. Sloper immediately suspects his artificial nature. James also gives Townsend some intelligence and grace, however; as a result, Catherine is unable to resist his attentions. James describes Townsend as a "statue," an "apparition," and "a knight in a poem."
  
  Mrs. Almond, Sloper's other sister, is sensible and clever, and has a large, blooming family. Sloper frequently confides in her about Catherine's entanglement with Morris, and his sarcastic view of the situation contrasts with hers, which is more sympathetic.
  
  Marian Almond Mrs Almond's daughter, is an important contrast to Catherine. Marian is the conventional, flirtatious and confident young woman that Catherine isn't, who also marries "punctually".
  
  Mrs. Montgomery is a widow living in genteel poverty with her five children. Dr. Sloper pays a call on her so they can discuss her brother, Morris. With some persuasion, he induces Mrs. Montgomery to admit that Morris takes money from her, returns very little, and makes her suffer.
  Structure
  
  The novel is told from a third-person omniscient point of view, although we don't know anything about the narrator. The narrator often offers his comments directly to the reader.
  
  The novella begins at a distance from the characters, describing the background of the Sloper family. It then recounts in detail the story of Catherine's romance with Morris Townsend. When Morris jilts her, the focus shifts back to a long view. As James puts it: "Our story has hitherto moved with very short steps, but as it approaches its termination it must take a long stride." The final few chapters are taken once more in short steps, ending with the striking vignette of Catherine's refusal of Morris.
  Major themes
  
  The bitterest irony in the story is that Dr. Sloper, a brilliant and successful physician, is exactly right about Morris Townsend, and yet he shows cruelty to his defenseless and loving daughter. If the doctor had been incorrect in his appraisal of the worthless Townsend, he would only be a stock villain. As it is, the doctor's head works perfectly but his heart has grown cold after the death of his beautiful and gifted wife.
  
  Catherine gradually grows throughout the story into right judgment of her situation. As James puts it simply but memorably: "From her point of view the great facts of her career were that Morris Townsend had trifled with her affection, and that her father had broken its spring. Nothing could ever alter these facts; they were always there, like her name, her age, her plain face. Nothing could ever undo the wrong or cure the pain that Morris had inflicted on her, and nothing could ever make her feel towards her father as she felt in her younger years." Catherine will never be brilliant, but she learns to be clear-sighted.
  Literary significance & criticism
  
  "Everybody likes Washington Square, even the denigrators of Henry James," wrote critic Donald Hall, and most other commentators have echoed the sentiment. Although James himself regarded the novel with near contempt, readers have enjoyed its linear narrative technique, its straightforward prose (far removed from the convoluted language of James's later career), and the sharply etched portraits of the four main characters. Even the rusty plot revolving around "the will" has charmed many critics with its old-fashioned simplicity.
  
  Catherine's slow but unmistakable development into independence and wisdom is a notable success for James and has been much appreciated by critics and readers in general.
  Film, TV or theatrical adaptations
  
  Ruth and Augustus Goetz adapted the novel for a very successful play, The Heiress, originally performed on Broadway in 1947 with Wendy Hiller as Catherine and Basil Rathbone as Dr. Sloper, and revived a number of times since.
  
  The play was adapted for film in 1949, and starred Olivia de Havilland as Catherine, Ralph Richardson as Dr. Sloper, and Montgomery Clift as Morris. William Wyler directed. Both play and movie hewed closely to the novel and cribbed many of the best lines directly from James' dialogue. However, the Goetz version does make a few changes to the story and to the character of Catherine, making her angry enough to refuse to see her father on his deathbed, and clever enough to devise a ruse to avenge herself on Morris.
  
  Polish director Agnieszka Holland made another major movie version in 1997, starring Jennifer Jason Leigh, Albert Finney, and Ben Chaplin, with Maggie Smith as Mrs. Penniman. While this film also takes some liberties with the original text, it is in the main a more faithful adaptation.
  During a portion of the first half of the present century, and more particularly during the latter part of it, there flourished and practised in the city of New York a physician who enjoyed perhaps an exceptional share of the consideration which, in the United States, has always been bestowed upon distinguished members of the medical profession. This profession in America has constantly been held in honour, and more successfully than elsewhere has put forward a claim to the epithet of "liberal." In a country in which, to play a social part, you must either earn your income or make believe that you earn it, the healing art has appeared in a high degree to combine two recognised sources of credit. It belongs to the realm of the practical, which in the United States is a great recommendation; and it is touched by the light of science--a merit appreciated in a community in which the love of knowledge has not always been accompanied by leisure and opportunity. It was an element in Dr. Sloper's reputation that his learning and his skill were very evenly balanced; he was what you might call a scholarly doctor, and yet there was nothing abstract in his remedies--he always ordered you to take something. Though he was felt to be extremely thorough, he was not uncomfortably theoretic, and if he sometimes explained matters rather more minutely than might seem of use to the patient, he never went so far (like some practitioners one has heard of) as to trust to the explanation alone, but always left behind him an inscrutable prescription. There were some doctors that left the prescription without offering any explanation at all; and he did not belong to that class either, which was, after all, the most vulgar. It will be seen that I am describing a clever man; and this is really the reason why Dr. Sloper had become a local celebrity. At the time at which we are chiefly concerned with him, he was some fifty years of age, and his popularity was at its height. He was very witty, and he passed in the best society of New York for a man of the world--which, indeed, he was, in a very sufficient degree. I hasten to add, to anticipate possible misconception, that he was not the least of a charlatan. He was a thoroughly honest man--honest in a degree of which he had perhaps lacked the opportunity to give the complete measure; and, putting aside the great good-nature of the circle in which he practised, which was rather fond of boasting that it possessed the "brightest" doctor in the country, he daily justified his claim to the talents attributed to him by the popular voice. He was an observer, even a philosopher, and to be bright was so natural to him, and (as the popular voice said) came so easily, that he never aimed at mere effect, and had none of the little tricks and pretensions of second-rate reputations. It must be confessed that fortune had favoured him, and that he had found the path to prosperity very soft to his tread. He had married at the age of twenty-seven, for love, a very charming girl, Miss Catherine Harrington, of New York, who, in addition to her charms, had brought him a solid dowry. Mrs. Sloper was amiable, graceful, accomplished, elegant, and in 1820 she had been one of the pretty girls of the small but promising capital which clustered about the Battery and overlooked the Bay, and of which the uppermost boundary was indicated by the grassy waysides of Canal Street. Even at the age of twenty- seven Austin Sloper had made his mark sufficiently to mitigate the anomaly of his having been chosen among a dozen suitors by a young woman of high fashion, who had ten thousand dollars of income and the most charming eyes in the island of Manhattan. These eyes, and some of their accompaniments, were for about five years a source of extreme satisfaction to the young physician, who was both a devoted and a very happy husband. The fact of his having married a rich woman made no difference in the line he had traced for himself, and he cultivated his profession with as definite a purpose as if he still had no other resources than his fraction of the modest patrimony which on his father's death he had shared with his brothers and sisters. This purpose had not been preponderantly to make money- -it had been rather to learn something and to do something. To learn something interesting, and to do something useful--this was, roughly speaking, the programme he had sketched, and of which the accident of his wife having an income appeared to him in no degree to modify the validity. He was fond of his practice, and of exercising a skill of which he was agreeably conscious, and it was so patent a truth that if he were not a doctor there was nothing else he could be, that a doctor he persisted in being, in the best possible conditions. Of course his easy domestic situation saved him a good deal of drudgery, and his wife's affiliation to the "best people" brought him a good many of those patients whose symptoms are, if not more interesting in themselves than those of the lower orders, at least more consistently displayed. He desired experience, and in the course of twenty years he got a great deal. It must be added that it came to him in some forms which, whatever might have been their intrinsic value, made it the reverse of welcome. His first child, a little boy of extraordinary promise, as the Doctor, who was not addicted to easy enthusiasms, firmly believed, died at three years of age, in spite of everything that the mother's tenderness and the father's science could invent to save him. Two years later Mrs. Sloper gave birth to a second infant--an infant of a sex which rendered the poor child, to the Doctor's sense, an inadequate substitute for his lamented first- born, of whom he had promised himself to make an admirable man. The little girl was a disappointment; but this was not the worst. A week after her birth the young mother, who, as the phrase is, had been doing well, suddenly betrayed alarming symptoms, and before another week had elapsed Austin Sloper was a widower.
   For a man whose trade was to keep people alive, he had certainly done poorly in his own family; and a bright doctor who within three years loses his wife and his little boy should perhaps be prepared to see either his skill or his affection impugned. Our friend, however, escaped criticism: that is, he escaped all criticism but his own, which was much the most competent and most formidable. He walked under the weight of this very private censure for the rest of his days, and bore for ever the scars of a castigation to which the strongest hand he knew had treated him on the night that followed his wife's death. The world, which, as I have said, appreciated him, pitied him too much to be ironical; his misfortune made him more interesting, and even helped him to be the fashion. It was observed that even medical families cannot escape the more insidious forms of disease, and that, after all, Dr. Sloper had lost other patients beside the two I have mentioned; which constituted an honourable precedent. His little girl remained to him, and though she was not what he had desired, he proposed to himself to make the best of her. He had on hand a stock of unexpended authority, by which the child, in its early years, profited largely. She had been named, as a matter of course, after her poor mother, and even in her most diminutive babyhood the Doctor never called her anything but Catherine. She grew up a very robust and healthy child, and her father, as he looked at her, often said to himself that, such as she was, he at least need have no fear of losing her. I say "such as she was," because, to tell the truth--But this is a truth of which I will defer the telling.
  When the child was about ten years old, he invited his sister, Mrs. Penniman, to come and stay with him. The Miss Slopers had been but two in number, and both of them had married early in life. The younger, Mrs. Almond by name, was the wife of a prosperous merchant, and the mother of a blooming family. She bloomed herself, indeed, and was a comely, comfortable, reasonable woman, and a favourite with her clever brother, who, in the matter of women, even when they were nearly related to him, was a man of distinct preferences. He preferred Mrs. Almond to his sister Lavinia, who had married a poor clergyman, of a sickly constitution and a flowery style of eloquence, and then, at the age of thirty-three, had been left a widow, without children, without fortune--with nothing but the memory of Mr. Penniman's flowers of speech, a certain vague aroma of which hovered about her own conversation. Nevertheless he had offered her a home under his own roof, which Lavinia accepted with the alacrity of a woman who had spent the ten years of her married life in the town of Poughkeepsie. The Doctor had not proposed to Mrs. Penniman to come and live with him indefinitely; he had suggested that she should make an asylum of his house while she looked about for unfurnished lodgings. It is uncertain whether Mrs. Penniman ever instituted a search for unfurnished lodgings, but it is beyond dispute that she never found them. She settled herself with her brother and never went away, and when Catherine was twenty years old her Aunt Lavinia was still one of the most striking features of her immediate entourage. Mrs. Penniman's own account of the matter was that she had remained to take charge of her niece's education. She had given this account, at least, to every one but the Doctor, who never asked for explanations which he could entertain himself any day with inventing. Mrs. Penniman, moreover, though she had a good deal of a certain sort of artificial assurance, shrank, for indefinable reasons, from presenting herself to her brother as a fountain of instruction. She had not a high sense of humour, but she had enough to prevent her from making this mistake; and her brother, on his side, had enough to excuse her, in her situation, for laying him under contribution during a considerable part of a lifetime. He therefore assented tacitly to the proposition which Mrs. Penniman had tacitly laid down, that it was of importance that the poor motherless girl should have a brilliant woman near her. His assent could only be tacit, for he had never been dazzled by his sister's intellectual lustre. Save when he fell in love with Catherine Harrington, he had never been dazzled, indeed, by any feminine characteristics whatever; and though he was to a certain extent what is called a ladies' doctor, his private opinion of the more complicated sex was not exalted. He regarded its complications as more curious than edifying, and he had an idea of the beauty of REASON, which was, on the whole, meagrely gratified by what he observed in his female patients. His wife had been a reasonable woman, but she was a bright exception; among several things that he was sure of, this was perhaps the principal. Such a conviction, of course, did little either to mitigate or to abbreviate his widowhood; and it set a limit to his recognition, at the best, of Catherine's possibilities and of Mrs. Penniman's ministrations. He, nevertheless, at the end of six months, accepted his sister's permanent presence as an accomplished fact, and as Catherine grew older perceived that there were in effect good reasons why she should have a companion of her own imperfect sex. He was extremely polite to Lavinia, scrupulously, formally polite; and she had never seen him in anger but once in her life, when he lost his temper in a theological discussion with her late husband. With her he never discussed theology, nor, indeed, discussed anything; he contented himself with making known, very distinctly, in the form of a lucid ultimatum, his wishes with regard to Catherine.
   Once, when the girl was about twelve years old, he had said to her:
   "Try and make a clever woman of her, Lavinia; I should like her to be a clever woman."
   Mrs. Penniman, at this, looked thoughtful a moment. "My dear Austin," she then inquired, "do you think it is better to be clever than to be good?"
   "Good for what?" asked the Doctor. "You are good for nothing unless you are clever."
   From this assertion Mrs. Penniman saw no reason to dissent; she possibly reflected that her own great use in the world was owing to her aptitude for many things.
   "Of course I wish Catherine to be good," the Doctor said next day; "but she won't be any the less virtuous for not being a fool. I am not afraid of her being wicked; she will never have the salt of malice in her character. She is as good as good bread, as the French say; but six years hence I don't want to have to compare her to good bread and butter."
   "Are you afraid she will turn insipid? My dear brother, it is I who supply the butter; so you needn't fear!" said Mrs. Penniman, who had taken in hand the child's accomplishments, overlooking her at the piano, where Catherine displayed a certain talent, and going with her to the dancing-class, where it must be confessed that she made but a modest figure.
   Mrs. Penniman was a tall, thin, fair, rather faded woman, with a perfectly amiable disposition, a high standard of gentility, a taste for light literature, and a certain foolish indirectness and obliquity of character. She was romantic, she was sentimental, she had a passion for little secrets and mysteries--a very innocent passion, for her secrets had hitherto always been as unpractical as addled eggs. She was not absolutely veracious; but this defect was of no great consequence, for she had never had anything to conceal. She would have liked to have a lover, and to correspond with him under an assumed name in letters left at a shop; I am bound to say that her imagination never carried the intimacy farther than this. Mrs. Penniman had never had a lover, but her brother, who was very shrewd, understood her turn of mind. "When Catherine is about seventeen," he said to himself, "Lavinia will try and persuade her that some young man with a moustache is in love with her. It will be quite untrue; no young man, with a moustache or without, will ever be in love with Catherine. But Lavinia will take it up, and talk to her about it; perhaps, even, if her taste for clandestine operations doesn't prevail with her, she will talk to me about it. Catherine won't see it, and won't believe it, fortunately for her peace of mind; poor Catherine isn't romantic."
   She was a healthy well-grown child, without a trace of her mother's beauty. She was not ugly; she had simply a plain, dull, gentle countenance. The most that had ever been said for her was that she had a "nice" face, and, though she was an heiress, no one had ever thought of regarding her as a belle. Her father's opinion of her moral purity was abundantly justified; she was excellently, imperturbably good; affectionate, docile, obedient, and much addicted to speaking the truth. In her younger years she was a good deal of a romp, and, though it is an awkward confession to make about one's heroine, I must add that she was something of a glutton. She never, that I know of, stole raisins out of the pantry; but she devoted her pocket-money to the purchase of cream-cakes. As regards this, however, a critical attitude would be inconsistent with a candid reference to the early annals of any biographer. Catherine was decidedly not clever; she was not quick with her book, nor, indeed, with anything else. She was not abnormally deficient, and she mustered learning enough to acquit herself respectably in conversation with her contemporaries, among whom it must be avowed, however, that she occupied a secondary place. It is well known that in New York it is possible for a young girl to occupy a primary one. Catherine, who was extremely modest, had no desire to shine, and on most social occasions, as they are called, you would have found her lurking in the background. She was extremely fond of her father, and very much afraid of him; she thought him the cleverest and handsomest and most celebrated of men. The poor girl found her account so completely in the exercise of her affections that the little tremor of fear that mixed itself with her filial passion gave the thing an extra relish rather than blunted its edge. Her deepest desire was to please him, and her conception of happiness was to know that she had succeeded in pleasing him. She had never succeeded beyond a certain point. Though, on the whole, he was very kind to her, she was perfectly aware of this, and to go beyond the point in question seemed to her really something to live for. What she could not know, of course, was that she disappointed him, though on three or four occasions the Doctor had been almost frank about it. She grew up peacefully and prosperously, but at the age of eighteen Mrs. Penniman had not made a clever woman of her. Dr. Sloper would have liked to be proud of his daughter; but there was nothing to be proud of in poor Catherine. There was nothing, of course, to be ashamed of; but this was not enough for the Doctor, who was a proud man and would have enjoyed being able to think of his daughter as an unusual girl. There would have been a fitness in her being pretty and graceful, intelligent and distinguished; for her mother had been the most charming woman of her little day, and as regards her father, of course he knew his own value. He had moments of irritation at having produced a commonplace child, and he even went so far at times as to take a certain satisfaction in the thought that his wife had not lived to find her out. He was naturally slow in making this discovery himself, and it was not till Catherine had become a young lady grown that he regarded the matter as settled. He gave her the benefit of a great many doubts; he was in no haste to conclude. Mrs. Penniman frequently assured him that his daughter had a delightful nature; but he knew how to interpret this assurance. It meant, to his sense, that Catherine was not wise enough to discover that her aunt was a goose--a limitation of mind that could not fail to be agreeable to Mrs. Penniman. Both she and her brother, however, exaggerated the young girl's limitations; for Catherine, though she was very fond of her aunt, and conscious of the gratitude she owed her, regarded her without a particle of that gentle dread which gave its stamp to her admiration of her father. To her mind there was nothing of the infinite about Mrs. Penniman; Catherine saw her all at once, as it were, and was not dazzled by the apparition; whereas her father's great faculties seemed, as they stretched away, to lose themselves in a sort of luminous vagueness, which indicated, not that they stopped, but that Catherine's own mind ceased to follow them.
   It must not be supposed that Dr. Sloper visited his disappointment upon the poor girl, or ever let her suspect that she had played him a trick. On the contrary, for fear of being unjust to her, he did his duty with exemplary zeal, and recognised that she was a faithful and affectionate child. Besides, he was a philosopher; he smoked a good many cigars over his disappointment, and in the fulness of time he got used to it. He satisfied himself that he had expected nothing, though, indeed, with a certain oddity of reasoning. "I expect nothing," he said to himself, "so that if she gives me a surprise, it will be all clear again. If she doesn't, it will be no loss." This was about the time Catherine had reached her eighteenth year, so that it will be seen her father had not been precipitate. At this time she seemed not only incapable of giving surprises; it was almost a question whether she could have received one--she was so quiet and irresponsive. People who expressed themselves roughly called her stolid. But she was irresponsive because she was shy, uncomfortably, painfully shy. This was not always understood, and she sometimes produced an impression of insensibility. In reality she was the softest creature in the world.
首页>> 文化生活>> 心理学小说>> 亨利·詹姆斯 Henry James   美国 United States   一战中崛起   (1843年4月15日1916年2月28日)