shǒuyè>> >> 科幻小说>> 赫伯特·乔治·威尔斯 Herbert George Wells   英国 United Kingdom   温莎王朝   (1866年9月21日1946年8月13日)
shí jiān The Time Machine
  《 shí jiān shì yīng guó zuò jiā hēi . . wēi 'ěr shì zuì zhù míng de liǎng piān zhù zuò zhī lìng piān shì jiādōu zài shú guò deshì jiè zhàn》), zhè liǎng piān zuò pǐn zài dāng shí céng lìng chén liǎo hǎo jiǔér zhōng zuì shǐ gǎn xīng de shì shí jiān xíng de miào zhī chùzhè zài dāng shí hái yǐn liǎo yīcháng guān shí jiān xíng de shè huì wèn lún de zhēng lùn shì qíng jié tóng yàng de yǐn rén shèngchōng mǎn liǎo jīng xiǎn xuán
  
  《 shí jiān yùn yòng liǎo mǒu zhǒng jìn kǒng de shǒu cuò zōng de qíng jiézhǎn shì liǎo zhèn hàn rén xīn de gǎn rén shìshí jiān xíng jiā shì duì xué yòu suǒ miǎo shì de wéi 'ěr shì de yīng xióngfán 'ěr shì de yīng xióng jiào tuī chóng xué shù), yòu qiáng de néng què gǎi biàn xiàn shízhěng zuò pǐn gěi rén mǒu zhǒng huāng liáng de gǎn jué
  
   shù shí nián láishí jiān xíng zhí chǔyú zhù liú xué de biān yuánrán 'ér , jìn nián nèi , gāi huà zài xiē lùn xué jiā zhōng jiān chéng liǎo rén de yán jiū 'àihàozhè biàn huà fēn shì chū xiāo qiǎn héng héng xiǎng xiàng shí jiān xíng shì jiàn shìdàn xiàng yán jiū yòu yán de miàn jiě yīn guǒ guān shì cháng shì jiàn tǒng de xué lùn de guān jiàn fēn guǒ xiàn zhì de shí jiān xíng shì néng de me zài yuán shàngzhè yàng tǒng lùn de xìng zhì néng huì shòu dào wéi yán zhòng de yǐng xiǎng
  
   men duì shí jiān zuì wán shàn de jiě lái Einstein de xiāng duì lùnzài zhè xiē lùn dàn shēng zhī qiánshí jiān bèi guǎng fàn rèn wéi shì jué duì de biàn de guǎn rén men de zhuàng tài shí jiān duì měi réndōu yàngzài Einstein xiá xiāng duì lùn zhōng chū cèliáng liǎng shì jiàn de shí jiān jiàngé jué guān chá zhě yùn dòngzhì guān zhòng yào de shìyùn dòng zhuàng tài tóng de liǎng míng guān chá zhě duì tóng yàng de liǎng shì jiàn jiāng huì yàn dào tóng de chí shí jiān
  
   jīng cháng yòng shuāng shēng yáng miù miáo shù de xiào yìngjiǎ dìng Sally Sam shì shuāng bāo tāi, Sally chéng sōu fēi chuán gāo shǐ xiàng jìn de héng xīng xíngrán hòu zhé fǎn fēi huí qiúér Sam zhǐ dāi zài jiā duì Sally 'ér yán xíng yuē chí liǎo niándàn dāng fǎn huí dào qiú bìng kuà chū zhòu fēi chuán shí xiàn qiú shàng jīng guò liǎo 10 niánxiàn zài de xiōng jiǔ suìjìn guǎn men zài tóng tiān chū shēng shì Sally Sam shì zài yòu xiāng tóng de nián língzhè shuō míng liǎo lèi yòu xiàn de shí jiān xíngshí shàng, Sally jīng tiào yuè dào liǎo jiǔ nián hòu de qiú de wèi lái


  The Time Machine is a science fiction novella by H. G. Wells, published in 1895 for the first time and later adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in many media. This 32,000 word story is generally credited with the popularisation of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine", coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
  
  History
  
  Wells had considered the notion of time travel before, in an earlier (but less well-known) work titled The Chronic Argonauts. He had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 on its publication by Heinemann in 1895. The story was first published in serial form in the New Review through 1894 and 1895. The book is based on the Block Theory of the Universe, which is a notion that time is a fourth space dimension.
  
  The story reflects Wells's own socialist political views and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration. Other science fiction works of the period, including Edward Bellamy's Looking Backward, and the later Metropolis, dealt with similar themes.
  Plot summary
  
  The book's protagonist is an English scientist and gentleman inventor living in Richmond, Surrey, identified by a narrator simply as the Time Traveller. The narrator recounts the Traveller's lecture to his weekly dinner guests that time is simply a fourth dimension, and his demonstration of a tabletop model machine for travelling through it. He reveals that he has built a machine capable of carrying a person, and returns at dinner the following week to recount a remarkable tale, becoming the new narrator:
  
  The Time Traveller tests his device with a journey that takes him to the year A.D. 802,701, where he meets the Eloi, a society of small, elegant, androgynous, and childlike people. They live in small communities within large and futuristic yet slowly deteriorating buildings, doing no work and having a frugivorous diet. His efforts to communicate with them are hampered by their lack of curiosity or discipline, and he concludes that they are a peaceful communist society, the result of humanity conquering nature with technology, and subsequently evolving to adapt to an environment in which strength and intellect are no longer advantageous to survival.
  
  Returning to the site where he arrived, the Time Traveller finds his time machine missing, and eventually works out that it has been dragged by some unknown party into a nearby structure with heavy doors, locked from the inside. Later in the dark, he is approached menacingly by the Morlocks, pale, apelike people who live in darkness underground, where he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers, and with no real challenges facing either species. They have both lost the intelligence and character of Man at its peak.
  
  Meanwhile, he saves an Eloi named Weena from drowning, and they develop an innocently affectionate relationship over the course of several days. He takes Weena with him on an expedition to a distant structure that turns out to be the remains of a museum, where he finds a fresh supply of matches and fashions a crude weapon against Morlocks, whom he fears he must fight to get back his machine. But the long and tiring journey back to Weena's home is too much for them, they are overcome by Morlocks in the night, and Weena is injured. The Traveller escapes only when a small fire he had left behind them to distract the Morlocks catches up to them as a forest fire; Weena is lost to the fire.
  
  The Morlocks use the time machine as bait to ensnare the Traveller, not understanding that he will use it to escape. He travels further ahead to roughly 30 million years from his own time. There he sees some of the last living things on a dying Earth, menacing reddish crab-like creatures slowly wandering the blood-red beaches of a world covered in simple vegetation. He continues to make short jumps through time, seeing Earth's rotation gradually cease and the sun grow dimmer, and the world falling silent and freezing as the last degenerate living things die out.
  
  Overwhelmed, he returns to his laboratory, at just three hours after he originally left. Interrupting dinner, he relates his adventures to his disbelieving visitors, producing as evidence two strange flowers Weena had put in his pocket. The original narrator takes over and relates that he returned to the Time Traveller's house the next day, finding him in final preparations for another journey. The Traveller promises to return in half an hour, but three years later, the narrator despairs of ever learning what became of him.
  Deleted text
  
  A section from the 11th chapter of the serial published in New Review (May, 1895) was deleted from the book. It was drafted at the suggestion of Wells's editor, William Ernest Henley, who wanted Wells to "oblige your editor" by lengthening out the text with, among other things, an illustration of "the ultimate degeneracy" of man. "There was a slight struggle," Wells later recalled, "between the writer and W. E. Henley who wanted, he said, to put a little 'writing' into the tale. But the writer was in reaction from that sort of thing, the Henley interpolations were cut out again, and he had his own way with his text." This portion of the story was published elsewhere as The Grey Man. This deleted text was also published by Forrest J. Ackerman in an issue of the American edition of Perry Rhodan.
  
  The deleted text recounts an incident immediately after the Traveller's escape from the Morlocks. He finds himself in the distant future of an unrecognisable Earth, populated with furry, hopping herbivores. He stuns or kills one with a rock, and upon closer examination realizes they are probably the descendants of humans/Eloi/Morlocks. A gigantic, centipede-like arthropod approaches and the Traveller flees into the next day, finding that the creature has apparently eaten the tiny humanoid.
  Film, TV, or theatrical adaptations
  First adaptation
  
  The first visual adaptation of the book was a live teleplay broadcast from Alexandra Palace on 25 January 1949 by the BBC, which starred Russell Napier as the Time Traveller and Mary Donn as Weena. No recording of this live broadcast was made; the only record of the production is the script and a few black and white still photographs. A reading of the script, however, suggests that this teleplay remained fairly faithful to the book.
  Escape Radio broadcasts
  
  The CBS radio anthology Escape adapted The Time Machine twice, in 1948 starring Jeff Corey, and again in 1950 starring John Dehner. In both episodes a script adapted by Irving Ravetch was used. The Time Traveller was named Dudley and was accompanied by his skeptical friend Fowler as they travelled to the year 100,080.
  1960 film
  
  George Pál (who also made a famous 1953 "modernised" version of Wells's The War of the Worlds) filmed The Time Machine in 1960. Rod Taylor (The Birds) starred, along with Yvette Mimieux as the young Eloi, Weena, Alan Young as his closest friend David Filby (and, in 1917 and 1966, his son James Filby), Sebastian Cabot as Dr Hillyer, Whit Bissell as Walter Kemp and Doris Lloyd as his housekeeper Mrs Watchett. The Time Traveller is addressed as George. The plate on the Time Machine which he builds, is inscribed 'Manufactured by H. George Wells'. This is clearly visible and easily read whenever the date indicator panel is shown in the film. The location is not stated anymore precisely than in the south of England, but is near a sharp bend of the river Thames, so is presumably still Richmond, Surrey.
  
  This is more of an adventure tale than the book was; The story begins with the Time Traveller returning from his trip, unkempt and in disarray. He relates to his friends of what he has witnessed: wars' horrors first-hand in June, 1940 over London and a nuclear bomb in August, 1966. Travelling to 802,701 A.D., he finds world has settled into a vast garden. He meets the pacifist, illiterate and servile Eloi, who speak broken English, and have little interest in technology or the past. Their brethren from long ago, the Morlocks, however, although technologically competent, have devolved into cannibalistic underground workers. He deduces the division of mankind resulted from mutations induced by nuclear war - periodic air-raid sirens cause Weena and many Eloi to instinctively report to underground shelters run by the Morlocks. The Time Traveller goes down to rescue them, and encourages a leader among them to help them escape. Having escaped, and after throwing dead wood into the holes on the surface to feed a growing underground fire, they retreat to the river as underground explosions cause a cave-in. After getting to his machine, he is trapped behind a closed door with several Morlocks, whom he has to fight in order to escape. Battered, he makes it back to his scheduled dinner the next Friday January 5, 1900.
  
  After relating his story, the Time Traveller leaves for a second journey, but Filby and Mrs Watchett note that he had taken three books from the shelves in his drawing room. Filby comments that George must've had a plan for a new Eloi civilisation. "Which three books would you have taken?" Filby inquires to Mrs. Watchett, adding " ... he has all the time in the world."
  
  The film is noted for its then-novel use of time lapse photographic effects to show the world around the Time Traveller changing at breakneck speed as he travels through time. (Pal's earliest films had been works of stop-motion animation.)
  
  Thirty-three years later, a combination sequel/documentary Time Machine: The Journey Back (1993 film), directed by Clyde Lucas, was produced. Rod Taylor hosted, with Bob Burns (also Ex Producer), Gene Warren Sr. and Wah Chang as guests. Michael J. Fox (who had himself portrayed a time traveller in the Back to the Future trilogy) spoke about time travelling in general. In the second half, written by original screenwriter David Duncan, the movie's original actors Rod Taylor, Alan Young and Whit Bissell reprise their roles. The Time Traveller returns to his laboratory in 1916, finding Filby there, and encourages his friend to join him in the far future — but Filby has doubts. (Time Machine: The Journey Back is featured as an extra on the DVD release of the 1960 film).
  The Fantasy Film Worlds of George Pal
  Main article: The Fantasy Film Worlds of George Pal
  
  This film, produced and directed by Arnold Leibovit, is a biopic of George Pal. It contains a number of filmed elements from Pal's 1960 film version of The Time Machine.
  1978 TV movie
  
  A TV version was made in 1978, with time-lapse images of building walls being de-constructed, and geographic shifting from Los Angeles to Plymouth, Mass., and inland California. John Beck starred as Neil Perry, with Whit Bissell (from the original 1960 movie and also one of the stars of the 1966 television series The Time Tunnel) appearing as one of Perry's superiors. Though only going a few thousand years into the future, Perry finds the world of the Eloi and Morlocks, and learns the world he left will be destroyed by another of his own inventions. The character Weena was played by Priscilla Barnes of Three's Company fame.
  1994 audio drama
  
  In 1994 an audio drama was published on CD by Alien Voices, starring Leonard Nimoy as the Time Traveller (named John) and John de Lancie as David Filby. John de Lancie's children, Owen de Lancie and Keegan de Lancie, played the parts of the Eloi. The drama is approximately two hours long. Interestingly, this version of the story is more faithful to Wells's novella than either the 1960 movie or the 2002 movie.
  2002 film
  
  The 1960 film was remade in 2002, starring Guy Pearce as the Time Traveller, a mechanical engineering professor named Alexander Hartdegen, Mark Addy as his colleague David Filby, Sienna Guillory as Alex's ill-fated fiancée Emma, Phyllida Law as Mrs. Watchit, and Jeremy Irons as the uber-Morlock. Playing a quick cameo as a shopkeeper was Alan Young, who featured in the 1960 film. (H.G. Wells himself can also be said to have a "cameo" appearance, in the form of a photograph on the wall of Alex's home, near the front door.)
  
  The film was directed by Wells's great-grandson Simon Wells, with an even more revised plot that incorporated the ideas of paradoxes and changing the past. The place is changed from Richmond, Surrey, to downtown New York City, where the Time Traveller moves forward in time to find answers to his questions on 'Practical Application of Time Travel;' first in 2030 New York, to witness an orbital lunar catastrophe in 2037, before moving on to 802,701 for the main plot. He later briefly finds himself in 635,427,810 with toxic clouds and a world laid waste (presumably by the Morlocks) with devastation and Morlock artefacts stretching out to the horizon.
  
  It was met with generally mixed reviews and earned $56 million before VHS/DVD sales. The Time Machine used a design that was very reminiscent of the one in the Pal film, but was much larger and employed polished turned brass construction, along with rotating quartz/glasses reminiscent of the light gathering prismatic lenses common to lighthouses (In Wells's original book, the Time Traveller mentioned his 'scientific papers on optics'). Weena makes no appearance; Hartdegen instead becomes involved with a female Eloi named Mara, played by Samantha Mumba. In this film, the Eloi have, as a tradition, preserved a "stone language" that is identical to English. The Morlocks are much more barbaric and agile, and the Time Traveller has a direct impact on the plot.
  2009 BBC Radio 3 broadcast
  
  Robert Glenister stars as the Time Traveller, with William Gaunt as H. G. Wells in a new 100-minute radio dramatisation by Philip Osment, directed by Jeremy Mortimer as part of a BBC Radio Science Fiction season. This was the first adaptation of the novel for British radio. It was first broadcast on 22 February 2009 on BBC Radio 3. The other cast was:
  
   * Time traveller - Robert Glenister
   * Martha - Donnla Hughes
   * Young HG Wells - Gunnar Cauthery
   * Filby, friend of the young Wells - Stephen Critchlow
   * Bennett, friend of the young Wells - Chris Pavlo
   * Mrs Watchett, the traveller's housemaid - Manjeet Mann
   * Weena, one of the Eloi and the traveller's partner - Jill Cardo
   * Other parts - Robert Lonsdale, Inam Mirza and Dan Starkey
  
  The adaptation retained the nameless status of the time traveller and set it as a true story told to the young Wells by the time traveller, which Wells then re-tells as an older man to the American journalist Martha whilst firewatching on the roof of Broadcasting House during the Blitz. It also retained the deleted ending from the novel as a recorded message sent back to Wells from the future by the traveller using a prototype of his machine, with the traveller escaping the anthropoid creatures to 30 million AD at the end of the universe before disappearing or dying there.
  Wishbone episode
  
  The Time Machine was featured in an episode of the PBS children's show Wishbone, entitled "Bark to the Future". Wishbone plays the role of the Time Traveller, where he meets Weena, takes her to an ancient library, and confronts the Morlocks. The parallel story has Wishbone's owner, Joe, relying on a calculator to solve percentage problems rather than his own intellect, recalling the mindset that created the lazy Eloi.
  Sequels by other authors
  
  Wells's novella has become one of the cornerstones of science-fiction literature. As a result, it has spawned many offspring. Works expanding on Wells's story include:
  
   * The Return of the Time Machine by Egon Friedell, printed in 1972, from the 1946 German version. The author portrays himself as a character searching for the Time Traveller in different eras.
  
   * The Hertford Manuscript by Richard Cowper, first published in 1976. It features a "manuscript" which reports the Time Traveller's activities after the end of the original story. According to this manuscript, the Time Traveller disappeared because his Time Machine had been damaged by the Morlocks without him knowing it. He only found out when it stopped operating during his next attempted time travel. He found himself on August 27, 1665, in London during the outbreak of the Great Plague of London. The rest of the novel is devoted to his efforts to repair the Time Machine and leave this time period before getting infected with the disease. He also has an encounter with Robert Hooke. He eventually dies of the disease on September 20, 1665. The story gives a list of subsequent owners of the manuscript until 1976. It also gives the name of the Time Traveller as Robert James Pensley, born to James and Martha Pensley in 1850 and disappearing without trace on June 18, 1894.
  
   * Morlock Night by K.W. Jeter, first published in 1979. A steampunk novel in which the Morlocks, having studied the Traveller's machine, duplicate it and invade Victorian London.
  
   * The Space Machine by Christopher Priest, first published in 1976. Because of the movement of planets, stars and galaxies, for a time machine to stay in one spot on Earth as it travels through time, it must also follow the Earth's trajectory through space. In Priest's book, the hero damages the Time Machine, and arrives on Mars, just before the start of the invasion described in The War of the Worlds. H.G. Wells himself appears as a minor character.
  
   * Time Machine II by George Pal and Joe Morhaim, published in 1981. The Time Traveller, named George, and the pregnant Weena try to return to his time, but instead land in the London Blitz, dying during a bombing raid. Their newborn son is rescued by an American ambulance driver, and grows up in the United States under the name Christopher Jones. Sought out by the lookalike son of James Filby, Jones goes to England to collect his inheritance, leading ultimately to George's journals, and the Time Machine's original plans. He builds his own machine with 1970s upgrades, and seeks his parents in the future.
  
   * The Time Ships, by Stephen Baxter, first published in 1995. This sequel was officially authorized by the Wells estate to mark the centenary of the original's publication. In its wide-ranging narrative, the Traveller's desire to return and rescue Weena is thwarted by the fact that he has changed history (by telling his tale to his friends, one of whom published the account). With a Morlock (in the new history, the Morlocks are intelligent and cultured), he travels through the multiverse as increasingly complicated timelines unravel around him, eventually meeting mankind's far future descendants, whose ambition is to travel into the multiverse of multiverses.[clarification needed] This sequel includes many nods to the prehistory of Wells's story in the names of characters and chapters.
  
   * The 2003 short story "On the Surface" by Robert J. Sawyer begins with this quote from the Wells original: "I have suspected since that the Morlocks had even partially taken it [the time machine] to pieces while trying in their dim way to grasp its purpose." In the Sawyer story, the Morlocks develop a fleet of time machines and use them to conquer the same far future Wells depicted at the end of the original, by which time, because the sun has grown red and dim and thus no longer blinds them, they can reclaim the surface of the world.
  
   * The Man Who Loved Morlocks and The Trouble With Weena (The Truth about Weena) are two different sequels, the former a novel and the latter a short story, by David J. Lake. Each of them concerns the Time Traveller's return to the future. In the former, he discovers that he cannot enter any period in time he has already visited, forcing him to travel in to the further future, where he finds love with a woman whose race evolved from Morlock stock. In the latter, he is accompanied by Wells, and succeeds in rescuing Weena and bringing her back to the 1890s, where her political ideas cause a peaceful revolution.
  
   * In Michael Moorcock's Dancers at the End of Time series, the Time Traveller is a very minor character, his role consists of being shocked by the decadence of the inhabitants of the End of Time. H.G. Wells also appears briefly in this series when the characters visit Bromley in 1896.
  
   * The Time Traveller makes a brief appearance in Allan and the Sundered Veil, a back-up story appearing in the first volume of Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, Volume I, where he saves Allan Quatermain, John Carter and Randolph Carter from a horde of Morlocks.
  
   * The time-travelling hero known as "The Rook" (who appeared in various comics from Warren Publishing) is the grandson of the original Time Traveller. In one story, he met the Time Traveller, and helps him stop the Morlocks from wiping out the Eloi.
  
   * Philip José Farmer speculated that the Time Traveller was a member of the Wold Newton family. He is said to have been the great-uncle of Doc Savage.
  
   * Burt Libe wrote two sequels: Beyond the Time Machine and Tangles in Time, telling of the Time Traveller finally settling down with Weena in the 33rd century. They have a few children, the youngest of whom is the main character in the second book.
  
   * In 2006, Monsterwax Trading Cards combined The Time Machine with two of Wells's other stories, The Island of Dr. Moreau and The War of the Worlds. The resulting 102 card trilogy, by Ricardo Garijo, was entitled The Art of H. G. Wells. The continuing narrative links all three stories by way of an unnamed writer mentioned in Wells's first story, to the nephew of Ed Prendick (the narrator of Dr. Moreau), and another unnamed writer (narrator) in The War of the Worlds.
  
   * In Ronald Wright's novel A Scientific Romance, a lonely museum curator on the eve of the millennium discovers a letter written by Wells shortly before his death, foretelling the imminent return of the Time Machine. The curator finds the machine, then uses it to travel into a post-apocalyptic future.
  
  The Time Traveller
  
  Although the Time Traveller's real name is never given in the original novel, other sources have named him.
  
  One popular theory, encouraged by movies like Time After Time and certain episodes of the hit show Lois and Clark: The New Adventures of Superman, is that the Time Traveller is meant to be none other than H. G. Wells himself. Indeed, in the George Pál movie adaptation of The Time Machine, his name is given as George (also H. G. Wells's middle name). Due to the clarity of the DVD image, 'H.G. Wells' can be seen on the control panel of the device, making it obvious that the film's Time Traveller is H.G. Wells.
  
  In Simon Wells' 2002 remake, the Time Traveller is named Alexander Hartdegen.
  
  In The Time Ships, Stephen Baxter's sequels to The Time Machine, the Time Traveller encounters his younger self via time travel, who he nicknames 'Moses'. His younger self reacts with embarrassment to this, which implies that it may be a first name that he changed. This is a reference to H.G. Wells's story "The Chronic Argonauts", the story which grew into The Time Machine, in which the inventor of the Time Machine is named Dr. Moses Nebogipfel. (The surname of Wells's first inventor graces another character in Baxter's book, as explained above.)
  
  The Hartford Manuscript, another sequel to The Time Machine, gives the Time Traveller's name as Robert James Pensley.
  
  Doc Savage: His Apocalyptic Life by Philip José Farmer gives the Time Traveller's name as Bruce Clarke Wildman.
  
  The Rook comic book series gives the Time Traveller's name as Adam Dane.
  
  In the Doctor Who comic strip story "The Eternal Present", the character of Theophilus Tolliver is implied to be the Time Traveller of Wells's novel.
  
  Also featured in Doctor Who is Wells, himself, appearing in the television serial Timelash. The events of this story are portrayed has having inspired Wells to write The Time Machine.
zhāng
  shí jiān yóu zhè yàng chēng shì wèile fāng biàn jiànzhèng zài gěi men jiǎng jiě shēn 'ào nán dǒng de wèn huī de yǎn jīng zhǎ zhǎ dejiǒng jiǒng yòu shénwǎng cháng cāng bái de miàn kǒng hóng guāng huàn huǒ xióng xióngbái chì dēng zài yín zhì bǎi huā dēng pán shè chū róu de guāng liàngzhào zài men bēi tiào dòng de pào shàng men zuò de zhǐ yòu cái yòu men shuō shì gōng men zuò de shuō shì zài yōng bào men wèi menwǎn fàn hòu de fēn shū shì qiè rén men de zài zhè shí hòu wǎng wǎng huì qiú jīng quècóng róng chí chěng bēn liú jiù zhè yàng biān yòng xiān de shí zhǐ huá zhe yào diǎn biān zài xiàng men jiǎng shù zhè shēn 'ào de wèn mendōu lǎn yáng yáng zuò zheqīn pèi zài zhè xīn miù lùn shàng men shì zhè yàng rèn wéi debiǎo xiàn chū de rèn zhēn tài fēng de chuàng zào
  “ men dìng yào zǎi tīng jiǎng yào fǎn liǎng jīhū shì gōng rèn de guān diǎn men zài xué xiào xué de jiù shì jiàn zài cuò de gài niàn shàng de。”
  “ yào men cóng zhè tīng fàn wéi miǎn liǎo diǎn ?” fěi 'ěr shuō tóu shàng cháng zhe hóng tóu huān rén zhēng biàn
  “ shì yào men jiē shòu shénme zhī tán men hěn kuài huì chéng rèn yào men chéng rèn de nèi róng de men rán zhī dàoshù xué shàng suǒ wèi de tiáo xiàn tiáo kuān wéi líng de xiàn shí bìng cún zàizhè men zài xué xiào shì xué guò de shù xué shàng suǒ shuō de píng miàn shì méi yòu dezhè xiē chún cuì shì chōu xiàng de dōng 。”
  “ cuò。” xīn xué jiā shuō
  “ jǐn yòu chángkuāngāo de fāng shí shàng néng cún zài。”
  “ fǎn duì zhè zhǒng ,” fěi 'ěr shuō,“ dāng rán cún zài qiē shí zài de dōng …”
  “ duō shù rén shì zhè yàng rèn wéi de tīng shuō shùn shí de fāng néng cún zài ?”
  “ dǒng de 。” fěi 'ěr shuō
  “ gēn běn méi yòu chí shí jiān de fāng néng gòu zhēn zhèng cún zài ?”
   fěi 'ěr xiàn liǎo chén 。“ hěn qīng chǔ”, shí jiān yóu dào,“ rèn shí zài de xiàng fāng xiàng shēn zhǎn yòu cháng kuān gāo shí jiān chí dàn yóu rén lèi tiān shēng de quē xiànzhè diǎn dài huì 'ér zài jiě shì men wǎng wǎng shì zhè shì shíshí shàng yòu wéi zhōng sān wéi men chēng zuò kōng jiān de sān píng miàn wéi jiù shì shí jiānrán 'érrén men xiàn zài zǒng huān zài qián sān zhě hòu zhě zhī jiān huá shàng tiáo shí bìng cún zài de fēn xiànyīn wéi men de shí cóng shēng mìng de kāi shǐ dào jié shù zhèng shì yán zhe shí jiān de tóng fāng xiàng duàn duàn cháo qián yùn dòng de。”
  “ zhè,” nián qīng rén shuō zheduō duō suo suo zài dēng huǒ shàng chóngxīn diǎn rán liǎo de xuějiā yān。“ zhè…… diǎn què shí hěn qīng chǔ。”
  “ shì 'ā duō réndōu shì liǎo zhè diǎnzhēn shì 。” shí jiān yóu shuō dào de xīng zhì gèng nóng liǎo。“ shí shàng zhè jiù shì wéi de nèi hánsuī rán yòu xiē rén tán lùn wéi shí bìng zhī dào men zhǐ de jiù shì zhè zhè shí zhǐ shì kàn dài shí jiān de lìng zhǒng fāng shìshí jiān kōng jiān sān wéi de rèn wéi zhī jiān dōuméi yòu shénme tóng bié zhǐ shì men de shí shì yán zhe shí jiān xiàng qián yùn dòng de yòu xiē bèn dàn zhè guān diǎn de gǎo diān dǎo liǎo men tīng guò men yòu guān wéi de gāo jiàn ?”
  “ méi tīng guò。” fāng zhǎngguān shuō
  “ shì zhè yàng degēn men shù xué jiā de kàn kōng jiān yòu sān wéirén men fēn bié chēng wéi cháng kuān gāo ér qiě shǐ zhōng tōng guò chéng zhí jiǎo de sān píng miàn men biǎo shì chū láidàn shìyòu xiē huān páogēn wèn de rén zǒng yào wèn wèishénme piān piān shì sān wéiwèishénme méi yòu lìng wéi lái tóng sān wéi xíng chéng zhí jiǎo men shèn zhì shì jiàn wéi méng · niǔ jiào shòu yuē yuè qián hái zài xiàng niǔ yuē shù xué xié huì jiě shì zhè wèn mendōu zhī dào men zài zhǐ yòu liǎng wéi de píng miàn shàng biǎo xiàn sān wéi de tóng yàng men rèn wéi néng gòu tōng guò sān wéi xíng lái biǎo xiàn wéi de dōng zhǐ yào men néng gòu zhǎng tòu shì míng bái liǎo ?”
  “ xiǎng shì de,” fāng zhǎngguān qīng shēng shuō dào jǐn suǒ méi tóu kǎo láishuāng chún dòng dònghǎo xiàng zài chóngfù shénme shén de huà。“ shì de xiǎng zhè xià míng bái liǎo。” guò liǎo huì 'ér shuōliǎn shàng dǒu rán jiān chū liǎo
  “ ǹg gào men cóng shì zhè wéi de yán jiū yòu xiē shí hòu liǎo chū de yòu xiē jié lùn hěn zhè shì rén 8 suì shí de zhāng xiào xiàngzhè shì 15 suì dezhè shì 17 suì dehái yòu zhāng shì 23 suì deděng děngzhè xiē xiǎn rán dōushì rén de shēng huó piàn duànshì yòng 3 wéi biǎo xiàn chū lái de 4 wéi shēng mìngzhè shì dìng de gǎi biàn de dōng 。”
   shí jiān yóu tíng děng liǎo piàn biàn jiā néng gòu chōng fēn jiě de huàjiē zhe shuō,“ xiǎng yán jǐn de rén shí fēn qīng chǔshí jiān zhǐ shì kōng jiān de zhǒngzhè shì zhāng cháng jiàn de xué shì tiān biàn huà de shǒu zhǐ zhe de zhè tiáo xiàn biǎo míng de biàn huàzuó tiān bái zhòu zhè me gāo yòu jiàng xià liǎojīn tiān zǎo shàng yòu shàng shēng liǎomàn màn zhí shēng dào zhè biǎo de shuǐ yín jué duì shì zài gōng rèn de kōng jiān sān wéi de shàng gòu huá chū zhè tiáo xiàn de yòu què què shí shí gòu huá chū liǎo zhè yàng tiáo xiànyīn men duàn dìngzhè tiáo xiàn shì yán zhe shí jiān wéi de。”
  “ shì,” shēng shuō huà shí shuāng yǎn jǐn dīng zhe huǒ de kuài méi。“ guǒ shí jiān zhēn de zhǐ shì kōng jiān de wéi wèishénme xiàn zài 'ér qiě láidōu bèi rèn wéi shì bié de dōng men wèishénme néng zài shí jiān yóu huó dòngjiù xiàng men zài kōng jiān de sān wéi yàng huó dòng?”
   shí jiān yóu xiào liǎo。“ kěn dìng men néng zài kōng jiān zhōng yóu huó dòng men zuǒ yòu néng dòngqián hòu rèn huó dòngrén men lái jiù shì zhè yàng huó dòng de chéng rèn men zài liǎng wéi zhōng néng gòu yóu huó dòng shàng xià néng dòng qiú yǐn men zài miàn shàng。”
  “ wán quán shì,” shēng shuō,“ yòng qiú xíng。”
  “ dàn shì zài qiú míng zhī qiánchú liǎo jiànxiē shì de tiào yuè miàn gāo píng wàirén shì néng rèn chuí zhí yùn dòng de。”
  “ guǎn zěn me shuō men hái shì néng gòu shàng xià yùn dòng de。” shēng shuō
  “ xiàng xià yào xiàng shàng róng róng duō。”
  “ ér zài shí jiān gēn běn néng dòng kāi xiàn zài zhè shí 。”“ qīn 'ài de xiān shēng cuò jiù cuò zài zhè zhè zhèng shì quán shì jiè de cuò suǒ zài men shǐ zhōng shì zài tuō xiàn zài men de jīng shén cún zài jiù shì fēi zhì debìng qiě shì wéi de yán zhe shí jiān wéi yún xiàng qiáncóng yáo lán zǒu xiàng fén zhè jiù xiàng men de shēng mìng guǒ cóng 50 yīng de gāo kōng kāi shǐ men jiù dìng xiàng xià jiàng luò。”
  “ zhù yào de wèn shì,” xīn xué jiā chā huà shuō,“ néng gòu cháo kōng jiān de rèn fāng xiàng yùn dòngér zài shí jiān zǒu lái zǒu 。”
  “ zhè xiǎng jiù shì wěi xiàn de dàn shì shuō men zài shí jiān néng yùn dòng shì cuò de guǒ zài xíng xiàng huí zhuāng shì biàn huí dào liǎo de shēng shí jiù xiàng men shuō de biàn xīn zài yān liǎo xià tiào liǎo huí dāng rán men de shuāng jiǎo tuì huí dāi shàng duàn shí jiānjiù xiàng mán rén huò tóu dòng dāi zài 6 yīng chǐ de kōng jiāndàn shìwén míng rén zài zhè diǎn shàng yào mán rén qiáng chéng qiú pái chú qiú yǐn xiàng shàng shēng rán zhè yàng wèishénme jiù néng zhǐ wàng zuì zhōng néng yán zhe shí jiān wéi tíng zhǐ yùn dòng huò jiā yùn dòngshèn zhì xiàng yùn dòng ?”
  “ òzhè,” fěi 'ěr kāi kǒu dào,“ shì wán quán……”
  “ wèishénme xíng?” shí jiān yóu wèn
  “ zhè qíng 。” fěi 'ěr shuō
  “ shénme qíng ?” shí jiān yóu wèn
  “ hēi de shuō chéng bái de,” fěi 'ěr shuō,“ yǒng yuǎn shuō liǎo 。”
  “ néng,” shí jiān yóu shuō,“ dàn xiàn zài kāi shǐ míng bái zuānyán wéi de mùdì liǎohěn jiǔ qián jiù gòu xiǎng guò zhǒng
  “ chuān yuè shí jiān!” nián qīng rén jiào lái
  “ jiāng suí xīn suǒ zài kōng jiān shí jiān yùn dòngwán quán yóu jià shǐ yuán kòng zhì。”
   fěi 'ěr xiào qián yǎng hòu
  “ yòu shí yàn zhèng míng。” shí jiān yóu shuō
  “ zhè duì shǐ xué jiā shí zài shì tài fāng biàn liǎo,” xīn xué jiā shì shuō,“ huí dào guò shí rén men gōng rèn de guān hēi tíng zhàn de jìzǎi!”
  “ nán dào jué yòu diǎn guò yǐn rén zhù liǎo ?” shēng shuō,“ men de xiān tài néng róng rěn nián dài chūchācuò。”
  “ rén men zhí jiē cóng bólātú de zuǐ xué liǎo。” zhè shì nián qīng rén de xiǎng
  “ yàng de huà men dìng huì gěi de kǎo shì guó xué zhě jīng zài shàng zuò liǎo duō gǎi jìn。”
  “ hái yòu wèi lái ,” nián qīng rén yòu shuō,“ xiǎng xiǎng rén men men suǒ yòu de qián tóu xià ràng zài shēng zuàn qiánjiē zhe zài cháo qián gǎn。”
  “ xiàn shè huì,” shuō,“ jiàn zài yán de zhù chǔ shàng de shè huì。”
  “ jìn shì xiē bùzhuóbiānjì de tán guài lùn!” xīn xué jiā shuō
  “ shì de yuán xiān shì zhè yàng xiǎng desuǒ cóng tán lùn shìzhí dào……”
  “ zhí dào shí yàn zhèng míng!” shēng shuō dào,“ néng zhèng míng ?”
  “ yòng shí yàn lái zhèng míng!” fěi 'ěr hǎn dào kāi shǐ gǎn dào tóu hūn nǎo zhàng liǎo
  “ fǎn zhèng yào ràng men kàn kàn de shí yàn,” xīn xué jiā shuō,“ suī rán zhè quán shì shuō dàozhè qīng chǔ。”
   shí jiān yóu cháo men jiā xiào xiàojiē zhe réng rán miàn dài wēi xiàoshuāng shǒu shēn chā zài dài màn tūn tūn zǒu chū liǎo fáng jiān men tīng jiàn gēn zhe tuō xiéyán zhe cháng cháng de guò dào xiàng shí yàn shì zǒu
   xīn xué jiā wàng zhe men。“ zhī dào xiǎng gǎo shénme míng táng?”
  “ hái shì xiǎng shuǎ shuǎ huā zhāo。” shēng shuōfěi 'ěr zhèng zhǔn bèi gěi men jiǎng zài kàn dào de shī hái méi lái jiǎng wán kāi tóushí jiān yóu jiù huí lái liǎofěi 'ěr xiǎng jiǎng de bèi shì zhǐ gào chuī
   shí jiān yóu shǒu zhe shǎn shǎn liàng de jīn shǔ jià jià zhǐ xiǎo zhōng chàbù duō zuò gōng shí fēn kǎo jiū miàn xiāng yòu xiàng zhǒng tòu míng de dōng xiàn zài kàn dào de qiēdōu jiāo dài qīng chǔyīn wéi jiē xià de shì qíng héng héng chú fēi de jiě shì bèi jiē shòu héng héng jué duì shì de rēng zài fáng jiān de zhāng jiǎo xíng zhuō bān dào qiánzhuō yòu liǎng tiáo tuǐ jiù zài qián tǎn shàng xiè zhuāng zhì bǎi zài zhuō shàngtuō guò zhāng zuò liǎo xià láizhuō shàng jǐn yòu de lìng jiàn dōng shì zhǎn zhào zhe dēng zhào de xiǎo tái dēngmíng liàng de dēng guāng zhào zài zhè xíng shàngzhōu wéi hái diǎn zhe shí zhī zhúliǎng zhī chā zài jià shàng de tóng zhú tái shànglìng zhī chā zài shàng de zhú tái shàngsuǒ shuō fáng jiān dēng huǒ tōng míng zài zuì kào jìn huǒ de shàng zuò xià láisuí yòu xiàng qián nuó liǎo nuójīhū bǎi dào liǎo shí jiān yóu de zhōng jiānfěi 'ěr zuò zài shí jiān yóu bèi hòuliǎng yǎn cháo jiān bǎng qián miàn zhāng wàng zhe shēng fāng zhǎngguān zài yòu zhù shì zhexīn xué jiā zuò zài zuǒ nián qīng rén zhàn zài xīn xué jiā de hòu miàn men gèdōu quán shén guàn zhùzài kàn láirèn gòu qiǎo miào shǒu duàn gāo míng de huā zhāo yào zài zhè zhǒng qíng kuàng xià mán tiān guò hǎi dōushì néng de
   shí jiān yóu kàn kàn menyòu kàn kàn xiè zhuāng zhì。“ hǎo liǎo ?” xīn xué jiā shuō
  “ zhè xiǎo dōng ”, shí jiān yóu shuō yòng gēbo zhǒu chēng zhù zhuō liǎng shǒu 'àn dào shàng,“ zhǐ shì xíng de jìhuà shì ràng chuān yuè shí jiān men huì zhù dào zhè dōng kàn shàng shì wāi xié dezhè gēn gān de biǎo miàn shǎn shǎn guāngyàng hěn guài yòu diǎn xiàng shì jiǎ de。” shuō wán shǒu zhǐ liǎo zhǐ,“ lìng wàizhè shì gēn bái de xiǎo gàng gānzhè biān hái yòu gēn。”
   shēng cóng zhàn liǎo láiyǎn jīng jǐn dīng zhe 。“ zuòde zhēn piào liàng。” shuō
  “ huā liǎo liǎng nián de shí jiān cái zuò chū lái de。” shí jiān yóu huì bào shuōdāng mendōu gēn zhe shēng zhàn lái shí yòu shuō,“ xiàn zài yào men zhī dàozhè gēn gàng gān 'àn xià jiù zhè jià sòng jìn liǎo wèi láilìng gēn gàng gān cāo zuò xiàng yùn dòngzhè 'ān chōng dāng shí jiān yóu de zuò wèi shàng jiù 'àn zhè gēn gàng gān huì fēi chū jiāng màn màn xiāo shīzǒu jìn wèi lái de shí jiānzuì hòu yǐng zōngqǐng men hǎohǎo kàn kàn zhè wán 'érzài jiǎn chá xià zhuō què bǎo zhè zhōng jiān méi yòu rèn huā zhāo xiǎng làng fèi liǎo xíng hái bèi rén shì jiāng piàn 。”
   gài yòu fēn zhōng shí jiān guò liǎoméi rén zuò shēngxīn xué jiā zhèng xiǎng duì shuō shénme yòu gǎi biàn liǎo zhù jiē zhe shí jiān yóu shǒu zhǐ shēn xiàng gàng gān。“ ,” rán shuō,“ ràng jiè yòng de shǒu。” zhuànxiàng xīn xué jiā zhù de shǒujiào shí zhǐ shēn chū láiyīn shì xīn xué jiā qīn shǒu shí jiān sòng màn zhǐ jìng de chéng de mendōu liǎo gēn gàng gān de zhuàndòng bǎi fēn zhī bǎi kěn dìng zhè miàn méi yòu shuǎ huā zhāojiù zài zhè shí zhèn fēng chuī láidēng huǒ tiào dòng lái jià shàng de zhī zhú chuī miè liǎo tái xiǎo dǎzháo zhuǎn zhuǎnyuè fēi yuè yuǎnqǐng jiān zài shì chéng liǎo huàn yǐngxiàng shǎn zhe wēi guāng de huáng tóng xiàng zhuǎn chū lái de xuán zǒu liǎo héng héng xiāo shī liǎozhuō shàng chú liǎo zhǎn dēng suǒ yòu
   jiā chén liǎo piàn jiē zhe fěi 'ěr shuō zhēn shì gāi
   xīn xué jiā cóng huǎng pào zhōng huī guò lái rán cháo zhuō xià kàn shí jiān yóu xiào。“ zěn me shuō?” xué liǎo xīn xué jiā de shuō huà qiāng diàosuí hòu shēn zǒu dào jià shàng de yān guàn qiánbēizhe men kāi shǐ wǎng yān dǒu sài yān
   men miàn miàn xiāng huà shuō。“ shuō,” shēng shuō,“ zhè shì dàngzhēn de zhēn de xiāng xìn jià zǒu dào shí jiān liǎo ?”
  “ dāng rán。” shí jiān yóu shuō wān yāo zài huǒ shàng diǎn rán liǎo zhī zhǐ niǎnrán hòu zhuǎn guò shēn láibiān diǎn yān dǒu biān wàng zhe xīn xué jiā de liǎn。( xīn xué jiā wèile zuò zhèn jìng zhī xuějiālián yān dōuméi qiā diào jiù diǎn liǎo lái。)“ wài hái yòu tái jiāng wán gōng。” héng héng zhǐ liǎo zhǐ shí yàn shì héng héngān zhuāng wán hòu suàn yóu tàng。”
  “ shì shuō jià zǒu jìn lái lái?” fěi 'ěr wèn
  “ zǒu jìn liǎo wèi lái hái shì guò gǎn kěn dìng。”
   liǎo huì 'érxīn xué jiā lái liǎo líng gǎn。“ guǒ shuō liǎo shénme fāng dìng shì zǒu jìn liǎo guò 。” shuō
  “ wèishénme?” shí jiān yóu wèn
  “ yīn wéi xiāng xìn méi yòu zài kōng jiān dòng guǒ jìn wèi lái xiàn zài kěn dìng hái zài zhè yīn wéi dìng yào chuān guò xiàn zài cái néng zǒu jìn wèi lái。”
  “ shì,” shuō,“ guǒ zǒu jìn guò men gāng jìn fáng jiān shí jiù gāi kàn jiàn shàng xīng men zài zhè hái yòu shàng shàng xīng lèi tuī!”
  “ yòu de fǎn 。” fāng zhǎngguān píng lùn dào zhuànxiàng shí jiān yóu bǎi chū gōng píng lùn shì de yàng
  “ háo dào ,” shí jiān yóu shuō zhe zhuànxiàng xīn xué jiā,“ xiǎng xiǎngzhè néng jiě shìzhè shì fǎn yìng diǎn xià de biǎo xiàngshì chōng dàn de biǎo xiàngzhè zhī dào。”
  “ dāng rán。” xīn xué jiā shuō hái zài xiàng men bǎo zhèng shuō,“ zhè shì xīn xué shàng de jiǎn dān wèn yīnggāi xiǎng dào zhè dào gòu míng xiǎn debìng qiě yòu zhù shuō míng zhè zhǒng mào máo dùn de xiàn xiàng men kàn jiàn zhè jià xīn shǎng dào zhè jiù xiàng men kàn dào xuánzhuàn de lún zài kōng zhōng fēi guò de dàn guǒ zài shí jiān zhōng xíng de men kuài 50 bèi huò zhě 100 bèi guǒ zǒu fēn zhōng men cái zǒu miǎo zhōng de chǎn shēng de yìn xiàng dāng rán jiù zhǐ shì zuò shí jiān xíng shí de shí fēn zhī huò bǎi fēn zhī zhè shì xiǎn 'ér jiàn de。” yòng shǒu zài yuán lái bǎi de fāng liǎo 。“ míng bái liǎo ?” xiào zhe wèn dào
   men zuò zài liǎng yǎn dīng zhe kōng dàng dàng de zhuō kàn liǎo huì 'érzhè shíshí jiān yóu wèn men kàn dài zhè qiē
  “ zhè qiē jīn tiān wǎn shàng tīng lái hěn yòu dào ,” shēng shuō,“ guò yào děng dào míng tiān zài xià jié lùnděng míng zǎo jiā shén zhì qīng xǐng shí zài shuō。”
  “ men xiǎng kàn kàn zhēn zhèng de shí jiān ?” shí jiān yóu wènshuō wán shǒu zhe dēnglǐng men yán zhe tōng fēng de cháng láng cháo de shí yàn shì zǒu qīng chǔ shǎn shuò de dēng huǒ nǎo dài de yǐng dòng de rén yǐng men gēn zhe xīn huò jiě yòu yuàn qīng xìn zài shí yàn shì liǎo jiù zài men yǎn qián xiāo shī de jià xiǎo de hào fān bǎn de yòu xiē jiàn shì niè zhì deyòu xiē shì xiàng zuò dehái yòu xiē shì yòng shuǐ jīng shí cuò chéng huò chéng de wán chéngdàn shì shuǐ jīng bàng hái bǎi zài dèng shàng de zhāng zhǐ bàngméi yòu wán gōng gēn bàng zǎi kàn liǎo kàn xiàn hǎo xiàng shì yòng shí yīng zuò de
  “ shuō,” shēng wèn dào,“ zhè shì wán quán rèn zhēn dehái shì piàn piàn rén de héng héng jiù xiàng nián shèng dàn jié gěi men kàn de guǐ?”
  “ zuò zhè jià ,” shí jiān yóu gāo zhe dēng shuō dào,“ xiǎng tàn suǒ shí jiānqīng chǔ liǎo zhè bèi hái cóng wèi zhè yàng rèn zhēn guò。”
   men shuí zhī dào gāi jiě de zhè huà
   de shì xiàn yuè guò shēng de jiān bǎng fěi 'ěr tóu lái de guāng xiāng liǎo biǎo qíng yán cháo shǐ liǎo yǎn


  The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere when thought roams gracefully free of the trammels of precision. And he put it to us in this way--marking the points with a lean forefinger--as we sat and lazily admired his earnestness over this new paradox (as we thought it:) and his fecundity.
   `You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception.'
   `Is not that rather a large thing to expect us to begin upon?' said Filby, an argumentative person with red hair.
   `I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness NIL, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions.'
   `That is all right,' said the Psychologist.
   `Nor, having only length, breadth, and thickness, can a cube have a real existence.'
   `There I object,' said Filby. `Of course a solid body may exist. All real things--'
   `So most people think. But wait a moment. Can an INSTANTANEOUS cube exist?'
   `Don't follow you,' said Filby.
   `Can a cube that does not last for any time at all, have a real existence?'
   Filby became pensive. `Clearly,' the Time Traveller proceeded, `any real body must have extension in FOUR directions: it must have Length, Breadth, Thickness, and--Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.'
   `That,' said a very young man, making spasmodic efforts to relight his cigar over the lamp; `that . . . very clear indeed.'
   `Now, it is very remarkable that this is so extensively overlooked,' continued the Time Traveller, with a slight accession of cheerfulness. `Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. THERE IS NO DIFFERENCE BETWEEN TIME AND ANY OF THE THREE DIMENSIONS OF SPACE EXCEPT THAT OUR CONSCIOUSNESS MOVES ALONG IT. But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?'
   `_I_ have not,' said the Provincial Mayor.
   `It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why THREE dimensions particularly--why not another direction at right angles to the other three?--and have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of thee dimensions they could represent one of four--if they could master the perspective of the thing. See?'
   `I think so,' murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. `Yes, I think I see it now,' he said after some time, brightening in a quite transitory manner.
   `Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.
   `Scientific people,' proceeded the Time Traveller, after the pause required for the proper assimilation of this, `know very well that Time is only a kind of Space. Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension.'
   `But,' said the Medical Man, staring hard at a coal in the fire, `if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?'
   The Time Traveller smiled. `Are you sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there.'
   `Not exactly,' said the Medical Man. `There are balloons.'
   `But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement.' `Still they could move a little up and down,' said the Medical Man.
   `Easier, far easier down than up.'
   `And you cannot move at all in Time, you cannot get away from the present moment.'
   `My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the present moment. Our mental existences, which are immaterial and have no dimensions, are passing along the Time-Dimension with a uniform velocity from the cradle to the grave. Just as we should travel DOWN if we began our existence fifty miles above the earth's surface.'
   `But the great difficulty is this,' interrupted the Psychologist. `You CAN move about in all directions of Space, but you cannot move about in Time.'
   `That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?'
   `Oh, THIS,' began Filby, `is all--'
   `Why not?' said the Time Traveller.
   `It's against reason,' said Filby.
   `What reason?' said the Time Traveller.
   `You can show black is white by argument,' said Filby, `but you will never convince me.'
   `Possibly not,' said the Time Traveller. `But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine--'
   `To travel through Time!' exclaimed the Very Young Man.
   `That shall travel indifferently in any direction of Space and Time, as the driver determines.'
   Filby contented himself with laughter.
   `But I have experimental verification,' said the Time Traveller.
   `It would be remarkably convenient for the historian,' the Psychologist suggested. `One might travel back and verify the accepted account of the Battle of Hastings, for instance!'
   `Don't you think you would attract attention?' said the Medical Man. `Our ancestors had no great tolerance for anachronisms.'
   `One might get one's Greek from the very lips of Homer and Plato,' the Very Young Man thought.
   `In which case they would certainly plough you for the Little-go. The German scholars have improved Greek so much.'
   `Then there is the future,' said the Very Young Man. `Just think! One might invest all one's money, leave it to accumulate at interest, and hurry on ahead!'
   `To discover a society,' said I, `erected on a strictly communistic basis.'
   `Of all the wild extravagant theories!' began the Psychologist.
   `Yes, so it seemed to me, and so I never talked of it until--'
   `Experimental verification!' cried I. `You are going to verify THAT?'
   `The experiment!' cried Filby, who was getting brain-weary.
   `Let's see your experiment anyhow,' said the Psychologist, `though it's all humbug, you know.'
   The Time Traveller smiled round at us. Then, still smiling faintly, and with his hands deep in his trousers pockets, he walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.
   The Psychologist looked at us. `I wonder what he's got?'
   `Some sleight-of-hand trick or other,' said the Medical Man, and Filby tried to tell us about a conjurer he had seen at Burslem; but before he had finished his preface the Time Traveller came back, and Filby's anecdote collapsed.
   The thing the Time Traveller held in his hand was a glittering metallic framework, scarcely larger than a small clock, and very delicately made. There was ivory in it, and some transparent crystalline substance. And now I must be explicit, for this that follows--unless his explanation is to be accepted--is an absolutely unaccountable thing. He took one of the small octagonal tables that were scattered about the room, and set it in front of the fire, with two legs on the hearthrug. On this table he placed the mechanism. Then he drew up a chair, and sat down. The only other object on the table was a small shaded lamp, the bright light of which fell upon the model. There were also perhaps a dozen candles about, two in brass candlesticks upon the mantel and several in sconces, so that the room was brilliantly illuminated. I sat in a low arm-chair nearest the fire, and I drew this forward so as to be almost between the Time Traveller and the fireplace. Filby sat behind him, looking over his shoulder. The Medical Man and the Provincial Mayor watched him in profile from the right, the Psychologist from the left. The Very Young Man stood behind the Psychologist. We were all on the alert. It appears incredible to me that any kind of trick, however subtly conceived and however adroitly done, could have been played upon us under these conditions.
   The Time Traveller looked at us, and then at the mechanism. `Well?' said the Psychologist.
   `This little affair,' said the Time Traveller, resting his elbows upon the table and pressing his hands together above the apparatus, `is only a model. It is my plan for a machine to travel through time. You will notice that it looks singularly askew, and that there is an odd twinkling appearance about this bar, as though it was in some way unreal.' He pointed to the part with his finger. `Also, here is one little white lever, and here is another.'
   The Medical Man got up out of his chair and peered into the thing. `It's beautifully made,' he said.
   `It took two years to make,' retorted the Time Traveller. Then, when we had all imitated the action of the Medical Man, he said: `Now I want you clearly to understand that this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion. This saddle represents the seat of a time traveller. Presently I am going to press the lever, and off the machine will go. It will vanish, pass into future Time, and disappear. Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don't want to waste this model, and then be told I'm a quack.'
   There was a minute's pause perhaps. The Psychologist seemed about to speak to me, but changed his mind. Then the Time Traveller put forth his finger towards the lever. `No,' he said suddenly. `Lend me your hand.' And turning to the Psychologist, he took that individual's hand in his own and told him to put out his forefinger. So that it was the Psychologist himself who sent forth the model Time Machine on its interminable voyage. We all saw the lever turn. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone--vanished! Save for the lamp the table was bare.
   Everyone was silent for a minute. Then Filby said he was damned.
   The Psychologist recovered from his stupor, and suddenly looked under the table. At that the Time Traveller laughed cheerfully. `Well?' he said, with a reminiscence of the Psychologist. Then, getting up, he went to the tobacco jar on the mantel, and with his back to us began to fill his pipe.
   We stared at each other. `Look here,' said the Medical Man, `are you in earnest about this? Do you seriously believe that that machine has travelled into time?'
   `Certainly,' said the Time Traveller, stooping to light a spill at the fire. Then he turned, lighting his pipe, to look at the Psychologist's face. (The Psychologist, to show that he was not unhinged, helped himself to a cigar and tried to light it uncut.) `What is more, I have a big machine nearly finished in there'--he indicated the laboratory--`and when that is put together I mean to have a journey on my own account.'
   `You mean to say that that machine has travelled into the future?' said Filby.
   `Into the future or the past--I don't, for certain, know which.'
   After an interval the Psychologist had an inspiration. `It must have gone into the past if it has gone anywhere,' he said.
   `Why?' said the Time Traveller.
   `Because I presume that it has not moved in space, and if it travelled into the future it would still be here all this time, since it must have travelled through this time.'
   `But,' I said, `If it travelled into the past it would have been visible when we came first into this room; and last Thursday when we were here; and the Thursday before that; and so forth!'
   `Serious objections,' remarked the Provincial Mayor, with an air of impartiality, turning towards the Time Traveller.
   `Not a bit,' said the Time Traveller, and, to the Psychologist: `You think. You can explain that. It's presentation below the threshold, you know, diluted presentation.'
   `Of course,' said the Psychologist, and reassured us. `That's a simple point of psychology. I should have thought of it. It's plain enough, and helps the paradox delightfully. We cannot see it, nor can we appreciate this machine, any more than we can the spoke of a wheel spinning, or a bullet flying through the air. If it is travelling through time fifty times or a hundred times faster than we are, if it gets through a minute while we get through a second, the impression it creates will of course be only one-fiftieth or one-hundredth of what it would make if it were not travelling in time. That's plain enough.' He passed his hand through the space in which the machine had been. `You see?' he said, laughing.
   We sat and stared at the vacant table for a minute or so. Then the Time Traveller asked us what we thought of it all.
   `It sounds plausible enough to-night,' said the Medical Man; 'but wait until to-morrow. Wait for the common sense of the morning.'
   `Would you like to see the Time Machine itself?' asked the Time Traveller. And therewith, taking the lamp in his hand, he led the way down the long, draughty corridor to his laboratory. I remember vividly the flickering light, his queer, broad head in silhouette, the dance of the shadows, how we all followed him, puzzled but incredulous, and how there in the laboratory we beheld a larger edition of the little mechanism which we had seen vanish from before our eyes. Parts were of nickel, parts of ivory, parts had certainly been filed or sawn out of rock crystal. The thing was generally complete, but the twisted crystalline bars lay unfinished upon the bench beside some sheets of drawings, and I took one up for a better look at it. Quartz it seemed to be.
   `Look here,' said the Medical Man, `are you perfectly serious? Or is this a trick--like that ghost you showed us last Christmas?'
   `Upon that machine,' said the Time Traveller, holding the lamp aloft, `I intend to explore time. Is that plain? I was never more serious in my life.'
   None of us quite knew how to take it.
   I caught Filby's eye over the shoulder of the Medical Man, and he winked at me solemnly.
'èr zhāng
   xiǎng men dāng shí shuí tài xiāng xìn shí jiān shì shí shàngshí jiān yóu shì cōng míng ràng rén gǎn xiāng xìn de rén cóng wèi gǎn dào kàn tòu guò zǒng shì huái tǎn shuài de bèi hòu hái yòu suǒ bǎo liúhái lìng yòu yòng xīnyào shì ràng fěi 'ěr zhǎn shì zhè tái bìng yòng shí jiān yóu de huà lái jìn xíng jiě shì men jiù huì zhè yàng chóngchóngyīn wéi men dìng huì kàn chuān de dòng lián shā zhū dedōu néng jiě fěi 'ěr dàn shìshí jiān yóu jǐn jǐn shì yòu fēn xiǎng tiān kāiér qiě mendōu xiāng xìn ràng cōng míng de rén míng shēng zhèn de shì qíng dào shǒu jiù chéng liǎo piàn rén de shì qíng zuòde tài róng shí zài shì cuò xiē kāi wán xiào de yán rèn zhēn de rén cóng wèi gǎn dào tòu guò de xíng wéi men fǎn zhèng zhī dàosuī rán men shàn cháng pàn duàn qīng xiāng xìn jiù tóng yòng dàn bān suì de zhuāng shì tuō 'ér suǒsuǒ xiǎng men zài xīng dào xià xīng de zhè duàn shí jiān shuí méi yòu duō tán shí jiān xíng de shì guò men duō shù rén de nǎo hái diàn zhe suī rán què yòu qián zài néng xìngzhè jiù shì biǎo miàn shàng néng 'ér shì shí shàng bùqiè shí jiù shì zào chéng nián dài diān dǎo tiān xià luàn de néng xìng xīn xiǎng zhe miàn de guǐ huā zhāo xīng zài lín 'ān shàng shēng hòu tóng tǎo lùn guò zhè wèn shuō zài bīn gēn jiàn guò lèi de shì qíngbìng qiě bié qiáng diào liǎo zhú bèi chuī miè de xiàn xiàngdàn huā zhāo shì shuǎ de méi jiě shì
   jiē xià lái de xīng yòu liǎo shì mǎn héng héng xiāng xìn shì shí jiān yóu de cháng zhī héng héng yóu dào wǎn xiàn rén zài de huì shì shēng zhàn zài qián shǒu zhe zhāng zhǐ shǒu zhe kuài shǒu biǎo cháo zhōu kàn kànxiǎng xún zhǎo shí jiān yóu 。“ xiàn zài jīng 7 diǎn bàn liǎo”, shēng shuō,“ kàn men zuì hǎo xiān chī fàn ?”
  “ zěn me jiàn……” wèn zhe shuō chū liǎo men zhù rén de míng
  “ gāng láizhēn shì guài shì dìng shì dān liǎo liú liǎo zhāng biàn tiáojiào 7 diǎn zhōng hái jiàn huí lái jiù xiān dài jiā chī fàn shuō huí lái hòu zài gēn huǒ jiě shì。”
  “ yòu fàn chī yòu diǎn 。” wèi zhù míng bào de biān ji shuō shēng suí hòu yáo liǎo yáo líng
   chú liǎo shēng xīn xué jiā shì wéi chū shàng wǎn cān huì de rén rén fēn bié shì shàng miàn dào de wèi biān ji lán wèi zhěhái yòu wèi shì liú zhe shān yáng nèi xiàng xiū de nán zhè rén rèn shí guān chá zhěng wǎn shàng méi kāi kǒu shuō huàyòng cān shí jiādōu zài cāi shí jiān yóu quē de yuán yīn bàn kāi wán xiào dào liǎo shí jiān xíngbiān ji yào men jiě shì xiàxīn xué jiā zhù dòng yào qiú duì men tiān deqiǎo miào de guài shì zuò fān shí de miáo shù zhèng jiǎng dào bàntōng zǒu láng de mén màn màn qiǎo rán shēng kāi liǎo shì cháo mén zuò de kàn dào liǎo yǎn qián de qíng jìng。“ hǎo!” shuō,“ zhōng huí lái !” jīng tàn shēngzhè shí mén kāi gèng liǎoshí jiān yóu zhàn zài men miàn qián
  “ tiān lǎo xiōngzěn me huí shì?” shēng shēng wèn dào shì 'èr kàn jiàn dequán zhuō de réndōu zhuǎn shēn cháo mén kǒu wàng
   xiǎn láng bèi kānwài tào yòu huī yòu zàngxiù guǎn shàng zhān mǎn liǎo qīng de tóu luàn zāohǎo xiàng biàn gèng jiā huī bái liǎo héng héng guǒ shì yīn wéi tóu shàng de huī chén gòu jiù shì tóu zhēn de qián gèng bái liǎo liǎn xià shàng liú zhe tiáo hái méi yòu wán quán de zōng kǒu shén qíng wéi huáimiàn róng gǎohǎo xiàng chī jìn liǎo tóu zhàn zài mén kǒuyóu liǎo piàn fǎng bèi dēng guāng huā liǎo yǎnsuí hòu qué guǎi zǒu jìn liǎo fáng jiānxiàng shì jiàn guò de xiē tuǐ suān jiǎo tòng de xíng zhě men jìng jìng wàng zhe děng dài kāi kǒu shuō huà
   shēng kēngfèi jìn lái dào zhuō qiáncháo jiǔ píng zuò liǎo shǒu shìbiān ji zhēn mǎn bēi xiāng bìntuī dào miàn qián yǐn 'ér jìnzhè xià hǎo xiàng lái liǎo diǎn jīng shényīn wéi cháo zhuō bàng de rén wàng liǎo yǎnliǎn shàng yòu lüè guò liǎo yīngyǒu de wēi xiào。“ dào shàng 'ér liǎolǎo xiōng?” shēng wènshí jiān yóu hǎo xiàng méi tīng jiàn。“ lái rǎo men,” shuōshēng yīn yòu diǎn chàn dǒu,“ méi shì。” shuō dào zhè yòu tíng liǎo xià láishēn chū bēi yòu yào liǎo diǎn jiǔyòu shì kǒu liǎo jīng guāng。“ cuò。” shuōshuāng yǎn yuè lái yuè yòu shénmiàn jiá shàng fàn chū liǎo dàn dàn de hóng yùn yòng chí dùn de zàn de guāng cháo men liǎn shàng sǎo liǎo yǎnjiē zhe zài wēn nuǎn shū shì de fáng jiān dōu liǎo juànsuí hòu yòu kāi kǒu shuō huà liǎohǎo xiàng hái shì zhī dào gāi shuō shí me。“ zǎohuàn huàn rán zài xià lái xiàng men jiě shì…… gěi liú diǎn yáng ròuwǒdōu yào chán liǎo。”
   cháo biān ji kàn liǎo yǎnbiān ji shì wèi wàng biān ji qiē biān ji liǎo wèn 。“ shàng jiù gào ,” shí jiān yóu dào,“ zhè múyàng héng héng tài xiào liǎo guò huì 'ér jiù hǎo liǎo。”
   fàng xià jiǔ bēicháo lǒu dào mén zǒu zài zhù dào liǎo zǒu qué guǎi de yàng ruǎn mián mián de jiǎo cóng zuò wèi shàng zhàn láizài chū mén de shí hòu zhe qīng liǎo de shuāng jiǎo de jiǎo shàng zhǐ tào liǎo shuāng xuè bān bān de lián xié dōuméi chuānzhè shí mén zài shēn hòu guān shàng liǎo zhēn xiǎng gēn chū bāng bāng xiǎng dào tǎo yàn bié rén wèitā de shì qíng jīng xiǎo guài yòu xiāo liǎo niàn tóu shí xīn luàn zhī suǒ cuòzhè shí tīng jiàn biān ji shuōzhù míng xué jiā de jīng rén zhī ,” chū guànyòu zài kǎo de wén zhāng biāo liǎo de zhù yòu bèi huí dào liǎo fēn liè de cān zhuō shàng
  “ zhè shì wán shénme yóu ?” zhě shuō,“ zhí zài bàn yǎn gài zhēn míng bái。” xīn xué jiā guāng xiāng cóng liǎn shàng kàn chū lái liǎ de jiě shì xiāng tóng de xiǎng liǎo shí jiān yóu qué guǎi lóu de tòng múyàng wéi rén méi zhù dào de jiǎo hǎo
   cóng jīng zhōng huī guò lái de shì shēng yáo yáo líng héng héng shí jiān yóu huān ràng rén zhàn zài cān zhuō bàng héng héng shì shàng càizhè shí biān ji zhe liǎo dāo chā chén guǎ yán de rén gēn zhe liǎo dāo chāwǎn fàn jìn xíngzhuō shàng de tán huà yòu duàn shí jiān jìng biàn chéng liǎo jiào hǎnhái shí mào chū shēng jīng tànzhè shí biān ji zài 'àn zhù de hàoqí xīn liǎo:“ men de péng yǒu shì yòu bàng mén zuǒ dào lái gāo de shōu hái shì zài xué jiá 'èr shì ?” wèn dào。“ kěn dìng zhè shí jiān yòu guān。” jiē guò xīn xué jiā shù de men shàng huì de huà dàoxīn lái de rén xiǎn rán xiāng xìnbiān ji chū liǎo fǎn duì jiàn:“ zhè shí jiān xíng jiū jìng shì shénme rén zǒng huì zài tán guài lùn gǔn mǎn shēn shì ?” shuō zhe xiǎng liǎo shénme shì jiù fěng lái,“ nán dào wèi lái rén lián dǎn shuà dōuméi yòu?” zhě shì xiāng xìn zhàn dào liǎo biān ji de biānduì zhěng shì qíng héng jiā cháo nòng liǎ dōushì xīn shì de xīn wén gōng zuò zhě héng héng zhǒng shēng xìng kuài yòu quē mào de nián qīng rén。“ men dehòu tiānbào yuē zhě bào dào shuō,” zhě zhèng shuō zhe héng héng shí shì hǎn zhe héng héng shí jiān yóu huí lái liǎo chuānzhuó tōng de chú liǎo miàn jiù xiǎn huāng huáigāng cái ràng men chī jīng de yàng yǐng zōng
  “ shuō,” biān ji xīng gāo cǎi liè shuō,“ zhè xiē jiā huǒ shuō gāng cái dào xià xīng xíng liǎogēn men jiǎng jiǎng xiǎo luó de shìhǎo jué de mìng yùn ?”
   shí jiān yóu shēng kēng lái dào liú gěi de zuò wèi bàng wǎng yàng 'ān xiáng xiào liǎo。“ de yáng ròu ?” shuō,“ dāo chā shàng yòu néng chā shàng ròu zhēn shì xiǎng shòu 'ā!”
  “ shì!” biān ji hǎn dào
  “ de shì !” shí jiān yóu shuō。“ xiǎng chī diǎn dōng tián bǎo shì shénme huì jiǎng dexiè xiè yán 。”
  “ jiù jiǎng huà,” shuō,“ shí jiān xíng liǎo ?”
  “ shì de。” shí jiān yóu zuǐ sài mǎn liǎo dōng biān diǎn tóu biān huí
  “ yuàn chū měi xíng xiān lìng de jiàmǎi xià gǎo。” biān ji shuōshí jiān yóu bēi tuī xiàng wèi chén zhěbìng yòng zhǐ jiá qiāo qiāo bēi liǎng yǎn zhí wàng zhe shí jiān yóu de chén zhě xià liǎo tiàogǎn máng wèitā zhēn mǎn jiǔ bēisuí hòu chī fàn de fēn shì lìng rén kuài dejiù 'ér yánwèn shí mào dào zuǐ biān gǎn shuō rén dìng yòu tóng gǎnxīn wén zhě jiǎng liǎo hǎi · de shì wénxiǎng huǎn xià jǐn zhāng de fēnshí jiān yóu mén xīn zhǐ chī fànwèi kǒu xiàng liú làng hàn shēng diǎn rán xiāng yān yǎn wàng zhe shí jiān yóu chén zhě píng shí gèng bèn kǒu zhuō shé tíng mèn shēng zhe xiāng jiǔjiè yǎn shì nèi xīn de jǐn zhāng 'ānshí jiān yóu zhōng tuī kāi pán cháo men wàng liǎo yǎn。“ xiǎng yīnggāi dào qiàn”, shuō,“ gāng cái shí zài shì 'è liǎo de jīng tài jīng rén liǎo。” shēn shǒu liǎo xuějiā yānqiē yān 。“ hái shì yān shì shì tài cháng liǎozǒng néng zài zhè yóu de pán qián jiǎng 。” shùn shǒu yáo liǎo yáo línglǐng jiā zǒu jìn fáng jiān
  “ duì dài qiáo shì lán jiǎng guò shí jiān xíng de shì ?” biān wèn biān kào shàng 'ān diǎn chū liǎo zhè sān wèi xīn rén de míng
  “ zhè zhǒng shì qíng chún shǔ chě。” biān ji shuō
  “ jīn wǎn biàn lùn yuàn jīng guò gào mendàn xiāng biàn lùn guǒ men xiǎng tīng,” shuō dào,“ jiù de zāo quán gào mendàn néng duàn de huà hěn xiǎng zhè shì jiǎng chū lái duō shù nèi róng tīng lái xiàng shì huǎng huà shì qíng jiù shì zhè yàngzhè shì zhēn de héng héng jué duì shì zhēn huà 4 diǎn zhōng hái zài shí yàn shìsuí hòu…… guò liǎo 8 tiān shí jiān…… zhè shì shuí céng yòu guò de 'ā xiàn zài zhēn shì jīng jié shì qíng gào men shì huì shuì jué dejiǎng wán liǎo zài shuìdàn chā huà tóng ?”
  “ tóng 。” biān ji shuō men rén gēn zhe shuō liǎo shēngtóng ”。 shìshí jiān yóu kāi shǐ jiǎng shù xià miàn de zhè shì xiān shì kào zài shàngjiǎng huà xiàng láolèi guò de rénhòu lái xiè jiǎng yuè jìn shí bié gǎn dào de qiàn quēyóu shì shēn néng de zhè shì lín jìn zhì biǎo chū lái xiǎng men huì jīng huì shén dedàn shì men qīn yǎn jiǎng shù zhě zài xiǎo dēng zhào shè xià de zhāng cāng bái 'ér yòu yán de liǎn tīng dào de jiǎng huà shēng diào men zhī dào de biǎo qíng shì suí zhe shì de zhǎn 'ér biàn huà de men zhè xiē tīng zhòng duō zuò zài dēng yǐng yīn wéi yān shì méi yòu diǎn zhúdēng guāng zhǐ zhào dào liǎo zhě de liǎn wèi chén zhě de xiǎo tuǐ chū men hái shí xiāng wàng wàngguò liǎo huì 'érjiù zài xiá bié rénzhǐ shì liǎng yǎn dīng zhe shí jiān yóu de liǎn


  I think that at that time none of us quite believed in the Time Machine. The fact is, the Time Traveller was one of those men who are too clever to be believed: you never felt that you saw all round him; you always suspected some subtle reserve, some ingenuity in ambush, behind his lucid frankness. Had Filby shown the model and explained the matter in the Time Traveller's words, we should have shown HIM far less scepticism. For we should have perceived his motives; a pork butcher could understand Filby. But the Time Traveller had more than a touch of whim among his elements, and we distrusted him. Things that would have made the frame of a less clever man seemed tricks in his hands. It is a mistake to do things too easily. The serious people who took him seriously never felt quite sure of his deportment; they were somehow aware that trusting their reputations for judgment with him was like furnishing a nursery with egg-shell china. So I don't think any of us said very much about time travelling in the interval between that Thursday and the next, though its odd potentialities ran, no doubt, in most of our minds: its plausibility, that is, its practical incredibleness, the curious possibilities of anachronism and of utter confusion it suggested. For my own part, I was particularly preoccupied with the trick of the model. That I remember discussing with the Medical Man, whom I met on Friday at the Linnaean. He said he had seen a similar thing at Tubingen, and laid considerable stress on the blowing out of the candle. But how the trick was done he could not explain.
   The next Thursday I went again to Richmond--I suppose I was one of the Time Traveller's most constant guests--and, arriving late, found four or five men already assembled in his drawing-room. The Medical Man was standing before the fire with a sheet of paper in one hand and his watch in the other. I looked round for the Time Traveller, and--`It's half-past seven now,' said the Medical Man. `I suppose we'd better have dinner?'
   `Where's----?' said I, naming our host.
   `You've just come? It's rather odd. He's unavoidably detained. He asks me in this note to lead off with dinner at seven if he's not back. Says he'll explain when he comes.'
   `It seems a pity to let the dinner spoil,' said the Editor of a well-known daily paper; and thereupon the Doctor rang the bell.
   The Psychologist was the only person besides the Doctor and myself who had attended the previous dinner. The other men were Blank, the Editor aforementioned, a certain journalist, and another--a quiet, shy man with a beard--whom I didn't know, and who, as far as my observation went, never opened his mouth all the evening. There was some speculation at the dinner-table about the Time Traveller's absence, and I suggested time travelling, in a half-jocular spirit. The Editor wanted that explained to him, and the Psychologist volunteered a wooden account of the `ingenious paradox and trick' we had witnessed that day week. He was in the midst of his exposition when the door from the corridor opened slowly and without noise. I was facing the door, and saw it first. `Hallo!' I said. `At last!' And the door opened wider, and the Time Traveller stood before us. I gave a cry of surprise. `Good heavens! man, what's the matter?' cried the Medical Man, who saw him next. And the whole tableful turned towards the door.
   He was in an amazing plight. His coat was dusty and dirty, and smeared with green down the sleeves; his hair disordered, and as it seemed to me greyer--either with dust and dirt or because its colour had actually faded. His face was ghastly pale; his chin had a brown cut on it--a cut half healed; his expression was haggard and drawn, as by intense suffering. For a moment he hesitated in the doorway, as if he had been dazzled by the light. Then he came into the room. He walked with just such a limp as I have seen in footsore tramps. We stared at him in silence, expecting him to speak.
   He said not a word, but came painfully to the table, and made a motion towards the wine. The Editor filled a glass of champagne, and pushed it towards him. He drained it, and it seemed to do him good: for he looked round the table, and the ghost of his old smile flickered across his face. `What on earth have you been up to, man?' said the Doctor. The Time Traveller did not seem to hear. `Don't let me disturb you,' he said, with a certain faltering articulation. `I'm all right.' He stopped, held out his glass for more, and took it off at a draught. `That's good,' he said. His eyes grew brighter, and a faint colour came into his cheeks. His glance flickered over our faces with a certain dull approval, and then went round the warm and comfortable room. Then he spoke again, still as it were feeling his way among his words. `I'm going to wash and dress, and then I'll come down and explain things. . . Save me some of that mutton. I'm starving for a bit of meat.'
   He looked across at the Editor, who was a rare visitor, and hoped he was all right. The Editor began a question. `Tell you presently,' said the Time Traveller. `I'm--funny! Be all right in a minute.'
   He put down his glass, and walked towards the staircase door. Again I remarked his lameness and the soft padding sound of his footfall, and standing up in my place, I saw his feet as he went out. He had nothing on them but a pair of tattered blood-stained socks. Then the door closed upon him. I had half a mind to follow, till I remembered how he detested any fuss about himself. For a minute, perhaps, my mind was wool-gathering. Then, 'Remarkable Behaviour of an Eminent Scientist,' I heard the Editor say, thinking (after his wont) in headlines. And this brought my attention back to the bright dinner-table.
   `What's the game?' said the Journalist. `Has he been doing the Amateur Cadger? I don't follow.' I met the eye of the Psychologist, and read my own interpretation in his face. I thought of the Time Traveller limping painfully upstairs. I don't think any one else had noticed his lameness.
   The first to recover completely from this surprise was the Medical Man, who rang the bell--the Time Traveller hated to have servants waiting at dinner--for a hot plate. At that the Editor turned to his knife and fork with a grunt, and the Silent Man followed suit. The dinner was resumed. Conversation was exclamatory for a little while, with gaps of wonderment; and then the Editor got fervent in his curiosity. `Does our friend eke out his modest income with a crossing? or has he his Nebuchadnezzar phases?' he inquired. `I feel assured it's this business of the Time Machine,' I said, and took up the Psychologist's account of our previous meeting. The new guests were frankly incredulous. The Editor raised objections. `What WAS this time travelling? A man couldn't cover himself with dust by rolling in a paradox, could he?' And then, as the idea came home to him, he resorted to caricature. Hadn't they any clothes-brushes in the Future? The Journalist too, would not believe at any price, and joined the Editor in the easy work of heaping ridicule on the whole thing. They were both the new kind of journalist--very joyous, irreverent young men. `Our Special Correspondent in the Day after To-morrow reports,' the Journalist was saying--or rather shouting--when the Time Traveller came back. He was dressed in ordinary evening clothes, and nothing save his haggard look remained of the change that had startled me.
   `I say,' said the Editor hilariously, `these chaps here say you have been travelling into the middle of next week! Tell us all about little Rosebery, will you? What will you take for the lot?'
   The Time Traveller came to the place reserved for him without a word. He smiled quietly, in his old way. `Where's my mutton?' he said. `What a treat it is to stick a fork into meat again!'
   `Story!' cried the Editor.
   `Story be damned!' said the Time Traveller. `I want something to eat. I won't say a word until I get some peptone into my arteries. Thanks. And the salt.'
   `One word,' said I. `Have you been time travelling?'
   `Yes,' said the Time Traveller, with his mouth full, nodding his head.
   `I'd give a shilling a line for a verbatim note,' said the Editor. The Time Traveller pushed his glass towards the Silent Man and rang it with his fingernail; at which the Silent Man, who had been staring at his face, started convulsively, and poured him wine. The rest of the dinner was uncomfortable. For my own part, sudden questions kept on rising to my lips, and I dare say it was the same with the others. The Journalist tried to relieve the tension by telling anecdotes of Hettie Potter. The Time Traveller devoted his attention to his dinner, and displayed the appetite of a tramp. The Medical Man smoked a cigarette, and watched the Time Traveller through his eyelashes. The Silent Man seemed even more clumsy than usual, and drank champagne with regularity and determination out of sheer nervousness. At last the Time Traveller pushed his plate away, and looked round us. `I suppose I must apologize,' he said. `I was simply starving. I've had a most amazing time.' He reached out his hand for a cigar, and cut the end. `But come into the smoking-room. It's too long a story to tell over greasy plates.' And ringing the bell in passing, he led the way into the adjoining room.
   `You have told Blank, and Dash, and Chose about the machine?' he said to me, leaning back in his easy-chair and naming the three new guests.
   `But the thing's a mere paradox,' said the Editor.
   `I can't argue to-night. I don't mind telling you the story, but I can't argue. I will,' he went on, `tell you the story of what has happened to me, if you like, but you must refrain from interruptions. I want to tell it. Badly. Most of it will sound like lying. So be it! It's true--every word of it, all the same. I was in my laboratory at four o'clock, and since then . . . I've lived eight days . . . such days as no human being ever lived before! I'm nearly worn out, but I shan't sleep till I've told this thing over to you. Then I shall go to bed. But no interruptions! Is it agreed?'
   `Agreed,' said the Editor, and the rest of us echoed `Agreed.' And with that the Time Traveller began his story as I have set it forth. He sat back in his chair at first, and spoke like a weary man. Afterwards he got more animated. In writing it down I feel with only too much keenness the inadequacy of pen and ink --and, above all, my own inadequacy--to express its quality. You read, I will suppose, attentively enough; but you cannot see the speaker's white, sincere face in the bright circle of the little lamp, nor hear the intonation of his voice. You cannot know how his expression followed the turns of his story! Most of us hearers were in shadow, for the candles in the smoking-room had not been lighted, and only the face of the Journalist and the legs of the Silent Man from the knees downward were illuminated. At first we glanced now and again at each other. After a time we ceased to do that, and looked only at the Time Traveller's face.
shǒuyè>> >> 科幻小说>> 赫伯特·乔治·威尔斯 Herbert George Wells   英国 United Kingdom   温莎王朝   (1866年9月21日1946年8月13日)