shǒuyè>> >> 现实百态>> 露意莎·梅·奥尔科特 Louisa May Alcott   美国 United States   美国重建和工业化   (1832年11月29日1888年3月6日)
xiǎo rén Little Women
  nán běi zhàn zhēng shí zài zhū sài zhōu de suǒ jiù fáng zhù zhe jiā xiān shēng suí jūn zhào shāng yuán liǎojiā zhōng liú xià shàn liáng de tài tài 'érzài qīn de yǐng xiǎng xià jiě mèi shí cháng bāng zhù qióng rén men shèn zhì jiāng shèng dàn jié zǎo cān sòng gěi liǎo jiā qióng de rénlín láo lún lǎo xiān shēng tīng shuō shì hòuzhǔn bèi liǎo zhuō cān zuò wéi sòng gěi men de shèng dàn qiáo tóng lǎo xiān shēng de sūn láo qíng tóu méi duì láo de jiā tíng jiào shī yuē hàn jiàn qīng xīnài yòu shí huì qiáo nào bié niǔdàn hěn kuài jiù zhòng guī hǎo fēng diàn bào dài lái liǎo xìng xiān shēng bìng zhòng zhù yuàn tài tài gǎn wǎng huá shèng dùn jiā lǒngzhào zài céng yīn mái zhōng jiě mèi zhù guò liǎo nán guān jiǔ qīn bìng chū de qīn huí dào jiā zhōng jiā rén yòu xìng zài nián hòuméi yuē hàn jié wéi láo xiàng qiáo qīng 'ài zhī qíngzāo dào huí juéláo yuǎn 'ōu zhōuzài guó ǒu 'ài qiáo mèi men de shēng huó wéi cái chuàng zuò liǎo xiǎo shuō jiā yòu nào liǎo láishěn hòu jiāng de fáng liú gěi liǎo qiáoqiáo jiāng gǎi jiàn chéng suǒ xué xiào
  《 xiǎo rén》 - zuò zhě jiǎn jiè
  
   suō ào 'ěr ( LouisaMayAlcott, 1832 1888), měi guó zuò jiā。 1832 nián 11 yuè 29 chū shēng zài bīn zhōu de jié màn zhèn( Germantown)。 de qīn láng xùn ào 'ěr shì zhū sài zhōu kāng wèi xué chéng cái de zhé xué jiāxué xiào gǎi jiā tuō bāng zhù zhě shēng chén duì xiǎng de zhuī qiú zhì dān jiā tíng shēng huówéi chí shēng de dān xiān shì luò dào de shēn shàngér hòu yòu luò dào yòu jìn jīng shén de 'èr 'ér suō ào 'ěr shēn shàng suō dào xué xiào jiào guò shūdāng guò cái féng shìzuò guò yùn huó, 15 suì shí hái chū zuò guò yōng rén
  
   suō 10 suì shí biàn xīn yǎn chū, 15 suì shí xiě chū qíng jié , 21 suì kāi shǐ biǎo shī xiǎo pǐn
  
  1868 nián wèi chū bǎn shāng jiàn xiě guān hái de shū biàn gēn hái de xiě chéngxiǎo rén》。 shū zhōng miáo xiě chéng qiáo de jiě mèi 'ān suō bái biàn fēn bié chéng wéi méi ài měibèi shū zhōng de duō shì cái xiàn shí shēng huó guò xiàn shí shēng huó zhōng de 'ào 'ěr jiā jīng zhuàng kuàng yuǎn xià de jiāchū zuò zhě liào de shìxiǎo rén dòng liǎo shù měi guó zhěyóu shì xìng zhě de xīn xiánzhī hòu suō yòu xiě liǎoxiǎo nán rénqiáo de nán hái men》, 1873 nián yòu xiǎo shuō xíng shì chū bǎn liǎo zìzhuàn zhù zuòjīng yàn de shì》。
  
   suō chéng míng hòu zhuàn xiě xiǎo shuō shìbìng tóu shēn xuǎn yùn dòng jìn jiǔ yùn dòngměi guó nèi zhàn jiān zài huá shèng dùn zuò guò jūn duì jiù rén yuánhòu lái hái dān rèn guò jiā 'ér tóng kān ( RobertMerry'sMuseum) de biān ji 1888 nián 3 yuè 6 zài shì dùn shì
  《 xiǎo rén》 - nèi róng fēn
  
   jiā yòu jiě mèishēng huó qīng pínjiǎn dān 'ér yòu wēn xīn mèi xìng jiǒng lǎo méi piào liàng duān zhuāngyòu xiē 'ài rónglǎo 'èr qiáo yóu wàng chéng wéi zuò jiālǎo sān bèi shàn liáng xiū 'ài yīnyuèlǎo 'āi cōng huì huó àihào shù wàng chéng wéi míng shàng liú shè huì deshū ”。
    
   suǒ yòu shí dài de suǒ yòu shàonǚ chéngzhǎng guò chéng zhōng suǒ yào miàn duì de jīng dedōukě zài zhè běn shū zhōng zhǎo dàochū liàn de tián fán nǎogǎn qíng zhì de xuǎn xiǎng xiàn shí de chā pín qióng yòu de máo dùn
    
  《 xiǎo rén shì qíng jié jiǎn dān zhēn shíquè gǎn rén zhì shēnwèn shì bǎi duō nián láiduō bèi bān shàng yín bìng bèi chéng zhǒng wén chéng wéi shì jiè wén xué bǎo zhōng de jīng diǎn míng zuòshū zhōng miáo xiě de zhǒng zhǒng qíng gǎn yàn shēng huó jīng céng jīngzhèng zài bìng jiāng yào shēng zài měi shàonǚ zǒu xiàng chéng shú de guò chéng zhī zhōngshū zhōng chàng shàn liángzhōng chéng kāng kǎizūn yánkuān róngjiān rènyǒng gǎn shì rén lèi yǒng yuǎn zūn chóng zhuī qiú de měi xìn yǎngsuǒ yòu zhè xiē zhè běn shū chāo zhào shí dài guó de shēng mìng zhè zhèng shì chéng wéi xiǔ de diǎn de mèi yuán yīn suǒ zài
  《 xiǎo rén》 - yǎn yuán jiè shào
  
  《 xiǎo rénwēi nuò ruì
   wēi nuò ruì 1971 nián 10 yuè chū shēng míng zhōu shì 60 nián dài de shì héng héng 'ài yóufǎn duì zhù liú wén huà men zuò míng zhōu de xiǎo zhèn de míng zuò wéi 'ér de míng wēi nuò cóng xiǎo shòu dào jiā tíng de 'àishēng huó shí fēn měi mǎn xìng zài shì zuò jiā de qīn de yǐng xiǎng xià cóng xiǎo jiù 'ài kàn shūzhǎng liǎo liàng zhī shíér yòu nián shí duì jīng diǎn diàn yǐng de liànshǐ xià jué xīn yào dāng míng yǎn yuánshàng gāo zhōng hòu jiā liǎo xué xiào de tuánhuó yuè zài tái shàng yòu hǎo de biǎo yǎn tiān yòu shí fēn kěn xīn zuānyán xué gāo zhōng hòujiù jīng rén qiān yuē pāi diàn yǐng
  
   zài hǎo lāi zhòng duō xīng zhōngyào zài tóng shí huò wěi dǎo yǎn de shǎng shí shí shǔ dàn wēi nuò què huò tóng lǐng dǎo yǎn de zhì zàn shǎng guǎn shì huànkǒng huò shì shǐ huàiwēi nuò ruì dōuzài yòng jìn quán de bàn yǎn yǎn yuán de juésè。 1988 niánjiáqiào chóng zhī piàn shǐ guān zhòng zhù dào zhè yòu zhe shuāng huì xiá yǎn de xīngzài yǎn guò duō shàonǚ piàn hòu, 1991 nián jiē yǎn jiǎ de qiú zhī zhèng shì mài chéng shú juésèér nián dǎo yǎn dejīng qíng bǎi niángèng jiāng tuī shàng piào fáng míng xīng de wèi chéng wéi hǎo lāi xīn dài de jiē bān xīng zhī
  《 xiǎo rén》 - hòu zhì zuò
  
   suō méi ā 'ěr kǎo de jīng diǎn zìzhuàn xiǎo shuōqiáng diào rén zūn yán de zhòng yào yòu qiáng liè de gǎn rǎn shǔ xìng cái de bǎo liú zhè bǎn běn biān biǎo yǎnshè yǐng jūn de chéng 1933 nián bǎn měi。 1933 nián de hēi bái bǎn yóu qiáo zhì dǎo yǎnkǎi lín běn zhù yǎnnǎi gāi de jīng diǎn bǎn; 1949 nián de cǎi bǎn zhèn róng gèng háo huábāo kuò suō bái tài děngdàn zǒng chéng shāo xùn chóu; 1978 nián de diàn shì bǎn zuì ruò
  《 xiǎo rén》 - yǐngpiān píng jià
  
  《 xiǎo rénshì suō shì zhī hòu bèi gǎi biān chéng diàn yǐng de shù zuì duō de xiǎo shuō zhī méi ā 'ěr de xiǎo shuō gōng liǎo fēi cháng yòu de qíng jié jiě mèi de shēng huó chéng wéi xiàn suǒsuí zhe men de chéng cháng biàn huàchǔlǐ yǒng héng de 'ài de wèn chú liǎo shì běn shēn zài chǎng jǐng shè zhì zài shí jiǔ shì liù shí nián dài 'ér yǐn rén zhù rén xiāng guān héng héng péng yǒu 'ài rén héng héng shǔ yǒng guò shí de zhù zhè xiē dōuchéng liǎo zhè xiǎo shuō duàn bèi gǎi biān chéng diàn yǐng de yǒng yuǎn de dòng xiāng duì bǎn běn de diàn yǐngsān shí nián dài hǎo lāi gāo fēng de zhè suàn shàng wéi yōu xiù de duì xiǎo shuō yuán zhù de zhōng shí 'ér shèngér kǎi lín běn bàn yǎn de qiáo chǔ chǔ dòng rénshēn rén xīn
  
   méi yòu dòng rén xīn de zhāng huí méi yòu diē dàng de qíng jié tiáo cóng cóng liú tǎng de xiǎo jiāo zhì zhe duì 'ài de zhōng chéngduì qīn qíng de wàngràng rén gǎn jué fǎng xiàng zài hán lěng lǐn liè de dōng zuò zài wēn nuǎn de huǒ biān běn ràng rén gǎn dòng luò lèi de xiǎo shuō huò zhe bēi nóng xiāng de fēifàn zhe wēi wēi de lián ,《 xiǎo réngěi de gèng duō de shì zhǒng wēn xīn
  
   méi yòu zhe huā yàng róng mào de hái de yǎn jīngtián tián de xiào róng tóu zōng xiù yòu nóng yòu hòu suī rán yòu diǎn 'ài róngdàn wèile 'ài qíng 'ér gān pín kùnfàng liǎo shěn shěn de chǎnjià gěi liǎo qīng pín de xiān shēngguò zhe zhōng dài tián de xìng shēng huó fàng liǎo xiǎng shòu róng huá guì de mèng xiǎngquè huàn lái liǎo shēng de xìng zài jiā tíng de nán zhōng huì dào liǎo jiā rén de 'ài cái shì zuì zhēn guì de cái suǒ xuǎn liǎo lìng shēng yòu de 'ài qíngméi huā bān měi rén měixīn měi
  
   bèi shì diǎn xíng dexiǎo níng jìng”, 'ài yīnyuèyòu zhe shuāng míng liàng de yǎn jīnghóng rùn de rùn de xiù chù chù wéi bié rén zhuóxiǎng wéi bié rén chū de guān 'ài dāng miàn duì wáng de shí hòudāng zhěng zhěng tiān dōushì xuě fēn fēikuáng fēng hǒu de shí hòu cāng bái 'ér píng jìng de liǎn shàng méi yòu suǒ wèi de yuàn tiān yóu rén zǒng shì chōng mǎn wàng shuō:“ hěn kuài huì hǎo lái de。” de bìng tòng shǐ zhōu wéi de rén xiàn de bēi tòng guǒ rén yuàn chū me yǒng yuǎn huì dào huí bàoyóu zài kùn nán zhī guān xīn zhēn qíng yóu wéi zhòng yàoshì rén huò quē de shēng mìng zhī zhùér zhè xiē yào men píng zuò dào zhēn chéng guān 'ài
  
   ài jué shì hěn shù gǎn de hái 'ài huì huàduì shì yòu zhe de shěn měi shì jiě mèi zhōng zuì yòu líng dedàn yòu qiáng de róng xīndàn shì shàn liángyòu jiān qiáng zhí pín kùn wéi rènzài guó wài de niánràng gèng jiā chéng shú yīn wéi láo míng bái liǎoyòu liǎo jīn qián dàn què dǒng zūn zhòng shì bìng néng dào xìng de”, zhú jiàn chéngzhǎng wéi rén 'ài de xiǎo rén
  《 xiǎo rén》 - huā
  
   céng wéi xiǎo 'ài jiǎo shì jìngdàn shì téng dèng dào liǎo zhè juésè màn céng lái shì jìngpāi shè zhōng lāi 'ěr dān zhe zhú shàng lóu shí tóu bèi shāo zhe liǎo yǐngpiān jié wěi xiě zhe xiàn gěi liǎng rén shì bèi bǎng jià de 12 suì jiā zhōu hái PollyKlaas, hòu lái xiàn shí jīng bèi shālìng shì wēi nuò ruì gēn zhè hái dōulái Petaluma, wéi hái de sōu jiù xíng dòng bēn zǒu chū liǎo hěn duō jǐng shè shī kǎo bèi liǎo xiǎo shuō zuò zhě suō méi ài 'ěr kǎo zài zhū sài zhōu kāng (Concord) de jiāài 'ěr kǎo shì zài jiā zhōng wán chéng de xiǎo shuō chuàng zuòbìng shì jiàn shēng de chǎng jǐng xiǎng xiàng chéng jiā piàn zhōng 'ài gěi suǒ de shèng jīng shì wèi jiào shèng jīngjiù yuē quán shūzhōng de juàn ) 22 zhāng de nèi róng
  《 xiǎo rén》 - shū zhāi 
  
   qiáo méi zuò zài zuò zhēn xiàn shí xiàn jiě jiě yòu liǎo hěn de jìn néng tán huàzhī dào duō yòu guān liáng jiā de chōng dòngxiǎng gǎn qíng cóng zhàng hái men shēn shàng dào liǎo hěn de xìng mendōu wéi duì fāng jìn zhe
    
  “ hūn yīn jìng shì jiàn hǎo de shì qíngyào shì shì shì zhī jié huì huì yòu bàn hǎo?” qiáo shuō zài nòng luàn zāo de 'ér shì wéi zhì zuò fēng zhēng
    
  “ suǒ yào de zhèng shì chū xìng zhōng wēn róu de bànqiáo jiù xiàng dài de wài miàn duō nèi què guāng huá róu ruǎnyào shì yòu rén néng jiē jìnhái yòu tián guǒ rénjiāng lái yòu tiānài qíng huì shǐ biǎo xīn de shí de biàn tuō luò liǎo。”“ rényán shuāng huì dòng kāi shǐ jìn yáo huì yáo xià nán hái men hǎo cǎi shì huān ràng men yòng kǒu dài zhuāng zhe,” qiáo dào zài nián zhe fēng zhēngzhè fēng zhēng lùn guā shénme fēng shàng liǎo tiānyīn wéi dài dāng zuò fēng zhēng wěi zài liǎo shàng miàn
    
   méi xiào liǎo gāo xīng kàn dào liǎo diǎn qiáo de lǎo dàn shì jué yòng suǒ néng xiǎng dào de quán lùn lái jiān chí de guān diǎnzhè shì de rènjiě mèi liǎ de tán huà méi yòu bái fèi bié shì yīn wéi méi liǎng zuì yòu shuō de lùn shì hái menqiáo wēn róu 'ài zhe menqiáo jīhū zuò hǎo zhǔn bèi bèi zhuāng jìn kǒu dài liǎohái yào zhào xiē yáng guāngshǐ chéng shúrán hòu shì bèi nán hái jiāo zào yáo luòér shì nán rén de shǒu shēn shàng qīng qīng kāi jiù huì xiàn guǒ rén chéng shú tián měijiǎ shǐ céng huái dào zhè diǎn huì jǐn jǐn fēng lái dehuì qián gèng rénsuǒ xìng de shì méi yòu xiǎng dào suǒ shí jiān dào zhè biàn diào luò xià lái liǎo
    
   yào shuō qiáo shì dào shì shū zhōng de zhù rén gōng de huà mezài shēng huó de zhè shí yīnggāi biàn shí fēn shèng jiéyīnggāi tuì yǐnyīnggāi kǒu dài zhuāng zhe zōng jiào chuán dāndài zhe qīng xīn guǎ de mào chù zuò shàn shì shìyào zhī dàoqiáo shì zhù rén gōngxiàng chéng bǎi shàng qiān de niàn yàng zhǐ shì zhēngzhá zhe de fán rénsuǒ zhe xìng xíng shì bēi 'āijiāo zào 'ānhuò zhě jīng shén bǎo mǎnsuí xīn jìng 'ér dìng men yào zuò hǎo rénzhè yàng shuō fēi cháng yòu dào shì men néng jiù zuòde dào yào yòu rén cháng de yǐn dǎoyòu de yǐn dǎohái yào jiā tóng xīn xié bāng zhù men zhōng yòu xiē rén shèn zhì cái néng zhèng què dào qián wéi zhǐqiáo cuò
  
   xué zhe jìn de rènjìn dào biàn huì gǎn dào kuài shì xīn gān qíng yuàn zuò -- òzhè shì lìng shì liǎo cháng shuō yào zuò xiē chū de shì guǎn yòu duō nánxiàn zài shí xiàn liǎo yuàn wàngyīn wéi shēng fèng xiàn gěi shǐ men gǎn dào jiā tíng xìng jiù xiàng men ràng gǎn dào de yàngyòu shénme zhè jiàn shì gèng měi hǎo de zhè yàng jiāo zào 'ānxióng xīn de niànfàng liǎo de wàngjìhuà yuàn yuàn huǐ wéi bié rén huó zhejiǎ yào yòng kùn nán lái zēng jiā de měi miào zhī chù de huàhái yòu shénme zhè gèng nán zuò dào de
  
   shàng xiāng xìn liǎo de huàshǐ mìng jiù zài zhè bìng shì suǒ dài dedàn shì gèng hǎoyīn wéi méi yòu guān me néng wán chéng rèn jué dìng shìzài zuì chū de cháng shì zhōng zhǎo dào liǎo chū de xiē bāng zhùhái yòu bié de bāng zhù gěi jiē shòu liǎo shì zuò wéi jiǎng shǎngér shì zuò wéi 'ān wèijiù xiàng shè kùn nán zhī shānzài xiǎo shù xià xiē shíxiǎo shù shǐ shén yàng
   
  “ wèishénme xiě diǎn dōng qián zǒng huì shǐ kuài de,” jiàn qiáo yòu lái liǎo zhèn xiāo chén qíng liǎn yīn chénbiàn zhè yàng shuō dào
  
  “ méi yòu xīn xiě shǐ xiě liǎo méi rén huān 。”“ men huānwèiwǒ men xiě diǎn dōng qiān wàn bié zài bié de rénqīn 'ài deshì shì kěn dìng huì duì yòu hǎo chùér qiě shǐ men fēi cháng gāo xīng。”
    
  “ xiāng xìn néng xiě liǎo。” rán 'érqiáo bān chū liǎo de zhuō kāi shǐ fān chá xiě liǎo bàn de xiē shǒu gǎo
    
   xiǎo shí hòu cháo piē liǎo yǎnqiáo jiù zuò zài wéi zhe hēi wéi qúnquán shén guàn zhù tíng xiě zhe tài tài wéi de jiàn zòu xiào gǎn dào gāo xīng xiào zhe qiāoqiāo zǒu kāi liǎoqiáo diǎn zhī dào zhè shì zěn me shēng demǒu zhǒng dōng jiā jìn liǎo shì dòng liǎo zhědāng de jiā rén zhe shì yòu yòu xiào shí jiāng gěi liǎo jiā tōng zhìzhè shì wán quán wéi fǎn de yuàn deshǐ chī jīng de shì zhì shè jǐn liǎo gǎo chóuér qiě hái yào qiú zài xiě xiē shìzhè xiǎo shì dēng chū lái hòu shōu dào liǎo xiē rén de lái xìnzhè xiē rén de zàn yáng shì zhǒng róng bào zhǐ zhuǎnzǎi liǎo zhè shìpéng yǒu men shēng de rén mendōu zàn shǎng duì zhè yàng de xiǎo dōng lái shuōzhè shì de chéng gōng qián qiáo de xiǎo shuō tóng shí zāo rén bāo biǎnxiàn zài shí gèng wéi gǎn dào jīng
    
  “ dǒngxiàng me xiǎo niànnéng yòu shénme ràng rén men zhè yàng kuā zàn de?” shí fēn kùn huò shuō
    
  “ shì yòu zhēn shí de dōng qiáozhè jiù shì yōu bēi 'āi shǐ shì shēng dòng zhōng zhǎo dào liǎo de fēng méi yòu xiǎng zhe míng jīn qiánér shì zài yòng xīn xiě zuò de 'ér cháng guò liǎo tòng xiàn zài yòu liǎo tián yào jìn zuòxiàng men yàngwéi de chéng gōng kuài lái 。“ jiǎ xiě de dōng dàngzhēn yòu shénme hǎo dezhēn shí de dōng shì de gōng láozhè qiēdōu guī nín hái yòu bèi ,” qiáo shuō de huà wài jiè de rèn zàn yáng gèng shǐ gǎn dòng
  《 xiǎo rén》 - chuān bāng jìng tóu
  
  
   dāng láo kàn 'ài huà huà shí rēng liǎo 2 de xiāng yānài xué xiào shí jiǎn liǎo 2 diào zài shàng de xiǎo hēi bǎnqiáo léi zài yuàn guān kàn《 PearlFishers》, ér zhè 1863 nián zài gōng yǎn de zhí dào 1892 nián cái dēng měi guózǎo guò liǎo diàn yǐng zhōng shì shēng de shí jiāndāng qiáo gěi láo xiě xìn shíjié wěi chù ràng huí dào men shēn biān”, dàn shì duì xìn de xiě jìng tóu xiǎn shì de shìhuí dào shēn biān”。 dāng qiáo zài jiē shàng dào léi shíqún biān bèi jiē shàng de nìng nòng zàng liǎodàn shì dào liǎo qún yòu biàn gān jìng liǎo
  《 xiǎo rén》 - tóng míng dòng huàpiān
  
   běn liào
  
   běn dòng huàpiānxiǎo rén
  
   yuán piàn míngruò cǎo ruò cǎo mèi
  
   chū pǐn nián dài: 1981 nián
  
   chū pǐn gōng guó yìng huà shè
  
   guó bié guī shǔ běn
  
   zǒng shù: 26
  
   qíng jiǎn jiè
  
   nán běi zhàn zhēng shí měi guó běi de jiān jiā tíng wéi tái biān dài zhe shàng zhàn chǎng zhàng de qīn kuài diǎn huí lái xìng fēng hòu de mèi zhuī zhú zhù de mèng xiǎng 'ér chéngzhǎng zhù
  
   gēqǔ
  
   piāntóu
   lán tiān duō měi miàobái yún niǎo niǎo zhuī qiú guāngzhuī qiú míng tiān xìng de xiǎngchuī huān kuài de kǒu shào wàn qǐngxiǎo cǎo qīng qīng kàn kàn zhǎo dào liǎo xìng kàn kàn zhǎo dào liǎo xìng yuàn fēn xiǎng 'ā men jiā dào liǎo dào liǎo xìng yuàn fēn xiǎng 'ā…… men jiā dào liǎo dào liǎo xìng
  
   piàn wěi
   méi xuán zhuǎn méi xuán zhuǎn ā zhōng xìng zhī huǒ nuǎn yáng yángxiōng huái měi hǎo de mèng xiǎngbái juàn zhì de shèng zhuāngchuān shàng duō me piào liàngtiào liǎo huá 'ěr méi xuán zhuǎn méi méi méi


  Little Women (or Meg, Jo, Beth and Amy) is a novel by American author Louisa May Alcott (1832–1888). The book was written and set in the Alcott family home, Orchard House, in Concord, Massachusetts. It was published in two volumes in 1868 and 1869. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—and is loosely based on the author's childhood experiences with her three sisters. The first volume was an immediate commercial and critical success, prompting the composition of the book's second volume titled Good Wives, which was successful as well. The publication of the book in the form of a single volume first occurred in 1880. Alcott followed Little Women with two sequels, also featuring the March sisters, Little Men (1871) and Jo's Boys (1886). Little Women has been adapted as a play, a musical, an opera, a film, and animation.
  
  Plot introduction
  
  Alcott's original work explores the overcoming of character flaws. Many of the chapter titles in this first part are allusions to the allegorical concepts and places in Pilgrim's Progress. When young, the girls played Pilgrim's Progress by taking an imaginary journey through their home. As young women, they agree to continue the figurative journey, using the "guidebooks" — copies of the New Testament, described as "that beautiful old story of the best life ever lived"; they receive on Christmas morning. Each of the March girls must struggle to overcome a character flaw: Meg, vanity; Jo, a hot temper; Beth, shyness; and Amy, selfishness.
  
  In the course of the novel, the girls become friends with their next-door neighbor, the teenage boy Laurie. The book depicts the light hearted, often humorous activities of the sisters and their friend, such as creating a newspaper and picnicking, and the various "scrapes" that Jo and Laurie get into. Jo consistently struggles with the boundaries 19th century society placed on females, including not being able to fight in a war, not being able to attend college, and being pressured by her Aunt March to find a suitable husband to take care of her.
  Characters
  
  Josephine "Jo" March: The protagonist of the novel, Jo is an autobiographical depiction of Louisa May Alcott herself. A tomboy, Jo is the second daughter, aged fifteen at the beginning of the story. She is outspoken and has a passion for writing. Her nature often gets her into trouble, while her heart often pushes her into acts of kindness. She is close to her younger sister, Beth, a quiet and compassionate, character who offsets Jo's more outgoing nature. At the beginning of the book, Jo is employed as a companion by her Aunt March, a job she dislikes. When Beth comes down with scarlet fever, Amy replaces Jo as Aunt March's companion. Jo cuts off her long, chestnut brown hair—"her one beauty", as Amy calls it — and sells it to a wig shop to earn travel money for her mother to visit their father, a Civil War chaplain who is dangerously ill. Jo receives a marriage proposal from her childhood friend and neighbor Laurie, but she refuses him. Later, Jo moves to New York, where she meets Professor Friedrich "Fritz" Bhaer, whom she later marries. Regarding Jo's marriage, Alcott later wrote, "Jo should have remained a literary spinster, but so many enthusiastic young ladies wrote to me clamorously demanding that she should marry Laurie, or somebody, that I didn't dare refuse and out of perversity went and made a funny match for her". In the 1994 film directed by the Australian film director Gillian Armstrong, Jo was portrayed by Winona Ryder.
  
  Margaret "Meg" March: At sixteen, she is the oldest sister. She is considered the beauty of the March household and she is well-mannered. Meg runs the household when her mother is absent. Meg also guards Amy from Jo when the two quarrel, just as Jo protects Beth. Meg is employed as a governess for the Kings, a wealthy local family. Because of the genteel social standing of her family, Meg is allowed into society. However, after a few disappointing experiences (first, the Kings' eldest son is disinherited for bad behavior, and later she visits her friend Annie Moffat and discovers that her family believes Mrs. March is plotting to match her with Laurie only to gain his family's wealth), Meg learns that true worth does not lie with money. She falls in love with Mr. John Brooke, Laurie's tutor, whom she marries. Meg bears twin children, Margaret "Daisy" and John Laurence "Demi" (short for Demi-John). In the 1994 film, Meg was portrayed by Trini Alvarado.
  
  Elizabeth "Beth" March: Thirteen years old when the novel opens, Beth is a quiet, kind young woman, and a pianist. She enjoys her dolls and cats. Docile and shy, she prefers to be homeschooled and avoids most public situations. At the beginning of the book, Alcott describes her as a sweet girl with a round young face and brown hair. She has a close relationship with Jo, despite their different personalities. Beth enjoys charity work, and helps her mother nurture poor families at the beginning of the novel. Later, when her mother is in Washington caring for their father, Beth comes down with scarlet fever, caught while looking after a family with sick children. Although Jo and Meg do their best to nurse her, Beth becomes so dangerously ill that they send for their mother to return home. However, before Mrs. March arrives, Beth's fever breaks. Beth recovers but she is left permanently weakened by the illness. In the second part of the book, as her sisters begin to leave the nest, Beth wonders what will become of her, as all she wants is to remain at home with her parents. When Beth contracts tuberculosis, the family nurses her. In her final illness, she overcomes her quietness when she discusses the spiritual significance of her death to Jo. Some critics have suggested that Beth's death signals Alcott's denial of the ability of the traditional, sentimental heroine to survive in an increasingly industrial world. In the 1994 film, Beth was portrayed by Claire Danes and in the 1978 television movie by Eve Plumb.
  
  Amy Curtis March: The youngest sister—age twelve when the story begins—Amy is interested in art. She is described by the author as a 'regular snow-maiden' with curly golden hair and blue eyes, 'pale and slender' and 'always carrying herself' like a very proper young lady. She is dissatisfied with the shape of her nose which she attempts to fix with a clothespin. She is "cool, reserved and worldly" which sometimes causes her trouble. Often "petted" because she is the youngest, she can behave in a vain and spoiled way, and throws tantrums when she is unhappy. Her relationship with Jo is sometimes strained; the literary Jo particularly dislikes when Amy uses big words, mispronouncing them or using them incorrectly. Their most significant argument occurs when Jo will not allow Amy to accompany Jo and Laurie to the theater. In revenge, Amy finds Jo's unfinished novel and throws it all in the fireplace grate, burning years of work. When Jo discovers this, she boxes Amy's ears and tells her, "I'll never forgive you! Never!" Amy's attempt to apologize to Jo are unsuccessful. When Laurie and Jo go skating, Amy tags along after them, but she arrives at the lake too late to hear Laurie's warning about rotten ice. Under Jo's horrified stare, Amy falls through the ice, and is rescued by Laurie's prompt intervention. Realizing she might have lost her sister, Jo's anger dissolves and the two become more close. When Beth is ill with scarlet fever, Amy is sent to stay with Aunt March as a safety precaution. Aunt March grows fond of her, as Amy's natural grace and docility are more to her taste. Amy is invited to accompany Uncle and Aunt Carrol and cousin Flo's as a companion on a European trip. Although she enjoys travelling, after seeing the works of artists such as Michelangelo and Raphael, Amy gives up her art, because she believes herself to be lacking in talent. In Europe, Amy meets up with Laurie, and shortly after Beth dies, they marry. Later, Amy gives birth to daughter Elizabeth (Beth). Amy was portrayed by Kirsten Dunst as a young girl and Samantha Mathis as an adult.
  
  Margaret "Marmee" March: The girls' mother and head of household while her husband is away at war. She engages in charitable works and attempts to guide her girls' morals and to shape their characters, usually through experiments. She confesses to Jo (after the argument with Amy) that her temper is as volatile as Jo's own, but that she has learned to control it. In the 1994 film, Marmee was portrayed by Susan Sarandon.
  
  Robin "Father" March: Formerly wealthy, it is implied that he helped friends who could not repay a debt, resulting in the family's poverty. A scholar and a minister, he serves as a chaplain for the Union Army.
  
  Hannah Mullet: The March family maid.
  
  Aunt Josephine March: Mr. March's aunt, a rich widow. Somewhat temperamental and prone to being judgmental, she disapproves of the family's poverty, their charitable work, and their general disregard for the more superficial aspects of society's ways. Her vociferous disapproval of Meg's impending engagement to the impoverished Mr. Brooke becomes the proverbial 'last straw', convincing Meg to affiance herself with the young man.
  
  Uncle and Aunt Carrol: Sister and brother-in-law of Mr. March.
  
  Theodore "Laurie" Laurence: A rich young man who is a neighbor to the March family. Laurie lives with his overprotective grandfather, Mr. Laurence. Laurie's father eloped with an Italian pianist and was disowned. Both died young, and as an orphan, Laurie was sent to live with his grandfather. Laurie is preparing to enter at Harvard and is being tutored by Mr. John Brooke. He is described as attractive and charming, with black eyes, brown skin, curly black hair, and small hands and feet. In the second book, Laurie falls in love with Jo and offers to marry her. She refuses, and flees to New York City. Laurie will eventually marry Amy March.
  
  Mr. James Laurence: A wealthy neighbor to the Marches and Laurie's grandfather. Lonely in his mansion, and often at odds with his high-spirited grandson, he finds comfort in becoming a benefactor to the Marches. He protects the March sisters while their parents are away. He was a friend to Mrs March's father, and admires their charitable works. He develops a special, tender friendship with Beth, who reminds him of his dead granddaughter, and he gives Beth his daughter's piano.
  
  John Brooke: During his employment with the Laurences as a tutor to Laurie, he falls in love with Meg. When Laurie leaves for college, Brooks continues his employment with Mr. Laurence as an assistant. He accompanies Mrs. March to Washington D.C. when her husband is ill. When Aunt March overhears Meg rejecting John's declaration of love, she threatens Meg with disinheritance on the basis that Brooke is only interested in Meg's future prospects. Eventually Meg admits her feelings to Brooke, they defy Aunt March (who ends up accepting the marriage), and they are engaged. Brooke serves in the Union Army for a year and invalided home after being wounded. Brooke marries Meg a few years later when the war has ended and she has turned twenty.
  
  The Hummels: A poor German family consisting of a widowed mother and seven children. Marmee and the girls help them by bringing food, firewood, blankets and other comforts. Three of the children die of scarlet fever and Beth contracts it while caring for them.
  
  The Kings: A wealthy family who employs Meg as a governess.
  
  The Gardiners: Wealthy friends of Meg's. The Gardiners are portrayed as goodhearted but vapid.
  
  Mrs. Kirke: A friend of Mrs March's who runs a boarding house in New York. She employs Jo as governess to her two girls.
  
  Professor Friedrich "Fritz" Bhaer: A poor German immigrant who was a professor in Berlin but now lives in Mrs. Kirke's boarding house and tutors her children. He and Jo become friendly and he critiques Jo's writing, encouraging her to become a serious writer instead of writing "sensation" stories for weekly tabloids. The two eventually marry, raise Fritz's two orphaned nephews, Franz and Emil, and their own sons, Robin and Teddy.
  
  Franz and Emil: Mr. Bhaer's two nephews whom he looks after following the death of his sister.
  
  Tina: The small daughter of Mrs. Kirke's French washerwoman: she is a favorite of Professor Bhaer's.
  
  Miss Norton: A worldly tenant living in Mrs. Kirke's boarding house. She occasionally takes Jo under her wing and entertains her.
  Autobiographical context
  
  Although plot elements from Little Women are similar to of Louisa May Alcott experiences, some differences exist:
  
   * Unlike Jo, Alcott did not marry. However, there has been speculation that Ralph W. Emerson was the inspiration for Friedrich's character. Alcott was employed as governess to Emerson's children's, and Emerson and Louisa May Alcott's father, Bronson Alcott, were colleagues in the movement known as American transcendentalism.
   * Unlike Jo's father, who served as a chaplain in the Union Army, Alcott's father was a pacifist. It was she herself who served as a nurse for wounded soldiers.
  
  Critical response
  
  G. K. Chesterton noted that in Little Women, Alcott "anticipated realism by twenty or thirty years," and that Fritz's proposal to Jo, and her acceptance, "is one of the really human things in human literature."
  Notable adaptations
  Play
  
  A Little Women play, adapted by Marian De Forest, opened on Broadway at the Playhouse Theatre, on October 14, 1912. The production was directed by Jessie Bonstelle and Bertram Harrison. The cast included Marie Pavey, Alice Brady, Gladys Hulette and Beverly West. It ran for 184 performances and was later revived on December 18, 1916 at the Park Theatre for 24 performances. The company was invited to produce the play in London starring Katharine Cornell. Another revival opened on December 7, 1931 at the Playhouse Theatre in a production directed by William A. Brady, Jr. with Jessie Royce Landis as Jo, Lee Patrick as Meg, Marie Curtis, and Jane Corcoran running for 17 performances.
  
  A three-act, one set adaptation was written by John David Ravold, and is frequently performed. It was originally copyrighted in 1934.
  
  In 1995, an adaptation entitled "Louisa's Little Women" by Beth Lynch and Scott Lynch-Giddings premiered in a production by the Wisdom Bridge Theatre Company at the Harold Washington Library Center in Chicago. The play covers the events of Part One of Alcott's novel, interspersed with scenes depicting complementary aspects of her own life, including the influence of her father Bronson Alcott and her acquaintance with Henry David Thoreau, Julia Ward Howe, and Frank Leslie.
  
  An adaptation by Emma Reeves was performed at GSA in Guildford, Surrey, England, and made its American debut at the Whidbey Island Center for the Arts, north of Seattle, Washington.
  Literature
  
  In 2005, Geraldine Brooks published March, a novel exploring the gaps in Little Women, telling the story of Mr. March during the Civil War. It won the Pulitzer Prize for Fiction.
  Film
  
  Little Women has seen several cinematic adaptations. One of the first film adaptations was the 1918 Harley Knoles-directed version, starring Dorothy Bernard, Kate Lester and Conrad Nagel. The 1933 version starred Katharine Hepburn as Jo and Spring Byington as Marmee. The film was followed by a 1949 version featuring Elizabeth Taylor as Amy, June Allyson as Jo, Janet Leigh as Meg, Margaret O'Brien as Beth, Mary Astor as Marmee, Peter Lawford as Laurie, and C. Aubrey Smith as the elderly Mr. Lawrence. A 1978 version starred Meredith Baxter as Meg, Susan Dey as Jo, Eve Plumb as Beth, William Shatner as Friedrich Bhaer, Greer Garson as Aunt March, and Robert Young as Grandpa James Lawrence. A 1994 version starred Susan Sarandon as Marmee, Winona Ryder as Jo, Kirsten Dunst as the younger Amy, Samantha Mathis as the older Amy, Christian Bale as Laurie, Claire Danes as Beth and Trini Alvarado as Meg. Other film versions of the novel appeared in 1917, 1918, 1946, 1948, 1950, 1958, 1970, 1979, and 2001.
  Opera and musical
  
  In 1998 composer Mark Adamo adapted the story as the Little Women (opera). On January 23, 2005, a Broadway musical adaptation of Little Women (musical) opened at the Virginia Theatre in New York City with a book by Allan Knee, music by Jason Howland, and lyrics by Mindi Dickstein. The musical starred Sutton Foster as Jo, and pop singer Maureen McGovern as Marmee. The mixed-reviewed production ran through May 2005, garnering a Tony nomination for Sutton. While it had a short life in New York, it ran for 49 weeks as a national tour. A second national tour was planned for the 2007–2008 season. The musical's UK premiere was performed by "Imagine Productions" at the Lowther Pavilion in December 2006.
  Anime
  
  Little Women, a popular novel in Japan, has been adapted into at least four anime versions, and referenced in several others. The first anime adaptation of Little Women was an episode of the TV series Manga Sekai Mukashi Banashi ("Manga World's Classic Tales"), aired in October 1977. In 1980, director Yugo Serikawa (Mazinger Z) adapted the novel into a Toei Animation TV special titled Wakakusa Monogatari (The Story of Young Grass). The success of Serikawa's TV special was parlayed into Wakakusa no Yon Shimai ("Four Sisters of Young Grass"), a 26-episode TV series directed by Kazuya Miyazaki for the Kokusai Eigasha studio which aired on Fuji TV in 1981.
  
  The most well-known anime version of the story is Ai no Wakakusa Monogatari (The Story of Love's Young Grass), a 1987 TV series that was part of Nippon Animation and Fuji TV's World Masterpiece Theater, which featured character designed and drawn by the late Yoshifumi Kondo. This series also featured several episodes of original stories from screenwriter Akira Miyazaki, developed by the author in order to acquaint the Japanese viewing audience with the characters of Little Women, as well as the historycal background of the American Civil War. Nippon Animation also adapted the sequel Little Men into a World Masterpiece Theater TV series, Wakakusa Monogatari Nan to Jou Sensei ("The Story of Young Grass: Nan and Teacher Jo"), in 1993.
  
  The 1980 TV special and the 1981 and 1987 TV series were all released, at least in part, in the United States in English-dubbed form during the 1980s (with the Nippon Animation series broadcast by HBO in the late 1980s under the title Tales of Little Women), and both TV series were broadcast widely in Europe and Latin America as well.
  References to the story
  
  A number of other anime and manga series include references to Little Women, including Graduation M where the main characters (who are male), are forced to play the lead roles in the play "Little Women," for their school ceremony; Glass no Kamen, in which a production of Little Women where protagonist, Maya plays the role of Beth is an important story arc; and Burst Angel, in which three of the main characters are named Jo, Meg (short for Megumi), and Amy.
  
  A nod to the characters is apparent in the English release of the Nintendo 64 game, The Legend of Zelda: Ocarina of Time. In the Forest Temple, the player must solve four puzzles hosted by ghosts by the names of Amy, Beth, Joelle and Meg to progress through the game. The ghosts appear again briefly in the game's sequel, The Legend of Zelda: Majora's Mask, but only in an optional mini game. In this game, the name "Joelle" was corrected to "Jo," since Jo's full name is Josephine and not Joelle.
  
  A Korean artist and writer, Kim Hee Eun, created a manhwa called Dear My Girls. The manhwa had the characters Amy, Beth, Jo, and Meg. The story is based on ideas from Little Women. The manhwa is serialized in a Korean magazine, mink.
zhāng  cháo shèng
  “ méi yòu shèng dàn jié zěn me guò?” qiáo tǎng zài xiǎo tǎn shàng nóng
  “ pín qióng zhēn !” méi chū shēng tàn tóu wàng zhe shēn shàng de jiù
  “ yòu xiē hái yōng yòu róng huá guìyòu xiē què suǒ yòu rèn wéi zhè gōng píng。” ài měi qīng qīng hēngsān fēn chū qīng miè fēn chū
  “ dàn men yòu jiě mèi,” zuò zài jiǎo de bèi chū
   zhè lìng rén kuài de huà shǐ huǒ yìng zhào xià de zhāng nián qīng de liǎn páng míng liàng lái。” men méi yòu qīnhěn cháng duàn shí jiān jiāng méi yòu,” qiáo shāng xīn shuōtīng dào zhè huà jiā de liǎn yòu 'àn dàn xià suī méi shuō " néng yǒng yuǎn méi yòu ", dàn měi rén xīn zhè huà qiāoqiāo shuō liǎo biàntóng shí xiǎng yuǎn zài zhàn chǎng de qīn
   jiā shí yán huì méi huàn liǎo shēng diào shuō:“ men zhī dào wèishénme jiàn jīn nián shèng dàn jié pài yīn wéi hán lěng de dōng tiān jiù yào lái liǎoér men de nán rén zài jūn yíng shòu shòu nán men yìng gāi huā qián xún
   suī rán men néng yòu xiàndàn zài zhè fāng miàn zuò chū diǎn xiǎo xiǎo de shēngér qiě yīnggāi zuòde gāo gāo xīng xīng guò bìng gāo xīng。” méi yáo yáo nǎo dài
   xiǎng dào xiē mèng mèi qiú de piào liàng gǎn dào hàn
  “ kàn men dīng diǎn 'ér qián bāng shàng shénme máng men měi rén zhǐ yuán qiánxiàn gěi duì méi duō yòng chù men yào dài gěi men shénme guò zhēn de hěn xiǎng mǎi běnshuǐ zhōng shén》, běn shū zǎo jiù xiǎng mǎi liǎo,” qiáo shuō shì zhù shū chóng
  “ běn lái suàn mǎi xiē xīn ,” bèi qīng qīng tàn liǎo kǒu shuōshēng yīn qīng shuí tīng dào
  “ yào mǎi jīng zhì de fèi shì huà zhēn de hěn yào,” ài měi gān cuì shuō
  “ méi shuō guò zhè qián gāi zěn me huāyào shì kàn zhe men liǎng shǒu kōng kōng huì gāo xīng de men dǎo mǎi diǎn huān de dōng gāo xīng gāo xīngwéi zhèng zhè xiē qián men huā liǎo duō shǎo xīn xuè!“ qiáo shēng shuō dàomán yòu shēn shì fēng duódì shěn shì zhe de xié gēn
  “ shì - chàbù duō tiān dào wǎn jiào xiē tǎo yàn de hái xiàn zài duō xiǎng huí jiā qīng sōng xià 'ā!” méi yòu kāi shǐ bào yuàn liǎo
  “ cháng gǎn shàng xīn ?” qiáo shuō,” xiǎng xiǎng hǎo xiǎo shí chuī máo qiú shén jīng zhì de lǎo tài tài guān zài bèi shǐ huàn tuántuánzhuàn què yǒng yuǎn huì gǎn dào mǎn zhēténg zhēn xiǎng cóng zhè shì jiè shàng xiāo shī huò zhě gān cuì yīcháng huì gǎn jué zěn yàng?”“ yuàn tiān yóu rén bìng hǎodàn zhēn de jué wǎn sǎo fáng shì quán shì jiè zuì tòng de shì qíngzhè ràng bào zào suànshuāng shǒu biàn jiāng yìnglián qín dàn liǎo。” bèi wàng zhe cāo de shuāng shǒu tàn kǒu zhè huí měi réndōu tīng dào liǎo
  “ xiāng xìn yòu shuí gèng tòng ,” ài měi rǎng dào,” yīn wéi mendōu yòng shàng xué xiē hái guǒ dǒng gōng men jiù ràng xià liǎo tái men xiào huà de zhe méi yòu qián yào bèi men biāo jià cháng piào liàng yào bèi men 。”“ shì shuō ' bàng ' bié niàn chéng ' biāo jià ', hǎo xiàng shì yān cài píng shìde,” qiáo biān xiào biān jiū zhèng
  “ zhī dào zài shuō shí me duì ' lěng cháo fěng ', yòng hǎo de yǎn méi shí me duìzhè yòu zhù zēng jiā ' huì ',” ài měi zhèng yán fǎn
  “ bié dǒu zuǐ liǎo niàn menqiáonán dào wàng men yōng yòu zài men xiǎo shí hòu shī de qián ò guǒ men méi yòu fán nǎo gāi duō xìng 'ā!” méi shuō hái guò de hǎo shí guāng
  “ dàn qián tiān shuō men wáng sūn gōng lái yào xìng duō liǎoyīn wéi men suī rán yòu qiánquè tiān dào wǎn míng zhēng 'àn dǒufán nǎo xiū。”“ shì zhè me shuō guòbèi ǹgxiàn zài hái shì zhè me xiǎngyīn wéisuī rán men gànhuódàn men xiāng ér qiě qiáo suǒ shuōshì mán kuài huó de huǒ。”“ qiáo jiù shì 'ài yòng zhè xiē de yǎn!” ài měi pēng dàoyòng zhǒng qiǎn de yǎn guāng wàng zhe tǎng zài tǎn shàng de cháng shēn qiáo zuò láishuāng shǒu chā jìn dàichuī liǎo kǒu shào
  “ bié zhè yàngqiáozhǐ yòu nán hái cái zhè yàng zuò。”
  “ suǒ cái chuī。”
  “ zēng hèn méi yòu shū fēng de hái!”“ tǎo yàn jiǎjiáo róu zào zuò de máo tóu mèi!“ ' xiǎo cháo de niǎo 'ér zhì tóng , '" píng shǐ zhě bèi chàng 'érliǎn shàng de biǎo qíng huá yòu jiān zhe sǎng mén de liǎng rén huà wéi xiào,” dǒu zuǐ " jiù jié shù
  “ shuō niàn men men liǎng gèdōu duì,” méi kāi shǐ jiě jiě de shēn fèn shuō jiào,” yuē fēn jīng zhǎngdà liǎo yìng zài wán nán hái de yīnggāi jiǎn diǎn xiē hái shì xiǎo niàn shí zhè dǎo méi yòu shénmedàn xiàn zài cháng zhè me gāoér qiě wǎng liǎo tóu jiù zhù shì nián qīng shì。“ shì guǒ wǎng tóu jiù dāng shì de huà jiù shū liǎng tiáo biàn zhí dào 'èr shí suì,” qiáo shēng jiào lái diào wǎng luò tóu de hòu 。” hèn zhǎngdà zuò xiǎo jiě hèn chuān cháng hèn zuò zhèng jīng de piào liàng xiǎo jiě huān nán hái de yóu nán hái de huó 'ér nán hái fēng què piān piān shì hái zhēn shì dǎo méi tòu liǎozuò chéng nán hái zhēn ràng zhǐ zhù shī wàng xiàn zài wǎng rèn shí hòu dōuyào zāoyīn wéi shì me xiǎng gēn cān jiā zhàn dǒuquè zhǐ néng dāi zuò zài jiā zhōng zuò gōngxiàng chén chén de lǎo tài tài!” qiáo dǒu dòng lán de jūn tóu de zhēn nòng zhèng zhèng zuò xiǎngxiàn tuán gǔn luò dào biān
  “ lián de qiáozhēn shì xìngdàn yòu shénme bàn zhǐ hǎo de míng gǎi nán xiēbàn yǎn men jiě mèi de zhǎo diǎn 'ān wèi。” bèi miàn shuō miàn yòng róu ruǎn de shuāng shǒu qīng qīng zhe kào zài shàng de tóu péng luàn de nǎo dài
  “ zhì ài měi,” méi jiē zhe shuō,” guò jiǎng jiūguò běn zhèng jīng de shén tài xiàn zài kàn shàng tǐng yòu dàn yào shì xiǎo xīnzhǎngdà jiù huì biàn chéng zhuāng zuò yàng de xiǎo shǎ guā guǒ zuò tài de yán tán zhǐ dǎo shì shí fēn yōu de guò xiē huāng miù de yán qiáo de shǎ huà què shì bàn jīn duì liǎng。”“ guǒ qiáo shì jiǎ xiǎo ài měi shì xiǎo shǎ guāqǐng wèn shì shénme?” bèi wèn dào
  “ shì guāi bǎo bèizài méi bié de,” méi qīn dào huà rén fǎn yīn wéi zhè wèixiǎo dǎn shǔ " shì quán jiā rén de chǒng 'ér
   yóu nián qīng de zhě men huān zhī dàorén yàng mào ", men chèn huì zuò zài huáng hūn de huī xià zuò zhēn xiàn huó 'ér de jiě mèi gài lüè miáo shù xià shí wài de dōng xuě zhèng qīng qīng piāo luò nèi huǒ huān xiǎngsuī rán zhè jiān jiù fáng zhe tuì liǎo de tǎnbǎi shè xiāng dāng jiǎn dāndàn què xiǎn shí fēn shū shìqiáng shàng guà zhe liǎng zhì de huà 'āo nèi duī mǎn liǎo shū běnchuāng tái shàng shì zhàn fàng de huā shèng dàn huā yáng zhe piàn níng jìngwēn xīn de fēn
   jiě shí liù suìchū luò shí fēn biāo zhì tài fēng yíng jié bái de yǎn jīngtián tián de xiào róng tóu zōng xiù yòu nóng yòu hòushuāng shǒu bái zhè lìng wéi shí suì de qiáo shēn cái xiū cháng yǒu hēijiàn liǎo shǐ rén xiǎng dào xiǎo gōng yīn wéi xiū cháng de zhī xiāng dāng 'ài shì fǎng zǒng shì zhī dào gāi chǔzhì men zuǐ gāng jùn qiàohuī de yǎn jīng cháng mǐn ruì néng kàn chuān qiēyǎn shén shí 'ér chì lièshí 'ér fēng shí 'ér yòu xiàng zài chén nóng de cháng shǐ xiǎn bié měi dàn wèile fāng biàn cháng tōng cháng bèi shù wǎng shuāng jiān yuán rùn shǒu jiǎochuānzhuó yòu kuān yòu de zhèng xùn zhǎngchéng chéng shú de xìngxīn què yuànyīn cháng cháng liú chū zhè jiē duàn de hái suǒ yòu de gān shén qíng suō báirén chēng bèi shí sān suì hóng rùnxiù rùn qiū zhǐ miǎn tiǎnshēng yīn xiū qièshén qíng níng jìng 'ér shēn yuǎnbèi qīn chēng wéi " xiǎo níng jìng ", míng fēi shǔyīn wéi shēng huó zài de diàn yuán zhōngzhǐ gǎn chū lái huì huì zuì qīn zuì xìn rèn de rénài měi suī rán zuì xiǎoquè shì shí fēn zhòng yào de rén zhì shǎo gǎn jué shēng xiān duān zhuāng jīng yíng shuāng lán yǎn jīngjīn huáng de tóu juǎnqū luò jiān tóuyán tán zhǐ shí jiǎng jiū fēng de nián qīng jiě mèi de xìng men hòu miàn fēn jiě
   shí zhōng qiāo xiǎng liù xiàbèi jīng sǎo gān jìng miàn shuāng biàn xié fàng dào shàng miàn hōng gānkàn dào zhè shuāng jiù xié niàn men xiǎng jiù yào huí jiā liǎoxīn qíng míng lǎng láizhǔn bèi yíng jiē méi tíng zhǐ liǎo xùn dǎodiǎn shàng liǎo dēngài měi yòng rén shuōjiù kāi liǎo 'ān qiáo zuò lái xié nuó jìn huǒ biān shí wàng què liǎo juàn
  “ xié tài jiù liǎo huàn shuāng xīn de。”
  “ xiǎng yòng de qián gěi mǎi shuāng,” bèi shuō
  “ lái mǎi!” ài měi rǎng dào
  “ zuì ,” méi gāng kāi kǒujiù bèi qiáo jiān jué duàn liǎo -“ zài jiā jiù shì jiā de nán hàn liǎoxié lái mǎiyīn wéi gēn shuō guò zài jiā de shí hòu yào hǎohǎo zhào 。”“ shuō yīnggāi zhèmezhāo,” bèi shuō,” men zìjǐ sòng jiàn shèng dàn men shénme bié yào liǎo。”“ cái xiàng hǎo mèi mèisòng shénme hǎo ?” qiáo rǎng dào
   jiādōu rèn zhēn xiǎng liǎo huìméi cóng piào liàng de shuāng shǒu dào xuān dào:“ yào gěi sòng shuāng jīng zhì de shǒu tào。”“ zuì hǎo sòng shuāng jūn xié,” qiáo gāo shēng shuō dào
  “ yào sòng xiē xiāng biān xiǎo shǒu ,” bèi shuō
  “ huì sòng xiǎo píng lóng xiāng shuǐyīn wéi huānér qiě yòng tài huā qián hái shěng diǎn qián gěi mǎi qiān ,” ài měi jiē zhe shuō
  “ men zěn me sòng ?” méi wèn
  “ fàng zài zhuō shàng dài jìn láiràng zài men miàn qián qīn chāi kāi wàng men shì zěn yàng guò shēng de ?” qiáo huí
  “ měi dāng zuò zài zhāng shàngtóu dài huā guānkàn zhe men shàng qián sòng shàng wěn xià shíxīn zhēn shì huāng hěn huān men de qīn wěndàn yào zài zhòng kuí kuí zhī xià chāi kāi jiù xià xīn zhí 'ér,” bèi shuōbiān hōng chá diǎnbiān nuǎn
  “ xiān bié gào ràng wéi men shì wéi zhǔn bèi degěi jīng men míng tiān xià jiù bàn huòméi shèng dàn de huà hái yòu duō shì qíng yào zhǔn bèi 。” qiáo shuō huà de shí hòu dàobèi zhuóshǒuyǎng zhe tóulái huí duó
  “ yǎn wán zhè huí hòu jiù yǎn liǎo nián suì gāi tuì chū liǎo,” duì " huà zhuāng yóu " zhí tóng xīn wèi mǐn de méi shuō
  “ huì tíng zhǐ de zhī dàozhǐ yào néng gòu xià tóu dài shàng jīn zhǐ zuò de zhū bǎoshēn bái cháng qún yáo 'ér xíng jiù huì deyīn wéi shì men de zuì jiā yǎn yuán guǒ tuì chū me qiēdōu wán liǎo,” qiáo shuō,” men jīn wǎn yīnggāi pái liàn xiàláiài měishì yǎn xià yūnjué yīcháng yǎn zhè shí shēng yìng xiàng gēn huǒ gùn。”“ yòu shénme bàn cóng lái méi jiàn guò rén yūndǎo xiǎng xiàng yàng zhí tǐng tǐng shuāi dǎonòng qīng kuài kuài de guǒ qīng qīng dǎo zài shàng jiù dǎo xiàfǒu hái miàn dǎo zài shàng shǐ guǒ zhēn de yòng qiāng zhǐ zhe shì zhè huà,” ài měi huí de biǎo yǎn tiān bìng gāobèi xuǎn pài zhè juésè shì yīn wéi nián xiǎopèng shàng dǎi de jiān jiào shēng yóu chū gèng xìn
  “ zhè yàng láiliǎng shǒu zhè yàng zheyáo yáo huàng huàng zǒu guò fáng jiān kuáng bān jiào hǎn: ' luó jiù jiù jiù jiù ! '" qiáo zuò shì fànkuā zhāng jiān jiào shēnglìng rén máo sǒng rán
   ài měi gēn zhe fǎngdàn shēn chū de shuāng shǒu jiāng yìng chū de jiān jiào shēng qíng jǐng xiāngchà wàn shēng " ā!” xiàng shì gǎn dào kǒng tòng dǎo xiàng shì bèi zhēn chuō liǎo xiàqiáo shī wàng tàn liǎo shēngméi què fàng shēng xiàobèi kàn yòu miàn bāo kǎo liǎo
  “ jiù yàoyǎn chū shí jìn 'ér wéi guǒ guān zhòng xiào bié guài
   lái méi 。”
   jiē xià lái jiù shùn duō liǎotáng · pèi luó kǒu xià liǎng tiǎo zhàn shì jiè de xuān yán hēi mǎn mǎn guō chán chú fàng zài huǒ dùnyāo yāo gěi men niàn dào de zhòu luó shān chě duàn suǒ liàn guǒ kuáng jiào zhe " !” zài huǐ hèn shuāng de zhé xià
  “ zhè shì zuòde zuì hǎo de ,” dāng " " de fǎn jiǎo zuò lái róu zhǒu shíméi shuō
  “ qiáo néng xiě chū zhè me hǎo de běnér qiě yǎn zhè me chū jiǎn zhí zhēn shì suō shì zài shì!” bèi hǎn dào jiān xìn jiě mèi men cái huá héng suǒ néng
  “ guò jiǎng liǎo,” qiáo qiān xùn huí ,”《 de zhòu shì de bēi shì tǐng cuò de guò xiǎng yǎnmài pèi 》, guǒ men néng gěi bān shàn huó bǎn mén de huà zhí xiǎng yǎn zhè juésè。 ' yǎn qián kàn dào de shì dāo ? '" qiáo qīng shēng lǎng sòngxiàng suǒ jiàn guò de wèi zhù míng bēi yǎn yuán yàngzhuàndòng zhuóyǎn zhūliǎng shǒu zhuā xiàng kōng zhōng
  “ cuò liǎozhè shì shāo kǎo chā fàng shàng de shì miàn bāoér shì de xiébèi kàn liǎo!“ méi jiào láizhòng jiě mèi xiào pái liàn suí zhī jié shù
  “ kàn dào men zhè me kuài huó zhēn gāo xīng de 'ér men。” mén kǒu chuán lái chuàn kuài de shēng yīnzhè xiē yǎn yuán guān zhòng zhuǎn guò shēn láiyíng jiē wèi gāo gāo 'érchōng mǎn xìng de shì shén qíng qīnlìng rén kuài de zhe suī huá dàn tài gāo guìzài jiě mèi men xīn zhōngzhè wèi shēn huī wài tàotóu dài dǐng guò shí biān xiǎo yuán ruǎn mào de shì shì tiān xià zuì chū de qīn
  “ xiǎo bǎo bèi menjīn tiān guò zěn me yàng shì qíng tài duōyào zhǔn bèi hǎo míng tiān jiù chū de xiāng méi néng huí jiā chī fànyòu rén lái guò bèi gǎn mào hǎo diǎn méi yòuméi qiáo kàn shàng lěi liǎolái wěn bǎo bèi。” tài tài 'ài xún wèn miàn huàn shī chuān shàng nuǎnhuo de tuō xiézuò zài 'ān zhōng 'ài měi dào biānzhǔn bèi xiǎng shòu fán máng de tiān zhōng zuì xìng de shí guāng niàn men fēn fēn xíng dòng lái xiǎn shēn shǒujìn liàng qiēdōu zhì shū shì rénméi bǎi chá zhuōqiáo bān chái bìng fàng què chái diū luò fānnòng zhí xiǎngbèi zài tīng chú fáng zhī jiān cōng cōng lái huí chuān suōmáng 'ér 'ān jìngér 'ài měi xiù shǒu bàng guān hào shī lìng
   jiādōu dào zhuō biān de shí hòu tài tài shuō:“ yòng fàn hòu yòu hǎo dōng gěi men。” de liǎn shàng yòu zhǒng xún cháng de kuài
   jiě mèi men liǎn shàng xiàn chū yáng guāng bān càn làn de xiào róngbèi shǒu zhe bǐng gānpāi liǎo shǒu zhǎngqiáo cān jīn pāorǎng dào:“ xìnxìn
   wàn suì!”
  “ shì de fēng lìng rén kuài de cháng xìn qiēdōu hǎodōng huì 'áo hěn men dān yōu zhù men shèng dàn kuài shì shì bìng bié wèn hòu men zhè xiē niàn men,” tài tài biān shuō biān yòng shǒu zhe dài tóu zhuāng zhe zhēn bǎo
  “ kuài diǎn chī fànbié tíng xià lái wān de xiǎo shǒu zhǐ biān chī biān shǎ xiàoài měi,” qiáo rǎng dào yīn wéi nài yào tīng xìnbèi chá shā liǎo kǒu liǎo nǎi yóu de miàn bāo diào luò dào tǎn shàng
   bèi zài chī liǎo qiāoqiāo zǒu dào yōu 'àn de jiǎo zuò xià xiǎng zhe jiāng dào lái de huān zhí dào jiā chī wán
  “ chāo guò zhēng bīng nián língshēn shì dāng bīng rèn wéi dāng suí jūn shī zhēn shì tài hǎo liǎo,” méi rèqiè shuō
  “ zhēn xiǎng dāng shǒuhuò zhě dāng -- shénme lái zhehuò zhě dāng shìzhè yàng jiù zài shēn biān bāng máng,” qiáo shēng shuō dào biān hēng liǎo shēng
  “ shuì zhàng péngchī kān kǒu de shí yòng bēi shuǐzhè dìng shí fēn nán shòu,” ài měi tàn dào
  “ shénme shí hòu huí jiā ?” bèi shēng yīn wēi chàn wèn dào
  “ chū yuèqīn 'ài dechú fēi bìng dǎo zài duì tiān jiù huì jìn zhōng zhí shǒu tiān men huì yào qiú zǎo fēn zhōng huí láixiàn zài lái xìn !” mendōu wéi jìn huǒ biān zuò zài shàngbèi zuò zài jiǎo biānméi 'ài měi biān kào zài shǒu shàngqiáo zài bèi hòuzhè yàng dào xìn zhōng gǎn rén de fāng shí bié rén huì jué chá dào biǎo qíng de biàn huà
   zài zhǒng jiān nán de xìnyóu shì qīn men xiě huí jiā de xìnwǎng wǎng cuī rén lèi xiàdàn zhè fēng xìn què shǎo tán shòu dào de jiān nán xiǎn de xiāng chóumiáo shù dedōu shì xiē shēng dòng de jūn yíng shēng huóxíng jūn qíng kuàng duì xīn wén liǎo lìng rén xīn qíng zhèn fènzhǐ shì zài xìn wěi cái zhǎn chū shēn chén de 'ài xīn wàng huí jiā men tuán de yuàn wàng
  “ gěi men xiàn shàng suǒ yòu de 'ài wěngào men tiān tiān xiǎng niàn men wéi men dǎoměi shí měi cóng men de 'ài zhōng dào zuì de 'ān wèiyào jiàn dào men hái yào děng shàng màn cháng de niándàn qǐng xǐng men zài děng dài zhōng gōng zuò zhè duàn nán wàng de zhī dào men huì láo de huàzuò hǎo hái zhōng shí zuò men gāi zuò de shìyǒng gǎn shēng huózhàn dǒushàn kòng zhìděng chóngfǎn jiā yuán de shí hòu de xiǎo rén dìng biàn gèng 'àigèng lìng gǎn dào jiāo 'ào。” dào zhè duànměi réndōu chōu qiáo rèn yóu de lèi zhū cóng jiān gǔn luò xià láiài měi tóu quán huì bèi nòng luàn liǎn mái zài de jiān tóu shàng wūyè yān shuō:“ shì de háidàn dìng jìn ràng shī wàng。”“ men huì !” méi zhe shuō,” tài zhù zhòng zhe bànér qiě tǎo yàn gōng zuò hòu dìng jìn liàng gǎi zhèng。”“ huì shì zhe zuò ' xiǎo rén ', jiù xiàng zǒng 'ài zhè me jiào de yànggǎi diào de zuò hǎo de fènnèi shì zài luàn xiǎng,“ qiáo shuōxīn míng bái zài jiā guǎn hǎo de zài nán fāng duì liǎng rén hái yào jiān nán
   bèi méi yòu yán zhǐ shì yòng shēn lán de jūn diào yǎn lèipīn mìng mái tóu biān zhì làng fèi diǎn shí jiānér shì cóng shēn biān de gōng zuò zuò bìng 'àn xià jué xīn dìng ràng huí lái huān de shí hòu yuàn cháng
   tài tài yòng yuè de shēng yīn liǎo qiáo shuō huà zhī hòu de zhèn chén :“ men hái yǎntiān chéngde qíng xíng shí hòu men hái shì xiē xiǎo dōng men zuì huān dài bǎng dào men bèi shàng zuò dān zài gěi men màogùn zhǐ juànràng men cóng zǒu dào jiào jiù shì ' huǐ miè chéng ', yòu zài wǎng shàng zhí zǒu dào dǐngzài men dào duō hǎo dōng zhè jiù shì ' tiān guó ' liǎo。“ duō hǎo wán 'ā bié shì zǒu guò shī qún zhàn ' wáng ', guò ' yāo guài ' shí hòu!” qiáo shuō
  “ huān bāo diào xià lái gǔn luò lóu zhè qíng jié,” méi shuō
  “ zuì huān de shì men zǒu chū láishàng dào píng tǎn de dǐng dǐng mǎn shì xiān huāqiáo měi de dōng men zhàn zài zài yáng guāng zhào yào xiàfàng shēng huān ,” bèi wēi wēi xiào zhe shuōhǎo xiàng yòu chóngxīn huí dào liǎo měi hǎo de shí
  “ liǎozhǐ tǐng hài jiào hēi de kǒuhái yòu jiù shì tǐng huān chī dǐng shàng de dàn gāo niú nǎi guǒ shì nián líng tài dǎo tǐng xiǎng zài yǎn huí。” nián jǐn shí 'èr dàn xiǎn chéng shú de 'ài měi kāi shǐ tán lùn gào bié tóng zhēn liǎo
  “ yǎn zhè chū yǒng yuǎn méi yòu nián líng zhī fēnqīn 'ài deshì shí shàng men zhí dōuzài bàn yǎnzhǐ shì fāng shì tóng 'ér men zhòng dān zài jiāndào jiù zài yǎn qiánzhuī qiú shàn měizhuī qiú xìng de yuàn wàng yǐn dǎo men kuà yuè shù jiān nán xiǎn zuì hòu shèng níng zhī -- zhēn zhèng de ' tiān guó '。 lái wǎng tiān guó jìn de xiǎo menzài lái shì zuò ér shì zhēn xīn zhēn zuòkàn kàn huí lái shí men zǒu liǎo duō yuǎn de 。”“ zhēn de men de zhòng dān zài ?” quē xiǎng xiàng de nián qīng shì 'ài měi wèn dào
  “ gāng cái men rén de dān shuō liǎo chū láizhǐ yòu bèi chú wàikǒng méi yòu li,” qīn dào
  “ yòu yòuguōwǎnpíngpénsǎo zhǒu yòu piào liàng gāng qín de háihài shēng rénzhè xiē dōushì de dān 。” bèi de bāo yòu jiā zhí xiǎng xiào guò dōuméi yòu xiào chū láiyīn wéi zhè yàng huì shāng hài de zūn xīn
  “ gān zhè xiē yòu shénme hǎo ?” méi chén zhe shuō,” zhè shí jiù shì zhuī qiú shàn měizhǐ shì shuō tóng 'ér ér zhè shì menyīn wéi jìn guǎn mendōu yòu zhuī qiú shàn měi zhī xīndàn yīn wéi zuò lái kùn nán men biàn yòu wàng diào liǎo jìn 'ér wéi。”“ men jīn wǎn běn lái chǔyú ' jué wàng de shēn yuān ', xiàng shū zhōng de ' bāng zhù ' yàng lái men liǎo chū men yīnggāi xiàng jiào yàng yòu běn zhǐ dǎo shǒu zhè shì zěn me bàn hǎo ?” qiáo wènwéi de xiǎng xiàng gěi chén mèn de rèn tiān jiā liǎo fēn làng màn cǎi 'ér míng
  “ shèng dàn jié zǎo kàn kàn men de zhěn xiàjiù huì zhǎo dào zhǐ dǎo shǒu liǎo,” tài tài shuō
   hǎn shōu shí zhuō shí jiā kāi shǐ tǎo lùn xīn jìhuàrán hòu chū zhuāng huó de xiǎo lán jiě mèi men kāi shǐ fēi zhēn zǒu xiànwéi tài tài féng zhì bèi dānzhēn xiàn huó shì chén mèn de huó 'ér guò jīn tiān wǎn shàng shuí méi yòu bào yuàn men cǎi qiáo de jiàn cháng cháng de fèngkǒu fēn wéi duànfēn bié chēng wéi 'ōu zhōu zhōufēi zhōu měi zhōuzhè yàng guǒ rán féng kuài duō liǎo men biān féng biān tán lùn zhēn xiàn chuān yuè de tóng guó jiāgèng jué jìn zhǎn shén
   jiǔ diǎn zhōng de shí hòu jiā tíng xià huó 'érxiàng píng shí yàng xiān chàng zài shuì juéjiā yòu jià lǎo diào de gāng qínchú liǎo bèi jiādōu huì dàn qīng qīng chù dòng fàn huáng de qín jiàn jiā suí zhe yōu yáng de qín shēng chàng liǎo láiméi de sǎng yīn xiàng yàng dòng tīng qīn dān rèn zhè zhī xiǎo yǎn chàng duì de lǐng chàng
   ài měi shēng qīng cuì shuài de míng jiàoqiáo rèn yóu shēng zài kōng zhōng piāo dàngzǒng shì zài shì de shí hòu mào chū chàn yīn huò guài jiào shēng lái zuì shēn chén de qǔdiào gěi zāo diào cóng xué de shí hòu kāi shǐ men jiù zhí zhè yàng chàngxiǎo xīng xīngliàng jīng jīng jīn zhè chéng liǎo jiā de guàn yīn wéi men de qīn jiù shì tiān shēng de chàng jiāzǎo shàng tīng dào de shēng yīn jiù shì zài zǒu dòng shí chàng chū de yún què bān wǎn zhuǎn de shēngwǎn shàng qīng kuài de shēng yòu chéng liǎo tiān de wěi shēngzhè zhī shú shí de yáo lán niàn men bǎi tīng yàn


  PLAYING PILGRIMS
   "Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
   "It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
   "I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.
   "We've got Father and Mother, and each other," said Beth contentedly from her corner.
   The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.
   Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't," and Meg shook her head, as she thought regretfully of all the pretty things she wanted.
   "But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy _Undine and Sintran_ for myself. I've wanted it so long," said Jo, who was a bookworm.
   "I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle-holder.
   "I shall get a nice box of Faber's drawing pencils; I really need them," said Amy decidedly.
   "Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun; I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.
   "I know I do--teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.
   "You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out the window or cry?"
   "It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.
   "I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."
   "If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.
   "I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.
   "Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! How happy and good we'd be, if we had no worries!" said Meg, who could remember better times.
   "You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."
   "So I did, Beth. Well, I think we are. For though we do have to work, we make fun of ourselves, and are a pretty jolly set, as Jo would say."
   "Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug.
   Jo immediately sat up, put her hands in her pockets, and began to whistle.
   "Don't, Jo. It's so boyish!"
   "That's why I do it."
   "I detest rude, unladylike girls!"
   "I hate affected, niminy-piminy chits!"
   "Birds in their little nests agree," sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.
   "Really, girls, you are both to be blamed," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl, but now you are so tall, and turn up your hair, you should remember that you are a young lady."
   "I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China Aster! It's bad enough to be a girl, anyway, when I like boy's games and work and manners! I can't get over my disappointment in not being a boy. And it's worse than ever now, for I'm dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!"
   And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.
   "Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head with a hand that all the dish washing and dusting in the world could not make ungentle in its touch.
   "As for you, Amy," continued Meg, "you are altogether to particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."
   "If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.
   "You're a dear, and nothing else," answered Meg warmly, and no one contradicted her, for the 'Mouse' was the pet of the family.
   As young readers like to know 'how people look', we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable room, though the carpet was faded and the furniture very plain, for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.
   Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen- year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth- haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
   The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze.
   "They are quite worn out. Marmee must have a new pair."
   "I thought I'd get her some with my dollar," said Beth.
   "No, I shall!" cried Amy.
   "I'm the oldest," began Meg, but Jo cut in with a decided, "I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone."
   "I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves."
   "That's like you, dear! What will we get?" exclaimed Jo.
   Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves."
   "Army shoes, best to be had," cried Jo.
   "Some handkerchiefs, all hemmed," said Beth.
   "I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy.
   "How will we give the things?" asked Meg.
   "Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.
   "I used to be so frightened when it was my turn to sit in the chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea at the same time.
   "Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping tomorrow afternoon, Meg. There is so much to do about the play for Christmas night," said Jo, marching up and down, with her hands behind her back, and her nose in the air.
   "I don't mean to act any more after this time. I'm getting too old for such things," observed Meg, who was as much a child as ever about 'dressing-up' frolics.
   "You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight. Come here, Amy, and do the fainting scene, for you are as stiff as a poker in that."
   "I can't help it. I never saw anyone faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop. If I can't, I shall fall into a chair and be graceful. I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece.
   "Do it this way. Clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! Save me! Save me!'" and away went Jo, with a melodramatic scream which was truly thrilling.
   Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest. "It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg."
   Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break. Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect. Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild, "Ha! Ha!"
   "It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.
   "I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things.
   "Not quite," replied Jo modestly. "I do think _The Witches Curse, an Operatic Tragedy_ is rather a nice thing, but I'd like to try _Macbeth_, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?" muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do.
   "No, it's the toasting fork, with Mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter.
   "Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a 'can I help you' look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.
   "Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home to dinner. Has anyone called, Beth? How is your cold, Meg? Jo, you look tired to death. Come and kiss me, baby."
   While making these maternal inquiries Mrs. March got her wet things off, her warm slippers on, and sitting down in the easy chair, drew Amy to her lap, preparing to enjoy the happiest hour of her busy day. The girls flew about, trying to make things comfortable, each in her own way. Meg arranged the tea table, Jo brought wood and set chairs, dropping, over-turning, and clattering everything she touched. Beth trotted to and fro between parlor kitchen, quiet and busy, while Amy gave directions to everyone, as she sat with her hands folded.
   As they gathered about the table, Mrs. March said, with a particularly happy face, "I've got a treat for you after supper."
   A quick, bright smile went round like a streak of sunshine. Beth clapped her hands, regardless of the biscuit she held, and Jo tossed up her napkin, crying, "A letter! A letter! Three cheers for Father!"
   "Yes, a nice long letter. He is well, and thinks he shall get through the cold season better than we feared. He sends all sorts of loving wishes for Christmas, and an especial message to you girls," said Mrs. March, patting her pocket as if she had got a treasure there.
   "Hurry and get done! Don't stop to quirk your little finger and simper over your plate, Amy," cried Jo, choking on her tea and dropping her bread, butter side down, on the carpet in her haste to get at the treat.
   Beth ate no more, but crept away to sit in her shadowy corner and brood over the delight to come, till the others were ready.
   "I think it was so splendid in Father to go as chaplain when he was too old to be drafted, and not strong enough for a soldier," said Meg warmly.
   "Don't I wish I could go as a drummer, a vivan--what's its name? Or a nurse, so I could be near him and help him," exclaimed Jo, with a groan.
   "It must be very disagreeable to sleep in a tent, and eat all sorts of bad-tasting things, and drink out of a tin mug," sighed Amy.
   "When will he come home, Marmee?" asked Beth, with a little quiver in her voice.
   "Not for many months, dear, unless he is sick. He will stay and do his work faithfully as long as he can, and we won't ask for him back a minute sooner than he can be spared. Now come and hear the letter."
   They all drew to the fire, Mother in the big chair with Beth at her feet, Meg and Amy perched on either arm of the chair, and Jo leaning on the back, where no one would see any sign of emotion if the letter should happen to be touching. Very few letters were written in those hard times that were not touching, especially those which fathers sent home. In this one little was said of the hardships endured, the dangers faced, or the homesickness conquered. It was a cheerful, hopeful letter, full of lively descriptions of camp life, marches, and military news, and only at the end did the writer's heart over-flow with fatherly love and longing for the little girls at home.
   "Give them all of my dear love and a kiss. Tell them I think of them by day, pray for them by night, and find my best comfort in their affection at all times. A year seems very long to wait before I see them, but remind them that while we wait we may all work, so that these hard days need not be wasted. I know they will remember all I said to them, that they will be loving children to you, will do their duty faithfully, fight their bosom enemies bravely, and conquer themselves so beautifully that when I come back to them I may be fonder and prouder than ever of my little women." Everybody sniffed when they came to that part. Jo wasn't ashamed of the great tear that dropped off the end of her nose, and Amy never minded the rumpling of her curls as she hid her face on her mother's shoulder and sobbed out, "I am a selfish girl! But I'll truly try to be better, so he mayn't be disappointed in me by-and-by."
   "We all will," cried Meg. "I think too much of my looks and hate to work, but won't any more, if I can help it."
   "I'll try and be what he loves to call me, 'a little woman' and not be rough and wild, but do my duty here instead of wanting to be somewhere else," said Jo, thinking that keeping her temper at home was a much harder task than facing a rebel or two down South.
   Beth said nothing, but wiped away her tears with the blue army sock and began to knit with all her might, losing no time in doing the duty that lay nearest her, while she resolved in her quiet little soul to be all that Father hoped to find her when the year brought round the happy coming home.
   Mrs. March broke the silence that followed Jo's words, by saying in her cheery voice, "Do you remember how you used to play Pilgrims Progress when you were little things? Nothing delighted you more than to have me tie my piece bags on your backs for burdens, give you hats and sticks and rolls of paper, and let you travel through the house from the cellar, which was the City of Destruction, up, up, to the housetop, where you had all the lovely things you could collect to make a Celestial City."
   "What fun it was, especially going by the lions, fighting Apollyon, and passing through the valley where the hob-goblins were," said Jo.
   "I liked the place where the bundles fell off and tumbled downstairs," said Meg.
   "I don't remember much about it, except that I was afraid of the cellar and the dark entry, and always liked the cake and milk we had up at the top. If I wasn't too old for such things, I'd rather like to play it over again," said Amy, who began to talk of renouncing childish things at the mature age of twelve.
   "We never are too old for this, my dear, because it is a play we are playing all the time in one way or another. Our burdens are here, our road is before us, and the longing for goodness and happiness is the guide that leads us through many troubles and mistakes to the peace which is a true Celestial City. Now, my little pilgrims, suppose you begin again, not in play, but in earnest, and see how far on you can get before Father comes home."
   "Really, Mother? Where are our bundles?" asked Amy, who was a very literal young lady.
   "Each of you told what your burden was just now, except Beth. I rather think she hasn't got any," said her mother.
   "Yes, I have. Mine is dishes and dusters, and envying girls with nice pianos, and being afraid of people."
   Beth's bundle was such a funny one that everybody wanted to laugh, but nobody did, for it would have hurt her feelings very much.
   "Let us do it," said Meg thoughtfully. "It is only another name for trying to be good, and the story may help us, for though we do want to be good, it's hard work and we forget, and don't do our best."
   "We were in the Slough of Despond tonight, and Mother came and pulled us out as Help did in the book. We ought to have our roll of directions, like Christian. What shall we do about that?" asked Jo, delighted with the fancy which lent a little romance to the very dull task of doing her duty.
   "Look under your pillows Christmas morning, and you will find your guidebook," replied Mrs. March.
   They talked over the new plan while old Hannah cleared the table, then out came the four little work baskets, and the needles flew as the girls made sheets for Aunt March. It was uninteresting sewing, but tonight no one grumbled. They adopted Jo's plan of dividing the long seams into four parts, and calling the quarters Europe, Asia, Africa, and America, and in that way got on capitally, especially when they talked about the different countries as they stitched their way through them.
   At nine they stopped work, and sang, as usual, before they went to bed. No one but Beth could get much music out of the old piano, but she had a way of softly touching the yellow keys and making a pleasant accompaniment to the simple songs they sang. Meg had a voice like a flute, and she and her mother led the little choir. Amy chirped like a cricket, and Jo wandered through the airs at her own sweet will, always coming out at the wrong place with a croak or a quaver that spoiled the most pensive tune. They had always done this from the time they could lisp . . .
   Crinkle, crinkle, 'ittle 'tar,
   and it had become a household custom, for the mother was a born singer. The first sound in the morning was her voice as she went about the house singing like a lark, and the last sound at night was the same cheery sound, for the girls never grew too old for that familiar lullaby.
'èr zhāng  shèng dàn kuài
  shèng dàn jié zǎotiān gāng mēngmēngliàngqiáo biàn xǐng lái kàn dào biān méi yòu guà zhe shí shēn gǎn shī wàngduō nián qián de xiǎo yīn wéi táng guǒ sài tài mǎn 'ér diào luò shàng céng zhè yàng shī wàng guòshāo hòu xiǎng qīn de nuò yánbiàn qiāoqiāo shǒu shēn dào zhěn tóu xià miànguǒ rán chū běn fěi hóng fēng miàn de shū shí fēn shú zhè běn shūyīn wéi jìzǎi de shì shǐ shàng zuì yōu xiù de rén de jīng diǎn shìqiáo jué zhè zhèng shì qiē shàng màn cháng zhēng de cháo shèng zhě suǒ yào de zhǐ dǎo shū shēng " shèng dàn kuài méi jiào xǐngjiào kàn kàn zhěn tóu xià miàn yòu shénmeméi tāo chū běn fēng miàndài yòu xiāng tóng chā de shū zài shàng miàn liǎo shǐ zhè jiàn bèi tiān zhēn guì huìbèi 'ài měi xǐng lái liǎofān xún dào de xiǎo shū -- běn bái lìng běn lán - jiě mèi shì zuò zhe biān kàn biān tǎo lùn jué dōng fāng fàn hóng xiáxīn de tiān yòu gào kāi shǐ
   suī rán yòu diǎn 'ài róngdàn tiān xìng wēn róu shàn liáng jiě mèi men jìng zhòng bié shì qiáogèng shì shēn shēn 'ài zhe de jiě jiěbìng duì yán tīng cóngyīn wéi lùn shuō shénme zǒng shì qīng shēng de
  “ niàn men,” méi yán shuōkàn kàn shēn biān tóu péng luàn de wèiyòu kàn kàn fáng jiān lìng tóu dài zhe shuì mào de liǎng xiǎo nǎo dài,” wàng men 'ài zhè xiē shū hǎo zhè xiē shū men yīnggāi xíng dòngsuī rán men qián zuòde tǐng rèn zhēndàn cóng jiā hòuzhàn luàn fán men lüè liǎo duō shì men 'ài zěn yàng guǎndàn yào shū fàng zài zhè zhāng zhuō shàngměi tiān zǎo shàng xǐng lái jiù diǎnyīn wéi zhī dàozhè yàng huì yòu hǎo chù jiāng bàn guò měi tiān。” shuō wán kāi xīn shū liǎo láiqiáo yòng gēbo yōng zhe bìng jiān 'ér 'ānfèn de liǎn shàng chū shǎo jiàn de níng jìng
  “ méi zhēn hǎoláiài měi men bāng jiě shì shēng men dǒng de fāng jiù yóu men lái jiǎng jiě hǎo liǎo,” bèi qīng shēng shuō bèi piào liàng de xiǎo shū liǎng wèi jiě jiě quán shén guàn zhù de múyàng shēn shēn gǎn dòng liǎo
  “ zhēn kāi xīn de fēng miàn shì lán de,” ài měi shuōjiē xià lái chú liǎo qīng qīng de fān shū shēng wài piàn níng jìngzhè shídōng de yáng guāng qiāoqiāo qián nèiqīng róu zhe men liàng de tóu yán de liǎn pángxiàng men zhì shèng dàn jié de wèn hòu
  “ 'ér liǎo?” bàn xiǎo shí hòuméi qiáo páo xià lóuyào zhǎo dào xiè
  “ lǎo tiān cái zhī dào xiē qióng rén lái tǎo dōng shàng jiù kàn men yào shénme shì tiān xià zuì xīn cháng de rén,” hǎn dàolǎo méi chū shēng lái jiù zhí men jiā shēng huó zài jìn guǎn shì yōng rén jiādōu dāng péng yǒu
  “ xiǎng hěn kuài jiù huì huí lái xiān jiān bǐng dōng zhǔn bèi hǎo,” méi biān shuō biān zhuāng zài lán de yòu kàn liǎo biàn cáng zài shā xià miànzhǔn bèi zài shìdàng de shí hòu chū lái。” ài měi de píng lóng shuǐ ?” jiē zhe yòu wènyīn wéi lán méi yòu xiǎo píng
  “ gāng gāng zǒu liǎoyào gēn dài huò zhě shénme xiǎo wán 'ér,” qiáo dào zhèng zài bèng lái bèng yào yìng bāng bāng de jūn xié chuān ruǎnhuo
  “ de shǒu piào liàng liǎoduì hǎn men gān gān jìng jìnghái yùn guò liǎoshàng miàn de dōushì qīn shǒu xiù de,” bèi shuō zhejiāo 'ào kàn zhe xiē fèi liǎo duō gōng xiù chéng dàn yòu tài gōng zhěng de
  “ āi ' tài tài ' xiù chéng ' ' liǎozhēn yòu !” qiáo tiáo shǒu rǎng dào
  “ zhè yàng xíng yuán wéi zhè yàng huì gèng hǎoyīn wéi méi de shǒu xiě shì M., ér zhè xiē shǒu zhǐ xiǎng ràng yòng。” bèi de shén qíng xiǎn yòu diǎn 'ān
  “ zhè yàng tǐng hǎoqīn 'ài deér qiě zhù cuò -- xiāng dāng yòu liyīn wéi zhè yàng jiù huì nòng cuò liǎo dìng huì hěn gāo xīng de,” méi shuō zheduì qiáo zhòu zhòu méiyòu xiàng bèi xiào
  “ huí lái liǎocáng hǎo lán kuài!” qiáo jiào láimén píng xiǎng tīng chuán lái liǎo jiǎo shēng
   ài měi cōng cōng zǒu jìn láikàn dào jiě jiě mendōu zài děng xiǎn yòu diǎn hǎo
  “ dào 'ér liǎocáng zài hòu miàn de shì shénme?” méi wènkàn dào 'ài měi chuān dài zhěng yóu chà zhè xiǎo lǎn chóng jìng rán zhè me zǎo jiù chū liǎo
  “ bié xiào qiáo bìng shì yòu yào mán zhe men zhǐ shì huā diào quán de qián xiǎo píng de lóng shuǐ huàn chéng píng de zhēn de xiǎng zài me liǎo。” ài měi biān shuō biān gěi jiā kàn yòng yuán xiān de piányí huò huàn huí lái de píng lóng shuǐ xiǎn chéng kěn 'ér qiān gōngméi bào zhù liǎo qiáo xuān shì " hǎo rén ", bèi páo dào chuāng biān zhāi xià duǒ měi de méi guī huā lái zhuāng shì zhè piào liàng de píng
  “ men zhī dàojīn tiān zǎo shàng jiā shūyòu tán dào yào zuò hǎo hái wéi de gǎn dào xiū kuìsuǒ chuáng hòu shàng páo dào jìn huàn guò lái zhēn gāo xīngyīn wéi de xiàn zài chéng liǎo zuì piào liàng de 。” lín jiē de mén yòu xiǎng liǎo xiàlán zài cáng dào shā xià miàn niàn men wéi zuò zài zhuō biānděng zhe chī zǎo cān
  “ shèng dàn kuài xiè xiè sòng gěi men de shū men liǎo diǎn hòu měi tiān dōuyào ,“ jiě mèi men shēng hǎn dào
  “ shèng dàn kuài xiǎo niàn menzhēn gāo xīng men shàng jiù kāi shǐ xué yào jiān chí xià 'āi guò zuò xià zhī qián xiǎng shuō huà zhè 'ér yuǎn de fāngtǎng zhe lián de rén gāng shēng xià lái de yīng 'érliù hái wèile bèi dòng jiāng zài zhāng chuáng shàngyīn wéi men méi yòu huǒ nuǎn méi yòu chī dezuì de hái lái gào men yòu lěng yòu 'è niàn men men yuàn zǎo cān sòng gěi men zuò shèng dàn ?” men gāng cái děng liǎo chàbù duō xiǎo shíxiàn zài zhèng 'è huāngyòu zhèn jiādōu zuò shēng - jiù me zhèn zhǐ tīng qiáo chōng kǒu 'ér chū dào:“ zhēn gāo xīngzǎo cān hái méi kāi shǐ !”“ bāng zhe dōng gěi xiē lián de hái hǎo ?” bèi rèqiè wèn dào
  “ lái nǎi yóu sōng bǐng,” ài měi jiē zhe shuōyīng xióng fàng liǎo zuì huān chī de dōng
   méi dòng shǒu qiáo mài gài shàng miàn bāo duī fàng dào pán
  “ zǎo liào dào men huì zhè yàng zuò,” tài tài shū xīn wēi xiào dào,” men bāng huí lái hòu zǎo cān chī diǎn niú nǎi miàn bāodào zhèng cān de shí hòu zài huí lái。” jiā hěn kuài zhǔn bèi tuǒdàngduì chū liǎoxìng kuī shí hòu shàng zǎo men yòu hòu jiē chuān guòméi rén kàn dào men méi rén xiào zhè zhī guài de duì
   zhè shì mǎn liáng de pín jiàn zhī jiā xiāo ránmén chuāng bài méi yòu huǒchuáng shàng bèi lán bìng ruò de qīn bào zhe de yīng 'ér qún miàn huáng shòu cháng de hái zhe zhāng bèi suō chéng tuán
   kàn jiàn niàn men zǒu jìn lái men jīng dèng yǎn jīnglie kāi dòng de zuǐ chún xiào liǎo lái
  “ āi lǎo tiān shàn liáng de tiān shǐ kàn men lái liǎo!” lián de rén huān jiào lái
  “ shì dài mào shǒu tào de guài tiān shǐ,” qiáo shuō dàodòu mendōu xiào lái
   zhè qíng jǐng zhēn ràng rén wéi shì hǎo xīn de shén líng zài xiǎn shèng hǎn yòng dài lái de chái shēng huǒyòu yòng xiē jiù mào de dǒu péng dǎng zhù làn de chuāng tài tài biān wéi zuò qīn de duān chá biān 'ān wèi ràng kuān xīnyòu xiàng duì dài de qīn shēng ròu yàng qīng róu wéi xiǎo bǎo bǎo chuān shàng niàn men bǎi hǎo zhuō hái men 'ān dùn dào huǒ biānxiàng wèi qún 'è de xiǎo niǎo yàng wèi menbìng gēn men shuō xiàojìn xiǎng tīng míng bái men yòu 'ér yòu bié jiǎo de yīng
  “ zhēn shìhǎo!”“ zhè xiē tiān shǐ hǎo xīn rén!” zhè bān lián de hái biān chī biān de xiǎo shǒu shēn dào wēn nuǎn de huǒ biān nuǎnhuo zhe
   niàn men hái shì bèi rén chēng zuò xiǎo tiān shǐjué fēi cháng qiè yóu shì qiáo niàn tāi shēng xià lái jiù bèi jiā dāng zuò " sāng qiū ", yīn gèng jiā suī rán men méi yòu chī shàng kǒu zǎo cānxīn què gǎn dào de shū chàngdāng zhè cháng de xiǎo niàn wēn nuǎn liú gěi bié rénzǒu zài huí jiā de shàng shí xiǎng chéng zài méi rén néng men gèng xìng liǎo men zài shèng dàn jié zǎo shàng zuì hǎo de zǎo cān sòng gěi qióng rén què nìngyuàn chī miàn bāo niú nǎi
  “ zhè jiù shì suǒ wèi 'ài bié rén shèng 'ài huān zhè yàng,” méi shuō
   men chèn qīn shàng lóu wéi pín qióng de méi 'ěr jiā shōu shí bǎi liǎo chū lái
   zhè xiē xiǎo bìng guì zhòngdàn jīng guò jīng xīn de bāo zhuāngcóng zhōng jiàn piàn shēn qíng zhǐ gāo gāo de huā píng zài zhuō zhōng jiān tóu chā zhe hóng de méi guī bái de huāchèn zhe chuí mànpíng tiān fèn zhì
  “ lái liǎokāi shǐ yǎn zòubèi kāi ménài měiwéi huān sān shēng!” qiáo huān yuè zhe shēng hǎn jiàoméi shàng qián jiē dào guì bīn wèi
   bèi dàn huān kuài de jìn xíng ài měi kāi ménméi yǎn rán shì huā shǐ zhě tài tài jīng yòu gǎn dòng hán xiào duān xiáng zhe de zhe zài shàng miàn de xiǎo tiáo yóu yǎn zhōng qín mǎn lèi shuǐ xiào liǎo dāng chuān shàng biàn xiéyòu tiáo sàn zhe lóng shuǐ xiāng wèi de shǒu fàng dàirán hòu duǒ méi guī huā bié zài xiōng qiányòu chēng zàn bié zhì de shǒu tào " jué duì shì "。
   jiā xiào zhewěn zhejiě shì zhezhè zhǒng jiǎn dān 'ér yòu chōng mǎn 'ài de fāng shì zēng tiān liǎo jiā de jié fēn wēn xīn ràng rén yǒng jiǔ nán wàngrán hòu jiā yòu tóu liǎo gōng zuò
   zǎo shàng de shàn huó dòng qìng diǎn huā liǎo shàoshí jiān xià de shí jiān biàn yòng lái zhǔn bèi wǎn shàng de huān qìng huó dòngyóu nián líng tài xiǎo jīng cháng shàng yuànyòu yīn wéi jīng jié zhī biǎo yǎn de fèi yòng niàn men shì chōng fēn huī cái zhì -- yào shì míng zhī - yào shénme men biàn zuò shénme men de chuàng zào pǐn yòu xiē hái tǐng jiàn xīn - yòng zhǐ bǎn zuò de yòng jiù shì niú yóu píng guǒ shàng zhǐ zuò chéng de dēngyòng jiù mián zuò de xiān yàn duó mùdì cháng páomiàn shàng liàng jīng jīng xiāng zhe cóng jiā yān cài chǎng lái de xiǎo piànhái yòu xiāng yòu tóng yàng de zuàn shí xíng xiǎo piàn de kuī jiázhè xiē bèi pài shàng yòng chǎng de xiǎo piàn shì yān cài chǎng zuò guàn tóu shèng xià de biān jiǎo liào de jiā cháng cháng bèi nòng luàn zāo fáng jiān jiù shì tái niàn men zài tái shàng tiān zhēn xié jìn xīng biǎo yǎn
   yóu shōu nán shìqiáo biàn jìn qíng bàn yǎn nánjué duì shuāng huáng de cháng tǒng xuē yóu wéi mǎn yīn wéi xuē shì de péng yǒu zèng sòng dezhè wèi péng yǒu rèn shí wèi shì shì yòu rèn shí wèi yǎn yuánzhè shuāng xuē jiù dùn tóu jiànhái yòu mǒu shù jiā yòng lái huà guò huà de kāi chà bèi xīnzhè xiē biàn shì qiáo de zhù yào bǎozàngrèn chǎng dēng tái liàng xiāngyīn wéi tuán xiǎoliǎng zhù yào yǎn yuán fēn bié bàn yǎn juésè men tóng shí xué sān tóng juésè de biǎo yǎnfēi kuài lún fān huàn shàng shì yàng de tóng shí hái yào jiān hòu gōng zuò jīng shén zhí chēng dàozhè zhǒng yòu de huó dòng hěn hǎo duàn liàn men de bìng xián xiápái qiǎn jiǎn shǎo liáo de shè jiāo
   shèng dàn zhī shí 'èr hái zài huā lóu - zhāng chuáng héng de shàng tóuzuò zài huáng lán 'èr hùn de guāng yìn huā lián qián miànqiáo shǒu pànjiāo děng zhe kàn hòu dēng guāng méng lóng shí chuán lái shā shā de xiǎng shēng qiāoqiāo de huà shēngǒu 'ěr hái chuán lái róng dòng de 'ài měi zài xīng fèn zhī zhōng chū de xiào shēng huì líng shēng xiǎng lián kāi,《 shì de bēi kāi shǐ liǎo
   zhū pén zāi guàn zài bǎn shàng de hòu máo yuǎn chù de dòng xué gòu chéng liǎo jié dān shàng de " yīn sēn sēn de shù lín ", dòng xué yòng shài jià zuò dòng dǐng guì zuò qiáng tóu yòu xióng xióng rán shāo zhe de xiǎo lǎo zhèng shēn nòng shàng de hēi guō tái yīn sēn hēi 'ànxióng xióng de huǒ yíng zào liǎo liáng hǎo de tái xiào guǒ jiē kāi guō gàiguō mào chū zhèn zhèn zhēng lìng rén jiào jué zhèn guò hòudǎi guǒ kuò shàng cháng zuǐ shàng zhe hēi tóu shàng wāi dài zhe dǐng mào jiǎo cháng xuēshēn shén wài yāo jiān pèi dāng lāng zuò xiǎng de bǎo jiàn jiāo zào 'ān lái huí zǒu liǎo měng rán pāi 'é tóufàng shēng gāo chàng duì luó de hènduì de 'ài yào shā diào chóu rényíng suō de xīn yuàn guǒ de sǎng yīn gǎn qíng bào shí 'ǒu rán chū de shēng dàhè gěi guān zhòng liú xià shēn de yìn xiàng gāng tíng xià yào xiē kǒu jiā biàn bào liè de zhǎng shēng wéi cháng gōng shēn xiè guòyòu qīng qīng zǒu dào dòng xué yàng mìng hēi chū lái:“ dāi cáichū lái!” méi chū láiliǎn shàng guà zhe huī zōngshēn chuān hēi hóng 'èr cháng páoshǒu chí guǎi zhàng shàng huà zhe shén hào guǒ xiàng suǒ liǎng zhǒng yào zhǒng shǐ suō 'ài lìng zhǒng yòng lái luó hēi chàng yōu měi de 'érdāyìng liǎng zhǒng yào gěi jiē zhe sòng yào de xiǎo jīng líng jiào chū lái wén chàng dàolái lái kōng zhōng de xiǎo jīng líng
   lìng cóng jiā guò lái
   méi guī shēng chéng guǒ
   zhī dào zěn yàng tiáozhì yào
   kuài gěi sòng lái
   yào de fāng yào 'ér
   yào diào nóng yòu tiányào shén
   kuài huí xiǎo jīng líng
   yīnyuè qīng róu zòu láijiē zhe dòng xué hòu miàn xiàn chū xiǎo shēn yǐngjīn de tóu shēn bái de chángliǎng chì bǎng shǎn shǎn liàngtóu shàng dài zhe méi guī huā huán huī zhàng chàng dàolái liǎo lái liǎocóng piǎo miǎo de jiā yuán yáo yuǎn de yín de yuè liàng
   yào
   bìng yòng zài shìdàng de fāng
   rán de jiù huì hěn kuài shī
   xiǎo jīng líng jīn shǎn shǎn de xiǎo píng rēng dào jiǎo xiàsuí zhī xiāo shīhēi zài shī yòng huàn lái lìng yōu língzhǐ tīng píng de shēng chǒu lòu de hēi xiǎo guǐ chū lái yòng yīn sēn sēn de shēng yīn zuò liǎo huí rán hòu hēi píng rēng xiàng guǒlěng xiào shēngxiāo shī yǐng zōng guǒ yòng chàn dǒu de sǎng yīn dào guò xiè liǎng píng yào fàng jìn xuē zhuǎn shēn hēi gào guān zhòngyīn wéi guǒ qián céng shā guò de péng yǒu gěi xià liǎo zhòuzhǔn bèi cuò bài de jìhuàxiàng chóujiē zhe lián làxiàguān zhòng men biān xiū chī táng biān píng cháng lùn duǎn
   lián chí chí méi yòu kāi tóu chuán lái hǎo zhèn chuí shēng guò dāng tái jǐng zhōng chū xiàn zài yǎn qián shíguān zhòng men shuídōu bào yuàn gāng cái dān liǎo shí jiānyīn wéi jǐng shí zài tài měi liǎojiǎn zhí shì qiǎo duó tiān gōngzhǐ jiàn zuò lóu sǒng dǐng lóu bàn kōng chū shàn liàng zhe dēng guāng de chuāng bái de lián hòu miàn suō shēn chuān tào piào liàng de yín lán 'èr qún zài děng dài luó luó shèng zhuāng zǒu jìn tóu quán dài dǐng chā zhe máo de mào shēn hóng wài shǒu jiǎo cháng xuēdāng rán guì zài xiàróu qíng wàn fēn chàng zhī xiǎo suō huí yòng shēng duì liǎo huà hòutóng bēnjiē xià lái shì huà de chǎng miànluó chū zhāng yòu de cǎo shéng ruǎn duān pāo shàng qǐng suō xià láisuō hán xiū cóng huā chuāng xià láishǒu luó de jiān tóuzhèng yào yōu wǎng xià tiào rán guān zhòng jiào lái:“ āi āi suō !” yuán lái liú shén de cháng qún bèi chuāng bàn zhù liǎo lóu yáo huàng zhe xiàng qián qīng xiéhōng de shēng dǎo xià zhè duì dǎo méi de liàn rén mái zài fèi
   zhòng rén jiān shēng jiàozhǐ jiàn huáng xuē shēn chū fèi shǐ jìn luàn yáo jīn nǎo dài tàn chū lái jiào dào:“ zǎo jiù gào guò huì zhè yàng zǎo jiù gào guò huì zhè yàng!” wèi lěng de qīn táng · pèi luó tóu nǎo wéi lěng jìng chōng jìn tuō chū de 'ér xiàng shēn biān
  “ bié xiào yǎnjiù dāng shénme méi shēng guò!” mìng lìng luó zhàn láishèng 'ér qīng miè jiāng zhú chū suī rán bèi dǎo xià de lóu qīngluó bìng méi yòu wàng diào de juésè cǎi zhè wèi lǎo shēn shìjiù shì dòng shēn zhè zhǒng wèi de jīng shén liǎo suō cǎi qīntáng · pèi luó shì mìng lìng liǎng rén xià dào chéng bǎo zuì céng de láo wèi shāo pàng de xiǎo shì cóng shǒu chí suǒ liàn zǒu jìn láishén huāng zhāng men dài zǒuxiǎn rán shì jiǎng de tái wàng diào liǎo
   sān shì chéng bǎo de tīnghēi zài chū xiànzhǔn bèi jiě jiù zhè duì liàn rén bìng jiě jué guǒ tīng dào guǒ zǒu jìn lái biàn cáng láikàn yào dǎo jìn liǎng jiǔ bēiyòu tīng fēn wèi miǎn tiǎn de xiǎo shì cóng:“ jiǔ dài gěi láo de qiú gào men huì jiù lái。” xiǎo shì cóng guǒ dài dào biān shuō liǎo huàhēi suí liǎng bēi yào jiǔ huàn chéng liǎng bēi méi yòu yào xìng de。” cái " fèi nán duō jiǔ dài zǒu liǎohēi yuán lái yào gěi luó de bēi jiǔ fàng huí guǒ chàng wán zhī rǒng cháng de hòu gǎn dào kǒu biàn xià bēi jiǔdùn shí shī shén zhìpīn mìng zhēngzhá fān hòutǐng zhí shēn dǎo 'ér zhè shí hēi yòng liè 'ér yōu měi de qǔdiào chàng liǎo shǒu shuō míng gāng cái shǐ liǎo shénme shǒu duàn
   zhè zhēn shì zhèn hàn rén xīn de suī rán yòu xiē rén huò rèn wéi rán diē luò de cháng shǐ dǎi zhī xiǎn yòu xiē shī dǎi yìng guān zhòng de yào qiú bīn bīn yòu lǐng zhe hēi zǒu dào qián xiè hēi de shēng bèi rèn wéi shì quán chǎng de wèn dǐng zhī zuò
   jiā kàn dào luó tīng shuō suō liǎo wàn fēn jué wàngzhǔn bèi shā gāng gāng jiàn duì zhǔn xīn zàng rán tīng dào chuāng xià chuán lái yōu měi de shēnggào suō méi yòu biàn xīndàn shēn chù xiǎn jìng guǒ yuàn jiù chū láijiē zhe wài miàn rēng jìn yàoshì mén suǒ kāi hòu kuáng cuò duàn suǒ liàn chōng chū mén wài yíng jiù xīn 'ài de niàn
   kāi chǎng shísuō táng · pèi luó zhèng nào kāi jiāotáng · pèi luó yào jìn xiū dào yuàn jiān jué cóngbìng shāng xīn jué qiú kāi 'ēnzhèng yào yūndǎo shíluó chuǎng bìng xiàng qiú hūntáng · pèi luó dāyìngyīn wéi méi yòu qiánliǎng rén chǎo nào fān rán xiāng ràngluó zhèng yào jīn jìn de suō bèi zǒuxiū qiè de xiǎo shì cóng zhe hēi jiāo gěi de fēng xìn dài zǒu jìn láihēi shí shén xiāo shī
   zhè fēng xìn gào jiā cái zèng gěi zhè duì nián qīng rén guǒ táng · pèi luó huài men de xìng zāo 'è yùnjiē zhe dài kāi liǎo de luò xià láiduī zài tái shàng shǎn shǎn liàng wéi zhuàng guān。” hěn xīn de qīn " zhè cái ruǎn xià xīn cháng shēng xiǎng biǎo shì tóng zhòng rén shì shēng huān chàng shuāng liàn rén wéi yōu làng màn de tài guì xiàjiē shòu táng · pèi luó de zhù lián suí zhī jiàng xià
   jiē xià lái xiǎng liǎo liè de zhǎng shēngzhèng dāng shí zuò yòng zuò huā lóu de fān chuáng rán zhé lǒng qíng yáng de guān zhòng dǎoluó táng · pèi luó fēi shēn qián lái qiǎng jiùzhòng rén suī rán háo sǔndàn quándōu xiàode shuō chū huà lái jiā gāng gāng huī shén tàihǎn jìn lái shuō:“ tài tài zhì zhù bìng qǐng shì men xià lái yòng cān。” jiā zhèn jīng lián yǎn yuán wàikàn dào zhuō shàng bǎi zhe de dōng men gāo xīng xiāng duì wàngtóng shí gǎn dào shí fēn guài píng shí huì nòng diǎn chī de kuǎn dài men guò cóng gào bié liǎo kuān de láizhè yàng de hǎo dōng lián tīng dōuméi tīng shuō guòzhuō shàng bǎi zhe xuě gāo - ér qiě yòu liǎng dié dié fěn hóng dié bái hái yòu dàn gāoshuǐ guǒ rén de shì jiā xīn tángzhuō zhōng jiān hái bǎi zhe shù měi de wēn shì xiān huā
   zhè qíng jǐng shǐ men wéi jīng men kàn kàn fàn zhuōyòu kàn kàn de qīn qīn xiǎn fēi cháng gāo xīng
  “ zhè shì xiǎo xiān gān de ?” ài měi wèn
  “ shì shèng dàn lǎo rén,” bèi shuō
  “ shì gān de!” liǎn shàng guà zhe bái bái méi máo de méi xiàode yòu tián yòu měi
  “ shì shěn shěn xīn xuè lái cháo gěi men sòng lái de,” qiáo líng dòng jiào dào
  “ quándōu duìshì láo lún lǎo xiān shēng sòng lái de,” tài tài dào
  “ nán hái de zěn me huì xiǎng dào men de men xiāng shí !” méi rǎng dào
  “ hǎn men zǎo shàng zuò de shì gào liǎo de yōng rénzhè wèi lǎo shēn shì guàidàn tīng hòu hěn gāo xīng duō nián qián jiù rèn shí qīnjīn tiān xià biàn gěi sòng liǎo zhāng shí fēn de tiáoshuō wàng néng yǔn xiàng de hái men biǎo shì de shàn sòng shàng diǎn wēi dào de shèng dàn biàn juésuǒ men wǎn shàng jiù kāi xiǎo yàn huìzuò wéi duì miàn bāo jiā niú nǎi zǎo cān de cháng。”“ dìng shì nán hái chū de zhù zhǔn méi cuò shì liú de xiǎo huǒ dàn yuàn men jiāo péng yǒu kàn lái xiǎng rèn shí menzhǐ shì yòu diǎn xiūér méi yòu běn zhèng jīng men guò ràng gēn shuō huà。” zhè shí dié chuán guò láixuě gāo kāi shǐ róng huàqiáo biān shuō biān chīde jīn jīn yòu wèi
  “ men shuō de shì zhù zài zuò fáng de rén ?” niàn wèn,” rèn shí láo lún xiān shēngdàn shuō fēi cháng gāo 'ào huān lín jiāo wǎng de hái guān zài jiā zhǐ ràng gēn zhe jiā tíng jiào shī sàn yòng gōng shū men céng jīng yāo qǐng cān jiā men de wǎn huìdàn méi lái shuō xiāng dāng cuòsuī rán cóng gēn men hái shuō huà。”“ jiā de māo 'ér jiàn liǎoshì sòng huí lái de men zhe tán liǎo ér qiě xiāng dāng tóu -- tán dedōu shì bǎn qiú lèi de dōng - kàn dào méi zǒu guò láijiù zǒu kāi liǎo zhōng yòu tiān yào rèn shí deyīn wéi yào kěn dìng hěn yào,” qiáo xìn shuō dào
  “ zhǐ bīn bīn yòu lìng rén 'ài guǒ shí shì fǎn duì men jiāo péng yǒu jīn tiān qīn xiān huā sòng guò lái běn yīnggāi qǐng jìn lái dedàn yīn wéi zhī dào men zài lóu shàng gànshénmejiù méi ràng jìn lái zǒu de shí hòu mèn mèn ruò yòu suǒ tīng dào men zài wán nàoér xiǎn rán méi shí me wán de。”“ xìng kuī méi jiào jìn lái !” qiáo wàng wàng de xuē xiào dào,” guò hòu men huì zuò chū kàn de huò hái men yǎn chū gèng yòu ?”“ cóng wèi shōu dào guò zhè yàng piào liàng de huā shùzhēn shì měi liǎo!” méi ráo yòu xīng zhì shěn shì zhe shù xiān huā
  “ huā 'ér shì piào liàng guò shuō bèi de méi guī huā gèng xiāng,” tài tài wén wén chā zài yāo dài shàng jìn diāo líng de huā duǒ shuō dào
   bèi wēi dào de shēn bàngqīng shēn dào:“ zhēn wàng néng de shù huā sòng gěi xiǎng shèng dàn jié kǒng guò méi yòu men zhè me kuài 。”


  A MERRY CHRISTMAS
   Jo was the first to wake in the gray dawn of Christmas morning. No stockings hung at the fireplace, and for a moment she felt as much disappointed as she did long ago, when her little sock fell down because it was crammed so full of goodies. Then she remembered her mother's promise and, slipping her hand under her pillow, drew out a little crimson-covered book. She knew it very well, for it was that beautiful old story of the best life ever lived, and Jo felt that it was a true guidebook for any pilgrim going on a long journey. She woke Meg with a "Merry Christmas," and bade her see what was under her pillow. A green- covered book appeared, with the same picture inside, and a few words written by their mother, which made their one present very precious in their eyes. Presently Beth and Amy woke to rummage and find their little books also, one dove-colored, the other blue, and all sat looking at and talking about them, while the east grew rosy with the coming day.
   In spite of her small vanities, Margaret had a sweet and pious nature, which unconsciously influenced her sisters, especially Jo, who loved her very tenderly, and obeyed her because her advice was so gently given.
   "Girls," said Meg seriously, looking from the tumbled head beside her to the two little night-capped ones in the room beyond, "Mother wants us to read and love and mind these books, and we must begin at once. We used to be faithful about it, but since Father went away and all this war trouble unsettled us, we have neglected many things. You can do as you please, but I shall keep my book on the table here and read a little every morning as soon as I wake, for I know it will do me good and help me through the day."
   Then she opened her new book and began to read. Jo put her arm round her and, leaning cheek to cheek, read also, with the quiet expression so seldom seen on her restless face.
   "How good Meg is! Come, Amy, let's do as they do. I'll help you with the hard words, and they'll explain things if we don't understand," whispered Beth, very much impressed by the pretty books and her sisters, example.
   "I'm glad mine is blue," said Amy. and then the rooms were very still while the pages were softly turned, and the winter sunshine crept in to touch the bright heads and serious faces with a Christmas greeting.
   "Where is Mother?" asked Meg, as she and Jo ran down to thank her for their gifts, half an hour later.
   "Goodness only knows. Some poor creeter came a-beggin', and your ma went straight off to see what was needed. There never was such a woman for givin' away vittles and drink, clothes and firin'," replied Hannah, who had lived with the family since Meg was born, and was considered by them all more as a friend than a servant.
   "She will be back soon, I think, so fry your cakes, and have everything ready," said Meg, looking over the presents which were collected in a basket and kept under the sofa, ready to be produced at the proper time. "Why, where is Amy's bottle of cologne?" she added, as the little flask did not appear.
   "She took it out a minute ago, and went off with it to put a ribbon on it, or some such notion," replied Jo, dancing about the room to take the first stiffness off the new army slippers.
   "How nice my handkerchiefs look, don't they? Hannah washed and ironed them for me, and I marked them all myself," said Beth, looking proudly at the somewhat uneven letters which had cost her such labor.
   "Bless the child! She's gone and put 'Mother' on them instead of 'M. March'. How funny!" cried Jo, taking one up.
   "Isn't that right? I thought it was better to do it so, because Meg's initials are M.M., and I don't want anyone to use these but Marmee," said Beth, looking troubled.
   "It's all right, dear, and a very pretty idea, quite sensible too, for no one can ever mistake now. It will please her very much, I know," said Meg, with a frown for Jo and a smile for Beth.
   "There's Mother. Hide the basket, quick!" cried Jo, as a door slammed and steps sounded in the hall.
   Amy came in hastily, and looked rather abashed when she saw her sisters all waiting for her.
   "Where have you been, and what are you hiding behind you?" asked Meg, surprised to see, by her hood and cloak, that lazy Amy had been out so early.
   "Don't laugh at me, Jo! I didn't mean anyone should know till the time came. I only meant to change the little bottle for a big one, and I gave all my money to get it, and I'm truly trying not to be selfish any more."
   As she spoke, Amy showed the handsome flask which replaced the cheap one, and looked so earnest and humble in her little effort to forget herself that Meg hugged her on the spot, and Jo pronounced her 'a trump', while Beth ran to the window, and picked her finest rose to ornament the stately bottle.
   "You see I felt ashamed of my present, after reading and talking about being good this morning, so I ran round the corner and changed it the minute I was up, and I'm so glad, for mine is the handsomest now."
   Another bang of the street door sent the basket under the sofa, and the girls to the table, eager for breakfast.
   "Merry Christmas, Marmee! Many of them! Thank you for our books. We read some, and mean to every day," they all cried in chorus.
   "Merry Christmas, little daughters! I'm glad you began at once, and hope you will keep on. But I want to say one word before we sit down. Not far away from here lies a poor woman with a little newborn baby. Six children are huddled into one bed to keep from freezing, for they have no fire. There is nothing to eat over there, and the oldest boy came to tell me they were suffering hunger and cold. My girls, will you give them your breakfast as a Christmas present?"
   They were all unusually hungry, having waited nearly an hour, and for a minute no one spoke, only a minute, for Jo exclaimed impetuously, "I'm so glad you came before we began!"
   "May I go and help carry the things to the poor little children?" asked Beth eagerly.
   "I shall take the cream and the muffings," added Amy, heroically giving up the article she most liked.
   Meg was already covering the buckwheats, and piling the bread into one big plate.
   "I thought you'd do it," said Mrs. March, smiling as if satisfied. "You shall all go and help me, and when we come back we will have bread and milk for breakfast, and make it up at dinnertime."
   They were soon ready, and the procession set out. Fortunately it was early, and they went through back streets, so few people saw them, and no one laughed at the queer party.
   A poor, bare, miserable room it was, with broken windows, no fire, ragged bedclothes, a sick mother, wailing baby, and a group of pale, hungry children cuddled under one old quilt, trying to keep warm.
   How the big eyes stared and the blue lips smiled as the girls went in.
   "Ach, mein Gott! It is good angels come to us!" said the poor woman, crying for joy.
   "Funny angels in hoods and mittens," said Jo, and set them to laughing.
   In a few minutes it really did seem as if kind spirits had been at work there. Hannah, who had carried wood, made a fire, and stopped up the broken panes with old hats and her own cloak. Mrs. March gave the mother tea and gruel, and comforted her with promises of help, while she dressed the little baby as tenderly as if it had been her own. The girls meantime spread the table, set the children round the fire, and fed them like so many hungry birds, laughing, talking, and trying to understand the funny broken English.
   "Das ist gut!" "Die Engel-kinder!" cried the poor things as they ate and warmed their purple hands at the comfortable blaze. The girls had never been called angel children before, and thought it very agreeable, especially Jo, who had been considered a 'Sancho' ever since she was born. That was a very happy breakfast, though they didn't get any of it. And when they went away, leaving comfort behind, I think there were not in all the city four merrier people than the hungry little girls who gave away their breakfasts and contented themselves with bread and milk on Christmas morning.
   "That's loving our neighbor better than ourselves, and I like it," said Meg, as they set out their presents while their mother was upstairs collecting clothes for the poor Hummels.
   Not a very splendid show, but there was a great deal of love done up in the few little bundles, and the tall vase of red roses, white chrysanthemums, and trailing vines, which stood in the middle, gave quite an elegant air to the table.
   "She's coming! Strike up, Beth! Open the door, Amy! Three cheers for Marmee!" cried Jo, prancing about while Meg went to conduct Mother to the seat of honor.
   Beth played her gayest march, Amy threw open the door, and Meg enacted escort with great dignity. Mrs. March was both surprised and touched, and smiled with her eyes full as she examined her presents and read the little notes which accompanied them. The slippers went on at once, a new handkerchief was slipped into her pocket, well scented with Amy's cologne, the rose was fastened in her bosom, and the nice gloves were pronounced a perfect fit.
   There was a good deal of laughing and kissing and explaining, in the simple, loving fashion which makes these home festivals so pleasant at the time, so sweet to remember long afterward, and then all fell to work.
   The morning charities and ceremonies took so much time that the rest of the day was devoted to preparations for the evening festivities. Being still too young to go often to the theater, and not rich enough to afford any great outlay for private performances, the girls put their wits to work, and necessity being the mother of invention, made whatever they needed. Very clever were some of their productions, pasteboard guitars, antique lamps made of old-fashioned butter boats covered with silver paper, gorgeous robes of old cotton, glittering with tin spangles from a pickle factory, and armor covered with the same useful diamond shaped bits left in sheets when the lids of preserve pots were cut out. The big chamber was the scene of many innocent revels.
   No gentleman were admitted, so Jo played male parts to her heart's content and took immense satisfaction in a pair of russet leather boots given her by a friend, who knew a lady who knew an actor. These boots, an old foil, and a slashed doublet once used by an artist for some picture, were Jo's chief treasures and appeared on all occasions. The smallness of the company made it necessary for the two principal actors to take several parts apiece, and they certainly deserved some credit for the hard work they did in learning three or four different parts, whisking in and out of various costumes, and managing the stage besides. It was excellent drill for their memories, a harmless amusement, and employed many hours which otherwise would have been idle, lonely, or spent in less profitable society.
   On christmas night, a dozen girls piled onto the bed which was the dress circle, and sat before the blue and yellow chintz curtains in a most flattering state of expectancy. There was a good deal of rustling and whispering behind the curtain, a trifle of lamp smoke, and an occasional giggle from Amy, who was apt to get hysterical in the excitement of the moment. Presently a bell sounded, the curtains flew apart, and the _operatic tragedy_ began.
   "A gloomy wood," according to the one playbill, was represented by a few shrubs in pots, green baize on the floor, and a cave in the distance. This cave was made with a clothes horse for a roof, bureaus for walls, and in it was a small furnace in full blast, with a black pot on it and an old witch bending over it. The stage was dark and the glow of the furnace had a fine effect, especially as real steam issued from the kettle when the witch took off the cover. A moment was allowed for the first thrill to subside, then Hugo, the villain, stalked in with a clanking sword at his side, a slouching hat, black beard, mysterious cloak, and the boots. After pacing to and fro in much agitation, he struck his forehead, and burst out in a wild strain, singing of his hatred for Roderigo, his love for Zara, and his pleasing resolution to kill the one and win the other. The gruff tones of Hugo's voice, with an occasional shout when his feelings overcame him, were very impressive, and the audience applauded the moment he paused for breath. Bowing with the air of one accustomed to public praise, he stole to the cavern and ordered Hagar to come forth with a commanding, "What ho, minion! I need thee!"
   Out came Meg, with gray horsehair hanging about her face, a red and black robe, a staff, and cabalistic signs upon her cloak. Hugo demanded a potion to make Zara adore him, and one to destroy Roderigo. Hagar, in a fine dramatic melody, promised both, and proceeded to call up the spirit who would bring the love philter.
   Hither, hither, from thy home, Airy sprite, I bid thee come! Born of roses, fed on dew, Charms and potions canst thou brew? Bring me here, with elfin speed, The fragrant philter which I need. Make it sweet and swift and strong, Spirit, answer now my song!
   A soft strain of music sounded, and then at the back of the cave appeared a little figure in cloudy white, with glittering wings, golden hair, and a garland of roses on its head. Waving a wand, it sang . . .
   Hither I come, From my airy home, Afar in the silver moon. Take the magic spell, And use it well, Or its power will vanish soon!
   And dropping a small, gilded bottle at the witch's feet, the spirit vanished. Another chant from Hagar produced another apparition, not a lovely one, for with a bang an ugly black imp appeared and, having croaked a reply, tossed a dark bottle at Hugo and disappeared with a mocking laugh. Having warbled his thanks and put the potions in his boots, Hugo departed, and Hagar informed the audience that as he had killed a few of her friends in times past, she had cursed him, and intends to thwart his plans, and be revenged on him. Then the curtain fell, and the audience reposed and ate candy while discussing the merits of the play.
   A good deal of hammering went on before the curtain rose again, but when it became evident what a masterpiece of stage carpentery had been got up, no one murmured at the delay. It was truly superb. A tower rose to the ceiling, halfway up appeared a window with a lamp burning in it, and behind the white curtain appeared Zara in a lovely blue and silver dress, waiting for Roderigo. He came in gorgeous array, with plumed cap, red cloak, chestnut lovelocks, a guitar, and the boots, of course. Kneeling at the foot of the tower, he sang a serenade in melting tones. Zara replied and, after a musical dialogue, consented to fly. Then came the grand effect of the play. Roderigo produced a rope ladder, with five steps to it, threw up one end, and invited Zara to descend. Timidly she crept from her lattice, put her hand on Roderigo's shoulder, and was about to leap gracefully down when "Alas! Alas for Zara!" she forgot her train. It caught in the window, the tower tottered, leaned forward, fell with a crash, and buried the unhappy lovers in the ruins.
   A universal shriek arose as the russet boots waved wildly from the wreck and a golden head emerged, exclaiming, "I told you so! I told you so!" With wonderful presence of mind, Don Pedro, the cruel sire, rushed in, dragged out his daughter, with a hasty aside . . .
   "Don't laugh! Act as if it was all right!" and, ordering Roderigo up, banished him from the kingdom with wrath and scorn. Though decidedly shaken by the fall from the tower upon him, Roderigo defied the old gentleman and refused to stir. This dauntless example fired Zara. She also defied her sire, and he ordered them both to the deepest dungeons of the castle. A stout little retainer came in with chains and led them away, looking very much frightened and evidently forgetting the speech he ought to have made.
   Act third was the castle hall, and here Hagar appeared, having come to free the lovers and finish Hugo. She hears him coming and hides, sees him put the potions into two cups of wine and bid the timid little servant, "Bear them to the captives in their cells, and tell them I shall come anon." The servant takes Hugo aside to tell him something, and Hagar changes the cups for two others which are harmless. Ferdinando, the 'minion', carries them away, and Hagar puts back the cup which holds the poison meant for Roderigo. Hugo, getting thirsty after a long warble, drinks it, loses his wits, and after a good deal of clutching and stamping, falls flat and dies, while Hagar informs him what she has done in a song of exquisite power and melody.
   This was a truly thrilling scene, though some persons might have thought that the sudden tumbling down of a quantity of long red hair rather marred the effect of the villain's death. He was called before the curtain, and with great propriety appeared, leading Hagar, whose singing was considered more wonderful than all the rest of the performance put together.
   Act fourth displayed the despairing Roderigo on the point of stabbing himself because he has been told that Zara has deserted him. Just as the dagger is at his heart, a lovely song is sung under his window, informing him that Zara is true but in danger, and he can save her if he will. A key is thrown in, which unlocks the door, and in a spasm of rapture he tears off his chains and rushes away to find and rescue his lady love.
   Act fifth opened with a stormy scene between Zara and Don Pedro. He wishes her to go into a convent, but she won't hear of it, and after a touching appeal, is about to faint when Roderigo dashes in and demands her hand. Don Pedro refuses, because he is not rich. They shout and gesticulate tremendously but cannot agree, and Rodrigo is about to bear away the exhausted Zara, when the timid servant enters with a letter and a bag from Hagar, who has mysteriously disappeared. The latter informs the party that she bequeaths untold wealth to the young pair and an awful doom to Don Pedro, if he doesn't make them happy. The bag is opened, and several quarts of tin money shower down upon the stage till it is quite glorified with the glitter. This entirely softens the stern sire. He consents without a murmur, all join in a joyful chorus, and the curtain falls upon the lovers kneeling to receive Don Pedro's blessing in attitudes of the most romantic grace.
   Tumultuous applause followed but received an unexpected check, for the cot bed, on which the dress circle was built, suddenly shut up and extinguished the enthusiastic audience. Roderigo and Don Pedro flew to the rescue, and all were taken out unhurt, though many were speechless with laughter. The excitement had hardly subsided when Hannah appeared, with "Mrs. March's compliments, and would the ladies walk down to supper."
   This was a surprise even to the actors, and when they saw the table, they looked at one another in rapturous amazement. It was like Marmee to get up a little treat for them, but anything so fine as this was unheard of since the departed days of plenty. There was ice cream, actually two dishes of it, pink and white, and cake and fruit and distracting french bonbons and, in the middle of the table, four great bouquets of hot house flowers.
   It quite took their breath away, and they stared first at the table and then at their mother, who looked as if she enjoyed it immensely.
   "Is it fairies?" asked Amy.
   "Santa Claus," said Beth.
   "Mother did it." And Meg smiled her sweetest, in spite of her gray beard and white eyebrows.
   "Aunt March had a good fit and sent the supper," cried Jo, with a sudden inspiration.
   "All wrong. Old Mr. Laurence sent it," replied Mrs. March.
   "The Laurence boy's grandfather! What in the world put such a thing into his head? We don't know him!" exclaimed Meg.
   "Hannah told one of his servants about your breakfast party. He is an odd old gentleman, but that pleased him. He knew my father years ago, and he sent me a polite note this afternoon, saying he hoped I would allow him to express his friendly feeling toward my children by sending them a few trifles in honor of the day. I could not refuse, and so you have a little feast at night to make up for the bread-and-milk breakfast."
   "That boy put it into his head, I know he did! He's a capital fellow, and I wish we could get acquainted. He looks as if he'd like to know us but he's bashful, and Meg is so prim she won't let me speak to him when we pass," said Jo, as the plates went round, and the ice began to melt out of sight, with ohs and ahs of satisfaction.
   "You mean the people who live in the big house next door, don't you?" asked one of the girls. "My mother knows old Mr. Laurence, but says he's very proud and doesn't like to mix with his neighbors. He keeps his grandson shut up, when he isn't riding or walking with his tutor, and makes him study very hard. We invited him to our party, but he didn't come. Mother says he's very nice, though he never speaks to us girls."
   "Our cat ran away once, and he brought her back, and we talked over the fence, and were getting on capitally, all about cricket, and so on, when he saw Meg coming, and walked off. I mean to know him some day, for he needs fun, I'm sure he does," said Jo decidedly.
   "I like his manners, and he looks like a little gentleman, so I've no objection to your knowing him, if a proper opportunity comes. He brought the flowers himself, and I should have asked him in, if I had been sure what was going on upstairs. He looked so wistful as he went away, hearing the frolic and evidently having none of his own."
   "It's a mercy you didn't, Mother!" laughed Jo, looking at her boots. "But we'll have another play sometime that he can see. Perhaps he'll help act. Wouldn't that be jolly?"
   "I never had such a fine bouquet before! How pretty it is!" And Meg examined her flowers with great interest.
   "They are lovely. But Beth's roses are sweeter to me," said Mrs. March, smelling the half-dead posy in her belt.
   Beth nestled up to her, and whispered softly, "I wish I could send my bunch to Father. I'm afraid he isn't having such a merry Christmas as we are."
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