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形意流古典诗歌观说叨
乙乙
童生


Joined: 10 Mar 2007
Posts: 21

乙乙Collection
PostPosted: 2007-03-10 21:59:57    Post subject: 形意流古典诗歌观说叨 Reply with quote

慢慢体会吧,中国的语言文字很值得玩味。古曲诗词的写作讲究用典,每一个典的背后都有一个故事。而形意流古典诗歌的写作,就是将现代诗歌的写作思维及技巧,运用与古典诗歌的形式,而传达出的诗歌意境却超乎传统诗歌运用格律和平仄控制中的意境和情思。

在这方面取得成功写作的人有顾城,而他写的那些古诗,别人称为古意诗。我今天把它称为形意流古典诗歌流派。形是古制,意是今意,形古典诗歌的形制,发现代诗歌的幽思!形古典诗歌的外表和现象,不深究古典的诗歌写作技巧。与意相连的词汇有:意思,意蕴,意义,意境。只取其意,浅偿即止。思、蕴、义、境都是深层次的学问。诗歌的写作,有时需要深入,有时也需要浅出。

吸取传统诗歌优秀的方面,不要求对传统诗歌写作技巧,特别是格律和平仄方面的融会贯通,在评价古诗时,不以唯格律和平仄作为诗词最重要的标准。诗词,只是我们人类传达思想感情的一种手法,只是一种文学手法或手段。如果按律诗和绝句要求,按填词要求,我们很多有深刻思想内涵和意境的诗章,都将被枪毙掉。连诗经楚辞乐府可能都将列入被否定的行列,难道只有唐诗宋词元曲的表现手法才是古诗?我们源用上千年的古典诗歌形式就要因那些不一定就合理条条框框,不被今天的读者和写手接受并发展?

日本的俳句读来不是也与中国古典诗风类似?还能读到不少的古意,韩国诗人金素月地位相当于中国的李白,在韩国家喻户晓,其诗风也相当的简洁,读其诗,能读到很多的古典意味。西藏的六世达赖仓央加措的诗风也是简短柔丽,20世纪早期俄罗斯著名的抒情诗人叶赛宁的诗也是在较短的诗句中,传达其丰富的思想感情。更值得一提的是还一种中亚诗歌体裁柔巴依体,也是四行为一首,而他们的诗歌写作限制上就比我们的律诗和绝句,以及元曲相对要少得多。

举这么些的例,意在说明,诗可以短,诗可以承袭古典形式。而我的古典形意流诗歌,最主要的还是要继承律绝词曲的形式来传达我们今天这个人类社会的忧愁与欢喜。同时不忘记用这种形意流形式,来构筑中国语言文字赋予的或存在或虚幻的一个个美丽精神世界!
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kokho
进士出身


Joined: 30 Nov 2006
Posts: 2642
Location: Singapore
kokhoCollection
PostPosted: 2007-03-12 21:01:10    Post subject: Reply with quote

拜读 问好 ;)


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乒乓、摄影、诗歌
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博弈
榜眼


Joined: 21 Dec 2006
Posts: 4381
Location: SFO
博弈Collection
PostPosted: 2007-03-13 09:27:32    Post subject: Reply with quote

我觉得你可以把你的想法再深入发展:
形意流:形是古制,意是今意;
(四言确实最具古味)分享所得,
可以丰富诗法。
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金金
进士出身


Joined: 08 Feb 2007
Posts: 2035
Location: 山东济宁
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PostPosted: 2007-04-29 22:26:04    Post subject: Reply with quote

你这个说的我懂,这不是什么新鲜玩意儿,我们老祖宗们不屑这些,因为觉得比较简单。“)
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