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詩的哲學
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PostPosted: 2012-01-21 10:33:53    Post subject: 詩的哲學 Reply with quote

詩是第八感官。
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博弈
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PostPosted: 2012-01-24 09:07:38    Post subject: Reply with quote

時間有陰陽性,空間有陰陽性。人有陰陽性,八卦及其衍生的卜卦之術建立在陰陽的人與時空的交互運作,立論基礎上是前瞻的,合理的,儘管無法精準掌握現實(即使孔子亦言"吾百占而七十當",70% 左右)。古詩詞如律絕,在平仄對仗上將陰陽理論運用於詩語言,每一首詩即是一個撐開的小世界,或是其它如"春(時間) 花(空間)秋月何時了","朝(時間)如青絲(空間)暮成雪",皆是。
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博弈
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PostPosted: 2012-02-16 08:01:36    Post subject: Reply with quote

本能外,所有的知識是經由學習而來的。這也適用於道德,文化和語言。
那知識在經過一段長期的浸淫(時間)後有可能成為整體中的一個固定部分,
記憶被植入結構之中。本能越過理性,本能是一個無意識存在。
詩在深層意象上, 可以借鏡, 找出語言文化間的共同最小因素, 詩的感人即可穿越意識如本能.
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PostPosted: 2012-02-26 00:23:31    Post subject: Reply with quote

以西方哲學的術語來看詩, 近代首先的是.

John Crowe Ransom, "Poetry, A Note on Ontology", 為新批評的初始.

另一位 Richard Rorty ("Consequences of Pragmatism")認為語言本身就是現實的一部分.
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PostPosted: 2012-02-29 19:41:01    Post subject: Reply with quote

語言本身作為一個實存是可以哲學的這把刀來好好剖析的.
這一刀切下去, 知識問題, 道德問題, 意義問題, 存在問題
在詩裡的區別就顯現出來了. 這可建立為新的文學批評裡論.
J.C.Ransom 所提的可為一例, 僅為一例.

然東西方的文化根源是不同的, 哲學的方法也不同.
以西方的刀來剖析漢語詩的哲學, 僅可用其方法, 不可奉為圭臬.
原因何在? 概語言系統不同, 文化系統不同.

當今的哲學論也正在起變化, 既有的西方哲學顯處處見陋象,
新的哲學正在追趕時代的變化, 這時來看東西方, 非洲, 澳洲的
哲學論, 也是新一代的詩人必須的涉獵.
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PostPosted: 2012-03-06 22:11:39    Post subject: Reply with quote

文學批評是一把刀,塑造一個時代的文學的肉體與靈魂。
那麼,中國的刀在哪裡?修辭,比喻屬於文字的表現形式。
詩的本質單用"神韻","風骨"來說則太過於模糊籠統。

先假設有這把刀,那麼拿它來看西方(歐美)的詩又如何?

(下回分解) Wink
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PostPosted: 2012-03-23 15:30:14    Post subject: Reply with quote

康德的哲學分類也適用於詩的肌理分析.
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博弈
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PostPosted: 2012-04-03 23:10:41    Post subject: Reply with quote

哲學


        語  
       言  
  \─────────/
      文
     字
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