现实百态 Sister Carrie   》 Chapter I      Theodore Dreiser


     第一章 磁性相吸:各种力的摆布
第一章 磁性相吸:各种力的摆布
Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream by first becoming a mistress to men that she perceives as superior and later as a famous actress. Plot summary Dissatisfied with life in her rural Wisconsin home, 18 year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and her husband Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister's flat, she writes to Drouet and discourages him from calling on her there. Carrie soon embarks on a quest for work to pay rent to her sister and her husband, and takes a job running a machine in a shoe factory. Before long, however, she is shocked by the coarse manners of both the male and female factory workers, and the physical demands of the job, as well as the squalid factory conditions, begin to take their toll. She also senses Minnie and Sven's disapproval of her interest in Chicago's recreational opportunities, particularly the theatre. One day, after an illness that costs her job, she encounters Drouet on a downtown street. Once again taken by her beauty, and moved by her poverty, he encourages her to dine with him, where, over sirloin and asparagus, he persuades her to leave her sister and move in with him. To press his case, he slips Carrie two ten dollar bills, opening a vista of material possibilities to her. The next day, he rebuffs her feeble attempts to return the money, taking her shopping at a Chicago department store and securing a jacket she covets and some shoes. That night, she writes a good-bye note to Minnie and moves in with Drouet. Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Hannah and Hogg's - a respectable bar that Drouet describes as a "way-up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie’s youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city. One night, Drouet casually agrees to find an actress to play a key role in an amateur theatrical presentation of Augustin Daly’s melodrama, “Under the Gaslight,” for his local chapter of the Elks. Upon returning home to Carrie, he encourages her to take the part of the heroine, Laura. Unknown to Drouet, Carrie long has harbored theatrical ambitions and has a natural aptitude for imitation and expressing pathos. The night of the production – which Hurstwood attends at Drouet’s invitation – both men are moved to even greater displays of affection by Carrie’s stunning performance. The next day, the affair is uncovered: Drouet discovers he has been cuckolded, Carrie learns that Hurstwood is married, and Hurstwood’s wife, Julia, learns from an acquaintance that Hurstwood has been out driving with another woman and deliberately excluded her from the Elks theatre night. After a night of drinking, and despairing at his wife’s financial demands and Carrie’s rejection, Hurstwood stumbles upon a large amount of cash in the unlocked safe in Fitzgerald and Moy's offices. In a moment of poor judgment, he succumbs to the temptation to embezzle a large sum of money. Under the pretext of Drouet’s sudden illness, he lures Carrie onto a train and escapes with her to Canada. Once they arrive in Montreal, Hurstwood’s guilty conscience – and a private eye - induce him to return most of the stolen funds, but he realizes that he cannot return to Chicago. Hurstwood mollifies Carrie by agreeing to marry her, and the couple move to New York City. In New York, Hurstwood and Carrie rent a flat where they live as George and Carrie Wheeler. Hurstwood buys a minority interest in a saloon and, at first, is able to provide Carrie with a satisfactory – if not lavish – standard of living. The couple grow distant, however, as Hurstwood abandons any pretense of fine manners toward Carrie, and she realizes that Hurstwood no longer is the suave, powerful manager of his Chicago days. Carrie’s dissatisfaction only increases when she meets Robert Ames, a bright young scholar from Indiana and her neighbor’s cousin, who introduces her to the idea that great art, rather than showy materialism, is worthy of admiration. After only a few years, the saloon’s landlord sells the property and Hurstwood’s business partner expresses his intent to terminate the partnership. Too arrogant to accept most of the job opportunities available to him, Hurstwood soon discovers that his savings are running out and urges Carrie to economize, which she finds humiliating and distasteful. As Hurstwood lounges about, overwhelmed by apathy and foolishly gambling away most of his savings, Carrie turns to New York’s theatres for employment and becomes a chorus girl. Once again, her aptitude for theatre serves her well, and, as the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from chorus girl to small speaking roles, and establishes a friendship with another chorus girl, Lola Osborne, who begins to urge Carrie to move in with her. In a final attempt to prove himself useful, Hurstwood becomes a scab driving a Brooklyn streetcar during a streetcar operator’s strike. His ill-fated venture, which lasts only two days, prompts Carrie to leave him; in her farewell note, she encloses twenty dollars. Hurstwood ultimately joins the homeless of New York, taking odd jobs, falling ill with pneumonia, and finally becoming a beggar. Reduced to standing in line for bread and charity, he commits suicide in a flophouse. Meanwhile, Carrie achieves stardom, but finds that money and fame do not satisfy her longings or bring her happiness and that nothing will. Characters * Caroline Meeber, a.k.a. Carrie, a young woman from rural Wisconsin; the protagonist. * Minnie Hanson, Carrie's dour elder sister who lives in Chicago and puts her up on arrival. * Sven Hanson, Minnie's husband, of Swedish extraction and taciturn temperament. * Charles H. Drouet, a buoyant traveling salesman Carrie meets on the train to Chicago. * George W. Hurstwood, a well-to-do, sophisticated man who manages Hannah and Hogg's resort. * Julia Hurstwood, George's strong-willed, social-climbing wife. * Jessica Hurstwood, George and Julia's daughter, who shares her mother's aspirations to social status. * George Hurstwood, Jr, George and Julia's son. * The Vances, a wealthy merchant and his wife, who live in the same building as Hurstwood and Carrie in New York City. * Robert Ames, Mrs. Vance's cousin from Indiana, a handsome young scholar whom Carrie regards as a male ideal. * Lola Osborne, a chorus girl Carrie meets during a theatre production in New York, who encourages Carrie to become her roommate. Literary significance and criticism Dreiser had difficulty finding a publisher for it. While first published in 1900, it was withdrawn after the publisher's wife declared it too sordid. However, Frank Norris, who was working as a reader at the Doubleday & McClure Company, sent a few copies to literary reviewers. Between 1900 and 1980, all editions of the novel were of a second altered version. Not until 1981 did Dreiser's unaltered version appear when the University of Pennsylvania Press issued a scholarly edition based upon the original manuscript held by The New York Public Library. It is a reconstruction by a team of leading scholars to represent the novel before it was edited by hands other than Dreiser's. In his Nobel Prize Lecture of 1930, Sinclair Lewis said that "Dreiser's great first novel, Sister Carrie, which he dared to publish thirty long years ago and which I read twenty-five years ago, came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman". Film adaptation Laurence Olivier and Jennifer Jones starred in the 1952 film version, Carrie, directed by William Wyler.
Chapter I THE MAGNET ATTRACTING--A WAIF AMID FORCES When Caroline Meeber boarded the afternoon train for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, a scrap of paper with her sister's address in Van Buren Street, and four dollars in money. It was in August, 1889. She was eighteen years of age, bright, timid, and full of the illusions of ignorance and youth. Whatever touch of regret at parting characterised her thoughts, it was certainly not for advantages now being given up. A gush of tears at her mother's farewell kiss, a touch in her throat when the cars clacked by the flour mill where her father worked by the day, a pathetic sigh as the familiar green environs of the village passed in review, and the threads which bound her so lightly to girlhood and home were irretrievably broken. To be sure there was always the next station, where one might descend and return. There was the great city, bound more closely by these very trains which came up daily. Columbia City was not so very far away, even once she was in Chicago. What, pray, is a few hours--a few hundred miles? She looked at the little slip bearing her sister's address and wondered. She gazed at the green landscape, now passing in swift review, until her swifter thoughts replaced its impression with vague conjectures of what Chicago might be. When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. Of an intermediate balance, under the circumstances, there is no possibility. The city has its cunning wiles, no less than the infinitely smaller and more human tempter. There are large forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the persuasive light in a wooing and fascinating eye. Half the undoing of the unsophisticated and natural mind is accomplished by forces wholly superhuman. A blare of sound, a roar of life, a vast array of human hives, appeal to the astonished senses in equivocal terms. Without a counsellor at hand to whisper cautious interpretations, what falsehoods may not these things breathe into the unguarded ear! Unrecognised for what they are, their beauty, like music, too often relaxes, then weakens, then perverts the simpler human perceptions. Caroline, or Sister Carrie, as she had been half affectionately termed by the family, was possessed of a mind rudimentary in its power of observation and analysis. Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic. Warm with the fancies of youth, pretty with the insipid prettiness of the formative period, possessed of a figure promising eventual shapeliness and an eye alight with certain native intelligence, she was a fair example of the middle American class--two generations removed from the emigrant. Books were beyond her interest--knowledge a sealed book. In the intuitive graces she was still crude. She could scarcely toss her head gracefully. Her hands were almost ineffectual. The feet, though small, were set flatly. And yet she was interested in her charms, quick to understand the keener pleasures of life, ambitious to gain in material things. A half-equipped little knight she was, venturing to reconnoitre the mysterious city and dreaming wild dreams of some vague, far-off supremacy, which should make it prey and subject--the proper penitent, grovelling at a woman's slipper. "That," said a voice in her ear, "is one of the prettiest little resorts in Wisconsin." "Is it?" she answered nervously. The train was just pulling out of Waukesha. For some time she had been conscious of a man behind. She felt him observing her mass of hair. He had been fidgetting, and with natural intuition she felt a certain interest growing in that quarter. Her maidenly reserve, and a certain sense of what was conventional under the circumstances, called her to forestall and deny this familiarity, but the daring and magnetism of the individual, born of past experiences and triumphs, prevailed. She answered. He leaned forward to put his elbows upon the back of her seat and proceeded to make himself volubly agreeable. "Yes, that is a great resort for Chicago people. The hotels are swell. You are not familiar with this part of the country, are you?" "Oh, yes, I am," answered Carrie. "That is, I live at Columbia City. I have never been through here, though." "And so this is your first visit to Chicago," he observed. All the time she was conscious of certain features out of the side of her eye. Flush, colourful cheeks, a light moustache, a grey fedora hat. She now turned and looked upon him in full, the instincts of self-protection and coquetry mingling confusedly in her brain. "I didn't say that," she said. "Oh," he answered, in a very pleasing way and with an assumed air of mistake, "I thought you did." Here was a type of the travelling canvasser for a manufacturing house--a class which at that time was first being dubbed by the slang of the day "drummers." He came within the meaning of a still newer term, which had sprung into general use among Americans in 1880, and which concisely expressed the thought of one whose dress or manners are calculated to elicit the admiration of susceptible young women--a "masher." His suit was of a striped and crossed pattern of brown wool, new at that time, but since become familiar as a business suit. The low crotch of the vest revealed a stiff shirt bosom of white and pink stripes. From his coat sleeves protruded a pair of linen cuffs of the same pattern, fastened with large, gold plate buttons, set with the common yellow agates known as "cat's-eyes." His fingers bore several rings--one, the ever-enduring heavy seal--and from his vest dangled a neat gold watch chain, from which was suspended the secret insignia of the Order of Elks. The whole suit was rather tight-fitting, and was finished off with heavy-soled tan shoes, highly polished, and the grey fedora hat. He was, for the order of intellect represented, attractive, and whatever he had to recommend him, you may be sure was not lost upon Carrie, in this, her first glance. Lest this order of individual should permanently pass, let me put down some of the most striking characteristics of his most successful manner and method. Good clothes, of course, were the first essential, the things without which he was nothing. A strong physical nature, actuated by a keen desire for the feminine, was the next. A mind free of any consideration of the problems or forces of the world and actuated not by greed, but an insatiable love of variable pleasure. His method was always simple. Its principal element was daring, backed, of course, by an intense desire and admiration for the sex. Let him meet with a young woman once and he would approach her with an air of kindly familiarity, not unmixed with pleading, which would result in most cases in a tolerant acceptance. If she showed any tendency to coquetry he would be apt to straighten her tie, or if she "took up" with him at all, to call her by her first name. If he visited a department store it was to lounge familiarly over the counter and ask some leading questions. In more exclusive circles, on the train or in waiting stations, he went slower. If some seemingly vulnerable object appeared he was all attention-- to pass the compliments of the day, to lead the way to the parlor car, carrying her grip, or, failing that, to take a seat next her with the hope of being able to court her to her destination. Pillows, books, a footstool, the shade lowered; all these figured in the things which he could do. If, when she reached her destination he did not alight and attend her baggage for her, it was because, in his own estimation, he had signally failed. A woman should some day write the complete philosophy of clothes. No matter how young, it is one of the things she wholly comprehends. There is an indescribably faint line in the matter of man's apparel which somehow divides for her those who are worth glancing at and those who are not. Once an individual has passed this faint line on the way downward he will get no glance from her. There is another line at which the dress of a man will cause her to study her own. This line the individual at her elbow now marked for Carrie. She became conscious of an inequality. Her own plain blue dress, with its black cotton tape trimmings, now seemed to her shabby. She felt the worn state of her shoes. "Let's see," he went on, "I know quite a number of people in your town. Morgenroth the clothier and Gibson the dry goods man." "Oh, do you?" she interrupted, aroused by memories of longings their show windows had cost her. At last he had a clew to her interest, and followed it deftly. In a few minutes he had come about into her seat. He talked of sales of clothing, his travels, Chicago, and the amusements of that city. "If you are going there, you will enjoy it immensely. Have you relatives?" "I am going to visit my sister," she explained. "You want to see Lincoln Park," he said, "and Michigan Boulevard. They are putting up great buildings there. It's a second New York--great. So much to see--theatres, crowds, fine houses--oh, you'll like that." There was a little ache in her fancy of all he described. Her insignificance in the presence of so much magnificence faintly affected her. She realised that hers was not to be a round of pleasure, and yet there was something promising in all the material prospect he set forth. There was something satisfactory in the attention of this individual with his good clothes. She could not help smiling as he told her of some popular actress of whom she reminded him. She was not silly, and yet attention of this sort had its weight. "You will be in Chicago some little time, won't you?" he observed at one turn of the now easy conversation. "I don't know," said Carrie vaguely--a flash vision of the possibility of her not securing employment rising in her mind. "Several weeks, anyhow," he said, looking steadily into her eyes. There was much more passing now than the mere words indicated. He recognised the indescribable thing that made up for fascination and beauty in her. She realised that she was of interest to him from the one standpoint which a woman both delights in and fears. Her manner was simple, though for the very reason that she had not yet learned the many little affectations with which women conceal their true feelings. Some things she did appeared bold. A clever companion--had she ever had one-- would have warned her never to look a man in the eyes so steadily. "Why do you ask?" she said. "Well, I'm going to be there several weeks. I'm going to study stock at our place and get new samples. I might show you 'round." "I don't know whether you can or not. I mean I don't know whether I can. I shall be living with my sister, and----" "Well, if she minds, we'll fix that." He took out his pencil and a little pocket note-book as if it were all settled. "What is your address there?" She fumbled her purse which contained the address slip. He reached down in his hip pocket and took out a fat purse. It was filled with slips of paper, some mileage books, a roll of greenbacks. It impressed her deeply. Such a purse had never been carried by any one attentive to her. Indeed, an experienced traveller, a brisk man of the world, had never come within such close range before. The purse, the shiny tan shoes, the smart new suit, and the air with which he did things, built up for her a dim world of fortune, of which he was the centre. It disposed her pleasantly toward all he might do. He took out a neat business card, on which was engraved Bartlett, Caryoe & Company, and down in the left-hand corner, Chas. H. Drouet. "That's me," he said, putting the card in her hand and touching his name. "It's pronounced Drew-eh. Our family was French, on my father's side." She looked at it while he put up his purse. Then he got out a letter from a bunch in his coat pocket. "This is the house I travel for," he went on, pointing to a picture on it, "corner of State and Lake." There was pride in his voice. He felt that it was something to be connected with such a place, and he made her feel that way. "What is your address?" he began again, fixing his pencil to write. She looked at his hand. "Carrie Meeber," she said slowly. "Three hundred and fifty-four West Van Buren Street, care S. C. Hanson." He wrote it carefully down and got out the purse again. "You'll be at home if I come around Monday night?" he said. "I think so," she answered. How true it is that words are but the vague shadows of the volumes we mean. Little audible links, they are, chaining together great inaudible feelings and purposes. Here were these two, bandying little phrases, drawing purses, looking at cards, and both unconscious of how inarticulate all their real feelings were. Neither was wise enough to be sure of the working of the mind of the other. He could not tell how his luring succeeded. She could not realise that she was drifting, until he secured her address. Now she felt that she had yielded something--he, that he had gained a victory. Already they felt that they were somehow associated. Already he took control in directing the conversation. His words were easy. Her manner was relaxed. They were nearing Chicago. Signs were everywhere numerous. Trains flashed by them. Across wide stretches of flat, open prairie they could see lines of telegraph poles stalking across the fields toward the great city. Far away were indications of suburban towns, some big smokestacks towering high in the air. Frequently there were two-story frame houses standing out in the open fields, without fence or trees, lone outposts of the approaching army of homes. To the child, the genius with imagination, or the wholly untravelled, the approach to a great city for the first time is a wonderful thing. Particularly if it be evening--that mystic period between the glare and gloom of the world when life is changing from one sphere or condition to another. Ah, the promise of the night. What does it not hold for the weary! What old illusion of hope is not here forever repeated! Says the soul of the toiler to itself, "I shall soon be free. I shall be in the ways and the hosts of the merry. The streets, the lamps, the lighted chamber set for dining, are for me. The theatre, the halls, the parties, the ways of rest and the paths of song--these are mine in the night." Though all humanity be still enclosed in the shops, the thrill runs abroad. It is in the air. The dullest feel something which they may not always express or describe. It is the lifting of the burden of toil. Sister Carrie gazed out of the window. Her companion, affected by her wonder, so contagious are all things, felt anew some interest in the city and pointed out its marvels. "This is Northwest Chicago," said Drouet. "This is the Chicago River," and he pointed to a little muddy creek, crowded with the huge masted wanderers from far-off waters nosing the black-posted banks. With a puff, a clang, and a clatter of rails it was gone. "Chicago is getting to be a great town," he went on. "It's a wonder. You'll find lots to see here." She did not hear this very well. Her heart was troubled by a kind of terror. The fact that she was alone, away from home, rushing into a great sea of life and endeavour, began to tell. She could not help but feel a little choked for breath--a little sick as her heart beat so fast. She half closed her eyes and tried to think it was nothing, that Columbia City was only a little way off. "Chicago! Chicago!" called the brakeman, slamming open the door. They were rushing into a more crowded yard, alive with the clatter and clang of life. She began to gather up her poor little grip and closed her hand firmly upon her purse. Drouet arose, kicked his legs to straighten his trousers, and seized his clean yellow grip. "I suppose your people will be here to meet you?" he said. "Let me carry your grip." "Oh, no," she said. "I'd rather you wouldn't. I'd rather you wouldn't be with me when I meet my sister." "All right," he said in all kindness. "I'll be near, though, in case she isn't here, and take you out there safely." "You're so kind," said Carrie, feeling the goodness of such attention in her strange situation. "Chicago!" called the brakeman, drawing the word out long. They were under a great shadowy train shed, where the lamps were already beginning to shine out, with passenger cars all about and the train moving at a snail's pace. The people in the car were all up and crowding about the door. "Well, here we are," said Drouet, leading the way to the door. "Good-bye, till I see you Monday." "Good-bye," she answered, taking his proffered hand. "Remember, I'll be looking till you find your sister." She smiled into his eyes. They filed out, and he affected to take no notice of her. A lean-faced, rather commonplace woman recognised Carrie on the platform and hurried forward. "Why, Sister Carrie!" she began, and there was embrace of welcome. Carrie realised the change of affectional atmosphere at once. Amid all the maze, uproar, and novelty she felt cold reality taking her by the hand. No world of light and merriment. No round of amusement. Her sister carried with her most of the grimness of shift and toil. "Why, how are all the folks at home?" she began; "how is father, and mother?" Carrie answered, but was looking away. Down the aisle, toward the gate leading into the waiting-room and the street, stood Drouet. He was looking back. When he saw that she saw him and was safe with her sister he turned to go, sending back the shadow of a smile. Only Carrie saw it. She felt something lost to her when he moved away. When he disappeared she felt his absence thoroughly. With her sister she was much alone, a lone figure in a tossing, thoughtless sea.



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Chapter IChapter II
Chapter IIIChapter IV
Chapter VChapter VI
Chapter VIIChapter VIII
Chapter IXChapter X
Chapter XIChapter XII
Chapter XIIIChapter XIV
Chapter XVChapter XVI
Chapter XVIIChapter XVIII
Chapter XIXChapter XX
Chapter XXIChapter XXII
Chapter XXIIIChapter XXIV
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