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  xiá Martial Arts  xiá xuán Magic Fairy Mystery  huàn xiǎo shuō Science fiction  chāo xiàn shí xiǎo shuō surrealism  zhé xiǎo shuō Philosophical novel  wǎng luò xiǎo shuō Net novels  huàn mysterious
  yuèdòu 魔幻 zuòpǐn!!!

   xiá xiǎo shuō yòu guǎng xiá zhī fēnguǎng shàng shì zhǐ
   chuán tǒng xiá làng xiá shǐ xiá xié xiá diǎn xiān xiá huàn xiū zhēn xiàn dài xiū zhēn
   dàn cóng xiá xiǎo shuō de xiá céng shàng lái shuō jiù zhǐ zhǐ chuán tǒng xiá làng xiá shǐ xiá xié xiá zhè lèi
  
  【 xiá xiǎo shuō yuán
  
   xiá wén xué de yuán tóu dāng yòu 'èr shì hàn chū qiān deshǐ zhōng de yóu xiá lièzhuànèr shì wèi jìnliù cháo jiān shèng xíng de shén zhì guài xiǎo shuō
   guǒ shuō xiān qín liǎng hàn nǎi zhì wèi jìn zhì guàiwéi xiá xiǎo shuō de chǎn shēng gòu zhù liǎo jiān shí de chǔwéi zhī qián zòu me táng chuán zài wén xué shǐ shàng lǐng fēng sāo shí xiá xiǎo shuō zhēn zhèng kāi shǐ méng
   huǒ yào méi yòu míng zhī qiándāo qiāng jiàn dōubèi chēng wéi lěng bīng zài lěng bīng shí dài rén de shù qiǎo jiù xiǎn shí fēn zhòng yào bǎo jiā wèi guóyòu yòng qiú gōng míng guìyóu shì tǒng zhì zhěgèng shì shí fēn kàn zhòngzài zhōng guó dài jiào xuéshì wén bìng zhòng de,《 zhōu zhōng yǎng guó dàonǎi jiào zhī liù liù zhōng de shè jiù shì shè jiànjià zhàn chē huī dāo qiāng zuò zhàn de。《 hàn shū . wén zhì zàijiàn dào sān shí piān shǒu liù piān”, bèi chēng wéibīng qiǎo”, shǒu xiè de shǐ yòng wéi běn néng jīn yòu 'èr qiān duō niánzhì nán cháo liú sòng shí yòu shù zhī chēnghuì shù de rén fāng miàn jìn cháo tíng de jūn duìchéng wéi zhí jūn rénzhè lèi rén wéi cháo tíng suǒ yòng rán jiù huì zài xuè shā chǎng de tóng shíqiú gōng míng guì
   dàn zǒng yòu lèi rénjiù xiàng xiàn zài de zhí zhèng dǎng zài dǎng yàngduì cháo tíng zhèng zhì dāng quán zhě yòu tóng kàn zài shù shàng de zài dǎng jiù shì xiē hào chēng xiá de rén men yīn zhǒng yàng de yuán yīn liú luò mín jiānyòu shì shēn hǎo gōng tiǎo zhàn quán guìxié 'è wēi kùnzhè yuán běn méi yòu cuòdàn yòu yīn suǒ wèi zhòng gǎn qíngjiǎng 'ér fàn de shí hòuzhǐ wéi bào 'ēn huò chóu zhì guó jiā rén zhè jiù shì hán fēi shuō de:“ xiá fàn jìn”。 dàn guǒ zài zhèng zhì hēi 'àn mín liáo shēng de cháo dàidāng xiá men xiào shān líndāng lùlín hǎo hànlái tiān hángdào”, gōng rán dāng quán zhě jiào bān shízhè zhǒng xíng wéiquè dào lǎo bǎi xìng de yōng zàizhè tóng shí shì xiá zhí gēn rén men xīn zhōng dào rén men 'ài de zhòng yào yuán yīn gǎng zhài de chéng yǎo jīnqín shū bǎo děng shuǐhǔzhuàn zhōng de zhì shēn sōng děng
  
  【 xiá xiá
  
   shuǐhǔzhuàn》, néng liú chuán qiān kǒng hái xuān yáng de xiá jīng shén mìqiè xiāng guānér zhè zhǒng guī de xiá shì lùlínbìng chēng lùlín hǎo hànzhè gài shì hòu lái lín de chū chù jǐn shān zhī jiān yóu zài gài yòuzài de ér qiě mín zhùchéng hěn gāo men huì méngde xíng shì tuī xuǎn méng zhùér tuī xuǎn de biāo zhǔn zhǐ yòu liǎng jiù shì gōng fǒu miǎn tán men xiǎn shì chū zhǒng mín jiān shè tuán de xìng zhìyòu shì zhǒng sōng sàn de lián zhǐ yòu dào liǎo zhū shuǐ de guī cái xiǎn shì chū zhèng zhì jūn shì zhì de xìng láidàn yòu diǎn réng shì kěn dìng de jiù shì lùn shì cháo gài hái shì sòng jiāngdōushì xiá shì men tuī chū lái de
  
   dàn zuì chū de xiá duō shì de rén de xíng wéishǐ zhōng jìzǎi niè zhèng zhù míng de jīng qín wáng de shìzhè yàng de rén shìzài chūn qiū zhàn guó shí hái shǎodāng shí yóu guó zhī jiān zhēng chēng xióngēn 'ēn yuàn yuàn hěn duō guó quán guì mendōu zhēng xiāng zhēng xián shìzhè díshìjiù shì zhǐ shì dāng shí de xìn líng jūnpíng yuán jūn yǎng liǎo hǎo bǎi shèn zhì shàng qiān de zhè lèishí ”, zhè jiù gěi zhè lèi shì xiá men chuàng zào liǎo shēng cún tiáo jiàn men duō xiá zhù chēnghuò wèiguóhuò wéi bào zhù rén zhī 'ēnchōng dāng shèn zhì shěshēng zhè shì fēng jiàn shí de shè huì diǎnōu zhōu zhōng shì shí de shì běn de shì lèi
  
   zhè xiē xiá shì cháo dài dōuyòu men zhǒng lǐn rán wēi kùn jiàn píng zhàng dāo xiāng zhù wèi qiáng quán wèi cán bào de xiá jīng shénshí fēn wéi rén men suǒ jìng yǎngzhè xiē shù rén shì duō shì zhēn rén zhēn shì gǎng zhàishuǐ zhōng de xiá men liǎo shǎo lín gōng dāng pài gōng dōushì shí shí zài zài de shù liú pài yòu shǎo míng jiā chū zhè xiē pài biéhóng yáng liǎo shù jīng shénjiù shì jìn dài qīng guāng nián jiān de dāo wáng bǎo biāo wéi bèi rén chēng wéi xiá tán tóng jiāo hòu biàn shíhái zhù dòng yào qiú bǎo chū zǒuzài yòu jiù shì huò yuán jiájiù céng bài shì de yáng shī cháng liǎo guó shù wēi fēngér zhè xiē shēng zài xiàn shí shēng huó zhōng de xiá xiá shì wéi xiá xiǎo shuō de chuàng zuò gōng liǎo fēng de yuán quán rǎng
  
   guòlìng lèi xiá jiù men xiàn zài de duō xiá xiǎo shuō yòu xiē lèi liǎo men zǒng cún zài shì shí gòu zhī jiānzhè hěn shēn yǐng xiǎng liǎo hòu shì xiá xiǎo shuō de chǎn shēng zhǎn men zǒng shì dài yòu shén xìng shén xìngyòu de shèn zhì guòfèn kuā liǎo shù běn shēn de gōng néng zuò yòngdàn zhè zhǒng chāo rén xíng xiàng chū xiànchú bào 'ān liáng de xiáyòu qià hǎo fǎn yìng liǎo rén men de yuàn wàngzhè dāng zhōng duì hòu shì xiá xiǎo shuō yǐng xiǎng zuì shēn de yòu sān rén xíng xiàng jiù shì yuè chǔnǚhóng xiàn kūn lún yuè chǔnǚ yuán yuè chūn qiū》, hóng xiàn chū táng . yuán jiāo zhuàngān yáo》, kūn lún chū tángchuán 》, shǐ shàng duō shēn huái jué de xiá men cháng cháng yuàn tuì yǐn jiāng zhè shì yīn wéi rén xīn nán biàn shì 'ēn zhòng shān de zhù rén men shì zhè zhǒng xiǎng yǐng xiǎng liǎo hòu shì duō xiá de wéi rén xiá xiǎo shuō de chuàng zuòér cóng lìng jiǎo jiǎngguān chǎng de bài hēi 'àn shǐ men gèng yuàn jié shēn hǎo yuàn tóng liú zhè shì xiá men dào rén men zūn jìng de zhòng yào yuán yīntóng shí shì wén rén men zhǒng xiǎng de rén wén jīng shénsuǒ cháo dài yòu me duō de wén rén yuàn shū xiě chuàng zuò zhè xiē xiá shì shì zhòng yào yuán yīn .
  
  
  【 wèi jìn liù cháo zhì guài xiǎo shuō xiá
  
   wèi jìn liù cháo zài wén xué shǐ shàng bèi kàn zuò shì wén xué de jué xìngxíng chéng shí zhè shí de wén xué zuò pǐn duō zhì guàishén xiǎo shuō wéi zhùzuò pǐn zhōng bāo hán zhe xiān rén de shén xiānguǐ guài guān niàn duì chāo xiàn shí shén liàng de xiàng wǎngzhè shì hóng huāng shí rén men duì yīng xióng chóng bài de liúzài hóng huāng shí rén men duì xiē yīng xióng rén de chóng bài kuā zhāng de zàn měi chǎn shēng liǎo shén huà fāng shén nóngsuì rén děng děngdào liǎo xiān qín liǎng hànchōng chì zài xiǎng lǐng de shì xiān fēng dào wèi jìn hòubiàn shì yóu zhe míng guǐ yōu hún
   zhì guài xiǎo shuō shì shù guǐ shén guài zhī shì wéi zhù yào nèi róngbāo kuò shén xiān fāng shùguǐ mèi yāo guàishū fāng líng děng yòu shǐ wénmín jiān chuán shuō děng děng shù shàng dài yòu chuán cǎi chāo xiàn shí de biǎo xiàn gān bǎo desōu shén wéi dài biǎo yòu tuō míng táo yuān míng desōu shén hòu 》、 jiù cáo deliè chuán》、 zhāng huá de zhì》、 hóng deshén xiān chuán》、 wáng jiā deshí 》、 jūn de xié děngguǐ shén guān niàn shì dài xiān mín zhé xué xiǎng de zhòng yào chéng fēn biàn shì xiàn zàiláo dòng rén mín zhōng jiān tóng yàng cún zài zhe shén guǐ de guān niàn jīng shì chéng zhōng huá mín jīng shén de fēnzhè shí shì rén men duì shēn kǎo de jiēguǒxiàn shí de nán shǐ men xiàng wǎng zhe xiē chāo chū rán de dōng zhǒng bié de néng xiē bié de gōng shén jiànbǎo děng děngér zhè xiē dōng què zhǐ néng zài xiǎng xiàng zhōng dàosuǒ biàn yòu liǎosān wáng de bǎo jiàn gān jiāng xiéyòu liǎo de xiān shù dào yòu liǎoliú chén ruǎn zhàode líng dān miào yàoér zhè xiē dōng zài hòu lái de xiá xiǎo shuō zhōng tóng yàng shì lǚjiànbùxiǎn chéng wéi xiá xiǎo shuō zhī suǒ yǐn zhě de zhòng yào yīn
  
  
  【 táng chuán xiá
  
   guǒ shuō xiān qín liǎng hàn nǎi zhì wèi jìn zhì guàiwéi xiá xiǎo shuō de chǎn shēng gòu zhù liǎo jiān shí de chǔwéi zhī qián zòu me táng chuán zài wén xué shǐ shàng lǐng fēng sāo shí xiá xiǎo shuō zhēn zhèng kāi shǐ méng sòng chū fǎng děng suǒ biān zhuàntài píng guǎng juàn jiǔ sān zhì jiǔ liù jiāng shí zhǒng táng chuán liè háo xiálèi biàn kàn chū xiá xiǎo shuō tóng táng chuán zhī jiān mài luò xiāng tōng rèn wéi táng chuán wéi xiá xiǎo shuō de zōng zhě dāng 'ér rán
  “ chuán zhī míng wǎn táng péi xíng xiǎo shuō chuán 》, sòng rén yǐn shī jiāngyòng duì shuō shí jǐngshì wéi deyuè yáng lóu chēng wéichuán ”。 zhǎn dào hòu láichuán cái zhú jiàn bèi rèn wéi shì zhǒng xiǎo shuō de cái yuán dài táo zōng chuò gēng jiāng táng chuán sòngjīn xìqǔyuàn běn děng xiāng bìng lièmíng dài yìng línshǎo shì shān fáng cónggèng jiāng suǒ fēn liù lèi xiǎo shuō de 'èr lèi yīng yīng chuán》、《 huò xiǎo chuánděng dìng míng wéichuán ”, shìchuán zuò wéi táng rén wén yán xiǎo shuō de tōng chēngbiàn yuē dìng chéng yán yòng xià lái
   zài lùn shù táng chuán de shè huì bèi jǐng shífàn yān qiáo suǒ zhù dezhōng guó xiǎo shuō shǐcéng yán:“ zài shí dàihūn yīn liángwéi rén shēng tòng zhī xiǎngjiàn shēn yínér fān zhèn píng mín pàn zhǒng xiá zhī jiù xiě liàn 'àiháo xiá zhī xiǎo shuōchǎn shēng shèn 。” gēn suǒ lùn jiàn bān bié zài táng cháo shè huì duì háo xiá jiù zhù yún zhī wàng。《 zhèng tōng jiànjuàn 'èr lín :“ duō jié yuàncháng chū bǎi rén wéi zuǒ yòu jīn jìng jiēqián zài shù bǎi wàigōng qīng zǒu fáng chuángsuī jiā rén zhī chù。” jiàn shè huì 'àn shā xíng zhī fēng xíngzhè fǎn yìng zài wén xué zuò pǐn zhōngbiàn shì háo xiá zhù de chuán liàng yǒng xiàn
   yǒng xiàn chū miáo xiě háo xiá zhī shì xiá xíng wéi de chuán zuò pǐnnèi róng shè wēi kùnchú bào 'ān liángkuài 'ēn chóuān bāng dìng guó děng fāng miàn zhōng chū háo xiá rén de xián rèn gāng zhuó luò qún gōng de chū shén huàgōng de jīng shì hài yóu zhǎn xiàn chū zhǒng gāo dǎo bēn téng liú zǒu de shēng mìng qíng diào。《 gān yáozhīhóng xiàn》,《 chuán zhīniè yǐn niàn》、《 kūn lún 》,《 zhījiǎ rén děngdōushì jiào yòu dài biǎo xìng de pǐnér chuán wéi guāng tíng suǒ zuò deqiú rán chuán》, gèng shì wǎn táng háo xiá xiǎo shuō zhōng chéng jiù zuì zhù de piān
  
  
  【 sòng yuán huà běn xiá
  
   táng rén chuán shù liǎo wén yán xiáde diǎn fàn zhī hòujīng dài zhì sòng cháozài cái shàng bìng méi yòu shénme chū de zhǎn duō shì duì táng chuán de fǎngdàn zhè shí zài wén xué shǐ shàng què yòu zhuózhòng yào zài yán shàng kāi chuàng xìng de 。“ shuō huà shùzài mín jiān guǎng fàn liú chuánzhè zhǒng bái huà xíng de xiǎo shuō hòu lái de xiá xiǎo shuō yuān yuán
   zhù sòng luó zuì wēng tán · xiǎo shuō kāipìsuǒ yán:“ yòu líng guàiyān fěn chuángōng 'ànjiān pōdāogǎnbàngyāo shùshén xiān。” ér zhè xiē shì hòu lái de xiá xiǎo shuō suǒ yòng de guǎn shì zhǒng cái wǎng wǎng 'ài qíng huò gōng 'àn zuò wéi shì dexīng fèn diǎn”。 ài qíng shì jǐn zài dāng shí hěn shòu huān yíng shǐ zài xiàn xíng de xiá xiǎo shuō zhǒngài qíng yīn shì zhòng yào dekàn diǎn”。 měi xiá shì zhī jiān de gǎn qíng jiū yǒng yuǎn shì xiá xiǎo shuō yǐn rén de fāng héng héng yīn wéi 'ài qíng shì yǒng héng de huà lùn shì xiàn dài xiá xiǎo shuō zhōng de jīn yōng xiān shēnghái shì hǎi wài zhí fēngmǐ de xiá zuò zhě dōuwú bǎi tuōgǎn qíng ”。 ér qiě gāo miào de 'ài qíng qíng jié wǎng wǎng yòu xiǎng dào de xiào guǒzài zhè fāng miàn sòng yuán huà běn yòu chū de gòng xiàn
   sòng yuán xiǎo shuō huà běn zhōng de 'ài qíng shìyòu wǎng wǎng chū xìng duì 'ài qíng shēng huó de zhù dòng zhuī qiúxiàngniǎn guān yīnzhōng de xiù xiùchū shēn pín hán de zhuāng biǎo jiàng jiā tíngshēng měi mào chū zhòngcōng míng líng gèng liàn jiù liǎo shǒu hǎo xiù nài jiā jìng jiǒng zhǐxiàn zhuàng”, jiāng mài xián 'ān jùn wángcóng zhèng zhí dòu kòu nián huá de xiù xiùshēn hóu ménshī yóu hòu jùn wáng shī huǒtáo mìng zhī jiàn liǎo nián qīng néng gān de niǎn jiàng cuī níngxiù xiù jiàn chéng shí kàobiàn zhù dòng chū:“ jīn xiān zuò ?” ér dǎn xiǎo shì de cuī níng què gǎn yīngyǔnxiù xiù dào:“ zhī dào gǎn jiào jiāng láijiào huài liǎo què jiāng dào jiā zhōng míng shuō!” xiù xiù zhī cuī níng de wéi rénzhè fān huà míng xiǎn shì yào de yǒng ràng dào zhèng tuō shù xún qiú měi hǎo de shēng huóyòu nào fán lóu duō qíng zhōu shèng xiān》, xiě zhōu shèng xiān chū jiàn fàn 'èr lángbiàn 'àn zhōng huān sīliáng:“ ruò shì jià zhè bān zhī hǎo lijīn dāng miàn cuòcuòguòzài lái tǎo?” wèile zhuō zhè nán de yuán gǎn xiǎng gǎn zuòzhù dòng jiē jìn fàn 'èr láng
   zhè xiē duì 'ài qíng de dǎn zhuī qiú shǐ fàng dào xiàn zài de xiá xiǎo shuō zhōng jiù cún zài zháomí rén de mèi zhè yàng de zhù xiǎng rán gāo liǎo xiá xiǎo shuō de xiǎng shuǐ píngshǐ de tōng wén xué zài xiǎng shàng bàn yǎn zhe wén xuéde juésèzhè jiù qiān shè dǎo wén xué dede zhuǎn biàn wèn ér xiá xiǎo shuō zuò wéi shū de wén xué xíng shìtóng yàng cún zài zhede wèn duì táng chuán sòng yuán huà běn dāng dài de bái huà xiá men dāng fēn guǒ zhī shí fènzǐ chuàng zuò zuò wéi fēn diǎn me táng chuán biàn shìwén xuéér sòng huà běn zhōng rén de chuàng zuò biàn shìwén xuédāng dài de xiá xiǎo shuō duō shù shì zhī shí fènzǐ de chuàng zuò dāng kàn zuò shìwén xué liǎo shì dài de zhī shí jiē céng yòu tóng xiàn zài néng lèi tuī me dāng dài xiá xiǎo shuō dào shìshìnéng běn rén rèn wéi,“ bìng shì dìng deér shì dòng zhe de shì suí zhe de tóng 'ér biàn huàhuàn huà shuō,“ de wèn dāng cóngwén xué xiāo fèide rén qún lái kàn,“ shì shǐ kàn”。
  
  
  【 míng qīng bái huà xiá
  
   sòng jiàngwén yán xiá zhú jiàn shuāi luò xià láibái huà gōng 'ànxiá xiǎo shuō chéng liǎo zhōng xià céng láo dòng rén men wén jiàn de wén xué shì yàng shì bái huà xiǎo shuō zài míng qīng shí shèng xíng láidāng rán jiān yòu shǎo wén rén fáng zhào táng chuán chuàng zuòdàn bìng fēi zhù liúzhū chāng qīng chéng jiàn 》、 sòng liánqín shì 》、 sòng mào chéngliú shān dōng gōng máo shēngděngjiē yòu guān
  
   rán 'ér xiá xiǎo shuō dào míng qīng shí duō shì huà běn xíng shì chū xiàn de qīng shí zàibāo gōng 'àn chǔ shàng yǎn chéng de xiá 》《 xiǎo ér yīngxióngzhuàn píng huóděng men diàn dìng liǎo xiá xiǎo shuō de běn xíng shì shìdàn dào zhēn zhèng zhǎn bìng chéng xiàn chū zhǒng fán róng xiàn xiàngquè shì mín guó jiān de shì
  
  
  【 mín guó shí xiá xiǎo shuō
  
   xīn hài mìng hòurén men cóng fēng jiàn zhì xià jiě fàng chū lái zhǒng xiǎng liú pài yǒng zhōng guóbào chū bǎn dào kōng qián fán róngwén xué shù dào zhǎn zhǒng fēng liú pài de wén zuò pǐn cǎi fēn chéng xiá xiǎo shuō jūn de xiá men de xiá jīng shén chuán tǒng shēn rén men 'ài
  
   zài 'èr shí shì 'èr shí nián dàishǒu xiān yòu bèi chēng wéinán xiàng běi zhàode děng kāi fēng de xiá xiǎo shuō zuò jiāpíng jiāng xiào shēng gèng shì bèi wéimín guó xiá xiǎo shuō de kāi shān ”。 dài biǎo zuò yòujiāng xiá chuán》、《 xiá yīngxióngzhuànděngzhào huàn tíng yòu xiá jīng zhōng chuánliú shì
  
   zài sān shí nián dài hòuzuì yòu míng de xiá xiǎo shuō jiā biàn yòu běi pài jiā hái zhū lóu zhùbái zhèng zhèng yīnzhū zhēn wáng zhè zhù yào fēn wéi hái zhū lóu zhù de shén guài xiá xiǎo shuōbái de shè huì xiá xiǎo shuōzhèng zhèng yīn de xiá xiǎo shuō wáng de yán qíng xiá xiǎo shuō děng pài xiá xiǎo shuō
  
   zài mín guó xiá xiǎo shuō zuò jiā zhōnghái zhū lóu zhù shì zuì néng xiàn zhōng guó chuán tǒng wén huà debàn wén bàn bái de yándào de jīng shén zhé róng huì guàn tōng xiǎo shuō zhī zhōng zhù míng xiǎo shuō yòushǔ shān jiàn xiá chuán》、《 qīng chéng shí jiǔ xiáyún hǎi zhēng děng 40 bái de shè huì xiá xiǎo shuō zài xiá shè huì shēng huó fāng miàn jié shì shí fēn jǐn de shòu xùnzhōu zuò rén xiōng xīn wén huà yùn dòng yǐng xiǎng hěn shēnběn shēn yòu shì zhě chū shēn cháng cháng shì tōng guò xiá xiǎng shè huì xiàn shí de tuō jié lái pàn shè huì de hēi 'ànzài xiě xiá men de jìng 'ài de tóng shí xiě chū liǎo men zài xiàn shí shè huì zhōng de bēi zhuànggǎn kǎi nài de dài biǎo zuò shìshí 'èr jīn qián biāo》、 miáo xiě bái lián jiào dehuáng huā jiéděngzhèng zhèng yīn dāng nián deyīng zhǎo wáng chū shǒu jiù fán jiāng xiá de háo jīng miào de shù jīng xiǎn de qíng jié róng wéi bìng bié zhù zhòng shù qiǎo de miáo xiě shēng gòng chuàng zuò liǎo bǎi líng 'èr zuò pǐnwéi dāng shí zuò jiā zhī zuìbèi rén chēng wéi xiá xiǎo shuō diǎn bùwèi guò
  
   ér wáng de xiá xiǎo shuō zhòng yán qíngxiě dào shēng chán mián chùcháng huò rén zhì shēnhòu de gǎngtái xiá xiǎo shuō duō zǒu de kāi tuò de zhè tiáobēi xiá qíngde de zhù yào dài biǎo zuò jiù shì cáng lóngděng tiě zuò”。 ér men zhōng zuì chuán cǎi de shì hái zhū lóu zhù shòu mín suì biàn dēng 'é méiqīng chéng xué gōngshí liù suì cái wén zhū xiāng liànyīn jiā biàn 'ér shī liànxiěshǔ shān jiàn xiá chuánshí míng hái zhū lóu zhùjiù shì yòng niàn wén zhū dehòu háo zhī sūn jīng xún de hūn yīn gèng shì hōng dòng shísūn céng fǎn duì zhè zhuāng hūn yīn guǎi dài liáng jiā de zuì míng jiāng gào shàng tíngér sūn jīng xún zài tíng shěn shí yǒng gǎn zhàn chū lái hàn wèi de hūn yīn yóushǐ zuì kāi shì shí chuán wéi měi tánér gèng zhí de shìhái zhū lóu zhù shòu mín běn rénzài shì biàn hòuyīn jué chū rèn kòu wěi zhíbèi zhuā dào běn xiàn bīng duì shòu jìn yán xíng kǎo shí tiānréng wēi lìng rén jìng tàn de zuò wéi běn shēn chōng mǎn zhe zhǒng xiá jīng shén jiǔ nián piān hái zhū lóu zhù fàng de wén zhāngquè shǐ hòu yīn bēi fèn 'ér nǎo xuè hòu bìng liǎng nián yòu kǒu shòu wán cháng piān xiǎo shuō hòuduì rén sūn jīng xún shuō yào duō bǎo zhòng hòu rán cháng shìlìng rén huò tàn
  
  
  【 dāng dài xiá xiǎo shuō
  
   hòu lái jīn yōngliáng shēng wéi dài biǎo de xīn xiá xiǎo shuō de jué shì jìn shí nián de shìyóu shì jīn yōng de xiá xiǎo shuōzào jiù liǎo fēi cháng duō de jīn yōng jīn yōng kuì wéi dài xiá xiǎo shuō zōng shī fēng de shǐ zhī shíshēn hòu de yuè duì xiá jīng shén de jiěduì shù zhī shí de zhǎng jīng cǎi de shì miáo xiěduì rén xìng de què yòu duō guò rén zhī chù。《 shè diāo yīngxióngzhuànzhōng de duō shǐrén nán sòng shí sòng jīnyuán de cuò zōng de guān jūn yòu shǐ shǐ shí ér qiū chù děng shǐ rén què yòu rénjiāng zhēn shí gòu yòu jié tóng shí yòu jiān yòu běi pài xiá xiǎo shuō shè huìyán qíng shén guài pài zhī chángtóng shí yòu wán quán tóng zhè pàiyòu liǎo xīn de chuàng xīn zhǎn
   xiāng gǎng shì xīn pài xiá xiǎo shuō yuán , 50 nián dài shàng bàn shǔ liáng shēngdài biǎo zuò jiàn xià tiān shān lièzhìpíng zōng xiá yǐng》、《 yún hǎi gōng yuán dào rén chuàng zuò yuè de gāo fēnghòu zuò pǐn duō shù shì zhǒng fēng
   liáng kāi chuàng liǎo shí dài diǎn wén xué yǎng hěn zhā shíxiǎo shuō zhōng shī suí chù jiàndàn shàng méi yòu wán quán tuō jìn dài xiá de jiù wén gōng hǎo de zhě kàn kànwén shǐ de miáo xiě hái shì hěn yòu shuǐ zhǔn
  50 nián dài zhōng hòu jīn yōng de chū xiànràng liáng shēng chū liǎo shēng shēng liàngde gǎn kǎi
   jīn yōng yǐn liǎo yáng wén xué qiǎo diàn yǐng shǒu niē zài dāng shí gǎng tái zhèng zhì de nián dàiràng xiá xiǎo shuō biàn chéng chàng xiāo shū
   zài 69 nián dǐng zhōng dào chuàng zuò dǐng fēngrán hòu liú yǒng tuì
   jīn yōng de zuò pǐn zhěng shàng kànqián dào hòu shì yuè xiě yuè hǎocóng wén dào jié gòubāo kuò qíng jié de zhāng zài fēn zuò pǐn de zǎo bǎn běn zhōng yòu shí jiàncuò luàn de yìng shāng néng zuò pǐn zàimíng bàoliánzǎi yòu guānzhǐ yòu jiǎn dān de qíng jiétiān xíng kōng de jìn xíngdào hòu lái zào chéng gēnggǎi de cuò :《 shè diāozhōng huáng róng chū shēng hòuméichén 'èr rén tōujiǔ yīn zhēn jīngpàn biàn chū táo huā dǎo líng fēng bèi duàn tuǐ hòu zài niú jiā cūn zuò zéi shíguō jìng yáng kāng de diē hái rèn shí shì huáng róng guō jìng zǎo jiù zài liú xíng jiě liànhái hǎn shénme jìng zhuāng nián qīng hòu lái jīn yōng chóngxīn xiū dìng de quán zuò pǐn zhè xiē yìng shāng běn shàng xiū gǎi guò liǎo
   jīn yōng tóng shí dài xiāng gǎng lìng yòu jīn fēngzhāng mèng háimóu sōng tíngfēng lóu zhùgāo fēngshí chōng děng rén cóng shì xiá xiǎo shuō chuàng zuòdàn shìjīn yōng zhè zuò shān tài gāo tóng shí dài de xiá xiǎo shuō zuò jiā shì xìng de tóng bèi hòu xiá zuò jiā huò zhù guān tiáo jiàn biàn nán wéi duō bàn zhǐ néng zūn xún wǎngbāng huì pàide shùzài jiāng chóu shā zhōng tǎo shēng huó liǎo
  70 nián dài chūjīn yōng fēng hòuxiāng gǎng xiá xiǎo shuō chū xiàn liǎo bǎi jiā zhēng míngbǎi huā fàng de miàn
   tái wān xiá xiāng gǎng yòu suǒ biézài jīnliáng tóng shí dài yòu líng lóng shēng hóngchén qīng yúnxiāo děng shù shí wèi xiá zhuān zuò jiāgēn xiá píng lùn míng jiā hóng shēng xiān shēng de lüè tǒng zài xiá xiǎo shuō xīng shèng shí tái wān zhì shǎo yòu guò sān bǎi wèi xiá zuò jiā lài wéi shēngchū bǎn liǎo zhì shǎo shàng wàn zhǒng shàng de xiá xiǎo shuōjié chéng shū shù zhì shù shí děng zhōng líng lóng shēngzhū qīng yún bìng chēngtái wān sān jiàn 。”
   líng zài dāng shí yǐng xiǎng zuì xué duō cáishàn cháng xiě qíng xiě dǒu zhì dǒu bié shì miáo xiě nán zài qíng fén shēn zhōng de xīn biàn huà zhèng biàn shí xiāng shēng de shùjūn shíér zǎo nián shǒu chuàng jīng shén shì zhì shèng de xué yuán jìn dàohéng héng jīn yōng lóng mài xiāng chéng de jiàn shèng yòu jiànshuō yòu yìqǔ tóng gōng zhī miàoshèn 'ér yóu yòu guò zhītóng bèi míng jiā shòu yǐng xiǎng zhě duō lóngshàng guān dǐng róngxiāo děng jiē shì
   líng wèi néng chí yíng bǎo tài chuàng zuò hòu suī yòujiàn hǎi yīng yángzhè chāo zhuó zhù wéi xiá xiǎo shuō fàng cǎidàn hòu zhú jiàn zǒu xià héng héng chúrén zài jiāng 》( jiǔ niánshàng kàn wài wǎn nián gǎi tiān xīn yuè míng suǒ zhuànqiáng rén liè zuò pǐn zhèn jiāng láng cái jìn liǎo
   hóng huā shàng dāng shí zhū dài biǎo zuò yòu lóng shēngfēi yàn jīng lóng》、 zhū qīng yún diàn qīng shuāng》、 língjiàn qiān huàn 》、 bào lóu zhù gōng》、 cáo ruò bīng shàn shén jiàn》、 xiāo qín zhǎng》、 yún zhōng yuè jiàn jiān qíng 》、 dīng jiàn xiáshén xiāo jiàn chuán》、 liǔ cán yáng miàn xiū luó》、 hóngyōng gān fēi lóng chuán》; hái yòuguǐ pàihéng héng shū míngnèi róng fēi guǐ qiě shì xuè shì shādòng zhé jiù shā shī héng biàn xuè liú chéng dài biǎo zhě yòu chén qīng yúnxuè jié》、 tián xuè dēngděngshàng guān bǎi rén duō dōushì kàn liǎo kāi tóu jiù néng cāi dào jié wěi de shì néng yǐn zhě tāo chū de yín
   zhēn zhèng ràng tái wān xiá zǒu xiàng shì jiè huá rén juàn de rén shì lóng zài tái wān xiá xiǎo shuō jiè shū shū de míng shì tái wān xiá xiǎo shuō jiè wéi jīnliáng jiān de rén
   lóng 60 nián dài chū kāi shǐ xiě xiá xiǎo shuōdàn píng píng jiān wéi míng jiā lóng shēngzhū qīng yúndài què luàn zhēn jiàn běn shēn què qián zài 64 nián wán chéng zǎo dài biǎo zuòhuàn huā jiàn hòuràng rén 'ěr xīndàn fēng shàng wèi xíng chéngwéi yǐn tài duō lánzài 65-67 nián jiān lóng wán chéng liǎo chuàng zuò zhōng de zhòng yào zuò pǐn lín wài shǐ》、《 jué dài shuāng jiāoděng míng zhùkāi shǐ zǒu hóng bié shì 67 nián suǒ zhuàn detiě xuè chuán 》( men cháng shuō dexiá dào chǔ liú xiānghuò xiāng shuài chuán ), nèi xiáwén xiàn dài xīn fēn bié shì fāng tuī xiǎo shuō de jià gòu zhī dōng fāng bǎn de 'ěr tàn 'ànhòu lái lóng tǎn yán shēn shòu fāng běn tuī xiǎo shuō de yǐng xiǎng
   yóu lóng xiá xiǎo shuō tuō tāi huàn mài liǎo xīn pài xiá xiǎo shuō de diàn tángdàn lóng zhī biàn bìng fēi dào wéi zhǐér shì kuáng bēnràng rén xiá jiē hòuhuǎng rán měng xǐngyuán lái xiá xiǎo shuō zhè yàng xiě zhè yàng kàn hòu wán chéngduō qíng jiàn qíng jiàn》( xiǎo fēi dāo)、《 tiě dǎn xiá húnèr kān chēng shén wán jiān yòu chuán tǒng xiàn dàimáo dùn tǒng zhī měi
  70 nián dài chū kāi shǐ lóng shòu xiěxiāo shí láng》( yóu shì xiān yòu běnhòu lái cái yòu xiǎo shuōde jiǎn shǎo fèi huà yào de miáo shùjiā qiáng zhī yán chǎng jǐng hōng tuōcóng lóng de biàn chéng liǎo zhǒng shīlèi pái fēi sǎnwén de guài wén néng xiá jué zhǒng fāng shì zuì néng biǎo de xiǎngtóng shí yòu néng zuì huà de zhèng dào gǎo fèiliú xīng dié jiàn》、《 huān yīng xióng》、《 xiǎo fèng liè、《 zhǒng lièjǐn yòu liù zhǒng biān chéng làng 》、《 tiān míng yuè dāo》、《 bái lǎo děng shì yòng diàn yǐng fēn jìnghuàn jǐng de shǒu lái xiě xiǎo shuō
   zhè zhǒng jiǎn dān zhí jiēdòng màn huà de wàng duì zhōng guó wén shì zhǒng shāng hàidàn jìn guǎn zài jiǔ liù zhì nián jiān de lóng xiǎo shuō què zhī xiù”, zhèng suǒ miáo xiě:“ shì rén jué duì de rén rén shì huì shuō huà dehuì shuō huà de jué duì shì rén。” jiǎn dān zhí jiē shā liǎo bié rén shā zhì chéng wéi tóng bèi míng jiā xīn jìn zuò zhě fǎng de duì xiàngdàn tóng shí hài liǎo zhè xiē méi yòu bān tiān zòng cái de gēn fēng zuò jiā
   huǒ hóng liǎo shí nián hòu lóng 75 nián hòu de zuò pǐn měi kuàng xià shì bèi chēng wéi měi zuò pǐn hòu dōuyòu xiàn shí zhōng de zhù rén gōng shù píng xo xiāo hào liǎo tài duō de qíngzài kàn guò huā língděng de bàn zuò pǐn hòushēn shēn jiě zài hòu jiāng láng cái jìn hòu jiǔ de tòng cóng gòu huò qiān de kāi tóu jiù huàn lái 'é de jīn qián tóngdào hòu zhě zhú jiàn lěng luòchū bǎn shāng zhuī gǎo shí de qíngyīng nián zǎo shì shì zuì wàng de jié
  85 nián lóng zài gān yìng huà de tòng zhōng zǒu wán liǎo xuàn làn de shēng
  70 nián dài zhōng hòu zhì 80 nián dàizhǐ yòu wēn ruì 'ān miǎnqiǎng jiē guò liǎo lóng de qiāngyīnggāi shì jiǔ nián wēn liáng míng zài xiāng gǎng xiá chūn qiū biǎo chǔnǚ zuòzhuī shā》( wéi míng shì zhī ), shí nián jǐn shí liù suìsuī rán wén qiǎo hěn yòu zhìdàn xiǎng xiàng fēng jiàn qián
   zǎo zuò pǐn shòu lóng yǐng xiǎng míng liè、《 shén zhōu xiá liè jūn jiàn de hén jiǔ 'èr nián tuī chū shén xiāngyòu jiā shàng liǎo ruò gān hái zhū xiǎo shuō de miào cái shén huàn cǎi shèn nóngérsuì mèng dāo》、 xiá shǎo》、《 shā chǔděng shūgèng yòu duōshī huàde yán wén nài rén xún wèi
   dàn yóu jiǔ nián kāi shǐwēn ruì 'ān què xiàn dài pài shā liǎo hǎo ?》、《 qǐng qǐng qǐng qǐng qǐng qǐng》、《 shān gài shì niú ròu miàn》、《 jìng qǐng zào fǎn 》、《 méi yòu shuō guò huài huà de kànděng děng zhōng duǎn piānzuì jìn yòu fánggèng shì zhī suǒ yúnqiě nèi róng héng shù pái liè shì xiàn dài”, chū shì jué xiào guǒ
   zhèng zài shū zhōng hòu zhōng shuō:“ xiá xiǎo shuō biàn!…… chéng bài shī guǎndàn zhè yàng xiě shǐ jué hěn hǎo wán。” shì zhōng guó wén zhī měijiù zài wēn ruì 'ān de biànxiàbèi liè zhī suìérxīn pài xiá xiǎo shuō zài dehǎo wánxiàbèi chè huàdiào liǎo shuō běn rén huà liǎo qián zài mǒu jīng shén bìng yuàn liáo yǎng
   cóng xiá xiǎo shuō de chuàng zuò jìn cháozhí dào 90 nián dài chū xiāng gǎng de huáng cóng jiàn shīkāi shǐ chuàng zuò xiá xiǎo shuōhuò zhě shuō huàn xiǎo shuō jiān yòu míng xiǎn de tián zhōng fāng shù de hén dàoxún qín cái zhēn zhèng xíng chéng de fēng cóng 'ér kāi chuàng liǎo xuán huàn xiá xiǎo shuō shí dàiyǐng xiǎng liǎo de xiá xiǎo shuō zuò zhěkāi shǐ zhuǎn xuán huàn xiá de chuàng zuòér huáng yòu biànfǎn 'ér huí dào zhèng tǒng xiá de huò zhě shuō xiágèng tuǒdàng hòu tuī chū de suì kōng》、《 fān yún jūn yǐn qiáng liè fǎn xiǎng。《 táng shuāng lóng chuángèng shì yīn wéi lián wǎng 'ér guǎng wéi chuán ràng huáng de míng chuán biàn huá rén shè huì qián guó nèi duō jiā wǎng zhàn zhèng zài liánzǎi xīn zuòbiān huāng chuán shuō》。
   huáng shēn shòu líng de yǐng xiǎngshǒu zhòng shì guǒ shuō zǎo liángjīn de zuò pǐn zhōngchéng rén hòu duō shù rén de gōng chéng dìng shìqiū chù nài liǎo méi chāo fēng yǒng yuǎn zài rèn shí jiān diǎn zhǐ néng chéng píng shǒuyīcháng huá shān lùn jiàn hòu shuāng fāng de zhēng dǒu jiù biàn chéng suàn shù bān jiǎn dān liǎo de pái míng gāo shǒu xiǎo duō jiù děng zhe 'āi biǎn rén de qián suǒ zhīér zhōng huá shù zhòng shì jīng shén de wán měi jié dāng huáng zài zhōng jiā liǎo shí jiān jīng shén zhuàng tài děng yuán gāo liǎo xiá xiǎo shuō xìn
  2000 nián hòu chū xiàn wǎng luò zuò jiā cóng shì xiá chuàng zuòshì hǎo shì shì huài shìhǎo shì fēng fán róng liǎo zhě de kàn zhǒng lèi shù liàngdàn yóu wǎng luò xiǎo shuō duō shù shì liánzǎi 'àn shí jiāo gǎo wǎng luò zuò jiā de jiàn suí xìngdǎo zhì liàng tàijiàn zuò pǐn chū xiànlìng yòu fēn zuò jiā yīn wéi wǎng zhàn dǎo děng yuán yīn dǎo zhì zuò pǐn liánzǎi chū xiàn zhōng duànduǎn duǎn de nián shí jiān xiá xiǎo shuō de zhǎn fēi cháng xùn zài gǎng tái zhǎn lòutóu jiǎo de nián qīng zuò jiā hěn duō bèi liángjīnhuáng jiān qián de jiù jǐn jǐn wèi
   zuì yòu néng shǒu tuī rén jiāng shān duō jiāo diàn dìng zài xiàn dài xīn pài xiá xiǎo shuō jiè de wèiwén liú chàngqíng jié bǎo mǎnfēi cháng yòu zhāng shū zhōng rén zhòng duōdàn háo líng luànzuò zhě míng shǐ gōng hěn shēntóng shí jiè fěng jīnzài shǐ xiàn shí jiān yóu rèn yòu guǒ shuō quē diǎn de huàjiù shì yòu shǎo qíng miáo xiějiàng liǎo xiǎo shuō de pǐn zhìnán zài shí shū shì chǎng shíjiāng shānzài hòu qíng fēn yuè lái yuè tánzhè zhuǎn xíng huáng fēi cháng lèi dǎn yán rén bìng hǎo hòu jiāng shì lìng jīn yōng
   lǎo zhū de chuān》 ( jūn shì shǐ xiǎo shuō ), zhēn suǐ dezhēn suǐ fēi cháng cuò yòu qián hěn duō zuò jiā cuòdàn hěn duō réndōu zǒu shàng liǎo xuán huàn zhī zài shì zài rén de fàn wéi nèi jìn xíng de dǒu zhēng yīnggāi huá lìng tǎo lùn de
   zǒng 'ér yán zhī, 90 nián dài hòu lián wǎng de yíng lái liǎo xiá xiǎo shuō de yòu chūn tiān dài zhe xīn de dài zōng shī de dàn shēng
  
  
  【 xiá xiǎo shuō de fēn
  
  【 diǎn xiá shí
  
   yóu xiá shí
   chéng xíng
   táng chuán zhōng de xiá piān zhāng wéi gāo fēngcéng chū de chuán de zhǒng xiě zào de lèi xiá yǐng xiǎng dào liǎo hòu shì xiá yuán míng qīng xìqǔ chuán
   zuì xiān shì xiān qín liǎng hàn xiá piān zhāngzhù yào yòuhán fēi jiǎng wén luàn xiá fàn jìn”。 qiān zhuànyóu xiá lièzhuàn》, jiǎng yóu xiá chū shēn xià céngwéi zhāng kàng zhòng rén zhòng xìn nuòzhòng 'ēn chóuè língxiān qín liǎng hànyóu xiá shòu zhū biān xiá piān zhāng hěn shǎo
   shì liù cháo xiá piān zhāngzhù yào yòuliù cháo zhī shè huì dòng dàngxiá zhǐ xié rénfàng dàng zhī liú hǎo huài zhī fēngān bǎo desōu shén 》, diào shén guài fēnjiù shì dào de xiáliú qìngshì shuō xīn zhōng yòu jìzǎi xiá de piān zhāng
   rán hòu shì wǎn táng xiá chuán zhù yào yòutáng chuán shì yòu shí de shù chuàng zuò xiá xiǎo shuō suí zhe táng chuán de zhǎn 'ér chéng xíngtáng dài yóu xiá zhī fēng shèn nóng báishí shā rénqiān liú xíng”。 táng dài shè huì shēng huó xiá gài niàn gèng wéi kuān fànfán yòu gōng fēn nán lǎo yòu lùn yǐn huò làng shān lín jiāng xíng shì jiē chēng xiátáng chuán zhōng de xiá lèi chéng jiù hěn gāo gōng zuǒ dexiè xiǎo 'é chuán》, péi xíng dekūn lún 》、《 niè yǐn niàn》。 táng rén xiǎo shuō de xiá piān zhāng zhōngkāng pián de tán yòu jiā zuòdàn xiāng táng chuán yào xùn de duō
   'èr shí xíng chéng
   shǒu xiān shì sòng yuán huà běn xiásòng yuán shuō huà shù de nèi fēn huàshǐ xiá xiǎo shuō zuò wéi zhǒng shū de wén xué yàng shì cóng xiǎo shuō zhōng chū lái cóng 》、《 shí tiáo lóng》。 sòng yuán xiǎo shuō zhōng de xiá piān shèn zhǎnxùn táng zhōng de xiá piān
   rán hòu shì míng dài zhāng huí xiǎo shuō zhōng de xiá nèi róngshuǐhǔzhuànzhōng de zhōng piānzhè shì xiá xiǎo shuō de zhǎnyīnggāi jǐyǔ dìng de wèi。《 fēng shén yǎn shì zhǒng huàn xiǎng xíng xiá xiǎo shuō de chéng zhěsòng yuán míng shí shè huì dòng dàng 'ān liàng xià céng rén mín dìng 'ér zǒu xiǎnjié dǒu zhēng gōng yīn zhī wéi qún zhòng suǒ zhǎng yīng xióng háo xiá de xíng wéi gèng duō chéng wéi yòu qún zhòng xìng de hǎo hàn xíng dòngcóng 'ér chōng dàn liǎo jiàn de shén cǎi
   zuì hòu shì xiá xiǎo shuōwèile jiě jué wǎn qīng de shè huì shēng huó máo dùn xiàn céng rén mín yuàn de yīng xióng xiá shì xiàn shì mín shàng céng xiǎng de qīng guān miào zài xiǎo shuō jié de fāng shì fǎn yìng liǎo wǎn qīng shè huì de shì yuán wàng shí kūn desān xiá zhī hòu zhǒng wén rén cháng piān xiá jìng xiāng chū xiàn yuè de xiá 》, míng shì dexiǎo 》, wén kāng deér yīngxióngzhuàn》, zhè biāo zhì zhe zhōng guó xiá xiǎo shuō xíng chéng liǎo wěn dìng de cún zài xíng shì -- xiá xiǎo shuō
  
   èrmín guó xiá shí
   suǒ wèi dejiù xiáshí kāi duān 'èr shí nián dàisān shí nián dài jìn gāo cháo shí nián dài zǒu xiàng shuāi luòèr shí nián dàizài xīn hài mìng guó mín mìng de ruǎn ruò xiào zhī hòurén men wàng xiá zhuàng shì lái chuàng zào xīn de shì jiè。 1923 nián nán pài xiǎo shuō jiā píng jiāng xiào shēng dejìn dài xiá yīngxióngzhuànde wèn shì wéi kāi duānjiù xiá de chuàng zuò jìn gāo cháotóng shíběi pài zuò jiā hái zhū lóu zhùwáng (《 cáng lóng》)、 gōng bái zhū zhēn (《 yàn dǎo》) děng rén de yǐng xiǎng jiù xiá xiǎo shuō zhù yào shì xiá xiǎo shuō shǐ xiá xiǎo shuō shēn guǎng mín zhòngshǐ xiá xiǎo shuō chéng wéi zhōng guó xiàn dài xiǎo shuō zhōng huò quē de fēn
   mín guó xiá xiǎo shuō jiāxiàng kǎi rán( 1889 1957), míng xiào shēng nán píng jiāng réndài biǎo zuòjiāng xiá chuán》。 zhào huàn tíngshēng xiángdài biǎo zuò xiá jīng zhōng chuán zhèng 》。 míng dào( 1896- 1944), zhōu mén réndài biǎo zuòhuāng jiāng xiá》。 shòu mín( 1903- 1961), jiě fàng hòu gēngmíng wéi hóng míng wéi hái zhū lóu zhù chuān réndài biǎo zuòshǔ shān jiàn xiá chuán》。 gōng zhú xīn( 1898- 1966), míng bái dài biǎo zuòshí 'èr jīn qián biāo》。
  
  
  【 chuán tǒng xiá shí
  
   gǎng tái xiá shí
   suǒ wèi dexīn xiáshí huò zhě xiá shí dài。 20 shì 50 nián dài xiá zài gǎng tái de shāng pǐn huà tōng huà cháo liú zhōng xíng chéng shì liáng shēng jīn yōng wéi dài biǎo de xiě gòu de shǐ shàng de xiá shì wéi nèi róng de wén xué liú pàizhǐ xīn wén huà yùn dòng hòu xiá xiǎo shuō zài xīn wén xué de yǐng xiǎng xiàkāi shǐ bái huà chuàng zuò hòu xīn zhǒng de wén xué yàng shìzhè shí dài míng jiā bèi chūliáng shēng wéi kāi duānjīn yōng wéi gāo cháowēn ruì 'ān wéi 'èr gāo cháojīn yōng lóngliáng shēng hái bìng chēng wéixīn xiá sān jiā”。
   guān shí xiá zhōngxiáde dìng liáng shēng jiǎngjiù xiá xiǎo shuō zhōng de xiáduō shǔ tǒng zhì jiē de yīng quǎnxīn xiá xiǎo shuō zhōng de xiáshì wéi shè huì chú hài de yīng xióngxiá zhǐ de shì zhèng xíng wéi -- duō shù rén de de xíng wéi jiù shì xiá de xíng wéisuǒ wèiwèiguó wèimínxiá zhī zhě’。”
   shí xiá duō liǎo mín guó xiá xiǎo shuō de jiàn xiān dǒu mén pài fēn zhēngbiāo shī lùlín chóu shā de cái fàn wéijiào duō biǎo xiàn rén mín qún zhòng de dǒu zhēngzhuózhòng rén xìng miáo xiějiān yòng zhōng liǎo jiù xiá xiǎo shuō de jiù chú liǎo jiù xiá de guǐ shén cǎiyào qiú shì zhōng de yán xiàn zhì zàirén qián néngde fàn wéi nèixīn xiá de quē xiàn zài xiá yīng xióng chāo rén huà men tiào chū sān jiè wài zài wǔháng zhōngbāo tiān xiàquē xiàn shí zhù de shēn cóng shāng yàobài chū zhuì shì tào huà
  
  1、 shí liáng jīn shí
   liáng shēngyuán míng chén wén tǒng, 1922 nián shēngguǎng méng shān rénzài 1954 nián biǎo delóng dǒu jīng huá》, kǒu xiě zuòsuǒ shù shǐ shísuǒ huì shān chuānjūn jīng yán kǎo rén shēng xìng xīn huó dòng huá wēiwén 'ér yòu wén cǎijiù xiá xiǎo shuō nán jiāncóng diàn dìng shēng míngchéng wéi xīn pài xiá xiǎo shuō de dòng zhī zuòliáng shēng guó xué gēn shēn hòu de xiá xiǎo shuō dài yòu duō zuò de shī měi měi chuán sòng shí de xiǎo shuō měi dōuyòu míng què de shǐ bèi jǐng。 1956 niánliáng shēng kāi shǐ xiě jiàn xià tiān shān》。 liáng shēng zhí xiě zuò dào shí nián dài chū de zuì hòu xiǎo shuō dāng jiànchū kān 1980 nián 5 yuè 9 de gōng bàoshàngwán jié 1983 nián 8 yuè 2 dài biǎo zuòpíng zōng xiá yǐng 》、《 jiàn xià tiān shān》、《 sài wài xiá chuán》、《 lóng dǒu jīng huá》、《 yún hǎi gōng yuán》、《 báifà chuán》。
   jīn yōngyuán míng chá liáng yōng, 1923 nián shēngyuán zhè jiāng hǎi níngdeshū jiàn 'ēn chóu kāi shǐ xiě zuò 1955 nián zhōng。《 shè diāo yīngxióngzhuànxiě 1957 nián zhì 1958 nián zhī jiānshì jīn yōng de xiá xiǎo shuō。“ shè diāodiàn dìng liǎo jīn yōng de lín méng zhù wèishì gōng rèn de jīng diǎn míng zhùjīn yōng yòng shí nián xiě wán de shí xiá xiǎo shuōyòu yòng shí nián zhè shí xiǎo shuō quán chóngxīn xiū dìng liǎo biànjīn yōng xiě zuò zhì 1972 nián wén wèi jié shù fēng
  
  2、 'èr shí lóng shí
   lóng 1960 nián kāi shǐ cháng shì xiě xiá xiǎo shuōchū decāng qióng shén jiànděngdōu shí fēn yòu zhì zhì 1964 nián cái huàn huā jiàn děng shēng míng què 。 1965 zhì 1966 nián jiān shì chuàng zuò de fēng shōu xiě zuò liǎo yīngxióngzhuàn》、《 míng jiàn fēng liú》、《 lín wài shǐ》、《 jué dài shuāng jiāoděng míng zhù。 1967 nián chuàng zuò detiě xuè chuán 》( chǔ liú xiāng liè hòu zhí xiě liǎo liù shí gòng 28 lóng rén cái huá héng dàn yòng xīn zhuāncóng de xiǎo shuō jiù kàn chū láidàn miào zài yòu zhìměi zài guān jié chù chū bīngzǎo nián lóng bìng méi yòu chū de fēng zài tái wān de xiá juàn suàn tài yào yǎnzhì zài shí nián dài de wǎn zuò pǐn míng xiǎn shì jiāng láng cái jìn cóng xīn liǎo
  
  3、 sān shí wēn huáng shí
   wēn ruì 'ānchū shēng lái ), 1973 nián zuò míng huì jīng shī》, 1981 nián zuòshén zhōu xiá》、《 xuè chēděng zhòng yào zuò pǐn shí nián dài chū jīn yōngliáng shēng xiāng fēng , 1985 nián lóng shì zhī hòugǎng tái xiá xiǎo shuō piàn diāo língchū qiú xīnqiú biànqiú de xīn wēn ruì 'ān cóng 1986 nián kāi shǐ chàng xíngchāo xīn pài xiá”, huò chēngxiàn dài pài xiá”, liàng zhù liú wén xué de dōng yǐn liǎo xiá xiǎo shuōcáo zhèng wén zài 1989 nián jiāng liè wéi sān dài xīn xiá xiǎo shuō de dài biǎoér dài de jīn yōngliáng shēng 'èr dài de lóng bìng chēng
   huáng běn míng huáng qiángxiāng gǎng zhōng wén xué shù 。 1989 nián huáng gāo zhí hòu xīnyǐn dǎo shēn shāncáng fēng shuǐ zhī zhuān xīn cóng shì chuàng zuòzhì 90 nián dàixuán shù zhì de xiá zuò pǐnxíjuǎn gǎngtái liǎng 。 1991 nián chéng huáng chū bǎn shè yòu xiàn gōng chū bǎn liǎo táng shuāng lóng chuán děng zuò pǐnhuáng de zuò pǐn chǎng miàn hóng cóng zhòng duōràng rén tàn wéi guān zhǐzhǐ shì zài zhāo shì de miáo xiě shàng xiǎn guò cǎo shuàishuō lìng wàihuáng zuò pǐn wǎng wǎng zhí jiē róng shǐ shí dàiér shì jiāng shǐ zuò wéi bèi jǐngzhè shì yōu diǎndàn shòu dào liǎo shǐ de xiàn zhì
   gǎng tái xiá shí gǎng tái de zuò jiā xiāng gǎng fāng miàn yòu fēngjīn fēngzhāng mèng háimóu sōng tíngjiāng míng qín lóu zhùfēng lóu zhùgāo fēngshí chōng děngtái wān fāng miànyòuláng hóng huànchéng tiě hǎi shàng zhù shēngbàn xiá lóu zhù lóng shēng líng lóu shì)、 zhū qīng yúnsūn xīnlóng jǐng tiān shēngtiān fēng lóu zhùzuì xiān lóu zhù bào lóu zhù shàng jiǔ shàng guān dǐngdōng fāng cáo ruò bīngnán xiāng sǒu líng qiáo róng měixiāo fēngxiàng mèng kuíchén qīng yúnliǔ cán yáng yān hóng qiū mèng hén dōng lóudōng fāng yīngxuě yànqín hóng shēngdīng qíng děngdàn zhōng yòu dài biǎo xìng yǐng xiǎng de xiá zuò jiā shǎo
  
   èr xiá shí
  1、 shí , 20 shì 80 nián dài lín xiǎo shuō
   lín lín xiá yòu suǒ tónggài niàn xiēxiǎo shuō de nèi róng shí yòu jiǔ hái shì biǎo xiàn shǐ shàng de xiá jiàn huò cóng xiá de jiǎo biǎo xiàn shǐ shàng de jūn dǒu zhēng xíng xíng de shè huì máo dùnbiǎo xiàn shù wéi zhù yào dǒu zhēng shǒu duàn de jìn dàixiàn dài mìng dǒu zhēng depiān shí duōsuǒ lín xiǎo shuōshí shàng shì xiá xiǎo shuō wéi zhù
   zài 80 nián dàiyóu diàn yǐngshǎo lín chù de xiá xiǎo shuō làng cháo zài guó nèi xiān xiá xiǎo shuō de xíng liàng chāo guò liǎo chún wén xué zuò pǐn。 1981 nián běi qǔyì xié huì de rèn qīng děng chuàng bàn liǎojīn chuán 》, liánzǎi liǎo 'ōu yáng xué zhōng de dāng shān chuán 》, niè yún de jiāo lóng》。 1982 niánwáng zhàn jūn zuòbái xiá 》, shì wéi 80 nián dài xiá de kāi shān zhī zuò。 1984 nián xiá xiǎo shuō zhú jiàn bèi lín xiǎo shuō dàibìng xíng chéng làng cháo
  20 shì 80 nián dài xiá de jīng pǐn shǎo jiào hǎo de zuò pǐn yòu:《 bái xiá děng shuài xiān zāi liǎo xiá cái de jìn wéi shí nián dài lín xiǎo shuō de jué zòu xiǎng liǎo liǔ de dàoyàn sān chuán 》, féng nán dejīn mén xiá huò yuán jiá》, féng cái deshén biān》, yědōu shì zhè shí de dài biǎo zuò pǐn
  2、 'èr shí , 20 shì 90 nián dài xiá
   shì xīn pài xiá”, shì zuò jiā duì gǎng tái xiá de fǎngcóng cāng làng de liè de xiá zuò pǐn zhōngbiàn kàn chū fǎng hén cāng làng yuán míng yáo fēiyún nán shī fàn xué zhōng wén zhuān gōng diǎn wén xué de jiào shòuzài 1990 nián chū bǎn liǎo jiàn píng jiāng 》, zhè kàn zuò shì xīn pài xiá de zuò pǐnzhè shí de xiázǒng shàng quē wén huà shēng de jīng pǐn shízhù yào yán zhe gǎng tái xīn xiá de jiǎng shìzuò pǐn de shí yǐng xiǎng fēi cháng yòu xiàn
   tóng de zuò jiā hái yòuqīng lián zài 90 nián dài chū zhù yòuwēi lóng xié fèng qīng yuán bái gōngliǎng huǒ shàng hǎi zhī shí fènzǐ, 1995 nián xiě chéng jīng huā》。 zhāng bǎo ruìxīn huá shè zhě dài biǎo zuò yòujīng lín cháng juàn liè fán liù 、《 zuì guǐ zhāng sān 》、《 xíng yóu xiá děngxióng běi fāng rén shìshēng xìng háo fàng zuò pǐn wéi lóu rén》。 wēi dài biǎo zuòjīn tiē xiá dào》。 zhōu lángdài biǎo zuòyuān yāng xuè》。
  
  
  【 xiàn dài xiá shí
  
   suǒ wèi dexīn xīn xiá”、“ xīn shì xiá”、“ wǎng luò xiá”、“ xīn xiáshí 。 20 shì 90 nián dài huáng xiá gāo cháo jiàn jiàn píng suí zhe wǎng luò wén xué de xīng xiá xiě shǒu men zài wǎng luò zhě yuè xuǎn yuè lái yuè duōyuè kǒu wèi yuè lái yuè tiǎo de zhī xià xiàng chuán tǒng zuò jiā de shí kào lǒngchū xiàn liǎo xiē zhì liàng jiào gāo de xiá zuò pǐn。 1999 nián shàng hǎi xiá míng tàn》、 2001 nián hànjīn chuán xiá bǎn》、 2002 nián zhèng zhōu xiá shìděng zhì de chuàng kān jìn liǎo xiá de zhǎn
  2004 nián,《 jīn chuán xiá bǎnbàn yuè kān chuàng kānzhù biān zhèng bǎo chún chū liǎo“ 21 shì xīn xiáde gài niànjiǎn chēng wéi xīn xiá”, zhù yào zǒng jié liǎo shàng xiē xiá xiě shǒu de chuàng zuò。 6 yuè,《 xīn xiáyóu cháng jiāng wén chū bǎn shè bái huà lín zhì shè tuī chūtóng shí gǎng tái bié shì tái wān dǎo de chuàng zuò róng shì xīn xiá bèi míng què de zhì xìng fēn wéi zhù shízhèng bǎo chún jiǎng,“ jué xīn xiá zhè gài niàn yìng zhì shū chū bǎnér yìng zhǐ zhǒng wén huà cháo liú!”。
   zhè xiē xiá bèi fēn chéng lèiqīng chūn xiá ( gǎo xiào tóu ), yóu xiá xiù xiù》。 huàn xiázhū xiān》、《 sōu shén 》。 xìng xiá ( lèi yán qíng ), xuè wēi》、《 jìng shuāng chéng》。 lèi chuán tǒng xiákūn lún》《 yīng xióng zhì》《 jiāng shān duō jiāo》。
   shí de zuò jiā yòuxiǎo duànyuán míng duàn yín, 1976 nián shēng běi suí zhōu rén shìzhù yòubēi xuě》、《 qīng jǐng de chuán shuōděngshí wèi hánnán chuān rénzhù yòusuì kōng dāo》、《 tōu tiān huàn děngjiāng nán guàn 'ān huīzhù yòuchūn fēng liǔ shàng yuán》、《 hàn hǎi lóng yín》、《 liè huǒ fén qín》、《 jiān de shàoniánděngcāng yuèyuán míng wáng yáng, 1979 shēng zhè jiāng tái zhōuzhù yòuhuàn shì》、《 tīng xuě lóu xuè wēiděngxiǎo fēimǐn nán rénzhù yòuyóu xiá xiù xiùděngfèng zhù yòukūn lúnděngshěn yīng yīngnán fāng rénzhù yòuliú děng rénzhù yòujiāng shān duō jiāoděngwáng zhǎn fēi, 1972 nián 4 yuè shēng shān dōng shěng píng shì, 13 suì qiān xīn jiāng 'ā tài shìzhù yòujiàn xiào fēngděngfāng bái jiǔ shí nián dài chū shān dōng xué diàn zhù yòuhān xiá》、《 xiá zhī wāi zhěděngyàn lěi shēngzhè jiāng háng rén shìzhù yòumíng yuè zhào shān 》、《 liè huǒ zhī chéngděng


  Martial arts in a broad sense and narrow sense, broad sense, refers to the
  History of traditional martial arts martial arts Prodigal Yi Xia Xia humorous martial arts classic fairy fantasy comprehension for modern comprehension for,
  However, the level of martial arts in the narrow sense refers to the traditional martial arts is the only rebel Yixia martial arts history, martial arts Humorous these four categories.
  【Origin】 martial arts
  Martial arts when there are two sources of literature: "One early Han Dynasty Sima Qian's" Historical Records "rangers, assassins; second, Wei, Six widespread among the 'note body' miraculous, supernatural fiction." Novels on the net www love .92 text.cn
  If even the Qin and Han Jin Dynasty, the martial arts to build a solid production base, whom prelude; then Tang a leading position in literary history, the martial arts that is really just the beginning.
  Chivalry and knight】 【
  However, the other knight on the many martial arts and we are somewhat similar, and they always seemed to exist between fact and fiction, which seems deeply influenced the later emergence and development of martial arts, they are always with magic and mystery, some even exaggerated the function and role of martial arts itself, but to Superman to appear in getting rid of the martial arts, but also a perfect reflection of people's hope and desire, which were most affected on the later martial arts There are three characters, that is, the more a virgin, red and Kunlun Nu. The more virgin from the "Annals of Wu", the red line from Don. Yuan rural Piece "Ganse Ballad", Kunlun Nu Tang is from "Legend" Historically, many skilled and martial arts are often willing to retire from the dead, this is because people are hard to predict, even Enchongrushan the main people, too, such thinking has affected generations of man many martial arts and martial arts creation. From another perspective, official corruption and darkness, but also make them more willing to keep his nose clean, not partake of this is martial arts have been an important reason why people are respected, but also an ideal of the literati spirit, so there dynasty record of so many writers are willing to write creative stories of these martial arts, is also an important reason.
  【Wei Six Tales of Mystery and martial arts】
  Wei and Jin Dynasties in the literary history of literature is seen as a "consciousness," the formative years of many literary works of this period to Demon, mainly Mystic novel. Works include the ancestors of the gods, ghosts concepts, and the surreal mystical power for himself. This is the prehistoric period to the hero worship of the remaining people in the prehistoric period, people of some hero worship and praise produced exaggerated myth, for example, Shen Nong, Sui people, Nu Wa and so on. To the Qin and Han, filled in the ideological field is the figure who trained himself. Wei later, is cruising the deep ghost ghost.
  Ghost Stories is a strange supernatural things account for the main contents, including the operation of Fairy, ghosts monsters, special party foreign body, such as Buddhist supernatural, there are anecdotal unofficial history, folklore and so on. Art on the legendary and ultra-realistic performance. By Gan Bao of the "Immortals" as a representative, has asked other name Tao "Search Supernatural", the old question of Cao Pi's "Lie Yi Zhuan," Zhang's "Natural History", Ge Hong's "Supernatural Biography" Chia's "theft by finding in mind," Wu Jun "Qi harmonic mind" and so on. Concept of supernatural beings is the ancient ancestors an important part of philosophy, even now, among the working people also exists the concept of a ghost, it has been formed as part of the Chinese spirit. This is actually the result of people to think for themselves, the reality of suffering makes them long for some things beyond the natural, a special ability and some special tools. For example: martial arts, sword, treasure, and so on. These things can only get in the imagination, so there are "three tombs," the sword Gan, Moye; with "Purple" in Xian Shu Road law; with "Liu Chen and Ruan Zhao," a panacea. These things in the later novels is also common, it seems that the reason why martial arts has become an important factor to attract readers.
  Tang and martial arts】 【
  If even the Qin and Han Jin Dynasty, the martial arts to build a solid production base, whom prelude; then Tang a leading position in literary history, the martial arts that is really just the beginning. Song Li Fang, etc. compiled "Taiping" Volume ninety-three to one hundred and ninety-six, particularly the inclusion of the 18 kinds of Tang Dynasty "Knight" class can be seen between the context of martial arts connected with the Tang Dynasty. Tang for the martial arts so that the stand of these persons, which should be the course.
  "Legend" name, like starting in the late Tang Peixing story collection, "Legend", Song Yin Lu division will "use the right words said at the scene, the world thinks it strange" and "Yueyang Tower" as "legendary body." Developed later, the legendary gradually be considered a genre of fiction, such as the Yuan Tao Zongyi "Dropping Geng Lu" about Tang Dynasty and the Song, Jin opera, the hospital the other in parallel, Ming Hu Ying-lin "Shaoshi Shan Cong room document" more to the sub-six second novel that is "Realm", "Story of Huo Xiaoyu" and named "Legend", so, legend known as Tangren Wen made the novel, he continues to use the convention down.
  Emergence of a group of persons and their chivalrous cavalier description of acts of legendary works, related distress the poor and needy, getting rid of Willful hatred, settled by the country in terms of personality in the prominent cavalier and Zhuo Luo Yin Ren fortitude not groups, martial arts superb, exploits The shock the world, thus showing a high hath Pentium uninhibited flow out of the life character. "Ganse Ballad" the "red line", "legend" of "Nie", "Kunlun Nu", "different mind set" of "Jia man's wife", are more representative of the goods; the transfer is made of Du The "Heroic Legends" Late Knight is most famous novel of a success.
  【Song and Yuan Dynasties and martial arts】
  Chinese legend has set a classical "martial arts" in the model, the Five Dynasties and even after the Song dynasty, there is nothing in the subject matter and the development of more prominent is the imitation of Tang. However, this time in the history of literature is of great significance, he was pioneering the meaning of language. "Talk art" in the civil widespread, this vernacular novel and the subsequent punishment rather martial arts origins.
  Song small talk in the love story, they often highlight women's active pursuit of the love life. Such as "ben" in Qu Xiu Xiu, was born in a poor mounting Carpenter family, he's outstanding beauty, bright, more trained to have a good hand embroidery. Helpless family distress, and his father with a piece of paper "offer letter", she was sold and Haman Dukes, since then, blooming Xiu Xiu, Hou body into the door, loss of freedom. Later Dukes House fire, escape the occasion, she met the young talented grind Yu Jiang Ning Cui; Xiu see him honest and reliable, they offered: "Why do not you and I do first couple tonight?" The timorous Cui Ning is not promised. Xiu Xiu: "You know not, my name will be up and teach you bad. You have to be in my home? I go tomorrow, said the government!" Xiu Su Ning Cui know the man, words obviously intended to stimulate his courage, let him with his one free myself, to seek a better life. Another example is "busy Fanlou passionate Zhou Sheng Xian", write Zhou Sheng Xian has shown signs of Hanjiro, they secretly like it, alone, consider: "If I have a husband so the children of a similar, known Hao Li. Today face setbacks (wrong) before, go again discussion? "To capture this rare opportunity, and she dared dare take the initiative to close Hanjiro.
  Kill for love these bold pursuit, even if the novels are still placed there charm. While this theme ideas to improve the level of martial arts, so that the popular literature play in the ideological sense, "elegant literature" role. This involves reversing literature "Ya" and "conventional" transformation problem, and martial arts as a special form of literature, as there is a "Ya" and "popular" issue. Contrast Tang, Song and Yuan Dynasties and contemporary vernacular martial arts; How do we distinguish between "Ya" and "Popular" mean? If the distinction between intellectual creation as a point, then the Tang Dynasty is "elegance" of literature, and Song in the artist's creation is the "popular" literature. Most modern martial arts are the creative intelligentsia, which should be seen as "refined," Literature of the. But the ancient knowledge class is different and the present, can not and so on. So in the end is a modern martial arts novels, "Ya" is the "vulgar" to? I think, "Ya" and "Popular" is not fixed, but Fudong Zhao, he was with the object varies. In other words, "Ya" and "popular" issue as from the "literary consumption" crowd of view, "Ascot" even look at "conventional" also "Ya."
  】 【Ming and Qing vernacular and martial arts
  Since the Song Dynasty, the gradual decline of classical Chinese martial arts down. Vernacular Detective, chivalrous novels have become lower middle class working people are loved by the literary style. Vernacular fiction was popular in the Ming and Qing dynasties up, of course, there are a lot of paper during the civil air defense created according to Tang, but not mainstream. Such as: Li Changqi "recorded Qingcheng sword," Lian "Qin Shi Lu", Song Maocheng "Liu Shandong" and Le Palace spectrum "Mao-Sheng", etc., there are considerable.
  However, when the martial arts to the Ming and Qing dynasties, many of which are present in the form of words, such as the Qing dynasty in the "package Detective" played to the basis of the "Five Seven Chivalrous justice", "Xiao Wu Yi" and "children live commentary Heroes" and so on, they laid the Swordsman basic form and pattern, but get really develop and present a kind of prosperous, Que is the Republic of China's 事.
  【】 Republic of martial arts
  1911 Revolution, the people liberated from the yoke of feudalism, the various schools of thought into China, the press, the publishing industry are unprecedented prosperity, literature and art are to develop, a variety of styles colorful schools of literary and artistic works, martial arts have sprung It is a unique spirit of traditional martial arts chivalry won their loved one.
  20 years in the twentieth century, it was first known as the "south to north Zhao" and started the trend of the martial arts and a number of writers, 平江不肖生 is known as the "Republic of martial arts novels of the pedigree." The representative works include "Wild Swordsman," "Chivalry Heroes", etc.; Zhao Huanting there, "Fairy Loyalty Biography" leave the world
  In the thirties, the most famous martial arts have all Haizhulouzhu North Pine 5, white, Zheng card for Zhu Jeong Mu and Wang Du Lu. This is mainly divided into Haizhulouzhu the supernatural novels, White Feather's social novels, Zheng card because of the martial martial arts and Wang Du Lu's four major martial arts school martial arts romance.
  In the Republic of martial arts writers, Haizhulouzhu perhaps best embodies traditional Chinese culture, semi-vernacular language, Confucianism, Buddhism and Taoism's spiritual philosophy, are converging through the stories. The famous novel of "Shushanjianxia Biography", "Qingcheng 19 Chivalry" and "sea of clouds recorded Vying for" and 40. White feather in the martial arts martial arts community and social life was very close integration, he was sent by Lu Xun and His Brother, and deeply influenced the New Culture Movement, which itself was originally a journalist, he often thought through the martial arts out of touch with social reality to criticize society, the dark, when writing their respectable martial arts cute, but also write them at the tragic reality of society, feelings and helplessness. His masterpiece is "12 money dart", and described the uprising of the White Lotus "flower robbery" and so on. Zheng card for the year, "Ying Zhaowang" Eight parts of the shot is not where he would pride and sophisticated martial arts of Wushu and thrilling adventures integration, with particular emphasis on the description of martial arts skills. His life created a total of 102 works of writers of the then most. Been called combative martial arts that is no exaggeration.
  The Wang Du Lu's martial arts novels are heavy romance, wrote of life and death lingering Department, often deceptive deep. And-coming Hong Kong, Taiwan, martial arts, and most of his walk to open up the this "tragedy Xia love" route. His main representative is the "Crouching Tiger" and "The Crane Rail for five." The most legendary of them is Haizhulouzhu Li Shoumin, he would board the Emei-year-old, Qingcheng study qigong, 16-year-old fell in love with the talented woman Monju, a result of family change and romance, write "Shushanjianxia Biography" when pseudonym Huanzhulouzhu is for Jinian Wen beads. After the rich and powerful daughter of Sun by Xun, marriage is a sensation, Sun father had opposed the marriage of "stealing honest woman" of the charges to court, and the Sun by Xun in the trial, courage to stand up for their freedom of marriage, it acquitted a short time has visited one another, but even more noteworthy is that Haizhulouzhu Li Shoumin I, in the "77" Incident, the Japanese for refusing to serve as pseudo-post caught the Japanese military police suffered severely torture up to 70 days, still unyielding, it is King sigh! As his own, full of a kind of chivalrous spirit. In 1958, a "no Huanzhulouzhu to poison," the article, made him reading by grief and stroke, more than two years after deathbed, dictating complete novel "Du Fu", the pair of Lady Sun Xun said by you Take care, the passing away, is puzzled sigh!
  】 【Contemporary martial arts
  Hong Kong is the birthplace of new style martial arts novel, half of the 50's are Liang Yu-Shen, masterpiece "Seven Swords" series. To "Pingzongxiaying", "云海玉弓缘" to achieve personal creative insurmountable heights. Most of the late works of a style not worth mentioning.
  Beam to create an era of very solid quality of its classic literature, fiction poetry everywhere. But still not completely out of the stereotype of modern martial arts. Good grounding in Classical Chinese reader can see the description text and history are still very level.
  Jin Yong in the late 50's there, so Liang Yu-Shen issued "both Sheng Yu, He Shengliang" of emotion.
  Jin Yong introduced Western literature and film techniques to be kneading techniques, Hong Kong and Taiwan at the time of political suppression and to martial arts into a best-seller.
  In the 69 years of "The Deer" reached its creative peak, and then stepping down gracefully.
  Contemporary Hong Kong, while Jin Feng and Jin Yong, Zhang Meng Huan, Musong Ting, storm lord, peak, stone washed and others engaged in martial arts novels. However, Jin Yong mountain too high, and his contemporary martial arts writer, is unfortunate. Their peers and the late-coming martial arts writer or less subjective conditions, it is difficult almost to continue; usually only follow the previous "Gang Attack Group" large ones, living in rivers and lakes in the killings.
  The early 70s, Jin Yong creating in effect, the Hong Kong martial arts there let thousand flowers bloom situation.
  Taiwan and Hong Kong martial arts be different, in gold, beam contemporary with Sima Ling, Wo Lung Sheng Dugu Hong, Qing-Yun Chen, Yat Siu dozens of martial arts such as professional writers. According to the martial arts master Mr. Ye Hongsheng comment rough statistics, in the prosperous period of martial arts in Taiwan had had at least 300 martial arts rely on this for a living writer, has published at least on the more than 10,000 kinds of martial arts novels. Results were integrated from several of the book to dozens of ranges. One Sima Ling, Wo Lung Sheng Zhugeqingyun said "Taiwan Three Musketeers."
  Sima Ling at the time the greatest influence. Knowledgeable, good at a sentiment or desire, a battle of wits. Especially male-female desire into flames in the psychological changes, and odd are mutually changed virtual and real martial arts art, are unmatched moment. Its early years, first in spirit and principle of imposing martial art to defeat the enemy, has been almost "Road" - and Jin Yong, Gu Long line of succession of the "sword of victory without a sword," saying, serves the same purpose, even worse than. Famous peers affected, inspired by many, such as Cologne, Shangguan Ding, of turning, bleak h ave is.
  Unfortunately, Sima Ling not maintaining steady economic growth; its creation despite the late "sword Haiying Yang" This outstanding masterpiece shine for the martial arts, but then that is getting worse - than "in the shadows" (19 2075) can still be a look outside, the later years changed to "day of heart month" written by the pen name "strong man" series, has been lacking, downhill, the.
  True to the world of Chinese martial arts circles in Taiwan who is Cologne. A martial arts circles in Taiwan, in letters of the name. The only martial arts circles in Taiwan and gold, beam shoulder to shoulder people.
  Thus, the martial arts novel is reborn into a new style martial arts of the temple. But Cologne is not the end of the change, but the way bolted, so dizzying, the suddenly occurred to him awakened. The original martial arts can be written, we can also look. Then he has completed "Sentimental Swordsman merciless sword" (ie Romantic Swordsman), "Tie Dan Hero Soul," Episode II, called God complete air feet, both traditional and modern "contradictory unity" of the United States.
  Early 70s, Cologne by writing "Xiaoshiyilang" (as is the script first, and later novels have) inspired nonsense, and to reduce unnecessary description. Strengthen the body language and scene contrast. From then on Gu Long's become like a poem, haiku class, non-weird prose style. May feel this way the ancient heroes can best express his thoughts, while maximizing the earn royalties. Such as "Meteor • Butterfly • Sword", "Happy Heroes", "Luk Siu Fung" series, "seven weapons" series (only six) and "Border Town prodigal son", "End of the World • moon • Knife," "white tiger", etc. , and both are using the film sub-mirror-for-view approach to writing a novel.
  This simple and direct, animation of the jump to move, the Chinese text is a harm. Nevertheless, from 1965 to 1975 in Cologne between the novel is "thriving", as he describes: "He is a dead man, an absolute dead. The dead will not be talking, talking is definitely not dead . "straightforward kill others, also killed himself. That he became famous peers and new entrants on the object of imitation. But he also kills these days without him is so vertical it was the writers to follow suit.
  Red for ten years, 75 years after the works of Gu Long declining, perhaps to be called after each work has a real heroine, and countless bottles of xo consume too much of his passion. After seeing "Drawing a bell" and part of his works, a deep understanding of alcoholism in the late pain after his run out of ideas. From an idea or thousands of words can be the beginning of the contract in exchange for huge sums of money to post reader gradually cold, ruthless publishers chasing the manuscript. Untimely death is perhaps the most desired outcome of his own.
  85 years of pain in Cologne in cirrhosis has completed his splendid life.
  The late 70's to 80's, only reluctantly took over the Gu Wen Jui-gun, no, the pen. In 1970 he was a "cool and Jade" pseudonym in Hong Kong "martial arts stories" published debut "Kill" (for "Sidamingbu" one story), when he was only 16 years old; despite the fact that techniques are very naive, but imagine rich, have see the potential.
  Cologne impact of its popular early works, such as "Sidamingbu" series, "Divine Swordsman" series are visible traces of the ancient. Since the 1982 launch of "commoner with God," and then, with a number of beads is also a wonderful novel material, so supernatural fantasy grime; and "broken dream knife", and "swordsmen", "kill Chu "and other books, there are many" poems "of language, thought-provoking.
  But from the beginning in 1987, Wen Jui is a "modern" itself. Such as "kill you, will you? "" Please Please Please • • Please Please Please "and" mountains and rivers of air force pulling K-Swiss • beef noodles, "" Please rebellion a "," did not say bad things that can not see, "and so in short, a recent" breast "is unintelligible. And the contents of noodle arranged to show their "modern", this prominent visual effects.
  Postscript in the book, as he said: "The martial arts have mutations! ... ... Successes and failures, gains and losses, I do not care, but this wording makes me feel a lot of fun." So the beauty of Chinese characters, on the Wen Jui "Change ", the split may be fragmented; and" new style "martial arts, but also his" fun ", and be completely" alienation "lost. He was said to have alienated himself now in a psychiatric hospital convalescence.
  The impact of popular Sima Ling Huang Yi, the first re-imposing, if earlier, beam, gold works, adult martial arts has become the most people given potential, not Mei Chaofeng Chuji is regrettable that he never at any time and place can only be tied. A Competition on Huashan Mountain, the two sides of a strife becomes as simple arithmetic. My ranking master and little more, you wait to suffer flat it! Know nothing about human potential, while the Chinese martial arts and Manner of the perfect combination of great importance. When Huang Yi in which the added time, physical, mental and other elements. Greatly enhanced the credibility of martial arts.
  Network in 2000 after a large number of creative writers in the martial arts is good, bad, good or great wealth and prosperity of the readers to see the type and quantity. However, most of the network serial novel, to be on time delivery, and the network is not visible and random writers, leading to a large number of eunuchs works there. Another part of the writer, such as site closure causes serialized work interruptions. Just a few years, the development of martial arts is very fast in China and Hong Kong and Taiwan-and-coming young writers a lot, with and beam, gold, old, yellow shoulder to shoulder potential also just a few.
  Most likely devaluation clay figurines, to a "land so" enough to lay the new style martial arts in the modern world status, language fluency, plot full, very tension. The characters are numerous, but not messy. History of the Ming foundation of deep, while Jiegufengjin, in the past and present worlds. If the defect, is that there are a lot of sexual description, reducing the quality of the novel. Entities in the mainland market is difficult based on the book. In fact, "country" in the latter part of more and more on erotic. This transformation is very similar with Huang Yi. Bold prediction: clay figurine good will is another Jin Yong's disease.
  Others such as Lao Zhu's "Purple River" (military historical novels), essence of the "essence" is also very good. Potential. A good many other writers, but many people took to the fantasy of the way, is no longer within the scope of human struggle. That should be assigned to other topics.
  All in all, the late 90's popularity of the Internet ushered in the martial arts for another spring. Looking forward to the birth of a new generation of master.
  Staging】 【martial arts
  【Period】 classical martial arts
  1, Paladin period
  1, the first phase, forming period.
  Tang chapter in the martial arts to its peak, the various layers of legend and the shape of the various warrior written all affect the later Ming and Qing martial arts and Chinese opera legend.
  Qin and Han martial arts is the first chapter, are: Han Fei stresses "Confucianism to the text through law, Xia to force taboo." Qian Piece "Knight Tales" and stresses the lower birth Ranger, illegal anti-law, re-righteousness, heavy commitments, re-hatred, evil bullying. Qin and Han, Ranger lashing by the various schools, very few martial arts chapter.
  Six chapters, followed by martial arts, including: Six of social unrest, Chivalry refers to the military to rely on people-indulgent and his ilk, no good or bad. Gan Bao's "Immortals", remove the supernatural part, is authentic martial arts. Liu Yiqing "Shi", there is recorded knight chapter.
  Then the late Tang Wuxia legend are: Tang is a conscious art, martial arts with the development of Tang molding. Very dense wind of the Tang Dynasty Knight, Li Bai, "ten steps to kill a person, a thousand miles without leaving any lines." Increasing complexity of social life in the Tang Dynasty, and more broadly the concept of chivalry, where powers, all ages, the disappearance or rove the mountains rivers and lakes, to act in them registering Wu Xia. Legendary martial arts class, its success is high, such as Lee Kinsuke the "Xiexiao E Biography", Peixing the "Kunlun Nu", "Nie." Chinese martial arts novel chapter notes, Kang Pian's "Opera on Record," in quite excellent work, but to be inferior to the more than Tang.
  2, the second period, the formation of
  First Colloquial martial arts. Song words of art-house division, so that, as a special martial arts style of literature separate from fiction. Such as "Lee from Ji", "10 Long." Song Sketches of the martial arts articles, little development, and worse than martial arts articles Tang notes.
  Then the Ming Dynasty martial arts novels in the content, such as "The Water Margin" Lu Zhong articles, this is the continued development of martial arts, should be given a certain status. "Gods" is a fantasy type a master of martial arts. Song to time, social unrest, a large number of people take the risk lower, sworn struggle, martial arts, and therefore mastered by the masses, more heroic heroism as a mass hero action, thus diluting the mystery swordsman.
  Finally, martial arts novels. In order to solve the contradiction between the social life of the late Qing, reflecting the underlying will of the people and embodied in the heroic chivalrous ideal of clean government upper wonderful people in the novel combination of collection methods to reflect the customs of the original city in Late Qing Wang. Since Shi Yukun's "San Xia Wu Yi", the various martial arts scholars long race there. Such as Yu Yue's "Five Seven Chivalrous meaning" anonymous "Xiao Wu Yi", Culture and Sport of the "children of Heroes", which marked the formation of a stable Chinese martial arts novels, the form of independent existence - the chivalrous novels.
  Second, the Republic of martial arts during the
  The so-called "old martial arts" period, beginning in the twenties, thirties climax, the decline of the forties. 20 years, witnessed the 1911 Revolution and the national revolution in the weak and ineffective, people knight warrior hopes to create a new world. In 1923, novelist 平江不肖生 sent south of the "Heroes of Modern Chivalry," the advent of the beginning of the creation of the old martial arts climax. Meanwhile, the North sent writers Haizhulouzhu, Wang Du Lu ("Crouching Tiger"), Gong, white, Zhen Zhu Mu ("Brilliant magic island") and other influential people. Old martial arts martial arts martial mainly fiction, martial arts novels in depth it makes the general public, so that the modern novel system of martial arts become an integral part.
  The Five Republic of martial arts: the natural Kai (1889-1957), pen name unworthy students, Hunanpingjiang people, representative of "Wild Swordsman." Zhao Huanting, birth and death unknown, the representative of "Loyalty transfer is a sequel to Swordsman." Gu Ming (1896-1944), Suzhou Wu people, representative of the "wild river Lady." Li Shoumin (1903-1961), renamed after the liberation of Li Hong, pen name for the Huanzhulouzhu, Sichuan, masterpiece "Shushanjianxia Biography." Miyatake Heart (1898-1966), pen, white, masterpiece "12 money dart."
  【Period】 traditional martial arts
  1, Hong Kong and Taiwan during the martial arts
  The so-called "new" martial arts, or during the era of great martial arts. 50 years of the 20th century, the martial arts in Hong Kong and Taiwan in the commercialization and popularization in the trend of the formation. It is represented by Liang Yu-Shen, and Jin Yong wrote a fictional story of the history of the martial arts for the content of a literary genre, that the New Culture Movement, the martial arts under the influence of the new literature and began writing after the vernacular style of the new kind of literature . Masters of this age of giving birth, Liang Yu-Shen as the start for the climax of Jin Yong, Wen Jui-climax for the second time. Jin Yong, Gu Long, Liang Yu-Shen is also known as "the new martial arts three people."
  About this time the martial arts in "Chivalry" is defined, Liang Yu-Shen stresses "the chivalrous old novels, mostly of the ruling class bird dog, the new novels of the Xia, is the hero of social pesticides; Chivalry refers to the act of justice - meet the interests of the majority of behavior is the behavior of Xia, the so-called 'for country and people, great swordsman'. "
  Most martial arts at this time broke through the Republic of China Swordsman Sword battle of wits, martial strife, killings of Ticaifanwei Biaoshi and greenwood, more the performance of the people struggle. Focus Characters in description, used along with Chinese and Western techniques, breaking the stereotype of the old martial arts, martial arts of the spirits removed the old colors, the story of the miracle requirements strictly limit the "human potential" within. The drawback is the New Chivalry of chivalrous hero Superman, they jump out of the Three Realms, the five elements are not in everything, everywhere. Lack of realism, depth, yield to business needs, barnyard out redundant laws, routines of the story.
  1, the first period, Liang Jin Dynasty
  Jin Yong (formerly Cha, 1923, Haining, Zhejiang origin) of the "Book and Sword," began writing in 1955 in. "The Eagle Shooting Heroes," written in between 1957 to 1958, is the fourth martial arts novels of Jin Yong. "Condor" laid the status of Jin Yong's martial arts chief and is recognized classics. Jin Yong finished with 17 of his 15 years of martial arts novels, but also novel in ten years all of these 15 revised it again. Jin Yong is not writing to the end of 1972, creating in effect during the Cultural Revolution.
  2, the second period, Gu period
  3, the third period, the temperature during the yellow
  Wen Jui (born in Malaysia), 1973 as "Sidamingbu Council Capital", 1981, as "Divine Swordsman," "Blood River Car" and other important works. The early eighties Yong, Liang Yu-Shen have creating in effect in 1985 after the death of Gu Long, Hong Kong and Taiwan martial arts a dying. Out of "novelty, change, and break the" psychological, Wen Jui-end 1986 line of large pushed "super new style martial arts", or "modern" martial arts, what a large amount of mainstream literature introduced martial arts. Cao Zhengwen in 1989 listed it as the representative of the third generation of martial arts, with the first generation of Jin Yong, Liang Yu-Shen, adding that the second generation of Cologne.
  Yi, whose real name is Mechanical Activated Starch, Chinese University of Hong Kong, Department of Art graduate. Huang Yi resigned in 1989, vocational high pay, seclusion Islands mountains, Tibetan style poly water, the focus in writing. 90's, soon to unique martial arts, hit Hong Kong and Taiwan both. Huang Yi Publishing Co., Ltd. established in 1991, published 大唐双龙传 other works. Huang Yi's works great scenes from many things, amazing. Only the description of the martial arts moves seem too hasty, less than convincing. In addition, Huang Yi works are often directly into a historical era, rather than history as background. This is the advantage, but also by the constraints of history.
  Second, the mainland martial arts period
  1, the first period, 20th century, the mainland's 80 "martial arts fiction"
  Martial arts (martial arts, and martial arts are different, the concept of a large number of) the content of the novel likelihood or the performance of the martial arts swordsman in history or from the perspective of the martial arts performance in the history of volunteers to fight and all kinds of social contradictions; performance of Wushu as the main Modern means of struggle, the modern revolutionary struggle, the poem much. Therefore, the "martial arts novel" is actually a martial arts oriented.
  In the 80's, from the movie "Shaolin Temple" triggered the wave of martial arts in the country set off, the issue of martial arts much more than a purely literary works. In 1981, Hubei, and other folk art association founded on any clear, "King of ancient legend," began running a series Ouyang Xuezhong's "legendary Wudang Mountain," Nie cloud "Jen." In 1982, Wang Zhanjun as "white Touch of Zen", is the pioneer of 80 years for the martial arts. In 1984, martial arts martial arts novels have been gradually replaced by the term and trend.
  80 years of the 20th century very few martial arts boutique, good works are: "White Touch of Zen" and the first to break the mainland disaster restricted chivalrous themes for the 80's martial arts novels sounded the rise of Overture. Willow Creek's "Thieves 'swallows' the three legendary Lee" Ping Yunan's "heroes in Tianjin Fearless", Feng Jicai's "Supernatural Whip", are also representative works of this period.
  2, the second period, 20th century, China's martial arts 90
  That is, the mainland's "new style" martial arts, is the author of the Hong Kong and Taiwan the mainland martial arts parody. A series of martial arts from the Canglang Ke works, we can see traces of imitation. Canglang Ke, formerly known as Yao Fei, Yunnan Normal University, a professor specializing in classical literature, published in 1990, "a Jianping Jiang Hu", which can be seen as the mainland's first work new style martial arts. Martial arts during this period, the overall lack of cultural awareness to enhance the fine, the main road along the New Chinese martial arts stories, works of very limited practical impact.
  Over the same period of other writers are: Ching Lin e, in the early 90s with the "Dawn Fung Kee evil" and its sequel, "Green Monkey White Tiger Power" 2. Fire pears, Shanghai intellectuals, written in 1995, a "surprise dance leaves flowers." Baorui, Xinhua, the representative of "martial arts scroll Kyoto" series of all six, "drunk Zhangsan Ye", "Form and Meaning in Knight recorded", etc.. Xiong Mu, the North who, by nature bold, first work as a "skeleton people." Wei Qi, the representative of the "golden posts Grand Theft Auto." Shuro, masterpiece "duck blood."
  【Period】 modern martial arts
  The so-called "new" martial arts "in the new century martial arts", "Network martial arts," "China" martial arts period. 90 late 20th century, Huang Yi martial arts orgasm died down, with the rise of network literature, martial arts writers of the network of readers more and more choices, more and more discerning tastes, under pressure, had the traditional writer strength approach, there are some higher quality martial arts. Shanghai 1999, the "heroes and who discovered" in 2001 in Wuhan, "Jinguchuanqi martial arts version of" Zhengzhou 2002 "martial arts stories" and other magazines started publication, contributed to the development of martial arts.
  In 2004, "Jinguzhuanqi martial arts version of" half-monthly the newsletter editor Paul Cheng pure proposed "21st Century China" martial arts concept, referred to as "the mainland" martial arts, the main conclusion of the continent, the creation of a number of martial arts writers. In June, "" martial arts from the Changjiang Literature & Art Publishing House Birch magazine launch. The same period, Hong Kong and Taiwan in particular, the creation of the island of Taiwan should not be overlooked. Mainland New Knight has a clear intellectual atmosphere and consciousness. Zheng Bao pure say, "I think the new concept of martial arts should not rigidly adhere to magazine and book publishing, but should refer to a cultural trend!."
  The martial arts are divided into four categories: youth martial arts (funny and does not make sense), such as "Ranger Xiu Xiu." Fantasy martial arts, such as "Zhu Xian," "Immortals." Female martial arts (category romance), such as "blood Wei", "Mirror • Twin Cities." Type of traditional martial arts, such as "Kunlun" "Hero Zhi", "land so."



pínglún (1)

hepingdao xièdào (2008-08-13 12:19:17):

  【 dāng dài yōu xiù wǎng luò xiá
  
  《 liàn zhī xiū zhēn zhě
  《 kōng níng jiàn xíng
  《 wéi zūn
  《 jìn shì yǎn
  《 lín méng zhù
  《 xiān fán tāi
  《 chóngshēng wén xiāng zhī háng jìng zhāi
  《 xiān jiàn xiá chuán 2 hòu -- róng qíng piān
  《 luò fēi jiàn
  
  【 xiá xiǎo shuō jiā dài biǎo zuò
  
   jīn yōng
  《 dǐng
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   lóng
  《 duō qíng jiàn qíng jiàn
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  《 lín wài shǐ
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  《 yīngxióngzhuàn
  《 tiān · míng yuè · dāo
  《 liú xīng · dié · jiàn
  
   liáng shēng
  《 píng zōng xiá yǐng
  《 jiàn xià tiān shān
  《 yún hǎi gōng yuán
  《 báifà chuán
  
   wēn ruì 'ān
  《 míng liè
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  《 shuō yīng xióng shuí shì yīng xióng liè
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   píng jiāng xiào shēng
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   hái zhū lóu zhù
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   bái
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   wáng
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   zhèng zhèng yīn
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   zhū zhēn
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  《 shā bēi
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   líng qiáo
  《 shí nián jiàn cāng hǎi méng
  
   huáng
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   lóng shēng
  《 fēi yàn jīng lóng
  《 jīn jiàn diāo líng
  
   kuāng
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   zhū qīng yún
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   liǔ cán yáng
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   líng
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   yún zhōng yuè
  《 jiàn hǎi qíng tāo
  
   hóng
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   chén qīng yún
  《 guǐ bǎo